Pépé Vignes, French 1920-2007 - Fish, 1974; pen with crayon on paper laid on cardboard, signed lower centre 'P Vignes' and dated lower left '1974', 21.7 x 22.5 cm (ARR) Provenance: Tajan, Paris, Arte Moderne, 26th November 2019, lot 88; with WSJ Gallery, London (according to the stamp on the reverse of the frame); private collection Note: works by the artist are in the Collection de l’Art Brut, Lausanne, alongside artists such as Henry Darger, Madge Gill and Scottie Wilson. The artist, born Joseph Vignes, started making art in his 40s, often featuring imagery such as boats, flowers and fish in everyday materials like carboard with crayon, biro and felt-pen.
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Vanessa Bell, British 1879-1961 - Bridge in Paris, c.1921; watercolour on paper, with Estate Stamp lower right, 18.3 x 13 cm (ARR) Provenance: with The Bloomsbury Workshop, London (according to the label attached to the reverse of the frame and copy of the original invoice); The Harris Collection, USA, purchased from the above on the 11th March 1998 and thence by descent Note: the artist painted a similar scene of a bridge in Paris in 1921, the work 'Le Pont Neuf, Paris' now in the Ashmolean Museum, Oxford and 'On the Seine' at the Fitzwilliam Museum.
Vanessa Bell, British 1879-1961 - Family Group, Frances and Nerissa Garnett, c.1957; gouache on paper, with Estate Stamp on the reverse, 40.8 x 20.2 cm (ARR) Provenance: with The Bloomsbury Workshop, London (according to the label attached to the reverse of the frame); The Harris Collection, New York, purchased from the above and thence by descent Exhibited: Palazzo Massari, Ferrara, 'Vanessa Bell and Virginia Woolf "Disegnare la vita" ', May - July 1996, no.36 (illus.pg.80)Note:the matching checkered trousers suggest the sitters are the twins of Angelica and David Garnett.
Jules Pascin, Bulgarian/French 1885-1930 - Les Soeurs de Monelle, Souvenir de Marcel Schwob; ink and pencil on paper, stamped with Artist's estate stamp lower right 'Atelier Pascin', titled along lower edge 'Les Soeurs de Monelle, Souvenir de Marcel Schwob', stamped on the reverse 'Succession Pascin Le Commissaire Priseur', 19.5 x 24 cm Provenance: the Estate of the Artist, Paris; David Ellis-Jones, London (according to the inscription on the reverse); private collectionNote:David Ellis-Jones was an art dealer working in Paris and a vendor to the British Museum from 1976-1981.
Alfred Wolmark, British/Polish 1877-1961 - Still life with flowers; oil on canvas, signed with monogram lower left, 54 x 65.2 cm (ARR) Provenance: Galerie Bonaparte, Menton (according to the stamp on the reverse of the stretcher); private collection, purchased from the above Note: Wolmark was famed for his bold colour palette, influenced by French Modernism, and in an early exhibition in the 1910s at the International Society of Artists, his work was placed beside Vincent Van Gogh, as the only artist of comparable intensity. Wolmark exhibited at the influential 'Manet and the Post-Impressionists' exhibition at the Grafton Gallery in 1910, organised by Roger Fry.
A large Minton Secessionist jardiniere, with Minton's green stamp to the base with incised lettering and numbers, all over green and blue floral decoration. 28 cm high, together with a second almost identical jardiniere by Mintons, with incised marks to the base (2) (see illustration). CONDITION REPORT: The two jardinieres are structurally intact but both have some condition issues. The first has a clear and visible 3 cm crack from the top of the rim through and into the interior of the bowl. This crack runs from one side of the rim to the other. Alongside that there are hairline cracks to the interior of the bowl, these look to be to the depth of the glaze and not structural. Plenty of wear to the base, scratches and some discolouration to the glaze. The other jardiniere also has visible and significant hairline cracks to the interior of the bowl, the most prominent runs to 4 cm long. There is also plenty of crazing within the interior glaze as well. Again this has been well used and shows signs of discolouration, dirt and use. Neither are in prime condition, both are in used condition with visible cracks and hairline cracks in places.
A Minton Secessionist jardiniere, with green Minton's stamp to the base, green and blue floral decoration. 27 cm high (see illustration). CONDITION REPORT: This jardiniere is structurally sound with no visible cracks, breaks or damage. It is in used condition, there will be areas where the glaze is not perfect. There are patches of ingrained dirt and occasional pin prick losses to the glaze. The base itself has some wear and scratching through use and the interior of the bowl is crazed in places, rubbed and with ingrained dirt again through understandable use.
A Minton Secessionist jardiniere, with Minton's stamp No 71 to the base, with floral tube lined green and red decoration. 26 cm high. CONDITION REPORT: Tis jardiniere is structurally sound, no cracks, breaks, chips or losses visible. There is some wear to the interior through use. Ingrained dirt and occasional pin prick losses of glaze, also some scratches and wear to the base. Overall condition used. Structurally sound.
After William Daniell (1769-1837), Whitehaven Cumberland originally drawn and engraved by William Daniell, published by Longman and Daniell, Fitzroy Square London, aquatint. 23 x 30 cm (PL), together with the book "Sailing on Horseback, William Daniell and Richard Ayrton in Cumbria and Dumfries and Galloway" and a second book "William Daniell R.A. A Voyage Round Great Britain 1814-1825" reprinted by The Tate Gallery Millbank and The Scholar Press, 39 Great Russell Street 1978, in two volumes (3). CONDITION REPORT: This print of Whitehaven is a 20th century re-strike with print makers stamp TGEA to the bottom right of the margin. Overall the paper is in reasonable condition, no damage or tears. There is a significant spot of foxing to the centre of the margin below the plate mark. Other very small spots in places.
A collection of Royal Worcester Blush Ivory items, including a conical ewer with puce mark, shape no. 1260, H16cm, a footed bowl with puce mark, shape no. 1735, and a small pot with green back stamp, shape no. 1041, all decorated with sprays of flowers and gilded decorationThe conical jug has a restored pouring lip visible, otherwise good overall condition, just some rubbing to the gilding
A LACHENAL & CO., LONDON CONCERTINA, Serial No.58118, with rosewood ends, forty eight bone buttons, lacks maker’s label but with trade mark stamp, in rosewood carrying case with leather handle and Lachenal label to inside cover (Est. plus 24% premium inc. VAT)Condition Report: holes to most corners of bellows, wood good but some scuffing to leather banding.
A LACHENAL & CO., LONDON CONCERTINA, Serial No.139490, with mahogany ends and twenty-one bone buttons, lacks maker’s label but with trade stamp, in black leather carrying case (Est. plus 24% premium inc. VAT)Condition Report: Generally good condition, lacking leather lining beneath fretwork to one end, carring case lacking leather handle and with some scuffing.
A LACHENAL & CO., LONDON CONCERTINA, Serial No. 14810, with mahogany ends and twenty-one bone buttons, maker’s paper label, in associated mahogany case with brass loop handle, together with another with rosewood ends and forty-eight bone buttons, lacking maker’s label/trade stamp, in black leather carrying case (2) (Est. plus 24% premium inc. VAT)Condition Report: Small hole to bellows of mahogany one due to failed amateur repair, some scuffing generally and both leather straps damaged, the rosewood one has recently been refurbished and in very good condition but carrying case in very poor condition.
A PAIR OF JAPANESE CLOISONNE ENAMEL VASES, Meiji period, of rounded hexagonal form, inlaid in colours with a cockerel and hen beside bamboo on a black ground, stamp to base, 7" high (Est. plus 24% premium inc. VAT)Condition Report: Both have minor chips to enamels around the fowls, but have typical very small enamel imperfectionists, the foot on one and the top rim on the other both rotate
A VICTORIAN BURR WALNUT CANTERBURY of oblong form with fret work sides and two divisions on spindle supports, wrythen turned corner columns with turned finials, base drawer with turned wood handles, on baluster turned legs with brass toes and china castors, stamp for T Wilson, Great Queen St., London, 24" x 16 1/2" x 22 1/4" (Est. plus 24% premium inc. VAT)Condition Report: Generally good condition throughout, bar no damage to fretwork but some little turned pegs missing/replaced, also very minor loss to one ring turning of a central spindle, drawer handles original
A MAHOGANY CANTERBURY, early 19th century, of oblong form with four slatted divisions surmounted by a loop handle, baluster turned corner posts with turned finials, base drawer with later brass drop handle, on brass toes and castors, stamp for A. Blain, Liverpool, 21 1/2" x 15" x 18 3/4" (Est. plus 24% premium inc. VAT)Condition Report: Small chip to top right corner of drawer front veneer, otherwise good.
Postal History. Collection including pre-stamp correspondence from 1797 to QV; postal stationery; halfpenny postcards; Penny Red covers, and others. Featuring mileage marks, village cancellations, duplex cancellations, skeletons. Approximately 80 pieces of correspondence arranged in two slipcased albums for Dudley & Worcestershire with typed notes by Brian Brookes (deceased) P.T.S. (2)
A job lot to include 3 cameras in leather cases , post cards from the 1930's onwards, a school bell ,impressed for 1939 and ARP around the base, 2 wooden sewing boxes and a stamp album. to include A Pentona II Halina Rolls 45 mm Bessamatic 1:2.8/50 and a Voigtlander super-Dynarex 1:4/135 please view all pictures.
A Worcester Royal Lily Pattern tea pot stand , blue crescent back stamp, C1780 Measures 15 cm across Condition: Good A Pearlware English Chestnut basket and stand C1810, impressed S to base Stand measures 26 cm x 19cm and basket stands 12 cm to top of handle Condition: stand in good condition, basket has a rim crack, as shown A Quadrant dessert dish by Spode , with work mans mark C1810-1820 19 cm x 19 cm across and 3 cm deep. Condition, one small behind the edge rim nibble, as shown View all pictures
A group of Emma Bridgewater pottery decorated in the Fruits pattern, comprising two blackberry French bowls, two lidded jam pots decorated in the Damson and Blackberry pattern, a 1 1/2 pint jug decorated in the Plum design, with back stamp showing Made for Waterfield, and a cup and saucer in the Plum design, with old back stamp. (7)
GERMAN WWII ARMY MINE FIELD MARKER KIT, appears to be complete w/ approx. 20 yellow skull flags w/ metal polls, its black leather case is 22” tall & has a side pouch for yellow marking strap, inside its top flap is a eagle, a “1940” date & makers stamp, comes w/ web carry strap, some damage & honest wear but overall nice,
EARLY THIRD REICH ALLGEMEINE-SS ENLISTED RANKS / NCO’S PEAKED VISOR HAT, fine example of an early period Allgemeine-SS peaked service cap constructed from a fine black wool with whip cord weave. White piping to the crown and bordering the central band. Cap is fitted with early pattern short winged NSDAP eagle and early pattern jawless skull. NCO’s pattern chinstrap with one plain black side button and one replaced pebbled example. The peak has brown underside with cross hatch and the black SS runes and RZM stamp. Interior with tan leather sweatband with perforated forehead section. Satin cloth lining to the interior with the celluloid diamond having SS runes underneath and original owners name inked on card to the centre. The interior of the cap has various theatre stamps, some of which have been inked out. The sweatband shows some evidence of being re-attached at one time. Underside of the sweatband is the SS RZM linen label. Many German caps and uniforms were captured and used in various theatre and film studios in both Eastern and Western Europe, so not uncommon to find with ink stampings from such places.
WWII GERMAN LUFTWAFFE M-42 STEEL COMBAT HELMET, good example of a standard M-42 steel combat helmet with a dark black painted combat finish to the exterior of the shell. Helmet is complete with the original 2nd pattern Luftwaffe decal, approximately 75% present. Complete with the original brown leather chinstrap and its original tan leather liner. Remains of the original owners name inked to the liner. Unclear makers stamp but size mark 64 still visible, batch number appears to be ‘4037’. Some surface rusting to the exterior of the shell, small area of damage to the original chinstrap.
NSDAP ORDENSBURG LEADERS VISOR HAT, scarce, ribbed brown cotton top w/dark brown velour band, a cream color satin lining having its full plastic diamond, size stamp “58”, the brown leather inner band is like new under which is the full oilcloth RZM label, ea. side has 2 brown painted vent holes, the yellow wool piping has half a dozen moth nips, has gold-gilt metal insignia, w/ enamel cockade, the gold cellulon chin-cord has a partial paper RZM label, overall exc.
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165558 item(s)/page