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Lot 102

Assorted worldwide stamp albums and loose in case, depicting revenues, penny red, perfins, postmark interest, presidential; Also registered letter envelopes, Ward Lock book, Farmer's Diary 1939, London's Stamp Centre Selfridge's and price lists from stamp publications of the time.

Lot 109

Quantity of stamp albums (5) in box and basket, sets and loose stamps, etc.

Lot 162

Royal Worcester two handled vase, having gilt flower bouquets on white ground and mask side handles, black back stamp and shape no. 1716, 20cm.

Lot 75

A 1977 Queen's Silver Jubilee Official Stamp Album, together with two others

Lot 356

Two Stamp Albums and Contents together with Disney's Wonderful World Of Knowledge Books Etc

Lot 226

HELEN BRADLEY - coloured print of Blackpool with Artist's proof stamp - signed in pencil by the Artist to the mount

Lot 227

HELEN BRADLEY - coloured print of fair with Artist's proof stamp - signed in pencil by the Artist to the mount

Lot 132

Swiss silver cased lady’s fob watch, bright-cut case, enamelled dial, keyless lever movement, marked 935; silver envelope-shape stamp case, Birmingham 1911; and a white metal propelling pencil. (3)

Lot 189

A gold cross and chain and a box link chain, a yellow metal hollow leaf engraved cross 40mm x 22mm on a fine trace link chain with 9ct pad stamp, 40cm, a 9 carat gold 1.5mm box link chain 40cm long, total weight approximately 10.3gms.

Lot 639

Laurence Stephen Lowry , Old Town Hall Middlesbrough, offset lithograph, numbered in pencil 162/850, published by The Adam Collection with gallery stamp and leaflet, 39cm x 29.5cm.

Lot 640

Laurence Stephen Lowry, The Reference Library, offset lithograph, signed in pencil, with Fine Art Trade Guild blind stamp KAE, 24cm x 35cm.

Lot 80

An early 20th Century desk top stationery folder with crocodile cover produced in Vienna having a silver coloured monogram "AHS" to centre, the fitted black leather interior having a blotter, an un-used address book, inkwell, double stamp case, wallet for paper and envelopes with perpetual calendar, overall dimensions 34cm x 53cm.

Lot 247

John Hall (1921-2006), charcoal drawing on pink paper of a resting female nude, with "John Hall 1921-2006 Cambridge School of Art" studio stamp, housed in a black frame, the drawing 40cm x 50cm

Lot 250

Empty Stamp Albums Qty large box

Lot 325

Collection of empty stamp albums

Lot 437

Stamp album, loose stamps, Nestle wonders of the world card album, all housed in a brown leather suitcase (qty)

Lot 474

Works of art, to include 19th Century barometer, mortar, wood working planes, ashtrays, cigarette lighter reference book, stamp album etc. (qty)

Lot 498

Stamps, to include six Royal Mail first day covers albums, two stamp albums, loose stamps (qty)

Lot 635

John Hall (1921-2006), charcoal studies on paper of a reclining female nude, with "John Hall 1921-2006 Cambridge School of Art" studio stamp, housed in a black frame, the drawing 47cm x 37cm

Lot 636

John Hall (1921-2006), pencil preparatory drawings on paper of a seated female nude, with "John Hall 1921-2006 Cambridge School of Art" studio stamp, housed in a clip frame, 59.5cm x 42cm

Lot 637

John Hall (1921-2006), charcoal drawing on paper of two female nudes playing on a swing, with "John Hall 1921-2006 Cambridge School of Art" studio stamp, housed in a black frame, the drawing 40cm x 50cm

Lot 168

A BELCHER LINK CHAIN SUSPENDING VARIOUS CHARMS, the chain with lobster claw clasp, suspending various charms to include retractable pencils, a swivel fob, a whistle, a compass, an envelope stamp holder, etc

Lot 738

A BOXED ROYAL DOULTON ARCHIVES LIMITED EDITION 'BURSLEM ARTWARES PEKLING LAMPBASE' BA8, No.177/250, signed 'Sung' and millennium stamp to base, height 35cm (including fitting) (with certificate)

Lot 114

THREE ITEMS OF SILVER AND WHITE METAL JEWELLERY, to include a silver hinged bangle with engraved scrolling floral and foliate decoration to the front bangle, with silver hallmark for Birmingham 1972, together with a pair of enamel earrings, stamped 925 and a stamp designed ingot pendant, with enlarged silver hallmark for Sheffield 1977, suspended from a belcher link chain, approximate total weight 85 grams

Lot 530

Qty of Brooke bond tea cards, stamp collection, 2 Franklin mint cased British Virgin Island 1974 proof sets, various bank notes, collection of cigar bands, collection of paper driving ephemera from the 1920-30 etc. Selection of Corgi matchbox boxed model vehicles, 2 silver jubilee royal carriages

Lot 735

Modern stamp 'Bacon Press' 17.5 x 10.5 cm

Lot 164

LORD ROBERTS MEMORIAL FUND STAMP ALBUM + LOOSE PAGES

Lot 91

EIGHT STAMP MONTAGE POSTCARDS - SUBJECT BIRDS

Lot 197

A 19th century Gillows of Lancaster mahogany sideboard, three drawers over three cupboard doors, enclosing adjustable shelves and wine drawer, raised on stepped base, makers stamp to central drawer, H.119 W.168 D.64cm

Lot 51

Bernard Cohen, b.1933, a limited edition screen print 24/40, signed and dated 1966 in pencil, with blind stamp 58 x 76cm

Lot 159

A Continental plaster bust of a man, circa 1920, indistinctly titled in pencil, with Paris stamp, 26cm wide x 52cm high. Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Lot 295

Alphonso Wong (Chinese b.1924) Man in blazer, signed in Chinese, dated 8.07 with artist impression stamp lower right, 40cm x 40cm. Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Lot 3

Friedrich Goldscheider; an early 20th century pottery bust of a goddess emblematic of night (Luna), circa 1900, with gilt crescent moon to her hair, with maker's stamp and numbered 1593, 54, 64, 74cm high. Provenance; property from the late Sir David TangThis lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Lot 56

A Continental plaster bust of a woman, circa 1920, titled in pencil 'Catherine', with Paris stamp. 48cm high. Provenance; property from the late Sir David TangThis lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.

Lot 620

A FRENCH BRASS PETITE SONNERIE CARRIAGE CLOCKCirca 1900In a stylised Corniche case with shaped handle, the engine-turned gilt dial surround enclosing a circular white enamel dial with blue enamel chapters and fleur-de-lys hands, the twin train movement, with Couaillet trademark arrow stamp, with quarter-strike on twin blued steel gongs, original silvered platform lever escapement and strike/silent lever to the base19cm high

Lot 1112

Keith Vaughan (1912-1977), Prospect From a Window, pencil, stamped with studio stamp, 25cm x 18cm.Provenance: With Goldmark Gallery, Uppingham, where acquired by the present owner, 7 August 2005 DDS

Lot 118

Stamp collection cum accumulation of mainly British in stock book including quite a few Victorian

Lot 121

French pre stamp mail including two to London, one with a dotted FPO date stamp, the other with a London "Fleuron" all written up nicely (4 items)

Lot 125

Queen Victoria Penny Reds on six stock cards with many town Duplex postmarks and some with date stamp only

Lot 54

A Queen Elizabeth II early stamp collection, mainly mint with some nice blocks including 1966 England World Cup winners

Lot 10

Collection of loose stamps & 3 stamp albums

Lot 24

Beryl cook framed print with blind stamp signed in pencil

Lot 25

Beryl cook framed print with blind stamp signed in pencil

Lot 26

Beryl cook framed print with blind stamp signed in pencil

Lot 72

Early stamp album of British & world stamps together with other stamp related ephemera

Lot 111

Sir Alfred Munnings, The Belvoir hounds exercising in the park, signed colour print, published by Frost & Reed with FATG blind stamp, 55cm x 64cm

Lot 14

Alfred Munnings, The Gap, signed colour print, first state impression, published by Frost & Reed with FATG blind stamp, 30cm x 32cm

Lot 22

Sir Alfred Munnings, Going out at Epsom, signed print, published by Frost & Reed, 1932, with FATG blind stamp, 61cm x 59cm

Lot 23

Sir Alfred Munnings, Brown Jack, signed print, published by published by Frost & Reed, 1935, with FATG blind stamp, 51cm x 58cm

Lot 73

Sir Alfred Munnings, The Saddling Paddock, Cheltenham March Meeting, published by Frost & Reed 1952, signed print with FATG blind stamp, 46cm x 66cm

Lot 74

Sir Alfred Munnings, The Belvoir Hounds, exercising in the park, published by Frost & Reed, 1952, with FATG blind stamp, signed print, 55cm x 63cm

Lot 82

Sir Alfred Munnings, His Old Demesne, colour print signed in pencil lower right, published by Frost & Reed, with FATG blind stamp, 54cm x 64cm

Lot 89

Sir Alfred Munnings, The October meeting, colour print, signed lower right, published by Frost & Reed, with FATG blind stamp, 45cm & 76cm

Lot 227

MG Interest (ex Dick Jacob Collection): Three Letterheads, for Mill Garage, Chigwell Garage, South Woodford, London; A Stainless Steel Drinks Flask, with enamelled MG badge; A Chromed and Engine Turned Decorated Cigarette Case, with MG badge; A Red Leatherette Manicure Case; A Chromed Metal Stamp Case, with MG logo; and A Faux Marble and Brass Perpetual Desk Calendar, from the Mill Grange MG dealership (5)

Lot 2603

Original vintage travel poster for Britain featuring a photo taken by the Scottish tourist board of a bagpiper in full highland dress. Good condition, pinholes, creasing, small marks, ink stamp on bottom left corner. County: UK, year of printing: 1960s, designer: Unknown, size (cm): 76x51. The Great Highland bagpipe is a type of bagpipe native to Scotland. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world. The bagpipe is first attested in Scotland around 1400, having previously appeared in European artwork in Spain in the 13th century. The earliest references to bagpipes in Scotland are in a military context, and it is in that context that the Great Highland bagpipe became established in the British military and achieved the widespread prominence it enjoys today, whereas other bagpipe traditions throughout Europe, ranging from Portugal to Russia, almost universally went into decline by the late 19th and early 20th century. Though widely famous for its role in military and civilian pipe bands, the Great Highland bagpipe is also used for a solo virtuosic style called pìobaireachd, ceòl mòr, or simply pibroch.

Lot 4300

Original vintage Nazi propaganda poster - Soldatenbund. Double-sided poster featuring illustration of a Nazi soldier waving a red flag with a swastika and Reichsadler symbol on it. Good condition, folds, staining, ink stamp with the name of Otto Pawlowski and address in Berlin. County: Germany, year of printing:1930s, designer: Witte, size (cm): 30x21

Lot 4403

Original vintage World War Two UK propaganda poster: Careless Talk Costs Lives "Don't forget that walls have ears". Two ladies having high tea at the restaurant with wallpaper covered in Hitler faces. Cyril Kenneth Bird CBE (17 December 1887 – 11 June 1965), known by the pen name Fougasse, was a British cartoonist best known for his work in Punch magazine (of which he served as editor from 1949 to 1953) and his World War II warning propaganda posters. He also designed many posters for the London Underground. Bird was born in London on 17 December 1887, the son of Arthur Bird, a company director. He was educated at Cheltenham College and King's College London (B.Sc). While at King's College he attended evening art classes at the Regent Street Polytechnic and at the School of Photo-Engraving in Bolt Court. He was seriously injured at the Battle of Gallipoli during World War I and invalided out of the British Army. Bird first contributed to Punch in 1916, while convalescing, and also contributed to several other British newspapers and magazines, including the Graphic and Tatler. His pen name was based on the fougasse, a type of mine. As one of the best known cartoonists of the time, he was one of 170 authors who created doll-sized books exclusively for Queen Mary's Dolls' House; his illustrated verse tale, written on postage stamp-sized pages, was published as a regular-sized hardback in 2012 by the Royal Collection and Walker Books. In the course of the 1920s and 1930s, his drawings evolved from the traditionally representational to an innovative, spare, style that was both unique and popular, featuring in many advertising campaigns as well as in magazine editorial. He became art editor of Punch from 1937 to 1949, then editor until 1953. He was the only cartoonist ever to edit the magazine. During World War II, he worked unpaid for the Ministry of Information, designing humorous but effective propaganda posters including the famous "Careless Talk Costs Lives" series. For this work he was awarded the honour of Commander of the Order of the British Empire in 1946. He illustrated and co-wrote several humorous books with W. D. H. McCullough. These included the very successful Aces Made Easy – or Pons asinorum in a nutshell, on the subject of contract bridge, in 1934, and You Have Been Warned – A Complete Guide to the Road, in 1935. In the mid 1950s, he taught at the Christian Science Sunday School in the Sloane Square church, which has since been converted into the Cadogan Hall concert hall. He died in London, aged 77. Since 2009 his cartoon of a butler carrying a tray has been used to illustrate the front page of British Airways' First Class menus, continuing an association with the airline which goes back to the 1930s when Fougasse penned advertising posters for BA's forerunner, Imperial Airways. Good condition, foxing. County: UK, year of printing:1940s, designer: Fougasse, size (cm): 32x20.5

Lot 4404

Original vintage World War Two poster by the notable British cartoonist and illustrator Fougasse (Cyril Kenneth Bird; 1887-1965). Great design from the popular Careless Talk Costs Lives war time propaganda series issued by the Ministry of Information - "...but for Heaven's sake don't say I told you!" featuring the image of a person wearing a coat and hat, talking on the phone in a red telephone box with Adolf Hitler faces peeking from all over the telephone booth and the stylised text below. Cyril Kenneth Bird CBE (17 December 1887 – 11 June 1965), known by the pen name Fougasse, was a British cartoonist best known for his work in Punch magazine (of which he served as editor from 1949 to 1953) and his World War II warning propaganda posters. He also designed many posters for the London Underground. Bird was born in London on 17 December 1887, the son of Arthur Bird, a company director. He was educated at Cheltenham College and King's College London (B.Sc). While at King's College he attended evening art classes at the Regent Street Polytechnic and at the School of Photo-Engraving in Bolt Court. He was seriously injured at the Battle of Gallipoli during World War I and invalided out of the British Army. Bird first contributed to Punch in 1916, while convalescing, and also contributed to several other British newspapers and magazines, including the Graphic and Tatler. His pen name was based on the fougasse, a type of mine. As one of the best known cartoonists of the time, he was one of 170 authors who created doll-sized books exclusively for Queen Mary's Dolls' House; his illustrated verse tale, written on postage stamp-sized pages, was published as a regular-sized hardback in 2012 by the Royal Collection and Walker Books. In the course of the 1920s and 1930s, his drawings evolved from the traditionally representational to an innovative, spare, style that was both unique and popular, featuring in many advertising campaigns as well as in magazine editorial. He became art editor of Punch from 1937 to 1949, then editor until 1953. He was the only cartoonist ever to edit the magazine. During World War II, he worked unpaid for the Ministry of Information, designing humorous but effective propaganda posters including the famous "Careless Talk Costs Lives" series. For this work he was awarded the honour of Commander of the Order of the British Empire in 1946. He illustrated and co-wrote several humorous books with W. D. H. McCullough. These included the very successful Aces Made Easy – or Pons asinorum in a nutshell, on the subject of contract bridge, in 1934, and You Have Been Warned – A Complete Guide to the Road, in 1935. In the mid 1950s, he taught at the Christian Science Sunday School in the Sloane Square church, which has since been converted into the Cadogan Hall concert hall. He died in London, aged 77. Since 2009 his cartoon of a butler carrying a tray has been used to illustrate the front page of British Airways' First Class menus, continuing an association with the airline which goes back to the 1930s when Fougasse penned advertising posters for BA's forerunner, Imperial Airways. Good condition, stained on the bottom. County: UK, year of printing:1940s, designer: Fougasse, size (cm): 32x20.5

Lot 4405

Original vintage World War Two poster by the notable British cartoonist and illustrator Fougasse (Cyril Kenneth Bird; 1887-1965) from the popular Careless Talk Costs Lives wartime propaganda series issued by the Ministry of Information - "Be careful what you say and where you say it!" Image of two men talking at the bar in a pub with Hitler's face on the beer taps and bottles and on the beer froth. Cyril Kenneth Bird CBE (17 December 1887 – 11 June 1965), known by the pen name Fougasse, was a British cartoonist best known for his work in Punch magazine (of which he served as editor from 1949 to 1953) and his World War II warning propaganda posters. He also designed many posters for the London Underground. Bird was born in London on 17 December 1887, the son of Arthur Bird, a company director. He was educated at Cheltenham College and King's College London (B.Sc). While at King's College he attended evening art classes at the Regent Street Polytechnic and at the School of Photo-Engraving in Bolt Court. He was seriously injured at the Battle of Gallipoli during World War I and invalided out of the British Army. Bird first contributed to Punch in 1916, while convalescing, and also contributed to several other British newspapers and magazines, including the Graphic and Tatler. His pen name was based on the fougasse, a type of mine. As one of the best known cartoonists of the time, he was one of 170 authors who created doll-sized books exclusively for Queen Mary's Dolls' House; his illustrated verse tale, written on postage stamp-sized pages, was published as a regular-sized hardback in 2012 by the Royal Collection and Walker Books. In the course of the 1920s and 1930s, his drawings evolved from the traditionally representational to an innovative, spare, style that was both unique and popular, featuring in many advertising campaigns as well as in magazine editorial. He became art editor of Punch from 1937 to 1949, then editor until 1953. He was the only cartoonist ever to edit the magazine. During World War II, he worked unpaid for the Ministry of Information, designing humorous but effective propaganda posters including the famous "Careless Talk Costs Lives" series. For this work he was awarded the honour of Commander of the Order of the British Empire in 1946. He illustrated and co-wrote several humorous books with W. D. H. McCullough. These included the very successful Aces Made Easy – or Pons asinorum in a nutshell, on the subject of contract bridge, in 1934, and You Have Been Warned – A Complete Guide to the Road, in 1935. In the mid 1950s, he taught at the Christian Science Sunday School in the Sloane Square church, which has since been converted into the Cadogan Hall concert hall. He died in London, aged 77. Since 2009 his cartoon of a butler carrying a tray has been used to illustrate the front page of British Airways' First Class menus, continuing an association with the airline which goes back to the 1930s when Fougasse penned advertising posters for BA's forerunner, Imperial Airways. Very good condition, unnoticeable pin holes in corners. Country: UK. Year: 1940s. Designer: Fougasse. Size: 32 x 20.5 cm. Good condition, light foxing and staining. County: UK, year of printing:1940s, designer: Fougasse, size (cm): 32x20.5

Lot 4406

Original vintage World War Two poster by the notable British cartoonist and illustrator, Fougasse (Cyril Kenneth Bird; 1887-1965). This is one of the posters from the popular Careless Talk Costs Lives wartime propaganda series issued by the Ministry of Information - "Of course there's no harm in your knowing!" Image of a man and lady talking over a candle lit table with Hitler under the table cloth writing notes. Cyril Kenneth Bird CBE (17 December 1887 – 11 June 1965), known by the pen name Fougasse, was a British cartoonist best known for his work in Punch magazine (of which he served as editor from 1949 to 1953) and his World War II warning propaganda posters. He also designed many posters for the London Underground. Bird was born in London on 17 December 1887, the son of Arthur Bird, a company director. He was educated at Cheltenham College and King's College London (B.Sc). While at King's College he attended evening art classes at the Regent Street Polytechnic and at the School of Photo-Engraving in Bolt Court. He was seriously injured at the Battle of Gallipoli during World War I and invalided out of the British Army. Bird first contributed to Punch in 1916, while convalescing, and also contributed to several other British newspapers and magazines, including the Graphic and Tatler. His pen name was based on the fougasse, a type of mine. As one of the best known cartoonists of the time, he was one of 170 authors who created doll-sized books exclusively for Queen Mary's Dolls' House; his illustrated verse tale, written on postage stamp-sized pages, was published as a regular-sized hardback in 2012 by the Royal Collection and Walker Books. In the course of the 1920s and 1930s, his drawings evolved from the traditionally representational to an innovative, spare, style that was both unique and popular, featuring in many advertising campaigns as well as in magazine editorial. He became art editor of Punch from 1937 to 1949, then editor until 1953. He was the only cartoonist ever to edit the magazine. During World War II, he worked unpaid for the Ministry of Information, designing humorous but effective propaganda posters including the famous "Careless Talk Costs Lives" series. For this work he was awarded the honour of Commander of the Order of the British Empire in 1946. He illustrated and co-wrote several humorous books with W. D. H. McCullough. These included the very successful Aces Made Easy – or Pons asinorum in a nutshell, on the subject of contract bridge, in 1934, and You Have Been Warned – A Complete Guide to the Road, in 1935. In the mid 1950s, he taught at the Christian Science Sunday School in the Sloane Square church, which has since been converted into the Cadogan Hall concert hall. He died in London, aged 77. Since 2009 his cartoon of a butler carrying a tray has been used to illustrate the front page of British Airways' First Class menus, continuing an association with the airline which goes back to the 1930s when Fougasse penned advertising posters for BA's forerunner, Imperial Airways. Very good condition, light marks. County: UK, year of printing:1940s, designer: Fougasse, size (cm): 32x20.5

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