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Russian silver snuffbox with the impressions of the medal "In memory of demise of Empress Elizabeth I of Russia". - Russia, 18th cent.(?) - 9,5x2 cm; 241 g. Silver; stamp, engraving, gilding. Hallmarks: Moscow city coat of arms - city of assay, with the date "1790"(?). Condition: By request.
Russian silver fruit vase “Grapevine” in Neobarocco style. - Russia, 19th cent. - 28x17,5x9 cm; 249 g. Silver; stamp, chasing, gilding. Hallmark of .84 finess, St. Petersburg(?) city coat of arms - city of assay, assayer's initials "AM" (?Mor Alexander) with the date (illegible), master's mark "CMS". Condition: By request.
[Russian Empire]. Karl Bulla. Photograph "The troop of the Life-guard deminers battalion at the opening of the monument to Grand Duke Nikolai Nikolayevich on the Manezhnaya Square". - St. Petersburg, 1914. - 21,5x15 cm. Gelatin silver print. On the back side there are the stamp of the Karl Bulla's photostudio and inscriptions in pencil. Condition: By request.
Milne (A. A.) [The Christopher Robin Books], 4 vol., comprising When We Were Very Young, second edition, embossed ownership stamp to endpapers, 1924; Winnie the Pooh, first edition, 1926; Now We Are Six, first edition, 1927; The House at Pooh Corner, first edition, ink dedication inscription to half-title, endpapers a little browned, 1928, all with illustrations by E.H. Shepard, original pictorial cloth, t.e.g., spines a little faded, ends a little creased and bumped, but a very attractive set overall, 8vo.
Bell (Vanessa).- Buchan (Susan) The Funeral March of a Marionette, jacket spine faded, 1935 § Upward (Edward) Journey to the Border, review copy with small stamp to endpapers, jacket spine ends creased and slightly bumped, 1938 § The Hogarth Essays, 1928, original boards or cloth, dust-jackets by Vanessa Bell, [Woolmer 360; 439; 321], 8vo, Hogarth Press, 8vo (3)
Reid (Forrest) Notes and Impressions, first edition, original boards, dust-jacket, lightly faded with the odd nick to extremities, Newcastle, 1942; A Garden by the Sea, first edition, original cloth-backed boards, 1918; Pender Among the Residents, first edition, review copy with embossed stamp to title, endpapers browned, original cloth, spine ends creased, 1922; and 5 others by the same, 8vo (8)
Grant (Duncan), Francis Birrell & David Garnett. Some Contemporary English Artists, first edition, faint spotting, original wrappers, upper cover detached, frayed and rubbed at extremities, spine defective, 1921; British Artists of Today: Duncan Grant, first edition, ownership stamp and book-label on front free endpaper, original boards, lightly browned, 1927; and 6 others, including 5 detached book covers with Roger Fry's ownership name and another work by Fry, v.s. (8)⁂The first has a cover designed by Duncan Grant for a group exhibition held at Birrell and Garnett Bookshop, 19 Taviton Street, London, in 1921. The shop was run by Francis Birrell and David Garnett, both lovers of Duncan Grant's, until 1924.
[O'Connell (Rev. F. W.)], "Conall Cearnach". The Fatal Move and other stories, first edition, stamp to front pastedown, endpapers lightly browned, original cloth, slight bumping to spine extremities, dust-jacket, small loss to spine ends, tear to upper flap and into fore-edge of upper panel, chipping and a few other small tears to edges, upper joint broken, 8vo, Dublin, 1924.⁂ The pseudonym "Conall Cearnach" was taken from Irish mythology where he was a Warrior of the Ulster Cycle and a protector of Ulster. The Fatal Move is a chess related story, with the others being Irish supernatural and ghost stories.
NO RESERVE Oppenheim (E.Phillips) The Magnificent Hoax, first edition, Boston, 1936; The Pawns Count, ownership stamp to endpapers, jacket with portion of loss to spine, New York, 1918; Simple Peter Cradd, ownership name to endpapers, jacket with portion of loss to upper panel, New York, 1931; The Cinema Murder, second impression, 1917, original cloth, lightly frayed and rubbed, dust-jackets, creased and nicked to edges, faded; and 17 others, by the same and Guy Boothby, 8vo (21)
NO RESERVE Wentworth (Patricia) Dead or Alive, first edition, 'file copy' stamp to endpapers, Philadelphia, 1936; Nothing Venture, first edition, portions of loss to jacket spine ends, Philadelphia, 1932; The Clock Strikes Twelve, first English edition, 1945; The Gazebo, first English edition, ink ownership name to endpaper, 1958, original cloth, dust-jackets, creasing and chipping to extremities, spines toned or browned; and 5 others by the same, 8vo (9)
Fermor (Patrick Leigh) The Traveller's Tree, first edition, small ink ownership inscription to endpapers, frontispiece and plates, spotting to fore-edge straying onto some margins, jacket rubbed with the odd hole and tear, chipping to extremities, worse to spine ends, 1950; The Violins of Saint-Jaques, first edition, bookseller's stamp and bookplate to endpapers and half-title, jacket price-clipped, small nicks to edges, otherwise excellent, 1953; The Cretan Runner: His Story of the German Occupation, translated by Fermor, first edition, jacket with expert restorations to extremities, 1955; A Time to Keep Silence, first trade edition, endpapers toned, small stains to jacket, 1957; original cloth, dust-jackets; and 5 others by Fermor, 8vo (9)
NO RESERVE Searle (Ronald).- Willans (Geoffrey) & Ronald Searle. Whizz for Atomms, first edition, ownership stamp to pastedown, jacket price-clipped, 1951 § Ellis (Winifred) London- So Help Me!, fourth impression, ownership inscription to pastedown, endpapers toned, 1953 § Ship (Reuben) The Investigator, 1956 § Parsons (Denys) It Must Be True, third impression, endpapers toned, dust-jacket price-clipped, 1953, illustrated by Searle, original boards or cloth, dust-jackets, creased and chipped to extremities, light toning or browning, 8vo (4)
Blyton (Enid) Five Go to Smuggler's Top, first edition, colour frontispiece and illustrations by Eileen Soper, pictorial endpapers, light faint foxing to half-title, faint ink ownership name to front free endpaper, first issue dust-jacket priced at 6/-net, light pen marks to upper flap, faint stamp to lower flap and rear pastedown, light surface soiling, spine ends and corners a little chipped, still overall a crisp copy, 8vo, 1945.
NO RESERVE Batten (Jean) Alone in the Sky, first edition, signed by the author on title, original cloth, dust-jacket, fine, 8vo, 1979; together with 5 pieces of other material relating to the author, including signed photographs, an ALs, and a Picture Post magazine, v.s., v.d (sml qty.)⁂ A collection relating to Jean Batten (1909-1982), pioneering New Zealand aviator. Includes a revised autobiography, signed; a montage of 3 photographs relating to the transatlantic flight in 1935 (one photograph signed), with signed stamp; another signed photograph of Batten in a cockpit; a Picture Post magazine issue with Batten as the cover image; an ALs from Batten thanking the recipient for a letter; and a framed signed portrait photograph of Batten.
Leonard (Elmore) The Big Bounce, ex-library stamp to copyright page, light staining to first few page, original jacket with vertical creases, light rubbing and chipping to extremities, 1969; Valdez is Coming, ex-library stamp to copyright page, facsimile dust-jacket, 1969; The Moonshine War, original jacket with vertical creases, light rubbing and chipping to extremities, 1970, first English editions, original boards; and c.40 others by the same, 8vo (c.40)
Dawkins (Richard) A Devil's Chaplain, third impression, signed presentation inscription from the author "to Katherine from Richard Dawkins" on title, 2003; The Selfish Gene, first edition, faint ink ownership stamp to half-title, jacket price-clipped, spine faded, 1976; The Blind Watchmaker, first edition, 1986; Unweaving the Rainbow, first edition, 1998, original boards, dust-jackets, light creasing to extremities, the odd nick to edge, 8vo (4)
Amis (Kingsley) I Like it Here, jacket with light toning to spine, otherwise a remarkably near-fine copy, 1958; The James Bond Dossier, jacket with light nicks to spine head, very light rubbing to extremities, still overall excellent, 1965; The Green Man, signed by the author to title, 1969; A Case of Samples, embossed ownership stamp to endpapers, jacket price-clipped, 1956; The Evans Country, original wrappers, staple with rust-staining, 1962, first editions, all but the last original boards, dust-jackets; and 9 others by Amis, 8vo (14)
Leblanc (Maurice) The Exploits of Arsène Lupin, frontispiece, original pictorial boards, spine creased and chipped, 1909 § Plunket Greene (R. & E.) Eleven-Thirty Till Twelve, 1934 § Tack (Alfred) The Test Match Murder, [1948] § Oppenheim (E. Phillips) Curious Happenings to the Rooke Legatees, stamp to endpapers, 1937, foxing or spotting to first few pages, all but the first original cloth, light bumping to ends, otherwise excellent copies; and 6 others, crime, 8vo (10)
A Victorian coromandel wood fall-front writing box, the fitted interior including fold out letter rack, red leather bound cash account, diary, letter book and address books, etc., also pull-out ink well, match box and stamp box - bearing plaque for Houghton & Gunn, 162 New Bond Street - side drawer stuck
Karl WESCHKE (1925-2005) Woman on hands & knees, c1970s Charcoal on paperPaper size 56 x 76.5cmFrame size 71 x 91cm Provenance - The Artist's Estate (stamp verso) This work comes straight from the artist's estate and is in excellent original condition, it is well-presented in a clean modern frame.
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165598 item(s)/page