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Lot 42
Grosses Vermeilservice im Régence-StilGesamtbruttogewicht: ca. 8000 g.Minervastempel (925er Feingehalt). Meister Puiforcat.Paris.Silber, getrieben, ziseliert, vergoldet, Isolationshandhaben. Bestehend aus einem großen Tablett, einer Tee- und Kaffeekanne, Milchkännchen und Zuckerdose. Jeweils in gekantetem Régence-Stil mit teils geblänkten, teils fein ziselierten Flächen. Minimal besch. (13301313) (13)Large Vermeil dinner service in Régence styleTotal gross weight: ca. 8000 g.Minerva stamp (925 silver), master Puiforcat.Paris.Silver; wrought, chased, gilt. Isolated handles.
Lot 562
Louis de Caullery, um 1580 Cambrai – um 1621 Antwerpen, zug.Der hier angenommene Maler war Schüler von Joos de Momper d. J. (1564-1635) und wurde 1602 Meister der Sankt Lukasgilde als Nachfolger von Paul Vriedeman de Vries (um 1567-um 1635).NOBLE GESELLSCHAFT BEI BETRACHTUNG RÖMISCHER RUINEN EINER HAFENSTADTÖl auf Kupfer.50 x 66 cm.Verso Stempel von Peter Stas und Datierung „ANNO 1604“.Blick auf das Gelände im Vordergrund und die römischen Ruinen dahinter aus leichter Kavaliersperspektive. Nach rechts senkt sich das verschattete Gelände ab, hinter einer hell beleuchteten Uferzone mit Hafentempel und einer gegenüberliegenden Schenke mit Vordach. Der Bogendurchblick der großen Ruine zeigt einen großen Platz mit Obelisk, gesäumt von Palastgebäuden. Die Szenerien im Vordergrund dokumentieren hier das frühe Interesse der Gesellschaft an der antiken Geschichte. So stehen einige Gruppen beisammen, jeweils unterrichtet oder geführt von einem Kundigen, der auf einzelne Steinstücke oder Antikenreste verweist. An der linken unteren Bildecke eine Dreiergruppe: Ein Herr mit breitrandigem Hut in Begleitung einer Dame und eines Knaben, wobei es sich hier möglicherweise auch um die Auftraggeber des Gemäldes handeln könnte. Der Maler hat hier größten Wert auf die besondere Leuchtkraft der Uferzone gesetzt, und um diese zu erhöhen, den Himmel in betont kräftigem Blau vorgeführt, die Sonne hinter der Ruine positioniert und dadurch eine Schattenbildung erzeugt. Vergleichbare Werke finden sich in den Museen Hamburg und Reims. (13013214) (11)Louis de Caullery,ca. 1580 Cambrai – ca. 1621 Antwerp, attributedARISTOCRATIC PARTY LOOKING AT ROMAN RUINS IN HARBOUR TOWNOil on copper.50 x 66 cm.Verso stamp by Peter Stas and dated “ANNO 1604”.View in cavalier perspective of the terrain in the foreground with Roman ruins in the background. Similar paintings can be found in museums in Hamburg or the Reims.
Lot 150
dating: Mid 19th Century provenance: Paris, Octagonal, blued, rifled, 11.2 mm cal. barrels (clean bores, clearly visible rifling), marked 'F.NI PAR GASTINNE RENETTE', with precision sight, below marked 'L. GHAYE', 'ACIER FONDU', '11,2' and with various marks; tang provided with adjustable and browned rear sight; forward spring locks with smooth lock-plate keeping most of the original bluing, decorated with an engraved rosette at the front; wooden half stocks finely carved with floral motifs in high relief and with checkered butts, marked 'JNI 1' and 'JNI 2' inside. Smooth iron mounts with remains of bluing, ring guards with internal curls and finger supports, blued triggers. Perfect mechanism. In wooden case with brass mounts (the lid with abrasions and crack), covered with green cloth with gold stamp 'GASTINNE RENETTE PARIS', complete with tools and key. Provenance: Wallis & Wallis, 11/12 September 1973. length 42 cm.
Lot 259
dating: first quarter of the 19th Century provenance: England, Smoothbore, round, 17.6 mm cal barrel with remains of finishing (the muzzle with oxidation). The back with remains of 'LONDON ...' marking and the gilded stamp 'H.W. MORTIMER & SON' with address. Golden vent. Golden frames at the breech. Rib on the lower side. Lock signed 'H.W. MORTIMER & SON with engraved frames and drawing of a pheasant on the tang. Watertight pan, anti-friction wheel on the spring of the batterie. Half stock made of checkered wood. Iron mounts with engravings. Brass-tipped, wooden ramrod and iron cartridge extractor. In an ancient but non-pertinent wooden case, complete with two flasks and some tools. length 120 cm.
Lot 36
dating: 1863 provenance: USA, Octagonal, rifled, 44 cal. barrel, with foresight, with patent marking, address in two lines and 'NEW MODEL' (barely legible), 'W' marks, numbered '805xx'. Clean bore, visible rifling. Smooth, six-shot cylinder. Working mechanism. Frame marked 'J' and 'P'. Brass trigger guard marked 'J'. Wooden grips, one with inspection stamp. Remains of antique bluing. length 34,5 cm.
Lot 375
dating: Mid 19th Century provenance: Turin, Smoothbore, round, 17 mm cal barrel with square base; tang provided with rear sight; forward spring lock converted to percussion, marked 'FABB.A R.A IN TORINO'. Wooden full stock with stamp under the butt, iron and brass mounts, the butt-plate with remains of marking. Iron ramrod. length 108.5 cm.
Lot 396
dating: 1863 provenance: Brescia, Rifled, round, 17 mm cal. barrel, with octagonal base, with various marks including 'RA' under crown, 'TA 1863,' Piedmontese mark and two others, with foresight, tang provided with rear sight; forward spring lock marked 'BRESCIA 1864' under Sabauda coat of arms; wooden stock (Piedmontese stamp 1864) with iron mounts, hook at the grip. In patina, needs cleaning. Rare. length 71.5 cm.
Lot 400
dating: Mid 19th Century provenance: Swiss, Round, rifled, 18 mm cal barrel with octagonal base marked 'VAUD', '9301', '6', Swiss cross and another mark, provided with adjustavle rear sight, front sight and clutch for the bayonet; tang with rear sight; forward spring lock marked with 'FM' under crown. Wooden full stock (stamp on the cheek) with brass and iron mounts, iron ramrod. length 131.5 cm.
Lot 402
dating: about 1880 provenance: Swiss, Round, rifled, XXX, 10.4 mm cal barrel, with octagonal breech, provided with front sight and adjustable rear sight, marked with 'V' and 'MW' and other marks under the Swiss cross and serial number '8947'. Bore and rifling in good condition. Working sliding-revolving bolt. Frane marked with 'MW' under the Swiss cross and with same serial number. Well working trigger and set trigger. Smooth wooden butt and fore end (partially checkered), butt side with stamp. Iron supplies and ramrod. length 126 cm.
Lot 415
dating: 1809 provenance: Turin, Smoothbore, round, 17,5 mm cal. barrel, with octagonal base, with date '1809' and a mark; tang with model; flintlock marked 'R.a Manif.a di Torino,' brass pan. Wooden stock, the counterplate side with large Savoy stamp with inscription 'VIVA V. EMANUELE'; brass mounts (marks) and iron ramrod. length 35.5 cm.
Lot 5
dating: 1860-66 provenance: USA, Octagonal, rifled, 24', cal. 44 rimfire barrel, with white metal fore-sight, remains of marking on the back 'HENRY'S PATENT OCT ... 1860 / ... NEWHAVEN CT.', and marked with serial number '85xx'. Tubular magazine integrated in the barrel (with the typical hinged twist-to-open top portion, for loading), and with later plunger & spring. Foldaway and adjustable rear sight. Brass frame with top extractor. In working order. Loading lever complete with locking mechanism, lower tang with stamp 'H'. Walnut butt, with iron loop for the belt on the left side (the second loop mounted on magazine's side). Brass butt-plate with gate. Interesting example of one of the most sought-after rifles in the field of collecting American antique arms. See 'Flayderman's Guide' 9th Edition. Pagg. 305-306 (5K-024). length 110,8 cm.
Lot 400
An original WWII Second World War Third Reich Nazi German Officers full dress uniform with peaked cap and medals. The uniform comprising tunic / jacket with Lieutenant rank collar badges and epaulettes, First Class Iron Cross, General Assault badge and Demyansk Shield. The jacket with label for Berlin Makers Arthur Kuck to the inside lining. The peaked cap having a silvered aluminium Army eagle, bullion wire national tri-color cockade and twisted cord chin strap fastened in place by two pebbled buttons. Trousers size XXL. All contained within a brown wooden suitcase with Eagle Swastika stamp.
Lot 48
A WWI First World War Imperial German / Prussian Army Officers M1907 Feldmutze / Field Cap. Field grey wool construction with x2 front and centre cockades. Various German marks inside and a 1916 date stamp. Note; from a large private collection of militaria. Due to the nature of some items, buyers are reminded for the need to satisfy themselves as to originality / origin / condition prior to bidding, irrespective of any description. No guarantees are implied nor offered and all lots remain sold 'as is'.
Lot 83
A WWI First World War Imperial German Army trench combat fighting knife. Ribbed wooden grip encasing the blade tang and the ricasso stamped with makers ' Gottlieb Hammesfahr, Solingen Foche . The obverse ricasso bears an imperial inspection stamp. The blade housed in the original steel scabbard. Measures approx 30cm.
Lot 73A
Make & Model: Ford Ranger Wildtrak 4X4 DCBDate of Reg: KN16 CXTColour: Greycc: 3198MoT: 08-04-2020Fuel Type: DIESELMileage: 69kTransmission: AUTOSummary: Three registered keepers with the last keeper since August 2018. One service stamp. Insurance loss category N recorded November 2018. Not to be driven on road, POSSIBLE TRANSMISSION ISSUE.This vehicle has been declared as an insurance total lossVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=157540
Lot 198
WW2 rare BOB fighter ace Don Kingaby signed 1965 25th Ann Battle of Britain single stamp FDC. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 37
Edward Lear (British, 1812-1888)Santa Maura inscribed and dated 'Santa. Maura./Βασιλικῆ/19. April.1863' (lower right), variously annotated throughout, with collector's stamp (upper right)pen and ink and watercolour heightened with white36 x 52.5cm (14 3/16 x 20 11/16in).Footnotes:ProvenanceWith P & D Colnaghi & Co. Ltd, London.Anon. sale, Sotheby's, London, 20 October 1993, lot 119.Private collection, Greece.'This valley we crossed ― & an ascent to Κονδάρινα followed ― no part is anywhere very interesting. 9 A.M. thence, by particularly vile paths & a steep descent to the shore of Βασιλικῆ. The morning was hot ― & I not very well ― headache & tired. I wish I could reckon on getting back to Sta. Maura on Thursday! However, the plain of Βασιλικῆ & the mountain of Σταυροτὰ are more respectable than anything I have yet seen.'Edward Lear, diary entry for 19 April 1863.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 20
Late 19th century vase, after 18th century Saxon models.Enamelled porcelain.With stamp on its base.Lid broken, consolidated. Damages and restorations.Measurements: 52 x 23 cm.Vase from the end of the 19th century, following 18th century Saxon models, entirely made in porcelain with enamelled decoration. It has floral motifs in relief all along the piece, especially on the base, the shaft and in the garlands that border the main cartouches. The cartouches depict a historicist scene on the one hand, and highly pictorial floral motifs on the other. The whole piece combines the varied polychromy of the flowers with the vegetal details in fine gold. The vase is crowned by two markedly curved handles, with two female busts in round figures at the bottom.
Lot 5
Important SÈVRES vase. France, Napoleon III period, second half of the 19th century.Enamelled porcelain and gilt bronze.Signed "Georges Émile Poitevin" on the front.With Sèvres stamp inside the base and inside the lid.Measurements: 98 x 38 x 30 cm.Ornamental vase decorated with pictorial scenes, the front with an allegorical theme and the back with a landscape theme, both by Georges Émile Poitevin, a Parisian painter recorded as exhibiting many porcelain themes in the Paris Salons of the 1870s and early 1880s and listed by W.Neuwirth, Porzellanmaler-Lexicon 1840-1914. Poitevin has decorated the front with great care, depicting a robed lady in the classical manner surrounded by little angels of love dancing around her, one of them carrying a bow. Both the base on which the main body rests and the mouth of the vase are decorated with gilt fretwork, characteristic of the Sèvres style, combined with finely delineated floral and animalistic representations. Also noteworthy are the attributes of Cupid depicted on the mouth of the vase, with a quiver, a bow and a torch, objects closely related to the allegorical ornamentation on the front. The design of the vase is completed by bronze handles decorated with scrolls, as well as a circular base decorated with masks, an aspect typical of the aesthetic of the Sevrès manufacture.Originally founded in Vincennes in 1740, the Manufacture Nationale de Sèvres was transferred to Vincennes in 1756. One of the leading European porcelain factories, the Manufacture was successively named after different political regimes: royal, imperial and national manufactory. Still active today, the firm continues to produce objects created since 1740, although its current production is largely oriented towards contemporary creation. The Manufacture de Vincennes was founded with the support of Louis XV and Madame de Pompadour, with the idea of creating pieces for the court and competing with the porcelain productions of Meissen and Chantilly. In fact, the first experiments were carried out by the brothers Robert and Gilles Dubois, who came from the Chantilly manufactory. By 1745, under the direction of the Gravant couple, important results had already been achieved, in particular the creation of models of porcelain flowers to decorate all kinds of pieces. The new building in Sèvres, where the manufactory moved in 1756, was built on the initiative of Madame de Pompadur. Three years later, it was designated a royal factory, and from that time onwards it was the only one in France to use fine gold. In its early years, the factory produced mainly soft paste; hard porcelain, with kaolin, was not marketed in Sèvres until 1770. Among the innovations of this manufactory in the 18th century were coloured backgrounds and the use of biscuit for small sculptures. During the French Revolution, the factory suffered a decline in production, but experienced a revival between 1800 and 1847 under the direction of Alexandre Brongniart, who brought the factory international fame. During these years, many important technical innovations were made, and a number of contemporary artists collaborated with the manufacture. During this period, a new gilding technique was introduced, which was made shiny by burnishing the surface with an agate stone. The pieces were also decorated with opaque gilding, which was done by rubbing the gold with very fine sand. It was at this time that, for ornamental vases, a cartouche became established as a central theme, in the manner of an oil painting, with a gilt cartouche on a monochrome background. From the mid-19th century onwards, the dominant styles were eclecticism and historicism, and some models revived typologies from the past, such as the Mannerism of Fontainebleau and the Baroque of Versailles.
Lot 307
QV stamp collection on loose album page. 8 stamps. Includes 1d block, 1d red(imperf), brown 4 items. 1d red 2 items. 1d red on card dated 16/9/1972. Cat value approx. £600. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 329
GB 1d red stamp collection on loose page. 184l SG 1d red brown imperf letters in lower corner. 185f/7 1d red brown perf (13 items), 1858/70 SG 43 1d red perf (26 items). Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 341
Assorted stamp collection. Includes Belgium Cinderella and China stamps on Stockcard. Papua and New Guinea on stock card. 2 minisheets. Approx 130 unmounted mint GB stamps. Some covers from Spain, Australia and Japan. Turkish presentation pack. German minisheets. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 457
Transport Collection includes PHQ cards and a presentation pack of Speed, regularity and security in celebration of the Royal Mail. PHQ cards include first motor fire engine plus iconic trains. A total of 5 PHQ cards ideal to complete a transport collection. The first motor fire engine design PHQ is postmarked 24th April 1974, has a matching stamp affixed and is addressed. The others are reproduced to mark the 150thanniversary of the first public steam railway and was issued by the Post Office on 13th August 1975. Featuring- High Speed Train; 1975, Waverley Class; 1876, Caerphilly Castle; 1923 and Stephenson's Locomotion; 1825. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 492
Stanley Gibbons GB stamp album. Contains pre-printed album leaves with some stamps. QV to QEII. Also includes regionals, high value George VI mint and used. Good collecting folder to extend. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 118
Hippolyte BOULENGER (1837-1874) 'Sheep under a tree' oil on panel. Provenance: Vente Hippolyte Boulenger, 4/7/1881 (stamp on the front and back). Auction Galerie Giroux 7/12/1949, Auction Guillaume Campo, Antwerp. The panel is faintly signed on the back. Red stamp "Vente Hippolyte Boulenger, 4/7/1881" is visible on the front and reverse. On the reverse partly under the Guillaume Campo sticker.Dimensions: (W: 40 x H: 26 cm)
Lot 141
David Hockney R.A. (British, born 1937)My Window The book, 2019, signed on the justification page in black ink and stamp-numbered 0451, from the total edition of 2000, with title-page text and ink-jet reproductions, co-published by the artist and Taschen, Cologne, in the original cloth-bound clamshell box, 550 x 420 x 70mm (21 5/8 x 16 1/2 x 2 3/4in)(overall)• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 171
David Spiller (British, 1942-2018)The Power of Love (Donald Duck) Screenprint in colours, 2018, on wove, with the artist's printed signature, further initialled with the artist's wife Maria and son Xavier's initials 'MCXC', titled and numbered 53/95 in pencil, posthumously printed and published by Harwood King Studio, Sussex, with the estate of the artist's embossed stamp, with full margins, 970 x 960mm (38 1/8 x 37 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 175
Damien Hirst (British, born 1965)Fruitful (Large) (H8-1) Diasec-mounted giclée print in colours, 2020, on aluminium panel, with the artist's printed signature on the publisher's label affixed verso, stamp-numbered 1144/1928, published Heni Productions, London, housed in the original packaging, the full sheet printed to the edges, 780 x 780mm (30 3/4 x 30 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 176
Damien Hirst (British, born 1965)Forever (Small) (H8-4) Diasec-mounted giclée print in colours, 2020, on aluminium panel, with the artist's printed signature on the publisher's label affixed verso, stamp-numbered 1011/2573, published Heni Productions, London, housed in the original packaging, the full sheet printed to the edges, 390 x 390mm (15 3/8 x 15 3/8in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 177
Damien Hirst (British, born 1965)Control, from 'The Virtues' (H9-8) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 855/862, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 1200 x 960mm (47 1/4 x 37 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 178
Damien Hirst (British, born 1965)Mercy, from 'The Virtues' (H9-3) Laminated giclée print in colours, 2021, on aluminium panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 515/817, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 1200 x 960mm (47 1/4 x 37 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 182
Damien Hirst (British, born 1965)Nur Jahan, from 'The Empresses' (H10-2) Laminated giclée print with screenprinted glitter, 2022, on aluminium composite panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 627/3041, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 1000 x 1000mm (39 3/8 x 39 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 183
Damien Hirst (British, born 1965)Suiko, from 'The Empresses' (H10-4) Laminated giclée print with screenprinted glitter, 2022, on aluminium composite panel, signed in pencil on the publisher's label affixed verso, stamp-numbered 1085/3310, published by Heni Editions, London, housed in the original packaging, the full sheet printed to the edges, 1000 x 1000mm (39 3/8 x 39 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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