A 19th Century British .450 cal. two band Martini Henry MKII military carbine, decommissioned and cut through near breach, the 21in. barrel with wooden fore stock below, the lock plate with crown above `Enfield 1872 II` , the stock with impressed government `Enfield` stamp, and metal butt cap, 38in. overall.
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An uncommon Victorian Oak metamorphic coaching/campaign table bureau having scissor-action folding base and top with clam-shell action revealing a black leather fitted writing desk interior with fold-down stationery stand, stamp box, calendar recess, blotter, pen loops and tassel-like nib cleaner.
Sasha (Alexander Stewart 1892 - 1953) Four fashion photos, 1930s, Four vintage gelatin silver prints, all with photographer’s stamp and various annotations verso, one signed in red crayon recto, 29.5 x 25cm (115/8 x 93/4in.); 24.3 x 19cm (41/2 x 71/2in.); 24 x 18.7cm (91/2 x 73/8in.); 24 x 18.5cm ( 93/8 x 71/4in.)
Lee Miller (1907 - 1977) Models Wearing Gas Masks, 1940Toned gelatin silver print, printed later, archive blindstamp in margin, titled and dated with the Lee Miller archive stamp, signed in pencil by the artist’s son, Antony Penrose with copyright stamps verso, 26.5 x 25cm (103/8 x 97/8in.) Provenance: Lee Miller Archives.
Walker Evans (1903 - 1975) Fulton Market Area, New York, ca.1934, Vintage gelatin silver print, photographer’s stamp verso, with annotation in pencil, 16.2 x 20.3cm (63/8 x 8in.) Literature: Szarkowski, John, Walker Evans, 1971 p.67. This print was part of the Walker Evans retrospective show at MOMA in 1971.
Erwin Blumenfeld (1897 - 1969) Veiled Beauty, ca.1937, Vintage solarised ferrotyped gelatin silver print, photographer’s copyright stamp and annotated in artist’s hand in black ink verso, 30 x 18.5cm (113/4 x 71/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.6 June 1938 p.597.William. A. Ewing, Blumenfeld: A Fetish For Beauty, 1996, p.134.
Erwin Blumenfeld (1897 - 1969) Eyes like the Sea, ca.1938, Vintage ferrotyped gelatin silver print, photographer’s copyright stamp verso, 30 x 24.5 (113/4 x 95/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.4 April 1938 p.368.The photograph is of the artist’s favourite model, Muth.
Brassaï (Gyula Halász; 1899 - 1984) Pomme de Terre Germée, (Magique Circonstancielle), 1931, Ferrotyped gelatin sliver print, printed ca.1960s, photographer’s stamp and inscription in ink ‘Fleur 2’ verso, 28.6 x 22.7cm (111/4 x 87/8in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique vintage ferrotyped gelatin silver print, annotated in artist’s hand in blue ink ‘Negatif perdu unique épreuve.’with photographer’s stamp verso, 24.3 x 18cm (91/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca. 1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 23.5 x 18cm (91/4 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.151
Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique ferrotyped gelatin silver print, ca.1960s, annotated in artist’s hand in purple ink, ‘Negatif perdu unique epreuve.’ with photographer’s stamp verso, 14.2 x 9.7cm (51/2 x 37/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.153
Brassaï (Gyula Halász; 1899 - 1984) Le Chat du Fleuriste, ca.1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 22.5 x 14.5cm (87/8 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Patrick Modiano, Brassaï: Paris Tendresse,1990, p.44; Harper`s Bazaar, June 1946, p.93.
Brassaï (Gyula Halász; 1899 - 1984) Villeneuve-les-Avignon, Le Fort André, ca.1950s, Vintage ferrotyped gelatin silver print, printed late 1960s, titled and annotated in black ink, ‘ Villeneuve le Avignon, Le Fort Andre,’ with photographer’s stamp and copyright stamp verso, 28.5 x 22.3cm (111/4 x 83/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.
Brassaï (Gyula Halász; 1899 - 1984) The Pont St Benezet and the Chapelle St Nicolas, ca. early 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp and copyright stamp with negative number in blue ink verso, 24.5 x 18cm (95/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.
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