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Lot 174
Christie (Agatha) The Pale Horse 1961 first edition original boards dust-jacket a little browning to spine and back panel otherwise a fine copy 1961; Golding (William) Pincher Martin first edition original cloth spine faded dust-jacket spine browned and nicked to head and foot 1956; Waugh (Evelyn) Officers and Gentlemen first edition with previous owner`s blindstamp to first free endpaper original cloth with ownership stamp to upper board dust-jacket browned nicked to head of spine 1955 Wodehouse (P.G.) Young Men in Spats fourth printing spotting to edges original cloth [c.1940] 8vo (4)
Lot 257
Milton (John) L`Allegro and Il Penseroso portrait on title and 29 illustrations by Birket Foster text printed in red title and a few plates all but loose origial blind-stamped cloth gilt 1860 § Recueil de Panneaux d`Ornemens par différents Graveurs du XVI. Siècle 54 plates with mounted etchings prize bookplate and blind stamp on title contemporary red half morocco gilt Brussels 1871 § Hamilton (Anthony) Memoirs of Count Gramont edited by Sir Walter Scott number 103 of 780 copies portrait plates little spotting bookplate contemporary half morocco t.e.g. 1889 § Wright (Andrew) Court-Hand Restored ninth edition plates contemporary half morocco little rubbed t.e.g. 1879 § Jekyll (G.) and Lawrence Weaver. Gardens for Small Country Houses fourth edition colour frontispiece illustrations original cloth little rubbed and marked cover bowed 1920; and 2 others 4to(7)
Lot 382
Imperial Gazetteer of India 25/26 vol. 1907 25 vol. only (of 26 lacking vol.25 Index but with vol.26 Atlas which is often lacking) new edition folding colour maps Atlas with 64 double-page colour maps (previously mounted on stubs but now loose) a little browned some worming a few leaves frayed at edge and crudely repaired with sticky tape old ink library stamp on front free endpapers original cloth rather worn and stained wormed 8vo Oxford The Clarendon Press 1907-09; sold not subject to return.
Lot 398
Burton Land of the Midian (Revisited) 2 vol. first edition half-titles chromolithographed frontispieces and 4 plates 10 plain plates folding map vol.2 endpapers and half-title browned and foxed library blind-stamp to title vol.1 original yellow ochre pictorial cloth gilt vol.2 original variant plum cloth spine faded ring mark to upper cover nick with small loss to lower edge of upper cover [Penzer pp. 96-97] 8vo 1879.
Lot 519
Denis (Joseph) Five set designs depicting an interior with two model ships an interior with a couple at a table at the top of a flight of stairs an Italian or Spanish piazza a building amongst cacti and palm trees and a chalet in a snowy landscape the last four framed the other with studio stamp on back average size 260 x 425mm.(5)
Lot 1195
African Black Rhinoceros (Diceros bicornis), taken by Max-Dietrich Gaudchau, German-East Africa, circa 1933, anterior and posterior horns on prepared and close nailed skin section, anterior horn 60cm, posterior horn 30cm, on ebonised pine oval original shield with taxidermist`s stamp of Paul Etandau Weimar, Rätergasse 10 See illustration CITES Appendix I Annex A (Exempt). Despite being exempt, this horn has a CITES specimen specific licence issued in Darmstadt 23.2.2009, number DE-DA-09022319 Max-Dietrich Gaudchau was born in 1907 in Guthamannshausen, Thuringen. In 1928 he moved to German East Africa to work as a hunting guide, where he planned and organised safaris, mainly for wealthy English sportsmen such as Colonel Tucker (safari in 1937), and Major Evan (safari 1933). Included with this lot is a copy of the small collection of letters concerning this safari that Herr Gaudchau wrote to his father in Germany. In 1930 he opened his own company for trading in taxidermy and big game trophies, as well as offering safari-guidance in Moshi, a small town in Tanzania. In 1935 he bought farmland and built a farmhouse to plant and sell coffee. In 1940 he joined the army and went to the Africa Corp under Feldmarschall Rommel - indeed the vendor (great nephew of Max-Dietrich Gaudchau) still retains his African Corp medals. At the end of World War Two he lost all his private property to the English Government as they overtook the colonies of former German East Africa. However, in the 1950`s he went again to East Africa giving agricultural and environmental support (pest control) on behalf of the German Institute for Botany Protection. Mr Gaudchau died in 1994
Lot 1243
A Neapolitan Bronze Figure of Minerva, Chiurazzi, late 19th century, standing enrobed with spear and helmet, a snake around her feet, on rectangular integral plinth, with Chiurazzi foundry stamp, 71cm high (surface badly oxidized and weather worn) To the Greeks and Romans she was the goddess of Wisdom. To the Greeks she was known as Athena or Athene. The snake was associated with the Greek Athena at the beginning of her cult. Its association with wisdom, or prudence, comes from Matt.10:16, Be ye therefore wise as serpents (ie weary).
Lot 320
* Bell’s Life in London and Sporting Chronicle, 2nd January to 31st December 1848 bound as 1, some old damp staining throughout and ink lib. stamp to upper outer corner of first leaf of each issue, together with a volume for 1853, some browning, fraying and tears with loss, not all issues present, loose in later bindings, worn and second vol. with crude tape repairs, large folio. Sold with all faults, not subject to return (2)
Lot 371
* Stamps. Royal Mail Stamp Album, c. 1990, containing mostly unused Queen Elizabeth II definitives, with some unused commemoratives, in slipcase, together with Guernsey stamp album, containing unused Channel Islands commemoratives, 1980s-90s, in slipcase, three albums of First Day Covers, 1960s-80s, including World Cup 1966, and twelve various stock albums, mostly containing modern GB commemoratives, various world stamps, etc. (17)
![Bible [English]. The Holy Bible According to the Authorized Version... Prepared and Arranged by the Rev. George D’Oyly](http://lot-images.atgmedia.com/SR/10729/2797241/387-20107121667_468x382.jpg)
Lot 387
Bible [English]. The Holy Bible According to the Authorized Version... Prepared and Arranged by the Rev. George D’Oyly and the Rev. Richard Mant..., 2 vols. in 3, Cambridge University Press, 1830, lacking the plts. and maps, occn. minor spotting, armorial bookplate of John Brymer on front pastedowns (and his ink stamp on title-pages), a.e.g., near contemp. burgundy morocco by Riviere, with his ticket on front pastedown of vol. 1, rubbed, spines faded, spines with gilt floral and volute roll decorated wide low raised bands, gilt lettered direct in second and fourth compartments, remainder gilt panelled with trefoil and volute cornerpieces, vol. no. lettered at foot, covers with gilt triple fillet and blind lozenge and flower roll border, inner blind panel composed of lozenge and flower roll, triple fillets, and scrolling volute roll, thick 4to (3)
Lot 414
Dickens (Charles). Bleak House, 20 orig. parts in 19, 1st ed., 1852-53, forty etched plts. by Hablot Browne, incl. frontis. and addn. title-page, browned, numerous ad. leaves and slips, etc., some partially torn out, orig. printed blue wrappers, generally frayed, with some spines deficient and a number of covers detached, some with contemp. ms. ownership signature and circular embossed stamp at head of upper cover, contained in a green cloth solander box (some fraying to extrems., 8vo (19)
Lot 415
Dickens (Charles). The Life and Adventures of Nicholas Nickleby, 1st ed. in bookform, Chapman and Hall, 1839, half-title (sl. edge-frayed and re-attached), eng. port. frontis. (foxed and fore-edge frayed), and thirty-nine etched plts. by Hablot K. Browne, some foxing and staining, mostly marginal, port. frontis. in 1st state with pubs. imprint (first four plts. without imprint), title-page with contemp. ms. signature at head, hinges split, bookseller’s embossed stamp on front free endpaper, untrimmed, orig. green fine diaper-grain cloth gilt (variant binding, conforming to Dombey and Son, Smith I, p.68), faded spine frayed at head, small faint mark on upper cover, 8vo. Smith I, 5. (1)
Lot 430
Fuller (Thomas). The Church History of Britain; from the Birth of Jesus Christ, untill the Year M. DC. XLVIII., 1st ed., John Williams, 1655, hand-col. folding eng. plt. of coats of arms (torn, with paper repair on verso), contents generally toned, and with occn. early ms. annotations, first few leaves soiled and with repaired tears, Sss1-4 (pp.321-28) supplied in facsimile, bound with The History of the University of Cambridge since the Conquest, 1655, eng. folding map of Cambridge dated 1634, with paper repair at foot of fold (on verso and blank margin of recto), and The History of Waltham-Abby in Essex, Founded by King Harold, 1655, two eng. plts., some early underlining, 20th c. cloth, with gilt lettered leather spine label, folio in 4s, together with Leighton (Robert), The Works... a new and enlarged Edition: together with the Life of the Author, by the Rev. G. Jerment, 6 vols., 1805-1808, title-page to vol. 1 with Leighton’s date-span in neat biro beneath his name, title to each vol. with bookseller’s small ink stamp to lower blank margin, first gathering in vol. 1 with short worm trail in blank fore-margin (continuing into front pastedown), armorial bookplate of Revd. Robert Delap on front pastedowns (removed in vol. 6), contemp. marbled calf, with contrasting spine labels, rubbed in places and occn. minor wear, 8vo, plus nine other 19th c. theology and similar. Sold with all faults, not subject to return. (16)
Lot 443
Justinian I (Emperor of the East, 527-565). Institutiones Juris. D. Justiniani Sacratis. Principis Prima legum cunabula, à Clarisimo Jurisco. D. Sylvestro Aldobrandino Floretino Annotationibus illustrata..., Lugduni: apud Antonium Vincentium, 1553, ff.(lii), 389, (i), title printed in red & black with ink signature of Hen[ry] Crompton (possibly the Bishop of Oxford), double-column text with notes, rubricated in red, few dec. woodcut initials, Inner Temple ink stamp to title and repair to inner margin, repaired closed-tear to leaf A2, modern half-calf with green morocco title label, 8vo. Not in Adams. (1)
Lot 476
Wine. Abstracts of the Several Laws and Rules that are now in Force, relating to the Importation and Exportation of Wines into and out of Great-Britain..., by Charles Cleland, 1737, neat annotations to lower margins of few pages, single worm trail to fore-edge margins of last three gatherings, occ. spotting, 20th c. endpapers with front endpaper adhered to few letters of text at gutter (ink stamp to f.f.e), 20th c. half calf, torn and frayed at head of spine, rubbed, 4to. Kress S3531. (1)
Lot 489
Ark. The Journal of the Royal College of Art, nos. 1-50, 1950-72, a near-complete run lacking only three issues, nos. 13, 47 & 49, col. and b&w plts. and illusts., orig. printed wrappers, sl. rubbed and dust soiled, a small number with a little wear to spines, ink lib. stamp to upper cover of no. 45, oblong large 8vo and from issue 18 (4to). Contains interviews with artists and some issues with original lithographs by artists including Peter Blake, Roger Coleman, John Hodges, Michael Pope, John Sewell, June Fraser, Patricia Thompson, etc. (47)
Lot 501
Dresser (Christopher). Japan. Its Architecture, Art and Art Manufactures, 1882, title printed in red and black, b & w illustrations, one or two light spots, contemporary presentation inscription and owner stamp, t.e.g., original decorative cloth, spine a little stained with splits along lower joint and wear at foot, small dampstain, 8vo (1)
Lot 597
Wilde (Oscar). Salomé, Drame en un Acte, 1st ed., Paris & London, 1893, title with device by Félicien Rops, contemp. silver print photograph of Moreau’s watercolour of Salomé dancing, tipped in as frontis., author’s signed presentation inscription to second blank verso and sl. offset to half title, ‘à Gustave Moreau, Hommage respectueux, Oscar Wilde’, with Wilde’s trademark paraph to the last letter of his name, some light browning to first two blanks and half title, orig. purple wrappers printed in silver, somewhat faded and with marginal browning, the whole (including spine) bound by Pagnant in contemp. boards with a stencilled floral decoration design in red, green, blue and yellow, embossed ex libris stamp of Oscar Molinari to additional blank front free endpaper, the endpapers being two identical gilt pictorial designs of Saints, leather title label to spine and gilt dated imprint at foot, worn along joints, 8vo. An outstanding and previously unknown association copy, gifted to the current owner by his mother’s landlady in Paris some forty years ago. Mason 348: ‘Salome was being rehearsed in June 1892 for production at the Palace Theatre, London, by Madame Sarah Bernhardt (with M. Albert Darmont as Herod) when the Lord Chamberlain withheld his licence on the ground that the play introduced biblical characters.’ The play which Wilde began writing in 1891 eventually found its first performance at the Theatre de l’Oeuvre in Paris on 11 February 1896. The English translation of the text first appeared in 1894. The influence of the celebrated French Symbolist painter Gustave Moreau (1826-1898) on Oscar Wilde’s vision for his play Salome is often cited as self-evident yet there is scant documentary evidence. It is not known that they ever met, and indeed Moreau is not mentioned once in the Complete Letters of Oscar Wilde (2000). Oscar Wilde complained to Charles Ricketts after seeing Aubrey Beardsley’s drawings for the English edition: ‘My Herod is like the Herod of Gustave Moreau, wrapped in his jewels and his sorrows. My Salome is a mystic, the sister of Salammbo, a Saint Therese who worships the moon.’ This inscribed copy puts beyond doubt Wilde’s admiration for and his debt to the great French painter.. In May 1884 Wilde visited Paris as a newly wed with his wife Constance just weeks after the publication of Joris-Karl Huysman’s influential decadent novel A Rebours. While there Wilde visited the Louvre to see Moreau’s celebrated The Apparition. This watercolour of Salome dancing before Herod had been exhibited alongside another oil painting of the same subject at the Paris Salon of 1876. The exhibition drew newspaper reports and the crowds with over 500,000 people flocking to see the two pictures. Moreau set in train Symbolist ideas and the artistic craze for the femme fatale Salome which Wilde was so keen to turn into French words and stage design. Moreau himself returned to the theme often, producing some nineteen paintings, six watercolours and more than 150 drawings of the same subject. Interestingly, the frontispiece to this lot (inserted by Wilde?) is a photograph from a watercolour of Salome Dancing from c. 1886 now hanging in the Musee d’Orsay. It shows Salome more richly robed and with a more Pre-Raphaelite look than the two famous pictures of 1876. After 1880 Moreau never exhibited at the Salons (or anywhere) again and refused to allow his pictures to be reproduced. Where this photographic frontispiece then came from is not the only question left begging. Are the endpapers and binding decoration from Moreau’s designs and did Wilde or Moreau or another insert the photograph? Moreau was himself influenced by Gustave Flaubert’s novel Salammbo (1862) but Moreau’s influence on the arts was to be more profound, most notably through Huysman’s novel A Rebours where the aesthete Des Esseintes sees Salome not as the dancing girl of the New Testament, but ‘she had become in some way, the symbolic deity of indestructible lust, the Goddess of immortal Hysteria, the accursed Beauty exalted above all other beauties … the monstrous Beast...’ Des Esseintes hangs Moreau’s two famous Salome paintings side by side at his home so that he could: ‘consider the beginnings of this great artist, this mythical pagan, this seer who could conjure up in the everyday world of Paris such visions and magical apotheoses of other ages.’. Richard Ellmann in his noted biography of Oscar Wilde (1988) wrote: ‘The principal engenderer of the story was an account in the fifth chapter of Huysmans’s A Rebours of two paintings by Gustave Moreau, and in the fourteenth chapter of the same book a quotation from Mallarme’s ‘Herodiade’. In one painting the aged Herod is being stirred by Salome’s lascivious but indifferent dance; in the other Salome is being presented with the Baptist’s head giving forth rays on a charger. Huysmans attributes to Salome the mythopoeic force that Pater attributes to the Mona Lisa, and mentions that writers have never succeeded in rendering her adequately’ (p. 321). ‘Wilde’s knowledge of the iconography of Salome was immense. He complained that Rubens’s Salome appeared to him to be ‘an apoplectic Maritornes’. On the other hand, Leonardo’s Salome was excessively incorporeal. Others, by Durer, Ghirlandaio, van Thulden, were unsatisfactory because incomplete. The celebrated Salome of Regnault he considered to be a mere ‘gypsy’. Only Moreau satisfied him, and he liked to quote Huysmans’s description of the Moreau paintings’ (p. 323). (1)
Lot 617
Staunton (Sir George). An Historical Account of the Embassy to the Emperor of China, Undertaken by Order of the King of Great Britain; including the Manners and Customs of the Inhabitants..., 1797, eng. frontis. and addn. eng. title, seven eng. plts. only (of 21), two folding eng. maps (one with repaired closed-tear), inscriptions to front blank leaf, including the ink stamp of the missionary Isaac Mason, occ. minor marks and toning, contemp. half morocco gilt, spine rubbed, 8vo (Issac & Esther Mason were missionaries in the north of China from 1892, working there for forty years), together with Plutarch, Plutarch’s Morals: Translated from the Greek, by Several Hands, 5 vols., 1691, eng. port. frontis. to each (closed-tear to frontis. of vol. 1), sewing weak and few leaves loose, contemp. calf, worn, 8vo, and Book of Common Prayer, and Administration of the Sacraments..., London: John Baskett, 1723, eng. frontis, some dampstaining and numerous paper repairs (mostly to margins), contemp. sheep, rubbed and slight wear, folio plus other misc. 17th-19th c. antiquarian (inc. theology) and general books, including Steinbeck (John), The Grapes of Wrath, 3rd reprint, 1939, orig. cloth in frayed & worn d.j., 8vo (3 cartons)
Lot 680
Dunlop (Beth). Arts & Crafts Houses I & II, 2 vols., Phaidon, 1990, col. and b & w plts. and illusts., ink stamp to title of each, orig. qtr. cloth with pictorial boards, 4to, together with Bold (John), Greenwich, An Architectural History of the Royal Hospital for Seamen and the Queen’s House, pub. English Heritage, 2000, col. and b & w illusts., orig. boards in d.j., 4to, plus other art and architecture related, including National Gallery of Art, Washington, Johannes Vermeer exhibition catalogue, 1995, col. illusts., orig. cloth in d.j., 4to (6 shelves)
Lot 86
Army Regulations, etc. Addenda to The Queen’s Regulations and Orders for the Army from 1st January, 1850 to 30-1st March, 1854, pub. 1854, contemp. owner’s inscription to title of William Cross, Major, Armagh Regt. Decr. 1854, orig. red cloth, rubbed and chipped to head and foot of spine with a little loss, 8vo, together with A Collection of Warrants and Regulations, Issued to the Army on Matters of Finance. To which are added Regulations and Allowances Applicable to Corps of Yeomanry Cavalry, new ed., 1840, ownership stamp to head of title of Hastings Russell [1819-1891], 9th Duke of Bedford, and with his signature to upper cover, orig. printed stiff wrappers, faded to spine, frayed and chipped with loss to spine, small 8vo, plus Trydell (Sgt.-Major W. F.), The Quartermaster’s Guide for Officers, Quartermaster’s, and Quartermaster-Sergeants of the Yeomanry and Volunteers, 1895, ads. at rear, orig. red cloth, a little rubbed and some marks, small 8vo, and other mostly 19th c. military interest, including Government Reports on Yeomanry Cavalry, 1876, The Militia and The Present Brigade Depot System, 1877, The Supply of Uniform to Officers, 1906, The Illustrated London News, vol. LXXIV, January-June 1879 (with coverage of the Afghan War), some damp damage to lower inner margins at front of vol., folio, etc. (18)
Lot 91
William Jones & Co. Illustrated Regulations of Standard Uniform Trimmings and Patterns of Helmets, Caps, Accoutrements, Etc. For the Army, Navy, Militia, Volunteers, Civil Service, Court Dress Etc., c. 1882, chromolithographed title, nine chromolithographed plates, light marginal toning, Legacion Argentina Gran Bretana ink stamp to front endpaper, original blue cloth gilt, wear at spine ends, edges rubbed, small folio, together with a defective copy of W. Jones & Co.’s Illustrated Regulations of Standard Uniforms and Patterns of the Army, Navy, Militia, Volunteers, Civil Service, Court Dress, c. 1860, lacking most coloured plates (2)
Lot 102
Gray (George Carrington). The Tourist and Traveller’s Guide to the Roads of England and Wales and Part of Scotland on an entirely new Plan, pub. Sherwood, Jones and Co., 1824, title page, eng. folding map of England & Wales with orig. hand colouring, forty-nine uncol. engraved county maps (including three folding), ink owners stamp to a2 and verso of one folding map, new end papers, modern half cloth gilt, square 8vo. Chubb CCCXCII. (1)
![[Rogers, Nathan]. Memoirs of Monmouth-Shire, Anciently Call’d Gwent, and by the Saxons, Gwentland, 1st ed., 1708, lib.](http://lot-images.atgmedia.com/SR/10729/2797241/120-20107121618_468x382.jpg)
Lot 120
[Rogers, Nathan]. Memoirs of Monmouth-Shire, Anciently Call’d Gwent, and by the Saxons, Gwentland, 1st ed., 1708, lib. stamp and labels to front pastedown, contemp. speckled calf gilt, sometime rebacked, morocco label to spine, rubbed with dampstaining to covers, 12mo. A scarce book. We have been unable to trace any copy for sale, except for the 1978, 1983 & 2010 reprints. (1)
Lot 404
Christchurch & Wimborne Bank, Dorset, Pound Notes (2), 29 Nov 1825, in name of Dean, Clapcott, Quartley & Co, black and white with vignette of Christchurch Abbey, numbered B 14015 and B 14023, ornate red/black duty stamp design on reverse, signatures cut cancelled. One stuck down, other with glue spots, creases, folds and surface marks, fine. (2) The bank had been formed in 1808 by Tunks & Co and went through various partnerships before becoming Dean, Clapcott, Quartley & Co. in 1821. The bank failed in 1826
Lot 221
Trade cards - Sweetrule Products, `Vintage Cars`, 1964, good (25/25); with the same company`s `Weapons of Defence`, 1959, good (25/25); `Modern Transport`, 1955, good (25/25); `Football Club Nicknames`, 1959, good (25/25); `Birds & Their Eggs`, 1959, black back, good (25/25); `Birds & Their Eggs`, 1959, blue back, good (25/25); `The Wild West`, 1960, blue back, good (25/25); `Stamp Cards`, 1961, good (25/25); and eight other sets, (total sixteen sets). Best Bid
Lot 276
A LATE VICTORIAN CARVED MAHOGANY HALL STAND LATE 19TH CENTURY The upper part with central bevelled mirror-plate surrounded by brass coat-pegs over a tiled panel, the base with marble top and brass umbrella compartments, bears stamp and plaque: BOTTERILL & SONS... 233 COMMERCIAL RD LONDON 87 in. (227 cm.) high; 49 in. (124 cm.) wide; 18 in. (49 cm.) deep View on Christie's.com
Lot 505
Queen Victoria 1837-1897 official jubilee medallion in bronze, diam 2¼”, in gilt embossed case, NEF. Royal Mint £5 silver proof coin 2008 commemorating Q Elizabeth I, Unc in official packaging; Proof issue £2 1997 in Royal Mint case; 20 other modern coins/medallions and a 2006 B Unc set of 10 coins, mostly Queen Elizabeth II and Queen Mother commemoratives. EF to Unc. A Vatican 2000 souvenir set, Unc. Also two “History of the RAF” albums containing 29 “coin/covers” with text and a Gibraltar RAF 90th Anniversary stamp booklet. Unc
Lot 542
“Nelson 250th Anniversary stamp collection”, by The Westminster Collection comprising 250th Anniversary of Nelson’s birth coin first day cover; Gibraltar 250th anniversary of birth: showing HMS Agamemnon (40p), Amphion (49p), Captain (42p), La Minerve (40p), Vanguard (42p) and HMS Victory (49p) each in block of 6 stamps. 200th Anniversary of Trafalgar: Nauru 6 x 50c stamps and 6 x 25c stamps, British Indian Ocean Territory 2 x £1.10p and 1 each £2, 34p and 26p; Solomon Islands: 6 x 5 dollar, 6 x 1 dollar 90c; Tristan da Cunha 2 x 75p; Bahamas: 6 x 80c, 6 x 65c and 6 x 50c; Cayman: 6 x 60c, 6 x 15c; Isle of Man: 8 x 50p, 8 x 28p and 2 x £1 jointly with Gibraltar; Jamaica: 1 x 200 dollars, 6 x 60 dollars; Kiribati 6 x 1 dollar (showing portrait of Napoleon); and St Helena 6 x 30p. All stamps Mint, with historical notes, housed in an album (some stamps may be missing) An attractive collection
Lot 747
A late 19th century fireman’s black leather helmet, painted with the badge of the Arundel Fire Brigade, “FB”/arms of Arundel/ “Arundel”, leather peak and broad back peak, comb with ventilator hole in front, stamp of “Jas Hendy Ltd Manuf. Glasgow” inside back peak with no 888. GC (some crazing, liner and chinstrap missing)
Lot 943
A 6 shot .44” (Russian) Smith & Wesson Russian Ordnance Model 1874 SA revolver, 11¾” overall, barrel 6½”, the sighting rib bearing cyrillic inscription and small Imperial eagle stamp, number 8914, with spur trigger guard, dark walnut grips, and lanyard ring. GWO & basically GC (moderately pitted and worn overall). Plate 18
![Cristofano Robetta (1462-1534). Allegory of Carnal Love [B. XII, 25; Hind D.II.29]. Engraving. With collector’s ink sta](http://lot-images.atgmedia.com/SR/1574/2796802/110-2010623114456_468x382.jpg)
Lot 110
Cristofano Robetta (1462-1534). Allegory of Carnal Love [B. XII, 25; Hind D.II.29]. Engraving. With collector’s ink stamp of CavC. Rossi [Lugt, 2212], on the verso. 30 x 28cm (11 3/4 x 11 in) IMPORTANT: This lot is subject to VAT and the buyer must pay VAT on both the hammer and the buyer`s premium at a rate of 17.5%
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165558 item(s)/page