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Lot 199
A Victorian leather covered writing box, of oblong form the slightly domed hinged lid with inset carrying handle opening to reveal fitted interior with adjustable stationery compartments to the lid, double folding leather writing surface with three photograph apertures, lift-out pen tray, stamp compartment and clear glass cuboid inkwell marked T. Robertson, 7 Shandwick Place, Edinburgh 35.5cm wide
Lot 306
A Carlton Ware Guinness advertising group, as a man pulling a horse on a cart entitled 'Guinness for Strength', black back stamp 14cm wide, two other Carlton Ware Guinness advertising figures as a toucan and pint glass 9cm high and a draymen 10cm high both inscribed 'My Goodness - My Guinness', both red back stamps, and a souvenir miniature bottle of Guinness 8.5cm high. Please note, man with horse and toucan with glass are later copies (4) ***AMENDED DESCRIPTION***
Lot 438
A French green onyx and ormolu figural mantle clock, the white enamel dial with Arabic numerals, signed Prestons, Bolton, made in France, the movement signed Marti & Cie with an 1889 medal stamp, numbered 4485, 3, 3, surmounted by a figure signed Louis Moreau, key pendulum, height 49 cm. S. Marti & Cie were founded in 1832, they won medals at various exhibitions; 1860, bronze, 1889 silver, 1900 gold. From 1863 they worked with Japy Freres & Cie.
Lot 239
A diamond cluster mourning ring, six old cut diamonds clustered in a lozenge shape, with black (worn enamel) to the surrounding mount, finger size LThe ring is in good condition, other than the worn enamel. It bears no hallmark, nor stamp, but in our opinion it would test as gold. The approximate qualities of the diamonds are; caratweight 1.00, colour I/J/K, clarity SI2/I1/I2. Gross weight 3.2 grams. CR made 10th February 2016
Lot 251
A late 19th century coral diamond and enamel oval brooch, the central coral within a border of old cut diamonds, to a blue and white enamelled body and an outer border of old cut diamonds, total estimated diamond weight 0.80 carat approximately, measures 2.4cm by 1.8cmThe brooch is in good condition. It fastens with a pin and hook catch. It bears no hallmark, nor stamp, but in our opinion it would test as silver as gold. Gross weight 5.6 grams. CR 27.04.16
Lot 260
A diamond and split pearl ring, three split pearls with pairs of rose cut diamond accents between each, with a geometric cutaway border around them, finger size K1/2The ring is in good condition. The stamp is semi-legible, but appears to read '18'. Gross weight 2.8 grams. CR made 10th February 2016
Lot 630
A pair of seed pearl and diamond drop earrings, an old cut diamond suspends a seed pearl set foliate link, to a diamond and seed pearl cluster, with hook fittings, drop length 3.6cm The earrings are in good condition. They bear no hallmark, nor stamp but in our opinion they would test as gold. Gross weight 3.4 grams. CR 28.04.16
Lot 149
§ Salvador Dali, (Spanish, 1904-1989), Hommage a Terpsichore (La Danse), 1977, the two-piece bronze with green and burnished bronze patina, signed Dali and numbered 230/350 to base, foundry stamp Jemelton 1984, with certificate of authenticity 70½cm (27in) Literature: Dali in the Third Dimension: The Stratton Foundation Collection Terpsichore is the mythological muse of dance. Her name comes from the Greek "delight in dance". Dali conceived the idea for this sculpture in 1977 and it was first cast using the lost wax process in 1984. The lost wax process involves creating a wax model of the sculpture which is then encased in a fireproof mould, heated until the wax melts and is then poured out ("lost"). The mould is then refilled with bronze or metal for the final casting. Salvador Dali is one of the best known of all the surrealist artists, known particularly for his paintings. However he created a considerable number of sculptures, which can be viewed at the Dali Universe at County Hall in Westminster, including a cast of Homage to Terpsichore. In Dali's creation, he sees Terpsichore as a dual or reflected image; one soft and classical in contrast to the other hardened and statuesque. There are no features in their faces as the significance to Dali was in their figures. The dancer of smooth soft lines representing grace and the unconscious, with the other "half" of Terpsichore angular and cubist in feel, representing the chaotic rhythms of modern life. The poet and critic André Breton explained in The Surrealist Manifesto of 1924, that surrealism was a means of reuniting the conscious and unconscious so the world of dream and fantasy would be joined to the everyday rational world. Thus Dali, with his sculpture of Terpsichore, reflects the very essence of surrealism.
Lot 424
§ After Salvador Dali (Spanish, 1904-1989) 'Narcissus Telephonans Inundis' inscribed lower left "EA" and bears signature in pencil lower right lithograph Condition in general is fine. A litle fading overall to the paper. Some minor surface scratches to the print. An Arches France blind stamp on the mount lower left
Lot 145
Bugatti - 1932. A delightful 12pp. cord-tied red covered brochure with a foreword giving the history of the company from 1898, seven tipped-in colour plates promoting the Types 49, 46 and 50, with current prices, specifications and constructional features in English, having come from Bugatti's Brixton Road address, the cover with a Sales Department rubber stamp and a little rubbed and creased, correct uncut fore-edges, good clean editorial (1)
Lot 155
1929 Crossley Six. A 16 pp. brochure promoting various coachwork on the 15.7hp chassis, including the 'Shelsley Fabric Saloon Model', incorporating detailed text, monochrome images of components, cars and interiors, with a price list tipped-in the ISFC, two library labels to the front cover, and a label removed from ISRC, also a brochure for the 20.9hp Six, 16pp, dated September 1928, incorporating detailed text, monochrome images of components, cars and interiors with a price list ISFC, rubber library stamp on the title page and ISRC, otherwise both brochures are crisp (2)
Lot 178
Holden 48 - GM's Australian Car. two versions of the 1948 brochure, together with a similar petit booklet, also a vertical-style booklet detailing the history of the post-war car's development with General Motors, an 8 pp. brochure covering a later version, with a Sydney dealer's stamp on the second page etc., all in generally good fettle (7)
Lot 182
Aston Martin. A brochure for the DB2 Sports Saloon and DHC, 8pp. and card cover, and retaining its original oiled-cloth outer covering, also, a similar period, but more basic four-fold broadsheet with road tests, another DB2 card brochure with a rubber stamp of September 1953, a DB4 GT specifications card dated 1961, a similar DB4 Vantage specifications sheet and a V8 brochure, 8 pp. including cover, and an 1895 Aston Martin Lagonda brochure and leaflets, all in good fettle, particularly the first item (12)
Lot 184
Land Rover & Range Rover. A good selection of brochures, a set dating circa 1967 covering various models 88, 109, 110 and Station Wagon, also, brochures for the first series Range Rover of 1972, together with folded broadsheets issued by Australian dealers, and with 'Faulls Pty Limited' rubber stamp on the front cover, all in good, clean condition (13)
Lot 188
Three British brochures of Australian origin. Lea Francis, a two-fold brochure with specifications for the 14hp saloon, with a 1949 rubber stamp to the front cover, Sunbeam Talbot 2-litre, imaging the various models, Saloon, DHC, Sports Tourer and Sports 2-seater and the New Riley Pathfinder folded brochure dated 1954, some soiling and biro marks, otherwise good (3)
Lot 190
Rover. A good selection, a two-fold colour broadsheet for the 75 and New 90, with a 1953 rubber stamp on the cover, also, the 2000 (Australian issue) and a 1966 TC, and several multi-page versions dating from the late 1960s, other brochures include examples for the 2200SC and TC from 1973, the 3500 and 3500S from 1972 and a similar but Australian version with a 'Faulls Pty Limited' rubber stamp on the front cover, also included are a 1974 brochure covering the model range and similar period general promotional material, generally good condition, some soiling (a quantity)
Lot 191
Vauxhall 25. Dated Sep 1936, a prestige landscape saddle-stitched brochure of 26 pp. publicising the Saloon, Tickford Foursome Coup‚ by Salmon & Sons, Wingham Cabriolet by Martin Walter, Grosvenor Sports and the Seven Seat Saloon, Continental Touring Saloon by Connaught, also tonal vignettes of accoutrements on the front and rear end-papers, sound editorial, but the cover a little soiled, with an Adams & Gibben agency stamp (1)
Lot 250
Ilinga. 'Over the Horizon'. Two identical brochures for this ill-fated car, 8 pp. including the card cover, with interior views, a double-page spread of the car from above, some specifications, one brochure with a 'Dawes & North Pty of Melbourne' rubber stamp on the cover, otherwise both units in good fettle The Ilinga was by an Australian car manufacturer; founded in Melbourne by Tony Farrell and Daryl Davies, the company was in business between 1974 & 1975. The company's only model, the AF-2, saw only two examples produced, despite having apparently fifteen customers placing deposits. Presented at the 1975 Melbourne Motor Show, the AF-2 was promoted as a luxury sports car, built to compete with Porsche and Aston Martin. However, the 1973 oil crisis and high retail price chased many potential customers away. (2)
Lot 251
H.R.G. A circa 1948 two-fold opening broadsheet with well-defined monochrome images and full specifications of the '1100 Model', 1500 Model' and 'Aerodynamic', together with post-war racing success, gentle horizontal folds, Rubber stamp of the Gay Automobile Collection, and blue ballpoint date, 1957, otherwise crisp (1)
Lot 261
Lotus Eleven. Two different, two-fold broadsheets, a green cover example for 1957 with the Le Mans car illustrated, the other, a yellow cover with the club model illustrated, also, a similar circa 1959 Lotus Fifteen brochure, with paper loss in the top right corner, and a library rubber stamp on the first mentioned (3)
Lot 262
The Austin Healey 100. A 12 pp. brochure dating circa 1956, a Canadian and American version of the UK publication, describing on the ISFC the record breaking successes at the Bonneville Salt Flats, Utah, good full colour images and detail views of the LHD car, to include the two-position windscreen, good fettle, short tear at the lower spine, The Robert Gay Collection rubber stamp and pen manuscript on the cover (1)
Lot 264
Lotus Fifteen. A two-fold leaflet with monochrome images of the '15' with body attached, chassis frame and racing, circa 1959, also, H.R.G. a circa 1948 two-fold opening broadsheet with well-defined monochrome images and full specifications of the '1100 Model', 1500 Model' and 'Aerodynamic', together with post-war racing success, gentle creasing on both, rubber stamp of the Gay Automobile Collection, and blue ballpoint manuscript, otherwise good (2)
Lot 450
*Calbourne. I.O.W. An attractive winter snow scene, with a bicycle resting against a bank on the left, horizontal format, signed bottom right, sheet size 7 1/4 x 12 1/2 ins (18 x 31 cm), image size 5 3/4 x 11 ins (14 x 27 1/2 cm), good condition The Cycling Editorial ink stamp on the reverse includes a date of 4th March 1940. (1)
Lot 451
*Hockley Church, Essex. Signed bottom centre, undated, but probably late 1930s. sheet size 12 3/4 x 5 1/2 ins (32 x 14 cm), image size 8 1/4 x 5 1/4 ins (20 1/2 x 13 cm), Cycling Editorial ink stamp on the reverse, the drawing is illustrated in the book 'Memories of Frank Patterson', good condition (1)
Lot 453
*Danbury Essex. A winter evening scene, showing a cyclist pedalling towards the viewer, his bicycle light illuminating the foreground, signed bottom right, sheet size 12 12 x 10 ins (31 1/2 x 25 cm), image size 10 1/2 x 6 3/4 inches (26 1/4 x 17 cm), Cycling Editorial ink stamp and other markings on the reverse indicate that the image was drawn in 1939, the drawing is illustrated on page 91 of 'The Patterson Book', published in 1948, some marginal soiling, but the image itself is in good condition (1)
Lot 462
*Take your Choice of Happiness! Four images of country scenes, untitled, but apparently from the North-West, North-East, South-West and South-East of Britain, signed and dated 1937 bottom right, a panel at the top of the sheet is headed "Cycling Grand Easter Number", the first and third words being pasted on, and the sheet is divided into four by dotted lines North to South and East to West (the sheet marked accordingly), with a striking image of a bicycle in the centre, tinted in blue, and seeming to be hanging down by its rear wheel, there is an ink stamp on the reverse of the sheet dated 10th March 1937, sheet and image size 19 x 13 1/2 ins (47 1/2 x 34 cm), the sheet margins are dust-marked, but the actual images are relatively unscathed (1)
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165558 item(s)/page