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Lot 591
A LARGE collection of assorted vintage cigarette and trade cards. Spanning 8x albums, all neatly placed in display sleeves. To include sets: Bubblegum ' Civil War ' dollars (full set), Wills Old English Garden Flowers, Wills Wild Flowers, Black Cat Flowers, Stamp Cards, Twinings Rare Stamps, Post Office British Stamps, Players Captain Blood, Goodies Pirates, Carreras Highwaymen, Ogdens Smugglers & Smuggling, Murray Story Of Ships, Naval Battles, Ogdens Poultry Alphabet, and MANY others. Largely complete sets.
Lot 597
Stamp Album; a very good Stanley Gibbons presentation stamp album, largely filled (but not completely) with Victorian and other examples of stamps. To include; 1d Penny Black, 1d Penny Red (with Maltese cancel), 2d Two Penny blue, various other Victorian examples, George V, Edward VII etc. Some with interesting cancels. Good rare collection.
Lot 7
An early 20th century Art Deco ceramic Shelley Mabel Lucie Attwell plate depicting a girl and dog on see saw with three Boo Boo's fairies. Notation reading See-saw , see-saw away to Banbury Town , I've got the fairies in the air - how can i get them down?. Shelley stamp to verso. Measures 21 cm deep and 25 cm wide.
Lot 75
After: Utagawa Hiroshige, Japanese Color Woodblock Print, Village Scene, Signed in the Plate. Stamp marks on margin. Light spotting, fraying to edges, toning to paper, crack to top right corner, small crease bottom left. Sheet measures 14-5/8" H x 9-1/2" W, frame measures 20-3/8" H x 15-3/8" W. Shipping $95.00 (estimate $100-$150)
Lot 460
§ Herbert F Royle (British, 1870-1958) A crofting scene in the Highlands signed lower left "H Royle" oil on canvas 49 x 60cm (19 x 23in) Other Notes: Herbert Royle was born in Manchester in 1870 and studied art under John William Buxton Knight (1843-1908). He lived firstly in Southport, later moving to Bolton Abbey, Yorkshire and subsequently to Nessfield, near Ilkley. Royle exhibited annually at the Royal Academy from 1894 for almost fifty years, and from 1900 at the Royal Scottish Academy, the Glasgow Institute and at the Royal Society of Painters in Oils. Each year he holidayed in the Scottish Highlands and during these trips painted many Scottish loch and harbour views. He often painted en plein air and travelled by bicycle seeking subjects to paint, with his easel strapped to his bicycle and with a hot potato in his pocket in winter to warm his hands. A little dirty. No. 238 to the reverse. An area of paint loss lower right-hand corner. Oil on canvas which is unlined with an French artists' suppliers stamp on the reverse. The canvas is in plane. The paint layer has raised areas of paint and has suffered from loss - notably at the lower right corner. Some of the loss in this area has been retouched but further loss has since occurred. There is a chip to the frame along the upper edge.
Lot 480
English School, 1811 Portrait of Thoroton Pocklington (1755-1813), head and shoulders, in yellow waistcoat, buff jacket and white stock, and his wife, Ann, in mob cap, gold shawl and striped dress oil on canvas (2) 75 x 62cm (29 x 24in) Other Notes: Thoroton Pocklington wore irons on his legs as a child and grew tall - he studied Theology at college but due to the weakness in his legs he could not stand for long, so he took to the healthier life of farming and mobility on horseback. The Pocklingtons were a Nottinghamshire family, going back to 1150, with two ancestors High Sheriffs of Nottingham. Thoroton Pocklington married Annie Greaves, daughter of a wealthy Lincoln man who drove a state coach with footmen in the rear. They had six sons and six daughters and owned farms at Pudstone, Gibsmere and Hoskerton in Nottinghamshire. Thoroton Pocklington's portrait is lined. Mrs Pocklington is unlined. Canvas maker's stamp to the reverse. Portrait of Anne Pocklington Oil on canvas which is unlined. The canvas tension is slack with undulations and the stretcher behind is visible in the paint layer. There are localised areas of raised paint which has resulted in flaking and loss and is unstable. Old losses have been addressed in the past and there are areas of overpaint, mainly located in the background. The varnish is glossy. The frame is in a good condition. AX837 2Mr Pocklington Oil on canvas which appears to have been lined onto a fine weave canvas support. The paint layer has developed drying cracks as it has cured, visible around the head of the sitter in the background. Overall the paint layer is stable and secure. There are a few small losses, scuffs and scratches located in the lower right corner. The varnish is glossy and uneven leaving tidelines - for example in the sitter's forehead. The frame is in a good condition.
Lot 602
A late 19th century Vizagapatam writing slope, the fall front over a compartment with three shallow drawers all before the lid over three compartments with lift off lids about a stamp slope and three glass inkwells, the box 38.5cm (15.25 in) wide This box is distressed with the ivory lifting and the micromosaic degrading
Lot 824
A pair of mahogany framed Howard armchairs, with loose cover upholstery, on square tapering legs and brass casters, stamped Howard & Sons Ltd, Berners St, 6681 1761 (2) 88 x 70cm (34 x 27in) The chairs are in 'Country House' condition with tired loose covers, the undersides with printed hessian with Howard and Son stencil and stamp to the back leg of each
Lot 117
A 19th century Russian gold and enamel poison ring, the central shaped compartment with hinged lid decorated with a black enamel wasp or fly, to pierced tapered shoulders with dished and beaded panels, shank with 56 zolotnik stamp, maker FR and stamp for St Petersburg 1864, length of compartment 9mm, ring size Q
Lot 141
A single stone diamond pendant slider necklace and chain by Giovanni Balestra & Figli, the round brilliant cut diamond of approximately 0.50ct rubover set in a hexagonal mount with run-through snake link chain, white metal stamped on pendant, clasp and chain '750' to indicate 18ct white gold, and with maker's cartouche and Vicenza assay stamp; width of pendant 7.3mm, length of chain 39cm, gross weight 6.8g
Lot 265
A pair of Georgian shell dishes, possibly by Thomas Wallis I (maker's mark only, indistinctly struck three times), the scallop bowls engraved with a crest over a coronet and supported on three hoof feet, tests to Sterling standard, 4.8ozt gross (2) 9 x 9cm (4 x 4in) Other Notes: Between 1784 and 1890, silver was taxed, with the duty being collected by the assay offices at the time of hallmarking. As makers are able to stamp their own maker's mark themselves, some silversmiths struck their own mark several times on their wares to give the impression of a hallmark, instead of sending the items to the assay office for a genuine hallmark and paying the tax. This practice was known as 'duty dodging' and these dishes are probably an example of such practice. Severe damage now repaired to the handles of both
Lot 145
A COLLECTION OF SEVEN GEORGE V SILVER JUBILEE STAMP BOOKS, comprising four 3/- red books, numbered 295(x2)/6/7, and three 2/- blue books, numbered 300/1/2, complete; together with a blue (2/-) and red (3/-) Postal Union Congress London book of stamps, 1929 (9) (Est. plus 21% premium inc. VAT)
Lot 4
Beryl Cook 1926-2008, "The Art Class", signed in pencil, published in 1979 by Alexander Gallery Publications Limited and with Fine Art Trade Guild Blind Stamp, image 42 cm x 42 cm. CONDITION REPORT: This print is foxed in places. This is visible on the faces and hands of the figures and in the yellow walls to the rear. It is also slightly stained on the upper margin. The picture is well mounted, glazed and in a gilt frame which is in generally good condition.
Lot 6
Beryl Cook 1926-2008, "Fairy Dell", colour print, signed in pencil, published in 1981 by Alexander Gallery Publications Limited, with Fine Art Trade Guild Blind Stamp, image 41 cm x 39.5 cm. CONDITION REPORT: Very good condition. The margin is slightly yellowed. The double mount is in good order as is the gilt metal frame.
Lot 1024
A large German crystoleum, late 19th century, depicting a pre Raphaelite female before a tree trunk and reeds and an owl to the foreground, inscribed bottom left Eoderhaus Munchen 1/5 1883 with blind stamp for Fhanfstangl 1896 Munchen, mounted in a gilt frame, image 37.5 cm x 27.5 cm (see illustration). CONDITION REPORT: The frame dimensions are 65 cm x 46 cm. Overall this is in good order throughout. The shadow mark on the bottom right hand corner is the impression from the makers name and location. At the very top of the picture there is a small blemish/mark at the edge directly above the females head which can be seen in the web image. The frame is not in the best of condition with numerous scratches throughout and losses to the decorative plasterwork and also to the gilding. The frame looks like a contemporary to the crystoleum.
Lot 2
Beryl Cook 1926-2008, "The Bathing Pool" printed in colours and signed in pencil, published by Alexander Gallery Publications Limited, Bristol, and with Fine Art Trade Guild Blind Stamp image 47.5 cm x 38 cm (see illustration). CONDITION REPORT: First class condition. Well mounted, framed & glazed. The frame is of green stained pine and in generally good order with only minor surface blemishes.
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165598 item(s)/page