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Lot 715

A 19th Century British .450 cal. two band Martini Henry MKII military carbine, decommissioned and cut through near breach, the 21in. barrel with wooden fore stock below, the lock plate with crown above `Enfield 1872 II` , the stock with impressed government `Enfield` stamp, and metal butt cap, 38in. overall.

Lot 21

After Archibald Thorburn (1860-1935) MALLARD DUCKS IN FLIGHT signed in pencil and bearing the blind stamp of the Fine Art Trade Guild, published by W.F. Embleton, 1927 colour lithograph 31 x 46cms; 20 1/4 x 18in.

Lot 22

After Archibald Thorburn (1860-1935) A COVEY OF PARTRIDGES signed in pencil and bearing the Fine Art Trade Guild blind stamp colour photolithograph published by W.F. Embleton, London, 1928 31 x 46cms; 12 1/8 x 18 1/4in.

Lot 624

A late Georgian Naval Cutlass, by Enfield, the 25in. fullered blade with crowned GR stamp, the hilt with ribbed leather grip, open brass knuckle guard, complete with leather and brass scabbard.

Lot 2090

Birkbeck (Morris) Letters from Illinois... Third edition, 8vo, contemporary half calf, printed label of Perth Mechanics Library on upper cover (stamp on title-page), 1818.

Lot 84A

Walmer Castle (53b) the reverse with Banger stamp, 100mm

Lot 85A

Walmer Castle (55a) the reverse with Tatnell stamp, 113mm, tiny chip beneath rim

Lot 109A

An Eastern Repast (98b) red and gilt lined border, the reverse with Trinder stamp, 78mm, restored

Lot 113A

Reflection in Mirror (104) the reverse with Trinder stamp, 72mm

Lot 162A

Tria Juncta in Uno (202a) extra border, the reverse with Feast stamp, 128mm

Lot 163A

Alma (203b) extra border, the reverse with Feast stamp, 127mm

Lot 248A

Floral (416) 84mm, with base the underside with Toogood stamp, lid restored

Lot 260

A collection of signed football programmes and books, together with rosettes and various stamp albums

Lot 2647

An uncommon Victorian Oak metamorphic coaching/campaign table bureau having scissor-action folding base and top with clam-shell action revealing a black leather fitted writing desk interior with fold-down stationery stand, stamp box, calendar recess, blotter, pen loops and tassel-like nib cleaner.

Lot 1016

A boxed silver plated photograph Frame, a cased set of 6 epns Teaspoons, engraved brass Beaker, a cast metal pierced detail stamp box of art nouveau design, 3 1/4`` x 2 1/16`` and a Singapore made 97% Pewter specimen Vase, 6`` tall

Lot 1018

A Transworld stamp Album with a good selection of world stamps incl. 1/2 p Ascensions Island, other early low denomination stamps, Deutsche`s Reich Hitler era and earlier, mainly hinge glued and another similar album with principally later issues

Lot 1019

A Stock Book type Stamp Album containing four Penny reds and 3 other late 19th c. stamps incl. 1/2d green, 1886 1d, etc. and two old Pioneer stamp Albums one with various stamps

Lot 1122

A small olive wood stamp box and a straw work box with small book inside

Lot 1276

Five Stanley Gibbons Stamp Albums containing international stamps commemorating the Royal Wedding in 1981

Lot 1281

A Partially complete copy of `The Liver illustrated stamp album` containing approximately 80 world stamps

Lot 1282

A Partially complete Churchill 1965 souvenir stamp album plus two imperforate stamps sheets depicting Churchill, etc

Lot 1283

A Copy of the `The splendid loose leaf stamp album` containing a good quantity of world stamps ranging in date from Victorian to Elizabethan era, including Canada, Jamaica, New Zealand and various colours of young Victoria half penny stamps, etc

Lot 1314

A Victorian Silver plated Spoon Warmer in the form of a shell 7`` tall, having a patent stamp for 1868 to the side and the base.

Lot 1385

The `Viceroy` Stamp Album c.1937 containing a large collection of Stamps

Lot 1748

A small Arts and Crafts rare enamel two piece leaf shaped trinket pot with domed lid ox blood interior and base and fine flambe exterior with silver gilt rims dated 1909- 1910 with the stamp of Bernard Moore

Lot 2210

An Engraving (stamp IF) signed W. Dendy Sadler and Oswald Burn ``Gentlemen Dining Outdoors``, published 1920,

Lot 2214

Thos. Blink`s `99 signed Print (stamp 89) ``Terriers Rabbiting, with Boy`` and an E. Duncan Print ``Seaweed Gatherers``, both unframed.

Lot 2515

A lovely old Lady`s fob Watch, the engine turned silver gilt case finished with pale blue enamel, the face with Roman numerals in puce, the movement with crown-wound mechanism with time-adjusting button, the case marked within `0,800, Swiss, K & L`, a peacock stamp and numbered 198

Lot 105

"A pair of First World War medals awarded Pte. A. T. Hancock, Herts Regiment, together with his identity tag, two World War Two medals, two crowns, a plated stamp box, a faux spade guinea, a pair of RAF cufflinks and various collectors items, contained in an oak box "

Lot 196

A Victorian Tunbridge inlaid stamp box, the lid with the head of Queen Victoria within a stylized flower head border, 4.2cm x 3.6cm.

Lot 221

COLLECTION OF GEORGE V SILVER ITEMS comprising stamp and card cases; baby`s `Jester` rattle; small gem set violin; and a gilt plated propelling pencil.

Lot 4

De Lancey W. Gill (1859 - 1940) Indian Feathers, ca. 1900, Vintage gelatin silver print, credit stamp and annotation in pencil verso, 18.5 x 18cm (71/4 x 71/8in.) Provenance: Acquired from De Lancey W. Gill Estate.

Lot 31

Sasha (Alexander Stewart 1892 - 1953) Four fashion photos, 1930s, Four vintage gelatin silver prints, all with photographer’s stamp and various annotations verso, one signed in red crayon recto, 29.5 x 25cm (115/8 x 93/4in.); 24.3 x 19cm (41/2 x 71/2in.); 24 x 18.7cm (91/2 x 73/8in.); 24 x 18.5cm ( 93/8 x 71/4in.)

Lot 32

Cecil Beaton (1904 - 1980) Mary Taylor, El Morocco, ca. 1935, Vintage gelatin silver print, black Beaton signature stamp with title in pencil in unknown hand verso, 25 x 20cm (97/8 x 8in.) £300-500.

Lot 36

* Willy Kessels (1898 - 1974) Nude with Flower and Sculpted Head, ca. 1937, Vintage gelatin sillver print, credit blindstamp recto, signed in red crayon in unknown hand with credit stamp verso, 22.4 x 16.5cm (83/4 x 61/2in.)

Lot 38

Melcher Berretty (active 1950s) The Lido Nightclub in Paris, ca.1950s, Vintage gelatin silver print, annotated in pencil and crayon, with various credit stamps including photographer’s credit stamp verso, 18.5 x 24cm (71/4 x 91/2in.)

Lot 40

Claude Bower (1878 - 1958) Untitled, (Rainy street scene, Paris), ca.1930s, Vintage gelatin silver print, photographer’s stamp and additional credit stamps verso, 24.5 x 18cm (93/4 x 71/8in.)

Lot 47

* Robert Capa (1913 - 1954) A Bouquet of Flowers for General Montgomery, 1944, Vintage gelatin silver print, annotated in pencil in unknown hand with credit stamp and British News Service Brazil Bureau stamp and a mounted paper caption verso, 12.7 x 12.2cm (5 x 47/8in.)

Lot 53

Grace Robertson (b. 1930) The Striped Bloomers, 1954, Gelatin silver print, printed later, signed in ink in the margin, signed, titled and dated in pencil with photographer’s stamp verso. 34.9 x 25.3cm (133/8 x 10in.)

Lot 57

Thurston Hopkins (b. 1913) Liverpool, 1955, Gelatin silver print, printed 1970, signed, titled and dated in ink in the margin, signed, titled, dated and annotated in pencil with credit stamp verso, 24.3 x 35.1cm (91/2 x 133/8in.)

Lot 59

Lee Miller (1907 - 1977) Models Wearing Gas Masks, 1940Toned gelatin silver print, printed later, archive blindstamp in margin, titled and dated with the Lee Miller archive stamp, signed in pencil by the artist’s son, Antony Penrose with copyright stamps verso, 26.5 x 25cm (103/8 x 97/8in.) Provenance: Lee Miller Archives.

Lot 61

* Weegee (Arthur Fellig) (1899 - 1968) Police Raid on Undergarment Factory, 1940s, Gelatin silver print, printed early 1950s, photographer’s stamp and copyright stamp with various annotations in pencil verso, 19.6 x 24cm (73/4 x 91/2in.)

Lot 62

Weegee (Arthur Fellig) (1899 - 1968) Untitled (Body outside Police Department), ca. 1945, Vintage gelatin silver print, photographer’s credit stamp and various press stamps verso, 23 x 18cm (9 x 7in.)

Lot 63

Weegee (Arthur Fellig) (1899 - 1968) Untitled (Police with Corpse), ca.1940, Gelatin silver print, printed ca.1950, photographer’s credit stamp and various other press stamps verso, 23.3 x 18cm (91/8 x 71/8in.)

Lot 77

Walker Evans (1903 - 1975) Fulton Market Area, New York, ca.1934, Vintage gelatin silver print, photographer’s stamp verso, with annotation in pencil, 16.2 x 20.3cm (63/8 x 8in.) Literature: Szarkowski, John, Walker Evans, 1971 p.67. This print was part of the Walker Evans retrospective show at MOMA in 1971.

Lot 80

* Josef Sudek (1896 - 1976) Rooftop View, ca. 1940, Vintage gelatin silver print, credit stamp verso, 22.9 x 17cm (9 x 63/4in.)

Lot 90

Pierre Boucher (1908 - 2000) Untitled (Paris), ca. 1940, Vintage gelatin silver print, photographer’s stamp with various annotations in unknown hand in pencil verso, 27.3 x 21.5 (103/4 x 81/2in.)

Lot 91

Erwin Blumenfeld (1897 - 1969) Veiled Beauty, ca.1937, Vintage solarised ferrotyped gelatin silver print, photographer’s copyright stamp and annotated in artist’s hand in black ink verso, 30 x 18.5cm (113/4 x 71/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.6 June 1938 p.597.William. A. Ewing, Blumenfeld: A Fetish For Beauty, 1996, p.134.

Lot 96

Erwin Blumenfeld (1897 - 1969) Eyes like the Sea, ca.1938, Vintage ferrotyped gelatin silver print, photographer’s copyright stamp verso, 30 x 24.5 (113/4 x 95/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Lilliput magazine, Volume 2, No.4 April 1938 p.368.The photograph is of the artist’s favourite model, Muth.

Lot 98

Brassaï (Gyula Halász; 1899 - 1984) Pomme de Terre Germée, (Magique Circonstancielle), 1931, Ferrotyped gelatin sliver print, printed ca.1960s, photographer’s stamp and inscription in ink ‘Fleur 2’ verso, 28.6 x 22.7cm (111/4 x 87/8in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 99

Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique vintage ferrotyped gelatin silver print, annotated in artist’s hand in blue ink ‘Negatif perdu unique épreuve.’with photographer’s stamp verso, 24.3 x 18cm (91/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 100

Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca. 1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 23.5 x 18cm (91/4 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.151

Lot 101

Brassaï (Gyula Halász; 1899 - 1984) Untitled (City Cats), ca.1938, Unique ferrotyped gelatin silver print, ca.1960s, annotated in artist’s hand in purple ink, ‘Negatif perdu unique epreuve.’ with photographer’s stamp verso, 14.2 x 9.7cm (51/2 x 37/8in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: The Bedside Lilliput, Hulton Press Ltd., 1950, p.153

Lot 102

Brassaï (Gyula Halász; 1899 - 1984) Le Chat du Fleuriste, ca.1938, Vintage ferrotyped gelatin silver print, annotated in blue ink in unknown hand with photographer’s stamp verso, 22.5 x 14.5cm (87/8 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner. Literature: Patrick Modiano, Brassaï: Paris Tendresse,1990, p.44; Harper`s Bazaar, June 1946, p.93.

Lot 104

Brassaï (Gyula Halász; 1899 - 1984) Le Palais des Papes, ca.1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in blue ink verso, 21 x 15cm (81/4 x 57/8in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 105

Brassaï (Gyula Halász; 1899 - 1984) Villeneuve-les-Avignon, Le Fort André, ca.1950s, Vintage ferrotyped gelatin silver print, printed late 1960s, titled and annotated in black ink, ‘ Villeneuve le Avignon, Le Fort Andre,’ with photographer’s stamp and copyright stamp verso, 28.5 x 22.3cm (111/4 x 83/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 106

Brassaï (Gyula Halász; 1899 - 1984) The Pont St Benezet and the Chapelle St Nicolas, ca. early 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp and copyright stamp with negative number in blue ink verso, 24.5 x 18cm (95/8 x 7in.) Provenance: Lilliput magazine archives; by descent to the present owner.

Lot 107

Brassaï (Gyula Halász; 1899 - 1984) View of the River Rhone, ca. 1950s, Vintage ferrotyped gelatin silver print, photographer’s stamp with negative number in blue ink verso, 21.5 x 14.5cm (81/2 x 53/4in.) Provenance: Lilliput magazine archives; by descent to the present owner.

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