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Click here to subscribeA large collection of stamps, mostly 20th century, though some earlier, GB stamps, First Day Covers and a few presentation packs, Commonwealth and World including China, Chile, Ethiopia, Rushia, Vatican, Germany, Iceland and the Falkland Islands including a mint, four stamp sheet commemorating The First Anniversary of the Liberation, all contained in eleven various albums and with two further unused stock books. (13)
TWAIN, Mark. More Tramps Abroad. Chatto & Windus, London. 1897 UK 1st Edition. In original publisher’s cloth. Blind stamp pattern and gilt titling to front board. Gilt titling to spine. Teg. Patterned endpapers. 486pp plus 32pp publisher’s catalogue at end (dated Sept 1897). [1]Condition report: Sun fading to spineSlight crushing to head and tail.
Sir William Russell Flint RA (1880-1969) - Baccante, red, black and brown crayon, signed lower right and titled upper right, 19.5 x 31cm, with studio stamp F.D.R. stock label verso, registered No. D12453 and McConnell Mason & Son Ltd gallery labelCondition report: Paper good, no creases or tears.Colours good.No scratches.Re-mounted.Frame with some gesso losses.An excellent example.
Peter Collins ARCA (b.1923) Study of two standing nudes Signed and dated (19)82, with studio sale stamp, conte crayon, with further study verso, together with a collection of four further nude sketches by the artist, 41cm by 37cm and various other sizes (all unframed) Provenance: The artist's studio sale Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Peter Collins ARCA (b.1923) Study of a woman in a black nightdress With studio stamp, mixed media, together with four further mixed media nude studies by the artist, 32cm by 32cm and various other sizes (5) (all unframed) Provenance: The artist's studio sale Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
A diamond five stone ring, the eight-cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, finger size N; and a diamond solitaire ring, the old cut diamond in a white illusion setting, to a yellow tapered shoulder plain polished shank, finger size J1/2. Five stone ring - stamped '18CT' and in our opinion would test as gold, 3.0 grams. Solitaire ring - bears no hallmark nor stamp but in our opinion would test as gold, 1.8 grams.
A Collection of Silver, Silver Plate and Other Pencils and Writing Implements, including: a pencil in the form of a gun; a pencil with a shell handle; a pencil with folding stamp finial; a pencil with a nut handle; an inkwell in the form of a pipe; a silver cased pencil and a pen with composition handle, by Sampson Mordan and Co. (7)
A large Dutch Delft Charger, with gadroon shaped edges, hand painted in blue tones with a scene of Delft with sailing boats and windmills in a river landscape, signed 'J M Wysmuller', the reverse with impressed stamp, 'JOOST THOOPY & LACOUCMERE NB', and signed 'Delft F F K 117', 15¼in (39cm) diameter.
Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - „Two Dollar Bill“, 2 Dollarnote mit Gelegenheitssignatur und Poststempel des Jahres 1976, Ashland, verso gestempelt "Andy Warhol", Maße: ca. 15,7 x 6,6 cm, im beidseitigen Magnet-Acrylrahmen: ca. 20,2 x 15,1 cm, Galerie-Zertifikat anbei Andy Warhol (1928-1987) - An autographed two-dollar bill depicting Thomas Jefferson, dated 1976, Ashland, ‚Andy Warhol‘ stamp on the verso, appr. 15,7 x 6,6 cm, in a acrylic photo frame appr. 20,2 x 15,1 cm, certificate
Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - „Two Dollar Bill“, 2 Dollarnote mit Gelegenheitssignatur und Poststempel des Jahres 1976, Ashland, verso gestempelt "Andy Warhol", Maße: ca. 15,7 x 6,6 cm, im beidseitigen Magnet-Acrylrahmen: ca. 20,2 x 15,1 cm, Galerie-Zertifikat anbei Andy Warhol (1928-1987) - An autographed two-dollar bill depicting Thomas Jefferson, dated 1976, Ashland, ‚Andy Warhol‘ stamp on the verso, appr. 15,7 x 6,6 cm, in a acrylic photo frame appr. 20,2 x 15,1 cm, certificate
(See English version below)Sigmar Polke (Oels 1941 – 2010 Köln). Ohne Titel (Übermalter Faksimiledruck von Rembrandt mit der Ansicht der Kirche von Bloemendaal). 1990er-JahreFarbige Filzstifte, mit Alkohol getränkt und auf den Druck abgetropft. 21,4 × 41,5 cm ( 8 ⅜ × 16 ⅜ in.). Auf der Rückseite des Drucks mit Bleistift signiert: S. Polke. Mit dem Trockenstempel sowie dem Faksimile-Stempel der Staatsdruckerei Berlin.Das Werk ist im Estate of Sigmar Polke verzeichnet unter der Referenznummer: 16/00153/Rembrandt. [3319] Gerahmt. Provenienz: Privatsammlung, Rheinland (direkt vom Künstler erhalten)Wir berechnen auf den Hammerpreis 30% Aufgeld.Sigmar Polke (Oels 1941 – 2010 Cologne). Untitled (Overpainted facsimile print by Rembrandt with a view of the Bloemendaal church). 1990sColoured felt-tip pens, soaked with alcohol and dripped on the print. 21,4 × 41,5 cm ( 8 ⅜ × 16 ⅜ in.). Signed in pencil on the reverse of the print: S. Polke. Blindstamp, as well as the facsimile stamp of the Staatsdruckerei Berlin.The work is registered in the Estate of Sigmar Polke under the ref. no.: 16/00153/Rembrandt. [3319] Framed. Provenance: Private Collection, Rhineland (received directly from the artist)We charge 30% premium on the hammerprice.
(See English version below)Peter Roehr (Lauenburg (Pommern) 1944 – 1968 Frankfurt am Main). Ohne Titel (OB-66(7)). 196636 rote Klebeetiketten auf Karton. 25,5 × 25,5 cm (40 × 40 cm) ( 10 × 10 in. (15 ¾ × 15 ¾ in.)). Rückseitig mit dem Nachlassstempel und dort der Nachlassverzeichnisnummer: Peter Roehr Nr. OB-66(7). Auf der Rückpappe mit Filzstift in Schwarz beschriftet: ROEHR o.T. (OB-66). Ebendort mit den Etiketten der Galerien Mehdi Chouakri, Berlin, und Ales Ortuzar, New York.[3405] Gerahmt. Provenienz: Galerie Mehdi Chouakri, Berlin / OSMOS Address, New York / Ehemals Collection of Irving StennWir berechnen auf den Hammerpreis 30% Aufgeld.Peter Roehr (Lauenburg (Pomerania) 1944 – 1968 Frankfurt am Main). Untitled (OB-66(7)). 196636 red adhesive labels on cardboard. 25,5 × 25,5 cm (40 × 40 cm) ( 10 × 10 in. (15 ¾ × 15 ¾ in.)). Estate stamp and the estate inventory number on the reverse: Peter Roehr Nr. OB-66(7). Inscribed in black felt-tip pen on the cardboard backing: ROEHR o.T. (OB-66). As well as labels of the galleries Mehdi Chouakri, Berlin, and Ales Ortuzar, New York.[3405] Framed. Provenance: Galerie Mehdi Chouakri, Berlin / OSMOS Address, New York / formerly Collection of Irving StennWe charge 30% premium on the hammerprice.
(See English version below)Günter Fruhtrunk (1923 – München – 1982). „ROT AUS SCHWARZ AUS GELB“. 1970Acryl auf Leinwand. 80 × 79 cm ( 31 ½ × 31 ⅛ in.). Rückseitig mit Filzstift in Schwarz betitelt und datiert: ››› Rot AUS ‹‹‹ SCHWARZ AUS GELB ‹‹‹ 1970 sowie in Violet signiert und monogrammiert: FRUHTRUNK. Rückseitig sowie auf dem Überspann und auf dem Keilrahmen bezeichnet und mit Richtungspfeilen versehen. Auf dem Keilrahmen das Etikett der Galerie Konstruktiv Tendens, Stockholm und der Stempel der Galerie Stangl, München.Nach Sichtung durch Walter Storms für den geplanten Ergänzungsband des Günter Fruhtrunk Werkverzeichnis vorgesehen. [3516] Provenienz: Privatsammlung, Schweden (1990 in der Galerie Konstruktiv Tendens, Stockholm, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Günter Fruhtrunk (1923 – Munich – 1982). ”ROT AUS SCHWARZ AUS GELB”. 1970Acrylic on canvas. 80 × 79 cm ( 31 ½ × 31 ⅛ in.). Titled and dated in black felt-tip pen on the reverse: ››› Rot AUS ‹‹‹ SCHWARZ AUS GELB ‹‹‹ 1970, as well as signed and monogrammed in violet: FRUHTRUNK. Inscribed and with directional arrows on the reverse, as well as on the overlap and on the stretcher. On the stretcher the label of Galerie Konstruktiv Tendens, Stockholm and the stamp of Galerie Stangl, Munich.Intended for the planned supplementary volume of the Günter Fruhtrunk catalogue raisonné following review by Walter Storms.. [3516] Provenance: Private Collection, Sweden (acquired in 1990 at Galerie Konstruktiv Tendens, Stockholm)We charge 30% premium on the hammerprice.
(See English version below)Joseph Beuys (Krefeld 1921 – 1986 Düsseldorf). „Difesa della Natura“. 1982Schwarze und rote Schrift auf Segeltuch. 105 × 390 cm ( 41 ⅜ × 153 ½ in.). Signiert und nummeriert.Schellmann 461. Eines von 20 nummerierten Exemplaren aus einer Gesamtauflage von 22. Pescara, Edizioni Lucrezia de Domizio (mit dem rückseitigen Stempel). [3498] Provenienz: Privatsammlung, Nordrhein-WestfalenWir berechnen auf den Hammerpreis 30% Aufgeld.Joseph Beuys (Krefeld 1921 – 1986 Düsseldorf). ”Difesa della Natura”. 1982Black and red lettering on canvas. 105 × 390 cm ( 41 ⅜ × 153 ½ in.). Signed and numbered.Schellmann 461. One of 20 numbered copies from a total edition of 22. Pescara, Edizioni Lucrezia de Domizio (stamp on the reverse). [3498] Provenance: Private Collection, North Rhine-WestphaliaWe charge 30% premium on the hammerprice.
(See English version below)Norbert Schwontkowski (1949 – Bremen – 2013). „Der Erfinder der Tricolore“. 2009Öl und Collage auf Leinwand. 181 × 201 cm ( 71 ¼ × 79 ⅛ in.). Rückseitig mit Pinsel in Schwarz signiert und datiert: Schwontkowski 2009. Auf dem Keilrahmen mit Filzstift in Schwarz betitelt und beschriftet: Der Erfinder der Tricolore NS/M 1043. Hier mit einem Ausstellungsetikett der Galerie Mitchell-Innes & Nash, New York, sowie einem Etikett und Stempel der Galerie Contemporary Fine Arts, Berlin.[3023] Gerahmt. Provenienz: Privatsammlung, New York (bei Mitchell-Innes & Nash, New York, erworben)Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Norbert Schwontkowski (1949 – Bremen – 2013). ”Der Erfinder der Tricolore”. 2009Oil and collage on canvas. 181 × 201 cm ( 71 ¼ × 79 ⅛ in.). Signed and dated with brush in black on the reverse: Schwontkowski 2009. Titled and inscribed on the stretcher in black felt-tip pen: Der Erfinder der Tricolore NS/M 1043. Here also an exhibition label of the Mitchell-Innes & Nash gallery, New York, as well as a label and stamp of the Contemporary Fine Arts gallery, Berlin.[3023] Framed. Provenance: Private Collection, New York (acquired at Mitchell-Innes & Nash, New York)We charge 30% premium and 7% import tax on the hammerprice.
(See English version below)Gerhard Richter (Dresden 1932 – lebt in Köln). „Flow (P16)“. 2016Digitaler Farbfotoabzug auf Diasec. 100 × 200 cm ( 39 ⅜ × 78 ¾ in.). Rückseitig mit dem Etikett und Stempel des Herausgebers.Gerhard Richter: Online-Werkverzeichnis: P16. Eines von 500 vom Herausgeber nummerierten Exemplaren aus einer Gesamtauflage von 502. London, Heni Productions, 2016. [3483] Provenienz: Privatsammlung, Norddeutschland (bei der Fondation Beyeler, Riehen/Basel, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Gerhard Richter (Dresden 1932 – lives in Cologne). ”Flow (P16)”. 2016Diasec mounted chromogenic print on aluminium composite panel. 100 × 200 cm ( 39 ⅜ × 78 ¾ in.). On the reverse the label and stamp of the publisher.Gerhard Richter: Online catalogue raisonné: P16. One of 500 copies numbered by the editor, from a total edition of 502. London, Heni Productions, 2016. [3483] Provenance: Private Collection, Northern Germany (acquired at the Fondation Beyeler, Riehen/Basel)We charge 30% premium on the hammerprice.
(See English version below)Gerhard Richter (Dresden 1932 – lebt in Köln). „Flow (P15)“. 2016Digitaler Farbfotoabzug auf Diasec. 100 × 200 cm ( 39 ⅜ × 78 ¾ in.). Rückseitig mit dem Etikett und Stempel des Herausgebers.Gerhard Richter: Online-Werkverzeichnis: P15. Eines von 500 vom Herausgeber nummerierten Exemplaren aus einer Gesamtauflage von 502. London, Heni Productions, 2016. [3483] Provenienz: Privatsammlung, Norddeutschland (bei der Fondation Beyeler, Riehen/Basel, erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Gerhard Richter (Dresden 1932 – lives in Cologne). ”Flow (P15)”. 2016Diasec mounted chromogenic print on aluminium composite panel. 100 × 200 cm ( 39 ⅜ × 78 ¾ in.). On the reverse the label and stamp of the publisher.Gerhard Richter: Online catalogue raisonné: P15. One of 500 copies numbered by the editor, from a total edition of 502. London, Heni Productions, 2016. [3483] Provenance: Private Collection, Northern Germany (acquired at the Fondation Beyeler, Riehen/Basel)We charge 30% premium on the hammerprice.
(See English version below)Michel Majerus (Esch/Luxemburg 1967 – 2002 Niederanven/Luxemburg). Ohne Titel, o.J. (2001)Siebdruck auf Baumwollleinwand. 60 × 60 cm ( 23 ⅝ × 23 ⅝ in.). Rückseitig monogrammiert und datiert: MM 17.06.XI. Ebendort mit dem Nachlassstempel: Michel Majerus Nachlass und einem Etikett der Galerie neugerriemenschneider, Berlin.[3524]Addendum/Erratum: Titel: Ohne Titel, o.J. (2001). Korrektur des Titels im gedruckten KatalogWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.Michel Majerus (Esch/Luxembourg 1967 – 2002 Niederanven/Luxembourg). Ohne Titel, o.J. (2001)Screenprint on cotton canvas. 60 × 60 cm ( 23 ⅝ × 23 ⅝ in.). Monogrammed and dated on the reverse: MM 17.06.XI. There also the estate stamp: Michel Majerus Nachlass, and a label of Galerie neugerriemenschneider, Berlin.[3524]Addendum/Erratum: Title: Ohne Titel, o.J. (2001). Correction of the title in the printed catalogueWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.
Foreign Countries, a collector's accumulation on over 400 stockcards with several stamps on each, from classics through to more modern issues in very mixed condition, note better USA, European, Latin American, Asia etc, Also various covers incl. USA and German pre-stamp. Careful viewing advised.
Large Worldwide Accumulation In Four Boxes incl. Commonwealth in stockbooks with much KGVI material, Aircraft thematic collection incl. covers with 1911 Coronation aerial post card, RAF covers, Commonwealth 1977-78 Jubilee & Coronation albums of sets and sheetlets, Great Britain QV-QE2 collection in two albums, 100's of PHQ cards, an album of stamp issue publicity posters, a stock book of Rotary thematics, albums of USA postal stationery from 19th century, Germany, Hungary etc.
GB and Worldwide, group of stamps and postal history, very varied from pre-stamp to c.1950s, reasonably priced for retail over £400. Includes GB KGVI MNH wmk varieties, Waterlow castles mint set (cat.£250), stampless cover Cornwall to Exeter with interesting strike of 1842 'skeleton' cds type. Also US forces mail used from Staffs., Nyasaland KGVI 10/- according to owner on normal paper, used (SG.142a, cat. £500). Other covers incl. Tristan, NZ 1940 FDC set, etc, needs inspection.
Mauritius, 1859 'Post Paid' 2d blue, intermediate state of the plate, SG.38 (cat.£1,400). Very attractive used example with light cancel in UR corner well clear of the profile, nice even margins on upper three sides, lower margin slightly into frame at LR corner. Absolutely sound and free of repairs, a very clean stamp. Accompanied by 1977 R.P.S. certificate.
Spain 1850-1990's an extensive collection displayed in thirteen stockbooks, mint and used with unmounted from about the 1930's with some duplication: note 1850 6c black (42, with some plated, incl. one cancelled in red), 12c with four margins and smudgy cancel, 5r pair pen cancelled, 1851 12c four margins used, 1852 12c and 5r four margins used, 1853 12c and 5r with four margins, 6r 3½ margins, 1854 to 5r and 6r used, 1855 bluish paper incl. some multiples, later 19th century well represented (no 19c values) incl. 1864 1r mint, 1876-77 to 40c mint, 1901-05 4p mint, 1920 UPU to 1p mint, 1930 Railway air set with ''A000.000'' controls, 1930-31 set mint, 1936 Stamp Exhibition imperf set ''MUESTRA'' mint, 1938 US Constitution miniature sheet (2) mint, other better 1930's isues, 1947 Air 25p and 50p mint, early 1950's better sets mint, later years mainly unmounted. Also other material in packets, a range of covers and postcards, Revenue stamps etc. Also a stock book of Venezuela from early issues, a small bundle of Lancashire vintage postcards, and a junior world album. (1000's)
British Commonwealth, small box of approx. 200 stockcards/cut-down cards, a chaotic mass 19th century onwards, strength in GB KGV-KGVI watermark varieties, as well as in Maldives 2nd series, Seychelles chalk papers, India 19th century to KGV high vals, Hong Kong, Australian States with stamp duty high vals, Canada QV, etc. STC over £1,000.
Great Britain a wonderful range on stockcards, mostly Victorian with various mint 1d red plates to 224, used range with focus on quality postmarks, 1870 1½d mint or unused (6) and used (9), 1881 1d Venetian mint or unused (8), 1883-84 to 5s (3) used including possible 2/6d on blued paper, 1887-1900 to 9d mint, 1902-11 to 9d shades (5) mint, later incl. 1939-48 high values set mint etc. Also a few pre-stamp covers. Careful viewing advised and please study the photographs. (100's)
Great Britain and Channel Islands smorgasbord in 4 cartons, of which 2 cartons are new issues to 2018, 1 carton PHQ cards and 1 carton of cinderella, cigarette cards, matchbook cards, railway related material, etc. The face value on the GB alone will exceed £2,400, with stockbooks of sets in gutter pairs and traffic light blocks of six, sheetlets/booklet panes, presentation packs, christmas stamp booklets, impressive showing of booklets from pre-decimal to 2000s prestige with light duplication even on high value booklets, as well as aerogrammes, postal orders, etc. The Channel Islands look similarly comprehensive incl. prestige booklets, even some Eire 2000s € face value. The albums have been subject to dusty storage but this has not affected the contents.
Great Britain, 1911 Downey Head ½d green shades, Die 1a yellow-green and bluish green, SGspec.N1(4) and N1(5), both in fresh mint horizontal blocks of six (with normal green shade for comparison). The yellow-green block has UR stamp hinged, otherwise MNH, the key bluish green block MNH (cat. £2,400 for hinged), couple of inconsequential very light gum bends barely visible from the reverse only and mentioned for the sake of accuracy. Extremely attractive quality with strong colours, scarce this nice. Total catalogue as hinged singles £2,660.
1936-2013 First Day Covers in forty-three albums, plus some additional PHQ cards (incl. better early issues Fire etc), largely Bureau issues and occasional special postmark, incl. Definitive issues, Regionals and miniature sheets, note some Phosphor sets, 2012 Olympics blocks and pairs, Britannia £10 x3 etc, some earlier are hand addressed. Also various other covers for the period, and earlier from pre-stamp 1780's-1820's and other Victorian.
Worldwide Covers, Three Boxes of about 2500+ all-world covers 19th century onwards, including two good binders, one with GB from over a dozen pre-stamp through nice line-engraved, single frankings to America incl. 1856 1/- (faults), early FDCs etc, another with excellent range of worldwide covers incl. stampless 'India Paid' in crescent, Tuscany SG21 front, Boer War P.O.W., US 19th century, Mexico, general airmails/flights of the 1920s/30s incl. Syria souvenir sheet on FFC to France, etc. The hoard of loose covers no less interesting with Indian States p/stat., attractive British Commonwealth KGV and KGVI, unusual cachets, censor etc. from both world wars, France and Colonies, Latin America, etc., amongst later material with a high proportion of FDC/commemorative items.
GB and Worldwide postal history, an interesting and varied range, with a cover album of 36 interesting items including 1d unused Mulready, a dozen line-engraved covers incl. colour postmarks, 1874 6d on mourning cover to South Australia, pre-stamp items of GB and French incl. 1826 disinfected letter to Senegal, as well as Egypt, Netherlands, etc. Also loose unusual items incl. stack of c.1840s lawyer's letters, airmail/commem etiquettes incl. full sheet of Paraguay 'For Graf Zeppelin' labels, etc. The only item taken for a single lot is the KEVII Official cover in this sale. See photos.
A Red Plastic Basket Containing 80 Bookmark Postcards by publishers such as Rotary & Tuck (some duplication), a Yorkshire Penny Bank Moneybox and a bundle of cards including half a dozen better Real Photos and an unlocated but easily locatable set of six proof cards of an inspection by HRH King George VI and Queen Elizabeth of young soldiers in c.1945. Also included are two partially filled stamp albums and an envelope of loose stamps.
(See English version below)Hermann Max Pechstein (Zwickau 1881 – 1955 Berlin). „Fischer mit blauer Mütze und Pfeife“. 1912Tuschfeder, aquarelliert, auf leichtem gelben Karton. 14 × 9 cm ( 5 ½ × 3 ½ in.). Mit einer Bestätigung von Alexander Pechstein, Dobersdorf, vom 11. August 2020. Selbstgefertigte Postkarte mit dem Stempel: Nidden (Ostpr[eußen]), 11.(14.?)10.1912. Die Farbe leicht geblichen. [3008] Provenienz: Ehemals Privatsammlung, ChicagoWir berechnen auf den Hammerpreis 30% Aufgeld.Hermann Max Pechstein (Zwickau 1881 – 1955 Berlin). ”Fischer mit blauer Mütze und Pfeife”. 1912Pen and India ink, painted in watercolours, on light yellow cardboard. 14 × 9 cm ( 5 ½ × 3 ½ in.). Accompanied by a confirmation by Alexander Pechstein, Dobersdorf, dated 11 August 2020. Selfproduced postcard with the stamp: Nidden (Ostpr[eußen]), 11.(14.?)10.1912. The paint slightly faded. [3008] Provenance: Formerly Private Collection, ChicagoWe charge 30% premium on the hammerprice.
(See English version below)Werner Gilles (Rheydt 1894 – 1961 Essen). Paar am Meer. 1920er-JahreÖl auf Leinwand. 68,4 × 57,1 cm ( 26 ⅞ × 22 ½ in.). Auf dem Keilrahmen zweifach mit dem blauen Stempel (kaum lesbar): Nachlaß Werner Gilles.[3482] Gerahmt. Addendum/Erratum: Differenzbesteuert (anders als im gedruckten Katalog angegeben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Werner Gilles (Rheydt 1894 – 1961 Essen). Paar am Meer. 1920sOil on canvas. 68,4 × 57,1 cm ( 26 ⅞ × 22 ½ in.). On the stretcher twice with the estate stamp in blue (hardly legible): Nachlaß Werner Gilles.[3482] Framed.Addendum/Erratum: Differential taxation (in contrast to the information in the printed catalogue)We charge 30% premium on the hammerprice.
(See English version below)Heinrich Zille (Radeburg 1858 – 1929 Berlin). „Der abgebaute Schutzmann“. Kohle, stellenweise laviert, auf Papier, auf Papier aufgezogen. 38,1 × 54,8 cm ( 15 × 21 ⅝ in.). Unten rechts signiert: H. Zille. Unter der Darstellung mit Tuschfeder bezeichnet: Der abgebaute Schutzmann. „Na, SchutzmannsKarl, nu kannste keen fleissiges Meechen mehr die Tour vermasseln!“. Unten rechts der Nachlassstempel in Rot Lugt 2676b.[3423] Gerahmt. Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Heinrich Zille (Radeburg 1858 – 1929 Berlin). ”Der abgebaute Schutzmann”. Charcoal, in places washed, on paper, laid down on paper. 38,1 × 54,8 cm ( 15 × 21 ⅝ in.). Signed lower right: H. Zille. Inscribed beneath the image with pen and India ink: Der abgebaute Schutzmann. „Na, SchutzmannsKarl, nu kannste keen fleissiges Meechen mehr die Tour vermasseln!“. Lower right the estate stamp in red Lugt 2676b.[3423] Framed. We charge 30% premium and 7% import tax on the hammerprice.
(See English version below)Carl Grossberg (Wuppertal-Elberfeld 1894 – 1940 b. Lâon). Lokomotivbau (Henschel, Kassel). 1937/38Aquarell und Tuschfeder auf Bütten. 50 × 40,3 cm ( 19 ⅝ × 15 ⅞ in.). Unten rechts mit dem Signaturstempel: Carl Grossberg. Rückseitig zweifach mit dem Nachlassstempel und der Nr.: A 107.[3449] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Carl Grossberg (Wuppertal-Elberfeld 1894 – 1940 near Lâon). Lokomotivbau (Henschel, Kassel). 1937/38Watercolour and pen and India ink on laid paper. 50 × 40,3 cm ( 19 ⅝ × 15 ⅞ in.). Lower right with the signature stamp: Carl Grossberg. On the reverse twice with the estate stamp and the no.: A 107.[3449] Framed. We charge 30% premium on the hammerprice.
(See English version below)Bruno Breil (Königsdorf b. Marienburg (Westpreußen) 1888 – 1953). Porträt einer jungen Frau. Anfang der 1930er-JahreÖl auf Leinwand. 60 × 50 cm ( 23 ⅝ × 19 ⅝ in.). Oben links signiert (in die nasse Farbe geritzt): Breil. Auf dem Keilrahmen ein Stempel der Deutschen Kunstgemeinschaft, numeriert: 5505.[3324] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Bruno Breil (Königsdorf near Marienburg (West Prussia) 1888 – 1953). Portrait of a young woman. Early 1930sOil on canvas. 60 × 50 cm ( 23 ⅝ × 19 ⅝ in.). Signed upper left (incised into the wet paint): Breil. On the stretcher a stamp of the German Art Society, numbered: 5505.[3324] Framed. We charge 30% premium on the hammerprice.
(See English version below)Oskar Moll (Brieg/Schlesien 1875 – 1947 Berlin). „Häuser und Obstbäume“. 1934Öl auf Leinwand. 70,5 × 80,5 cm ( 27 ¾ × 31 ¾ in.). Unten rechts mit Bleistift signiert: Oskar Moll. Rückseitig von Marg Moll, der Witwe des Künstlers, mit dem mit Bleistift nummerierten Stempel versehen und mit Feder in Schwarz beschriftet: NACHLASS OSKAR MOLL NR.: 43. Häuser & Obstbäume 1934 Wangen.Salzmann 344. Das Gemälde ist Bestandteil im neuen Werkverzeichnis der Arbeiten von Oskar Moll (in Vorbereitung von Dr. Gerhard Leistner, Wenzenbach). [3443] Gerahmt. Provenienz: Nachlass des Künstlers / Privatsammlung, Schweiz / Privatsammlung, Schleswig-HolsteinWir berechnen auf den Hammerpreis 30% Aufgeld.Oskar Moll (Brzeg/Silesia 1875 – 1947 Berlin). ”Häuser und Obstbäume”. 1934Oil on canvas. 70,5 × 80,5 cm ( 27 ¾ × 31 ¾ in.). Signed in pencil lower right: Oskar Moll. Inscribed in pen and black ink by Marg Moll, the artist's widow, including a stamp numbered in pencil on the reverse: NACHLASS OSKAR MOLL NR.: 43. Houses & Obstbäume 1934 Wangen.Salzmann 344. The painting is part of the new catalogue raisonné of works of Oskar Moll (in preparation by Dr. Gerhard Leistner, Wenzenbach). [3443] Framed. Provenance: Estate of the artist / Private Collection, Switzerland / Private Collection, Schleswig-HolsteinWe charge 30% premium on the hammerprice.
(See English version below)Paul Paeschke (1875 – Berlin – 1943). Der Potsdamer Platz bei Nacht. Um 1929Pastell auf Papier. 36,7 × 48,5 cm ( 14 ½ × 19 ⅛ in.). Unten rechts signiert: P. Paeschke. Auf der Rückpappe ein Aufkleber mit dem Stempel in Rot: NACHLASS / PAUL PAESCHKE; darunter mit Feder in Schwarz beschriftet: B. 357. / Potsdamer Platz.[3414] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Paul Paeschke (1875 – Berlin – 1943). Potsdamer Platz by night. Circa 1929Pastel on paper. 36,7 × 48,5 cm ( 14 ½ × 19 ⅛ in.). Signed lower right: P. Paeschke. On the cardboard backing a label with the stamp in red: NACHLASS / PAUL PAESCHKE; inscribed beneath in pen and black ink: B. 357. / Potsdamer Platz.[3414] Framed. We charge 30% premium on the hammerprice.
(See English version below)Willi Baumeister (1889 – Stuttgart – 1955). „Gravour Faust-Scherzo“. 1952Öl und Bleistift auf Karton. 30,6 × 41,6 cm ( 12 × 16 ⅜ in.). Unten rechts signiert und datiert: Baumeister 8.52. Rückseitig mit dem Stempel in Blau: atelier willi baumeister. Links daneben mit dem Etikett: Nr. 427.Beye/Baumeister 1758. [3376] Gerahmt. Provenienz: Nachlass des Künstlers / Privatsammlung, EuropaWir berechnen auf den Hammerpreis 30% Aufgeld.Willi Baumeister (1889 – Stuttgart – 1955). ”Gravour Faust-Scherzo”. 1952Oil and pencil on cardboard. 30,6 × 41,6 cm ( 12 × 16 ⅜ in.). Signed and dated lower right: Baumeister 8.52. On the reverse the stamp in blue: atelier willi baumeister. Beside this to the left, the label: no. 427.Beye/Baumeister 1758. [3376] Framed. Provenance: Estate of the artist / Private Collection, EuropeWe charge 30% premium on the hammerprice.
(See English version below)Karl Hartung (Hamburg 1908 – 1967 Berlin). „Kleine Liegende mit aufgestütztem Kopf“. 1948Bronze mit goldbrauner Patina. 19,5 × 40 × 24,5 cm ( 7 ⅝ × 15 ¾ × 9 ⅝ in.). Hinten am unteren Rücken signiert: HARTUNG. Auf der Unterseite mit dem Stempel: HARTUNG. Daneben gestempelt: * N [Nachlass].Krause 404. Einer von 12 Güssen. [3367] Provenienz: Franz-Heinrich Sobotka (1907–1988), Berlin (aus dem Nachlass Hartungs erworben, seitdem in Familienbesitz)Wir berechnen auf den Hammerpreis 30% Aufgeld.Karl Hartung (Hamburg 1908 – 1967 Berlin). ”Kleine Liegende mit aufgestütztem Kopf”. 1948Bronze with golden brown patina. 19,5 × 40 × 24,5 cm ( 7 ⅝ × 15 ¾ × 9 ⅝ in.). Signed at the bottom on the reverse: HARTUNG. On the underside the stamp: HARTUNG. Stamped beside this: * N [Nachlass].Krause 404. One of 12 casts. [3367] Provenance: Franz-Heinrich Sobotka (1907–1988), Berlin (acquired from the estate Hartung, thence by descent to the present owner)We charge 30% premium on the hammerprice.
Bancroft, Hubert Howe, The Book Of The Fair An Historical And Descriptive Presentation Of The World's Science, Art and Industry, as Viewed through the Columbian Exposition at Chicago in 1893, Fin de Siecle Edition Limited to Nine Hundred and Fifty Copies, this copy is Number 121, Sections 0ne - Ten, with Presented to Farleigh Dickinson University Library by Charles L. Ragot label to endpaper and blind stamp to the title page. (10)
A collection of miscellaneous items all relating to various British and World Exhibitions, to include Souvenir De Paris Exposition Universelle 1878 leather bound book of photographs, Montreal Expo67 Mini album, Valentine's Snapshots "An Clachan" Empire Exhibition album and Empire Exhibition Scotland 1938, stereographic viewing cards, 12 Snapshots of Antwerp Exhibition 1930 x4, Exposition Paris 1937 10 colour photo's, The New Wembley 1925 British Empire Exhibition Guide, a 1951 Festival of Britain News Chronicle London Map and Guide, Franco-British Exhibition giant postcards, The World of Tomorrow New York World's Fair 1789-1939 six panel peep-show book in envelope, two full sheets of Festival of Britain stamps and various 1st day covers and used stamp envelopes etc.
A collection of miscellaneous items relating to various British and World Exhibitions, to include German Chicago World's Fair photograph album, The Coronation Scot Great Britain's Luxury Train on Exhibition at the New York World's Fair pamphlet, All The World At The Fair booklet, International Exhibition of the Building Trades and Homes Lepzig, various stamp covers and postcards etc.
C. E. GOULDSBURY - 'TIGER LAND', published by Chapman & Hall, 1913 (A/F) together with Walter Bonatti - 'On The Heights' 1979, P. D. Stracey - 'Reade, Elephant Hunter' 1967, and Ray Whitaker - 'Two and a Half Ton Dream' (4)¦Condition Report:Tiger Land - stained cover, front endpapers splitting down inner spine, owner's name in ink, stamp at bottom of endpaper - Thacker Spink & Co. Calcutta, foxing¦
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