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Hansons Auctioneers and Valuers
Lot 505

Kathleen Ferrier, CBE (1912-1953), English contralto singer. Autograph card signed. Photographic card by Georg Fayer, inscribed and signed by Ferrier on recto, 'Yours very sincerely, Kathleen Ferrier', inscribed verso, 'Thankyou for your kind letter, and wishing you and your sister "all good things", I hope she may be much better when she comes out of hospital.' Bearing Fayer's stamp in purple ink verso. Complete with original envelope, postmarked London, 10 October 1950

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Keys Fine Art Auctioneers
Lot 105

VELONA PILCHER: THE SEARCHER, A WAR PLAY READING VERSION, ill Blair Hughes-Stanton, London, William Heinemann, 1929, (1000), 1st edition, previous owner's rubber stamp on ffep, original cloth backed decorative boards, top edges gilt + D H LAWRENCE: THE SHIP OF DEATH, ill Blair Hughs-Stanton, London, Martin Secker, 1933, 1st edition, original cloth backed boards, morocco gilt spine label, d/w (small part losses) + JOHN MAVROGORDATO: ELEGIES AND SONGS, ill Blair Hughes-Stanton (wrapper), London, Cobden-Sanderson, 1934, 1st edition, original pictorial wraps, all titles from the collection of Derek Cottam (3)

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Keys Fine Art Auctioneers
Lot 507

SIR EDWARD SALISBURY: WEEDS AND ALIENS, London, Collins, 1961, 1st edition, New Naturalist Series No 43, original cloth, d/w + K C EDWARDS: THE PEAK DISTRICT, London, Collins, 1962, 1st edition, New Naturalist Series No 44, original cloth, d/w + W G HOSKINS & L DUDLEY STAMP: THE COMMON LANDS OF ENGLAND AND WALES, London, Collins, 1963, 1st edition, New Naturalist Series No 45, original cloth, d/w + E A ELLIS: THE BROADS, London, Collins, 1965, 1st edition, New Naturalist Series No 46, ffep part excised, original cloth (part losses and creasing) + W M CONDRY: THE SNOWDONIA NATIONAL PARK, London, Collins, 1966, 1st edition, New Naturalist Series No 47, original cloth, d/w + IAN MOORE: GRASS AND GRASSLANDS, London, Collins, 1966, 1st edition, New Naturalist Series No 48, original cloth, d/w + SIR DUDLEY STAMP: NATURE CONSERVATION IN BRITAIN, London, Collins, 1970, 2nd impression, New Naturalist Series No 49, original cloth, d/w + KENNETH MELLANBY: PESTICIDES AND POLLUTION, London, Collins, 1967, 1st edition, New Naturalist Series No 50, original cloth (laminated), ex-lib,+ R K MURTON: MAN AND BIRDS, London, Collins, 1973 reprint, New Naturalist Series No 51, original cloth, d/w (8)

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Keys Fine Art Auctioneers
Lot 501

E P FORD: BUTTERFLIES, London, Collins, 1945, 1st edition, New Naturalist Series No 1, original cloth, d/w (part losses and browned) + BRIAN VESEY-FITZGERALD: BRITISH GAME, London, Collins, 1946, 1st edition, New Naturalist Series No 2, original cloth, d/w (part losses and browned) + R S R FITTER: LONDON'S NATURAL HISTORY, London, Collins, 1946 reprint, New Naturalist Series No 3, original cloth, d/w (losses) + L DUDLEY STAMP: BRITAIN'S STRUCTURE AND SCENERY, London, Collins, 1970 reprint, New Naturalist Series No 4, original cloth, d/w + JOHN GILMOUR & MAX WALTERS: WILD FLOWERS, London, Collins, 1955, new edition, New Naturalist Series No 5, original cloth, d/w + F FRASER DARLING & J MORTON BOYD: THE HIGHLANDS AND ISLANDS, London, Collins, 1977 reprint, New Naturalist Series No 6, original cloth, d/w + JOHN RAMSBOTTOM: MUSHROOMS AND TOADSTOOLS, London, Collins, 1972, 6th impression, New Naturalist Series No 7, original cloth, d/w + A D IMMS: INSECT NATURAL HISTORY, London, Collins, 1947, 1st edition, New Naturalist Series No 8, original cloth, d/w + A W BOYD: A COUNTRY PARISH, London, Collins, 1951, 1st edition, New Naturalist Series No 9, original cloth, d/w + W B TURRILL: BRITISH PLANT LIFE, London, Collins, 1948, 1st edition, New Naturalist Series No 10, original cloth, d/w + W H PEARSALL: MOUNTAINS AND MOORLANDS, London, Collins, 1977 reprint, New Naturalist Series No 11, original cloth, d/w + C M YONGE: THE SEA SHORE, London, Collins, 1966 revised edition, New Naturalist Series No 12, original cloth, d/w (laminated) (12)

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Keys Fine Art Auctioneers
Lot 519

WILLIAM LEE: A FULL REPORT OF THE ENQUIRY INTO THE SANITARY CONDITION OF THE BOROUGH OF GREAT YARMOUTH INSTITUTED BY THE GENERAL BOARD OF HEALTH WITH THE EVIDENCE & MINUTES OF THE INTINERARY FROM THE SHORT-HAND WRITER'S NOTES, Great Yarmouth, W H Gyton, 1849, 1st edition, original printed wraps, lib stamp on top wrap and title page, no other lib markings, one copy on COPAC held at the British Library, + "A*N*A*S*S": THE BOARD OF HEALTH WRECKED ON A LEE SHORE - AN EXPOSURE OF THE ERRORS IN THE REPORTS TO THE BOARD OF HEALTH UPON THE SANITARY CONDITION OF GT YARMOUTH BY W LEE ESQ CE, SUPERINTENDING INSPECTOR WITH REMARKS ON THE WATER SUPPLY AND TABLES OF MORTALITY, Great Yarmouth, published (not) by authority by C Barber, printer to the author's Stationery Office 1851, 1st edition, lacks wraps, old quarter crimson morocco marbled boards, Norfolk County Library de-accession stamp verso of ffep, very scarce, no copy traced (2)

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Keys Fine Art Auctioneers
Lot 631

Stamp duties: 3 items - almanac proof, 1/3d circa 1813, newspaper proof 4d and unused post-horse duty ticket, one horse/one day 1827 (3)

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Keys Fine Art Auctioneers
Lot 505

JAMES FISHER & R M LOCKLEY: SEA-BIRDS, London, Collins, 1954, 1st edition, New Naturalist Series No 28, original cloth, d/w + COLIN G BUTLER: THE WORLD OF THE HONEYBEE, London, Collins, 1954, 1st edition, New Naturalist Series No 29, original cloth, later d/w + E B FORD: MOTHS, London, Collins, 1967, 2nd edition, New Naturalist Series No 30, original cloth, d/w, ex-lib + L DUDLEY STAMP: MAN AND THE LAND, London, Collins 1955, 1st edition, New Naturalist Series No 31, original cloth, d/w (losses) + H L EDLIN; TREES, WOODS AND MAN, London, Collins, 1972 reprint, New Naturalist Series No 32, original cloth, d/w + JOHN RAVEN & MAX WALTERS: MOUNTAIN FLOWERS, London, Collins, 1956, 1st edition, New Naturalist Series No 33, original cloth, d/w + ALISTER HARDY: THE OPEN SEA, London, Collins, 1958 reprint with revisions, New Naturalist Series No 34, original cloth, d/w (part losses) + EDWARD A ARMSTRONG: THE FOLKLORE OF BIRDS, London, Collins, 1958, 1st edition, New Naturalist Series No 39, original cloth, d/w (part losses) (8)

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Keys Fine Art Auctioneers
Lot 520

[GEORGE WILLIAM MANBY]: AN HISTORICAL GUIDE TO GREAT YARMOUTH IN NORFOLK WITH THE MOST REMARKABLE EVENTS RECORDED BY THAT TOWN..., Yarmouth, P Forster, 1806, 1st edition, engraved frontis, 16mo, later cloth backed marbled boards + WILLIAM FINCH-CRISP: CHRONOLOGICAL RETROSPECT OF THE HISTORY OF YARMOUTH, Great Yarmouth, William Finch-Crisp, 1877, 2nd edition extended and improved, original blind stamp cloth gilt + FREDERICK DANBY PALMER: YARMOUTH NOTES 1830-1872 COLLATED FROM THE FILE OF THE NORWICH MERCURY, Great Yarmouth, J Buckle, 1889, 1st edition, photograph portfrontis, original cloth gilt, Norfolk County Library de-accession stamp on ffep, no other lib markings (3)

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Keys Fine Art Auctioneers
Lot 110

PAUL NASH: ROOM AND BOOK, London, Soncino Press, 1932, 1st edition, original cloth soiled + ALEXANDER POSTAN: THE COMPLETE GRAPHIC WORK OF PAUL NASH, London, Secker & Warburg, 1973, 1st edition, lib stamp verso title page, no other markings, original cloth, d/w + CLARE COLVIN: PAUL NASH BOOK DESIGNS, The Minories, 1982, 1st edition, original wraps + IMPOSSIBLE THINGS, PAUL NASH GENESIS AND OTHER ENGRAVINGS, London, Fine Art Society, 2004, exhibition catalogue, original pictorial wraps + RIGBY GRAHAM: A NOTE ON THE BOOK ILLUSTRATIONS OF PAUL NASH, Wymondham Leicestershire, Brewhouse Press, 1965, 1st edition, original boards worn, all titles from the collection of Derek Cottam (5)

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Keys Fine Art Auctioneers
Lot 411

SAMUEL TUKE: SELECTIONS FROM THE EPISTLES ETC OF GEORGE FOX, York, printed and sold by W Alexander & Son, 1825, 12mo, original drab boards, printed paper label worn + ISAAC PENNINGTON: LETTERS OF ISAAC PENNINGTON, AN EMINENT MINISTER OF THE GOSPEL IN THE SOCIETY OF FRIENDS WHICH HE JOINED ABOUT THE YEAR 1658, THE GREATER PART NOT BEFORE PUBLISHED, London, John and Arthur Arch, 1828, 1st edition, 12mo, original drab boards, printed paper label, v worn, boards loose, Hitchin Mo Meeting of Friends stamp on title page + ELISHA BATES: THE DOCTRINE OF FRIENDS OR THE PRINCIPLES OF THE CHRISTIAN RELIGION AS HELD BY THE SOCIETY OF FRIENDS COMMONLY CALLED QUAKERS, London, Edmund Fry & Son, 1835, 12mo, old half calf worn, ex-lib (3)

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Keys Fine Art Auctioneers
Lot 533

JOHN BRITTON & E W BRAYLEY: A TOPOGRAPHICAL AND HISTORICAL DESCRIPTION OF THE COUNTY OF NORFOLK..., London for Sherwood Neely & Jones [1812], engraved folding frontis map and 20 plates as called for, old blind stamp calf, rebacked morocco gilt spine label, armorial book plate of Hildyard on front paste down

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Clevedon Salerooms
Lot 402

William Adolphus Knell (1805-1875) - Oil on board - Shipping at sunset, signed lower right, 15cm x 23cm, in a gilt frame, verso with W. Sullivan & Sons paper label and Windsor & Newton Prepared Students Academy Board stamp Condition: **General condition consistent with age

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Clevedon Salerooms
Lot 391

Laurence Stephen Lowry (1887-1976) - Coloured print - 'The Family', bearing Fine Art Guild stamp, signed in ink lower right, 27cm x 21.5cm, framed and glazed, Artist Resale Rights May Apply Condition: **General condition consistent with age

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Clevedon Salerooms
Lot 418

19th Century English School - Oil on canvas - Ghost Ship, its sails in tatters being towed under moonlight, 29.5cm x 39.5cm, in a gilt and ebonised gesso frame, the canvas with Barnard & Son, London stamp verso Condition: Stretcher lines visible from the front, a couple of minor losses and some craquelure around the moon hidden behind clouds. The frame some-what tired. **General condition consistent with age

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Clevedon Salerooms
Lot 246

British School (mid to late 20th Century) - Patinated bronze figure of a boy on a stepping stone, unsigned, dogs head seal mark or stamp to the stepping stone, on green slate plinth, 47cm high overall. A kneeling figure probably by the same hand on matching base with dogs head seal mark sold Dreweatts Donnington Priory, 18th October 2001, lot 385. Condition: ** No obvious faults or restoration - General condition consistent with age

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Clevedon Salerooms
Lot 251

Attributed to Franz Bergman - Early 20th Century Austrian cold-painted bronze eagle pin cushion, modelled with wings outstretched, indistinct stamp beneath tail feathers, 14.5cm across wings x 9.5cm high Condition: Fabric to pin cushion has probably been replaced. Retains much original paint but some rubbing to high points of feathers and beak. **General condition consistent with age.

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Clevedon Salerooms
Lot 517

Early 20th Century French four-glass mantel clock, Japy Freres Paris, the 9.5cm cream enamel Arabic chapter ring framing partially visible Brocot escapement, two-train movement with exhibition stamp and number 4304, in gilt brass case with two-jar mercury compensating pendulum, 30cm high Condition: Dial and movement appear sound, currently ticking but movement not guaranteed. Some mercury loss evident to pendulum. Minor gilt rubbing to case but overall sound. **We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require further information

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Clevedon Salerooms
Lot 392

Laurence Stephen Lowry (1887-1976) - Coloured print - 'Industrial Scene', published by Venture Prints Ltd Bristol, 1974, bearing Fine Art Guild stamp, and signed in pencil lower right, 34.5cm x 24.5cm, framed and glazed Artist's Resale Right may apply Condition: **General condition consistent with age

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Clevedon Salerooms
Lot 394

Laurence Stephen Lowry (1887-1976) - Coloured print - 'The Harbour (Maryport)', bearing Fine Art Guild stamp, published by Venture Prints Ltd Bristol, 1972, signed in pencil lower right, 40cm x 55.5cm, framed and glazed, Artist Resale Rights May Apply Condition: **General condition consistent with age

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Clevedon Salerooms
Lot 308

Slavery Interest - rare late Victorian or Edwardian sepia photographic cabinet card of Thomas Lewis Johnson, (1836-1921) with his distinctive bob-length straightened hair, wearing European formal dress of the day (tie and three-quarter jacket), but holding a bull-whip and manacles with long chain (as a historic reference to slavery), 14cm x 9.5cm, mounted onto card backing with gilt stamp of Debenham & Gould, Bournemouth. Thomas Lewis Johnson was born on 7 August 1836 in Rock-Rayman, Virginia to a slave mother and free father. His mother’s slave master refused to sell Thomas and his mother to Thomas’ father, and when Thomas was just 3 years old, he was forced to leave his mother and move to Alexandria, Virginia. He did not see her for another six years. After Emancipation, Thomas moved to New York, then Chicago and eventually Denver, where he was ordained as a Church minister, though his ultimate goal was to be a missionary in Africa. To advance that cause, he and his wife moved to England; “I heard that the Queen of England had given large sums of money to set the coloured people free... It may be of interest if I mention that we had the idea on the plantation that the Queen was black, because she was so kind.” Having realised his dream of working in Africa, upon the death of his wife, Thomas returned to England. He eventually settled in Bournemouth in the 1890s. During this time, his autobiography went into its eighth edition. The newspaper publishers W. Mate of Bournemouth printed the 1908 version of ‘Twenty Eight Years A Slave’. The book was sold at meetings and by mail from Thomas’ house in Boscombe. Edwin Alfred Debenham (1844-1925) and Isaac Chalkley Gould (1853-1906) are recorded at Glen View Studios, 30 Old Christchurch Road, Bournemouth from the late 1880s. The firm on several occasions also photographed the prominent dual-heritage composer, Samuel Coleridge-Taylor, the illegitimate son of a white Englishwoman and an African doctor from the Krio people of Sierra Leone. Condition: Very light discolouration, small amount of dulling to gilt border from handling, otherwise very good - **General condition consistent with age

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Clevedon Salerooms
Lot 518

Arts & Crafts/Art Nouveau copper mantel clock, with humped overhanging roof above repousse flowering plant design framing cream Arabic chapter ring with French two-train gong-striking movement with stamp of Vincenti & Cie, 30cm high Condition: General water staining and other tarnishing to roof, slight bruising and buckling to corners. Dial and movement appear slightly incongruous with clock case and maybe a replacement. Genera marks to sides of case as per images. Sold with pendulum and winder. **We do not guarantee the movement or accuracy of clocks - Please see extra images and TELEPHONE department if you require any further information.

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Dreweatts 1759
Lot 761

Y A George IV mahogany dressing table, circa 1825, attributed to Gillows, the rectangular top with reeded edge and three quarter gallery, above two frieze drawers flanked by tablet moulded terminals, on turned tapering legs terminating in brass caps and castors, the top of one drawer with worn stamp for '*ON', 84cm high, 91cm wide, 59cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old minor chips and splits. Of sympathetically cleaned/polished appearance. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

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Dreweatts 1759
Lot 853

Cristophe Fratin (1800-1864), a patinated bronze model of a 'Cook Bear', the anthropomorphic bear portrayed wearing a hat, standing on hind legs and carrying a pot, on a rectangular base with indistinct name stamp, and with further inscription Fratin to the maquette, approximately 18cm highProvenance: British Private CollectionAcquired by the present owner at Sotheby's London, Nineteenth Century Decorative Works of Art and Furniture, 23 June 1983, lot 152Condition Report: Rich mid-brown patina, with some lighter colours where it has rubbed, to the exposed extremities and edges of plinth.Tiny crack to the pan handle, close to where attached to the vessel.Condition Report Disclaimer

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Dreweatts 1759
Lot 843

John Bell (English, 1812-1895), a large and rare English patinated bronze model of the Eagle Slayer, cast by Coalbrookdale, late 19th century, the heroically nude figure standing on a naturalistically cast base with a sheep and tree trunk, inscribed Bell fecit to the maquette, and stamped COALBROOKDALE to the reverse, approximately 82cm highVictorian Neoclassical sculptor John Bell first showed a version of the 'Eagle Shooter', probably in plaster, at the 1837 Royal Academy Summer Exhibition. It is listed in the exhibition catalogue of that year as entry 1176, accompanied by an anonymous poem, which reads: 'A moment more the shaft is sped, with lightening speed and steady aim A moment more the feathers' red, in the best blood the wretch can claim' The subject matter which inspired the model is Aesop's fable of the eagle and the shepherd boy. The eagle kills a lamb, and in revenge the shepherd boy slays the eagle using an arrow made of the bird's own feather. The Eagle Slayer was a highly successful model, and a large version in cast iron, also from the Coalbrookdale foundry, was shown at The Great Exhibition in 1851. That version is in the collection of the V&A, London. Bell was a prolific sculptor, whose most famous commissions include the 1856 Wellington Monument (Guildhall, London), the Crimean War memorial (Woolwich, also 1856), and the 'America' group that graces the base of the Albert Memorial. During his lifetime, Prince Albert had also been a patron of the sculptor. The renowned foundry of Coalbrookdale was known primarily for its production of cast iron statuary and ornament, and the present lot is a rare work executed in bronze bearing this foundry's stamp.  PLEASE NOTE: this lot is 82cm high, and not 32 as stated in the printed catalogue. It is 'large', as described.   Condition Report: PLEASE NOTE: this lot is 82cm high, and not 32 as stated in the printed catalogue. It is 'large', as described. It appears that this model would have had a bow or possibly a baton (as in some versions) in the arm aloft, this is not present at Dreweatts.The glossy mid-brown patina has some areas of uneven wear - please see images for details,There are no obvious breaks or joinsPlease see additional images for visual reference to condition  Condition Report Disclaimer

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Dreweatts 1759
Lot 854

Cristophe Fratin (1800-1864), a patinated bronze model of a 'Literary Bear', the anthropomorphic bear portrayed seated in an armchair, reading and holding a pipe, with stamp FRATIN to base with 'N' in reverse, and with further inscription Fratin to the maquette, approximately 17cm highProvenance: British Private CollectionAcquired by the present vendor at Sotheby's London, Nineteenth Century Decorative Works of Art and Furniture, 23 June 1983, lot 151Fratin's distinctive style isn't as much about minute anatomical detail as it is about evoking a subject with sharp modelling and, not unimportantly, a sense of humour. While the sculptor created several monumental commissions during his lifetime (such as the large group of Eagles and their prey in New York's Central Park) he is most renowned for his small-scale depictions of anthropomorphic bears and monkeys, which defied the more formal conventions of sculpture at the time. Around fifty models of anthropomorphic bears engaged in a range of activities by Fratin are known, and this bronze is a great example of Fratin's witty subject matter.A cast of this model was sold at Christie's South Kensington, 27 March 2007, lot 194 (£4,320)Condition Report: The bronze bears the usual minor marks, knocks and scuffs overall consistent with age.The patina is a shiny warm brown, with a reddish tinge. Possibly bearing some varnish.Update to report: it has been pointed out to us that in fact the bronze is lacking a section of the pipe, which was broken off. This section has been found and is sold with the lot.Condition Report Disclaimer

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Dreweatts 1759
Lot 839

A mahogany and upholstered stool, by Howard & Sons, mid 20th century, the padded and upholstered rectangular top on tapering rectangular legs, on brass caps and castors, one leg with stamp for 'HOWARD CHAIRS, 48 STH AUDLEY ST, LONDON W.1, 2401', 46cm high, 54cm wide, 54cm deep Condition Report: Minor marks, knocks, scratches and abrasions commensurate with age and use.Stitching between cushion top and the upholstered base opening slightly in places. Upholstery with fading overall and several discolourations and darker stains. Condition Report Disclaimer

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Dreweatts 1759
Lot 762

A pair of Regency mahogany library bergeres, circa 1815, attributed to Gillows, the scrolling top rail above the reeded back and down swept moulded supports, the leather button upholstered loose cushion seats above reeded turned tapering legs terminating in tapering feet at the front, the seat rail of a chair stamped with workman's initials, each 85cm high, 50cm wide, 51cm deep For a closely related pair of chairs see Sotheby's Arts of Europe, 3rd December 2013, Lot 226(£17,500). For a further comparable pair of chairs see Sotheby's London, An Exceptional Eye, A British Collection, 14th July 2010, lot 107 (£17,500) The stamp to the seat rail of one chairs appears to read 'H H' indistinctly and may possibly be a workman's stamp. According to Susan Stuart, 'HH' is one of the most common initial stamps recorded on chairs made by Gillows in the first half of the 19th century. In Stuart's book it is explained with known examples that the stamp may belong to Henry Howard, however that Henry Holmes might be a better candidate as he was a known Gillows journeyman. (Susan E. Stuart, Gillows of Lancaster & London, Antique Collectors Club, 2008, vol.II, page 244). Condition Report: Both with marks, knocks, scratches and abrasions commensurate with age and use. Some old minor chips and splits. Caning is an old replacement and is in good order overall with no obvious tears/damages.Glue residue visible to joints between all back legs and seat rails. 'Shadow' and filled holes to back legs where they appear to have previously had supporting brackets (see images). One back leg with spliced repair. Both chairs structurally solid overall. Please refer to additional images for visual reference to condition. Please note that only one chair bears an indistinct stamp that may possibly be a workman's stamp, and not as detailed in the printed catalogue.   Condition Report Disclaimer

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Dreweatts 1759
Lot 862

Attributed to Cristophe Fratin (French, 1801-1864), a patinated bronze figural desk stand of a 'monkey peddler', second half 19th century, modelled with a larger seated monkey with a large wicker basket, and a smaller monkey seated on a lidded box, on naturalistically modelled base, 23cm high, 17cm wide Provenance: British Private Collection Please note: since the catalogue was published, an indistinct stamp for Fratin has been discovered on this bronze. Please see the revised cataloguing, where the bronze is attributed to FratinCondition Report: Minor marks, knocks, scuffs and scratches overall consistent with age.The patina is a glossy mid-brown, with some golden tones towards the extremities where it has worn slightly.Would benefit from a dusting. Slight bowing to the monkey's staff.No areas of structural damage have been detected.Condition Report Disclaimer

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Sheffield Auction Gallery
Lot 156

A Hallmarked Silver Decanter Label, (Birmingham 1970) "Gin", on chain suspension; together with a pair of plated labels "Sherry" and "Whisky"; a modern hallmarked silver coaster, Sheffield 1999 (bearing Millennium 2000 stamp), 9.8cm diameter (50grams). (4)

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Busby
Lot 503

Alice Barnwell, 'Snow blossom', coloured etching, titled and signed with studio blind stamp, 23x30

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Busby
Lot 21

Mixed lot including a Vanity Fair compact, manicure set, 2 bead necklaces, enamel bangle, stamp holder and others

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Busby
Lot 502

Alice Barnwell, 'Winter Willows' and 'The Wolds', coloured etchings, titled and signed, with studio blind stamp, 24x31cm

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Busby
Lot 294

A mixed lot to include leatherbound box with chased metal mounts; leather wallet; leather cased card set with chased silver plaque; Art Nouveau stamp box; butterfly card set

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Gardiner Houlgate
Lot 903

1965 Fender Precision Bass guitar neck, date stamp 5AUG65C, frets with some indent wear, nicely worn in neck, later nut, hardware appears original *Sold with CITES A10 certificate no. 592984/01

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Gardiner Houlgate
Lot 928

Vintage Chad Valley children's guitar, boxed; together with another Japanese made tin guitar bearing a T.N. trademark stamp (2)

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Jacobs & Hunt
Lot 112

Edward Stamp, "By the Ouzel, Great Brickhill, Buckinghamshire" watercolour signed and dated 1984 37cm x 55cm

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TW Gaze
Lot 8728

Victorian and later stamp album including penny red & black 

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TW Gaze
Lot 8368

A late Victorian silver cased, leather-lined pocket note book, calling card and postage stamp case, the exterior chased with foliate scrolls, with original pencil. Birmingham 1876

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TW Gaze
Lot 8240

A silver stamp holder in the form of an envelope, enamelled brooch a/f, silver padlock, guilloche egg pendant etc

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TW Gaze
Lot 8688

A Bergman brass fish with red eyes, stamp to base, 23cm long

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Fieldings Auctioneers
Lot 243

A Victorian hallmarked silver sovereign case of plain form with a silver stamp envelope, London 1923 and Chester 1903 respectively. (2)

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Ewbank's
Lot 2145

After Sir William Russell Flint, RA (Scottish, 1880-1969), Summertime, Uzes, colour print, limited edition 174/653 with W R F blind stamp 40cm x 53cm (Forest Gallery Label verso)

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Ewbank's
Lot 2141

After Sir William Russell Flint, RA (Scottish, 1880-1969), The Mill Pool, colour print, limited edition 313/850 with Michael Stewart blind stamp 55cm x 71cm (Forest Gallery Label verso)

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Ewbank's
Lot 2144

After Sir William Russell Flint, RA (Scottish, 1880-1969), Souvenir of Barbaste, colour print, limited edition 166/650 with W R F blind stamp 40cm x 53cm (Forest Gallery Label verso) No damage found but not seen out of frame.

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Ewbank's
Lot 2147

After Sir William Russell Flint, RA (Scottish, 1880-1969), St Malo, 1939, colour print, signed in pencil, Published in 1947, with Frost & Reed blind stamp 39cm x 63cm ( With Forest Gallery label verso)

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Ewbank's
Lot 2142

After Sir William Russell Flint, RA (Scottish, 1880-1969), the Jewel Box, colour print, limited edition 263/653 with W R F blind stamp 30cm x 39cm (Forest Gallery Label verso)

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Ewbank's
Lot 2148

After Sir William Russell Flint, RA (Scottish, 1880-1969), La Voulte sur Rhone, colour print, signed in pencil, Published in 1969 by Frost & Reed with Fine Art Trade Guild blind stamp 49cm x 63cm ( With Forest Gallery label verso)

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Ewbank's
Lot 2139

After Sir William Russell Flint, RA (Scottish, 1880-1969), Ancient Doorway Cordes, colour print, limited edition 174/650 with W R F blind stamp 56cm x 37cm (Forest Gallery Label verso)

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Ewbank's
Lot 2149

After Sir William Russell Flint, RA (Scottish, 1880-1969), Le Quatorze Juillet, colour print, signed in pencil, Published in 1956 by Frost & Reed with Fine Art Trade Guild blind stamp 49cm x 63cm ( With Forest Gallery label verso)

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Ewbank's
Lot 2138

After Sir William Russell Flint, RA (Scottish, 1880-1969), Reclining Nude, colour print, limited edition 507/750 WRF blind stamp, 30cm x 55cm (Forest Gallery Label verso)

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 3619

Nolde, EmilNolde, Emil (1867 Buhrkall - Seebüll 1956). Hockende Frau. Bronze mit braun Nolde, Emil Nolde, Emil (1867 Buhrkall - Seebüll 1956). Hockende Frau. Bronze mit brauner Patina, um 1920/1971. Höhe 12,1 cm. Auf der Rückseite unten mit der Stempelsign. des Künstlers, der Nummerierung u. dem Gießer-St. 'Noak Berlin'. Eines v. 20 Ex. - Der Nachguss wurde im Auftrag u. unter der Aufsicht der Nolde-Stiftung hergestellt. Mit einer Echtheitsbestätigung von Prof. Dr. Martin Urban, 18. Mai 1992. Provenienz: Privatsammlung Hamburg (von der Nolde-Stiftung erhalten). - In guter Erhaltung. - Squatting woman. Bronze with brown patina. On the back with stamp signature of the artist. One of 20 numbered copies. Good condition.

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 147

Hugo de Sancto Victore.Hugo de Sancto Victore. De sacramentis Christianae fidei. 2 Büc Hugo de Sancto Victore. Hugo de Sancto Victore. De sacramentis Christianae fidei. 2 Bücher in 1 Bd. (Straßburg, Drucker des Jordanus von Quedlinburg von 1483 (= G. Husner), 30. Juli 1485). Fol. Got. Typ., 2 Sp., 46-47 Z. 156 (von 160; ohne Titelbl. u. 3 w. Bl.) nn. Bl. (= 68 von 70, ohne Titelbl. u. das le. w. u. 88 statt 90, ohne 2 w. Bl.). Durchgehend rubriziert u. mit zahlr. eingemalten Initialen in Rot u. Blau sowie Schmuckinitialen in Federzeichnung. Mod. Ldr. mit Streicheisenlinien in Lwd.-Schuber. GW 13631. Hain 9025. BMC I, 133. Goff H 535. Polain (B) 2034. - Erste und wohl einzige vollständige Ausgabe des 15. Jahrhunderts. Lediglich Buch 2 war bereits 1477 bei Zainer in Augsburg erschienen; Hain nennt noch einen sonst nicht nachzuweisenden Druck von 1495. - Zur Zuschreibung des Druckes an Georg Husner vgl. Vouilleme 149. - Breitrandiges Exemplar auf starkem Papier, ohne die beiden w. Bl. zwischen Buch 1 und 2 u. ohne d. w. Schlußbl. sowie Titelbl. zu Buch 1. - Vereinzelt leicht wasserrandig. Mehrere Unterstreichungen u. Marginalien von alter Hand. In den Blattränd. tls. leicht fl. - First edition of both books. - Without title and three blanks (70, 71 & 160). Rubricated throughout and with numerous initials in red and larger initials in red and blue with elegant penwork decoration, early annotations, some deckle edges, modern tooled calf, slipcase. - Provenienz: P. Goudanus, early inscription at head of first leaf; Carmelite convent of Bruges, inscription at head of first leaf; Claude François Cusin, assesseur criminel of Beaujeu, eighteenth-century armorial bookplate on old endleaves; Metropolitan Chapter of Paris, library stamp at foot of first leaf; Colleción Alfageme-Fontanals, name on spine.

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 3613

Bruni, BrunoBruni, Bruno (1935 Gradara b. Pesaro/Italien, in Hamburg aktiv). 'La Spina' Bruni, Bruno Bruni, Bruno (1935 Gradara b. Pesaro/Italien, in Hamburg aktiv). 'La Spina': Der Dorn. Weiblicher Akt auf hohem Sockel knieend, Oberkörper u. Arme nach unten zum ausgestreckten rechten Fuß gebeugt, das Gesicht von fallenden Haarsträhnen bedeckt. Bronzeguss, zweitönig (Braun u. Grün) patiniert. Seitlich am Sockel sign., dat., num. u. mit Gießerei-St. Fritz Albrecht Altrandsberg. Ex. 219/640. 30,5 x 22 x 11,5 cm. Gew.: 8 Kg. - Sockel vereinz. mit leichten Abreibungssp. Sonst kaum Gebrauchssp. - The thorn. Female nude, kneeling. Bronze, brown and green patinated. Signed, dated, numbered and with foundry stamp. Copy 219 (of 640). Socket slightly rubbed.

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Antiquariat Peter Kiefer, Buch- und Kunstauktionen
Lot 3269

Jossot, Gustave-HenriJossot, Gustave-Henri (1866 Dijon - Sidi Bou Said 1951). La Vague. Jossot, Gustave-Henri Jossot, Gustave-Henri (1866 Dijon - Sidi Bou Said 1951). La Vague. Lithographie in Olivgrün auf Arches. Im Druck und e. sign., bezeichnet 'no. 8', nicht dat. (um 1894). Blattmaß: 61 x 43 cm; Plattenmaß: 52,3 x 35,2 cm. - Unter Passepartout. Stein/Karshan Nr. 39 Tafel 57. Thieme/Becker 19, 184: ' Gustave-Henri Jossot, also known as Abdul Karim Jossot, betätigte sich hauptsächlich als Illustrator für Pariser Zeitschriften... Pikante Stilisierung der Linie, an japan. Vorbilder erinnernd. . .'. - Weill, Plakatkunst international ' S. 53: '. . . La Plume (Kunst- u. Literaturzeitschr.) veranstaltete auch den Salon des Cent in ihren Räumen... dessen Plakate mit berühmten Namen signiert sind (Ibels... Jossot und De Feure... Lautrec). - Das vorliegende sehr seltene Blatt in Anlehnung an Hokusai's Welle enstanden. - Leichter Lichtrand, minimale Druckfehler und mit kleinen Knickspuren am Rand. - Links unten oktagonaler Blindstempel. - Lithography on Arches. Signed in the print, entitled. Under passepartout. Slightly sun faded, with small creases in the margin, few misprints, bottom left with blind stamp.

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VAN HAM Kunstauktionen
Lot 1022

DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Portrait de Marguerite. Untertitel: Aus: Faust (La Nuit de Walpurgis). Datierung: 1968/69. Technik: Radierung, blau aquarelliert mit Goldauflage auf Japon nacré mit dem Prägestempel "Dali". Montierung: Auf Passepartout aufgezogen. Darstellungsmaß: 32 x 23,5cm. Blattmaß: 37 x 28cm. Bezeichnung: Bezeichnet und nummeriert. Herausgeber: Graphik Europa Anstalt Robbe (Hrsg.). Exemplar: 75/145. Rahmen: Rahmen. Zustand: Umlaufend minimaler Lichtrand. Blatt fest im Passepartout aufgezogen. Ansonsten in sehr gutem Zustand. WVZ. Michler/Löpsinger, Nr. 298. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Porträt Papierarbeit Radierung DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Portrait de Marguerite. Subtitle: From: Faust (La Nuit de Walpurgis). Date: 1968/69. Techinque: Etching, blue watercolour with gold plating on Japon nacré with the blind stamp "Dali". Mounting: Matted. Depiction Size: 32 x 23,5cm. Sheet Size: 37 x 28cm. Notation: Inscribed and numbered. Publisher: Graphik Europa Anstalt Robbe (publisher). Number: 75/145. Frame: Framed. Condition: Circumferential minimal light-edge. Sheet permanently matted. Otherwise in very good condition. Cat. rais. Michler/Löpsinger, no. 298. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Prints 1960s Portrait Works on paper Etching

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VAN HAM Kunstauktionen
Lot 1037

GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hannover Titel: Kopf einer Greisin. Datierung: 1924. Technik: Aquarell und Tempera auf leichtem Karton (Trockenstempel). Maße: 47,5 x 31,5cm. Bezeichnung: Mit Werknummern versehen, signiert und datiert unten: No 393 No 44 O. Gleichmann 1924. Rahmen/Sockel: Rahmen. Das Aquarell wird in das von Frau Petra Wenzel, Isernhagen, bearbeitete Werkverzeichnis aufgenommen. Prov.: Nachlass des Künstlers; Galerie Brusberg, Berlin; Galerie Remmert und Barth, Düsseldorf; Sammlung Prof. Dr. Eggers, Essen Ausst.: Galerie Wolfgang Ketterer, München 1966; Sprengel Museum, Hannover 1987, . Erläuterungen zum Katalog Otto Gleichmann Deutschland Expressionismus Moderne Kunst Unikate 1920er Figur / Figuren Papierarbeit Mischtechnik Frau GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hanover Title: Kopf einer Greisin. Date: 1924. Technique: Watercolour and tempera on thin card (blind stamp). Measurement : 47,5 x 31,5cm. Notation: Equipped with work numbers, signed and dated at the bottom: No 393 No 44 O. Gleichmann 1924. Frame/Pedestal: Framed. The watercolour will be included in the catalogue raisonné edited by Petra Wenzel, Isernhagen. Prov.: Artist's estate; Galerie Brusberg, Berlin; Galerie Remmert und Barth, Düsseldorf Exhb.: Galerie Wolfgang Ketterer, Munich 1966; Sprengel Museum, Hannover 1987, cat. no. 68, ill. p. 62. Explanations to the Catalogue Otto Gleichmann Germany Modern Art 1920s Figure / Figures Works on paper Mixed media Woman

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VAN HAM Kunstauktionen
Lot 1331

VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Ungarn - 1997 Paris Titel: Ohne Titel. Technik: Farbserigrafie auf Velin. Darstellungsmaß: 56 x 40cm. Blattmaß: 75 x 57cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Edition Denise René, Paris (Hrsg.). Exemplar: 138/250. Rahmen/Sockel: Rahmen. Zustand: In den Randbereichen minimale Druckspuren rahmungsbedingt. Ecken minimal bestoßen und zum Teil mit weißen Farbspuren. An der rechten Blattkante mit einzelnen Bestoßungen.. Mit dem Trockenstempel des Herausgebers versehen. Erläuterungen zum Katalog Victor Vasarely Frankreich Op Art Nachkriegskunst Grafik Druckgrafik VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Hungary - 1997 Paris Title: Untitled. Technique: Colour silkscreen on vellum. Depiction Size: 56 x 40cm. Sheet Size: 75 x 57cm. Notation: Signed and numbered. Publisher: Edition Denise René, Paris (publisher). Number: 138/250. Frame/Pedestal: Framed. Condition: In the margins minimal pressure marks due to mounting. Corners minimally bumped and partly with white paint traces. At the right sheet edge with occasional bumpings. Provided with the blind stamp of the publisher. Explanations to the Catalogue Victor Vasarely OP Art Post-War Art Prints Print

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VAN HAM Kunstauktionen
Lot 1092

BAUERMEISTER, MARY BAUERMEISTER, MARY 1934 Frankfurt a.M. Titel: Ohne Titel. Datierung: 1959. Technik: Pastell auf schwarzem Tonkarton. Montierung: Im Passepartout montiert. Maße: 50 x 64,5cm. Bezeichnung: Signiert und datiert unten rechts: M. Bauermeister 1959. Rahmen/Sockel: Rahmen. Wir danken Mary Bauermeister und Simon Stockhausen für die freundliche Unterstützung. Prov.: Sammlung Prof. Dr. Kurt Herberts, Wuppertal (Stempel); Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Mary Bauermeister Deutschland Fluxus Konzeptkunst Abstraktion Nachkriegskunst Unikate 1950er Abstrakt Papierarbeit Pastell BAUERMEISTER, MARY BAUERMEISTER, MARY 1934 Frankfurt a.M. Title: Untitled. Date: 1959. Technique: Pastel on black card. Mounting: Matted. Measurement: 50 x 64.5cm. Notation: Signed and dated lower right: M. Bauermeister 1959. Frame/Pedestal: Framed. We thank Mary Bauermeister and Simon Stockhausen for the kind support. Prov.: Collection Prof. Dr. Kurt Herberts, Wuppertal (stamp); Private collection North Rhine-Westphalia. Explanations to the Catalogue Mary Bauermeister Germany Fluxus Conceptual Art Abstraction Post-War Art Post War 1950s Abstract Works on paper Pastel

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VAN HAM Kunstauktionen
Lot 1341

WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York nach Titel: Elvis - platin. Untertitel: Wandobjekt. Datierung: 2007. Serigrafie auf Aluminiumfolie auf Porzellanplatte, in schwarzem Holzrahmen. 51 x 51 x 2,5cm. Drucksignatur unten rechts: Andy Warhol. Unten links gedruckte Manufaktur-Marke "Rosenthal studio-line" und Copyrightvermerk. Stempelnummerierung verso auf Editionsetikett: 47/49. In originaler Holzkiste: 59 x 59 10cm. Rosenthal studio-line (Hrsg.). Ex. 47/49 . Porzellanobjekt aus der Serie "Andy Warhol Collection". Dem Objekt liegt ein Zertifikat bei. Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 2000er Musiker Multiple Mischtechnik Mann WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York afterTitle: Elvis - platin. Subtitle: Wall object. Date: 2007. Silkscreen on aluminium foil on porcelain plate, in black wooden frame. 51 x 51 x 2,5cm. Embossed signature lower right: Andy Warhol. Lower left printed manufacture mark "Rosenthal studio-line" and copyright notice. Stamp numbering verso on edition label: 47/49. In original wooden box: 59 x 59 10cm. Rosenthal studio-line (publisher). Number 47/49 . Porcelain object from the series "Andy Warhol Collection". Enclosed with the object is a certificate. Explanations to the Catalogue Andy Warhol USA Pop Art Photographs Post-War Art Prints 2000s Musician Multiple Mixed media Man

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VAN HAM Kunstauktionen
Lot 1339

WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York Titel: Committee 2000. Datierung: 1982. Technik: Farbserigrafie. Lenox MuseumskartonMaße: 51 x 50,5 x 76,5 x 51 x Bezeichnung: Signiert und nummeriertCommittee 2000, München (Hrsg.). Exemplar: 958/2000. Sockel/Rahmen: Rahmen. Zustand: In der Bildmitte sowie in der rechten unteren Ecke minimale Knickspuren. Vereinzelte minimale Flecken im oberen Bildbereich sowie im unteren Randbereich. Mit dem Trockenstempel des Druckers Rupert Jasen Smith, New York. Diesem Blatt fehlt der rückseitige Copyright Stempel des Künstlers. WVZ. Feldman/Schellmann, Nr. II.289. Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 1980er Feste Papierarbeit Farbserigrafie WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York Titel: Committee 2000. Date: 1982. Technique: Colour silkscreen. Lenox museum boardMeasurement: 51 x 50,5 x 76,5 x 51 x Notation: Signed and numbered Committee 2000, Munich (publisher). Number: 958/2000. Frame/Pedestal: Framed. Condition: In the picture centre as well as in the lower right corner minimal creases. Occasional minimal stains in the upper picture area as well as in the lower margin. With the blind stamp of the printer Rupert Jasen Smith, New York. This sheet is missing the copyright stamp of the artist verso. Cat. rais. Feldman/Schellmann, no. II.289. Explanations to the Catalogue Andy Warhol USA Pop Art Photographs Post-War Art Prints 1980s Celebrations Works on paper Colour silkscreen

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