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Lot 156

Stamp, I. Carved with flower decorations, late 19th Century. 8.2cm

Lot 252

Pair of large silver Candelabra in Roccoco style each with six brunches and spouts the upper part remouvable for conversion in single candle sticks , partly with fluted glass tazzas rich chased and engraved floral ornaments curved shape german hallmarks with silver smith stamp Knapp S. Sohlesing 19th century weight about 1800 gramm

Lot 426

Sitwell (S), Buchanan (H) and Fisher (J), FINE BIRD BOOKS 1700-1900, limited edition numbered 290 of 295 signed by the authors, large folio in marbled slip case, 3/4 red leather, marbled boards, illustrated endpapers, colour lithographic frontispiece, fifteen colour plates and twenty two monochrome plates throughout, Collins & Van Nostrand, London 1953, with Dixon (C), GAME BIRDS AND WILD FOWL OF THE BRITISH ISLES, second edition, illustrated by Charles Whymper, illustrated cloth boards, colour lithographic frontispiece, 40 colour lithographic plates throughout, Pawson & Brailsford, Sheffield 1900, Arnold (E.C.), BRITISH WADERS ILLUSTRATED IN WATER-COLOUR WITH DESCRIPTIVE NOTES, first edition, red cloth boards, DJ, ?Rugby School? stamp to half title page, 51 colour plates, Cambridge University Press, Cambridge 1924, and Kirkman (F.B.) and Jourdain (F.C.R.), BRITISH BIRDS, gilt illustrated blue cloth boards, DJ, 200 colour plates, Thomas Nelson And Sons Ltd, London 1948 (4) Provenance: Ruyton Hall, Shropshire CONDITION REPORT:Sitwell et al:  The book shows minor wear and slight fading to the leather consistent with insertion into and removal from the slip case.  The pages show some foxing to the front edges, most noticeable on the early pages.  The slip case is somewhat faded and shows heavy wear to the front edges consistent with regular removal and reinsertion of the book. 

Lot 625

A Regency mahogany tea caddy of sarcophagus form, with twin lidded interior compartments, raised upon compressed bun feet, 14cm H x 23cm W x 14cm D, a gilt metal stag figural plaque mounted upon a velvet lined metal plate, along with a gilt metal eagle crest, 10cm and 13cm wide respectively, a treen baluster shaped tea caddy, constructed from alternating wood type segments, with a removable cover, 13cm high (at fault), two 19th century birds eye maple picture frames, the largest 23cm wide, an arched easel desk mirror, late 19th century, 17cm high, a 19th century Tunbridge wear stamp box, 10cm wide (at fault), and an early 20th century set of letter scales, upon a serpentine oak plinth base with assorted chromed nest weights (9)Provenance: Ruyton Hall, Shropshire

Lot 15

[BREADALBANE, EARLS OF] FIVE VOLUMES, COMPRISING GRANT, CHARLES, BARON DE VAUX. Letters from Mauritius in the Eighteenth Century.. including an Account of Labourdonnais' Capture of Madras. Mauritius, Printed for Private Circulation, 1886. First edition, 8vo, red half morocco; Pinkerton, John. The Scotish [sic] Gallery, or Portraits of Eminent Persons of Scotland, many of them after pictures by the celebrated Jameson at Taymouth, and other places. London: E. Harding, 1799. First edition, 50 engraved plates, contemporary red morocco gilt, g.e., Earl of Breadalbane stamp to title-page, slightly rubbed, upper hinge broken; Gaultier, Bon. The Book of Ballads. 1870. 8vo, 11th edition, illustrations, red morocco gilt. Reynolds, Edward. Treatise of the Passions and Faculties Of the Soul of Man. London: for Robert Bostock, 1650. [18], 553, modern black quarter morocco, inscribed on early blank "George Sinclaire, Earl of Caithness, is the owner of this book, April 5th 1654, Con est Mortalle apto, Caithness, bought from Andrew Wisslone Stationer in Edinborough", [ESTC R11825], bookplate of the Earl of Breadalbane; Hunt, T.F. Examples of Tudor Architecture. London: H.G. Bohn, 1841, 4to, 38 plates, contemporary green quarter morocco, morocco gilt lettering piece on upper cover, some spotting, slightly rubbed (5)

Lot 216

Part of Best of the Classics and Petite series.Handmade and decorated in a lovely blue and pink mixed colored dress. Pretty Ladies stamp on the bottom. Royal Doulton backstamp. Artist: Peggy DaviesIssued: 2006 - 2008Dimensions: 6.75"HManufacturer: Royal DoultonCountry of Origin: England

Lot 256

Part of the Millennium Four Seasons Collection.Lady in bright red dress holding a flower bouquet and individual rose. Bottom stamp number is HN 4873 due to factory error. Royal Doulton backstamp. Artist: Peggy DaviesIssued: 1952 - 1959Dimensions: 6.25"HEdition Number: 768 Edition Size: 2000Manufacturer: Royal DoultonCountry of Origin: England

Lot 265

Limited Edition hand decorated Bone China, Celebration of Her Majesty Queen Elizabeth II 90th BirthdayStamp on the Bottom includes description and manufacturer. Limited Edition of 2000, Item Number: 0567 Artist: Royal DoultonIssued: 20th c.Dimensions: 9.75"HCountry of Origin: Great Britain

Lot 352

Introduced in 1933, its a rare variation using unusual coloring - a variation of the original. Jug depicts Sir Francis Drake on one side and the a group reading a scroll with the queen on the other. It also has a very detailed handle using a lantern, the ships anchor and twisted rope. Royal Doulton back stamp.Sir Francis Drake is undoubtedly the most famous of those Elizabethans who, through their seamanship and courage, made England a great sea power. In I577 he led an expedition around the world, his backers including Queen Elizabeth I, the Earl of Leicester, Hatton, Walsingham, Hawkins and the two Wynters. He returned in the Golden Hind with a hold full of treasure and was knighted on the ships deck. According to tradition he insisted on finishing his game of bowls when the Armada was sighted, saying There is plenty of time to win this game and thrash the Spaniards too. The jug with it rope handle complete with ships lantern records two of these events: Drake with the Queen and other backers before the Golden Hind, and playing bowls on Plymouth Hoe while awaiting the Armada. An ornate drum is also shown there is a legend that when England is threatened Drake can be recalled by beating this drum, and under the lip is part of Drakes Drum by Sir Henry Newbolt: Take my drum to England, hang it by the shore. Strike it when your powders runnin low. It continues If the Dons sight Deven, Ill quit the port 0 heaven An drum them up the Channel as we drummed them long ago. Dimensions: 10"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 392

Doulton commemorative jar celebrating his victory at the Battle of Trafalgar. Royal Blue body with pastel green sections describing Lord Nelson and his fleet. Rope motifs carry throughout the jar.Doulton stamp. Issued: 20th c.Dimensions: 5.25"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 395

Royal Doulton presentation pitcher. Central banner features portraits of Lord Nelson and his naval captains. Gorgeous Royal Blue bands line the rim and base of the pitcher.Royal Doulton stamp. In celebration of the victory at the Battle of Trafalgar. Issued: 20th c.Dimensions: 8"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 396

Royal Doulton vase with Cobalt Blue face featuring a profile of Lord Nelson and his fleet of ships lined by rope motifs.Doulton stamp. Banner under rim reads "England expects every man will do his duty". In celebration of the victory at the Battle of Trafalgar. Issued: 20th c.Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 397

Doulton commemorative vase celebrating the victory as the Bottle of Trafalgar. Lord Nelson is shown is shallow relief along with his fleet of ships in a soft zest green. The body of the vase is a luxurious royal blue.Doulton stamp Issued: 20th c.Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 399

A deep emerald band lines the rim above a stoneware body. A portrait of Lord Nelson sits flanked by flags and naval weaponry.Royal Doulton stamp. Made in celebration of the victory at the Battle of Trafalgar. Issued: 20th c.Dimensions: 6"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 400

Doulton commemorative celebrating the victory of the Battle of Trafalgar. An ochre band lines the rim of the pitcher. Lord Nelson is shown flanked by flags and naval weaponry.Doulton stamp. Issued: 20th c.Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 437

Toby jug with no handles. Gentleman sitting on XX barrel, dressed in a blue coat with an olive trim and an orange vest Doulton Lambeth back stamp.Dimensions: 5"HManufacturer: Royal DoultonProvenance: David Bearman Collection

Lot 440

DoultonToby jar with two faces. Top face reads "Marriage Day", flipping the jar upside down reads "After Marriage".Doulton stamp. Dimensions: 4.75"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 441

Royal Doulton armchair Toby with a bright orange vest and dark teal coat.Doulton stamp. Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 448

A Dewar's whiskey flask in Kingsware glaze with a pipe major - leading military pipe band. Text reads "The Pipe Major." Original cork stopper with metal cap.Doulton stamp and Dewar's whiskey stamp. The pipe major is the leading musician of a pipe band, whether military or civilian. Like the appointment of drum major, the position is derived from British Army traditions. During the early twentieth century, the term sergeant piper was used instead. The pipe major is often assisted by a pipe sergeant, who has similar duties in the band and leads the band in the absence of the pipe major. #pipemajor #bagpipes #highlander Artist: Charles NokeIssued: 1910Dimensions: 8"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 454

Doulton whiskey jug in Kingsware glaze. The face of the just shows the character Micawber the Ever-Expectant with hand painted details.Doulton stamp. Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Lot 475

Doulton Kingsware depicting a man with a long pipe smoking. The back has the phrase "Drink Wisely." written.Doulton stamp. Issued: 1915Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 53

Extravagant hand sculpted and hand painted fine ceramic of a highly detailed giraffe and zebra in battle.Lid designed with two stylized finial of a zebra and giraffe bust. Ardmore stamp to bottom base. Artist signed and dated. Professionally restored paw. Artist: Victor Shabalala and Zinhle NeneIssued: 2008Dimensions: 15"L x 7"W x 13.5"HManufacturer: Ardmore StudioCountry of Origin: Africa

Lot 83

Three puppies, one adult in white with brown markings.Beswick stamp. Issued: 20th c.Dimensions: 2.5"HManufacturer: BeswickCountry of Origin: England

Lot 97

Brown and tan colored dog with gray muzzle.Royal Worcester stamp on bottom. Artist: Doris LindnerIssued: 20th c.Dimensions: 2"HManufacturer: Royal WorcesterCountry of Origin: England

Lot 69

Patek Philippe. An 18K gold automatic bracelet watchModel: CalatravaReference: 3563 3Date: London Import mark for 1971Movement: 28-jewel Cal.1-350 automatic, adjusted to heat, cold, isochronism and 5 positions, Gyromax balance, Stamp of Geneva, No.1490117Dial: Blue textured, applied gilt baton hour markers with luminous inserts, gilt pointed baton hands with luminous inserts, centre secondsCase: Brushed and polished round, screw down back, back winding, textured bezel, No.2700517Strap/Bracelet: Integral textured braceletBuckle/Clasp: Signed folding claspSigned: Case, dial & movement Size: 35mmFor further information on this lot please visit Bonhams.com

Lot 88

Patek Philippe. A slim 18K gold manual wind rectangular wristwatchReference: 3491Date: Circa 1965Movement: 18-jewel Cal.175 manual wind, adjusted to heat, cold, isochronism and 5 positions, stamp with the Seal of Geneva, No.1138775Dial: Brushed champagne, applied baton hour markers, pointed baton handsCase: Brushed and polished rectangular, snap on back, faceted lugs, No.2655140Strap/Bracelet: Brown leatherBuckle/Clasp: Steel associated buckleSigned: Case, dial & movement Size: 28mm x 25mmFootnotes:Provenance: Sotheby's, New York, Important Watches, Wristwatches and Clocks, 20-21 June 1991, lot 65This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 107

Modern and Garden Sculpture: Gerald Moore, Torso with hands, Bronze, with Morris Singer Foundry stamp, 70cm highPart of the Late Dr Gerald Moore Collection of Paintings and Sculpture

Lot 11

Architectural: A similar Coade stone boundary marker plaque, lacking Coade stamp, 30cm high by 25cm wideProvenance: St Olave’s school, Tooley Street, London

Lot 12

Architectural: A similar Coade stone boundary marker plaque, lacking Coade stamp, 30cm high by 25cm wideProvenance: St Olave’s school, Tooley Street, London

Lot 13

Garden statues: A pair of rare Blanchard’s terracotta eagles, late 19th century, each with indistinct makers stamp Blanchard Terracotta London, 64cm highMark Henry Blanchard served his apprenticeship with the Coade Company and around 1839 established his own manufactory in London. It is believed that in 1883 he moved his workshops to Bishops Waltham, to be nearer to the source of clay that he used. By the middle of the century, he had emerged as the leading manufacturer of terracotta in Britain, he was awarded prizes for his exhibit at the Great Exhibition of 1851. Amongst the many properties where his produce can be seen is the South Kensington Museum (now the Natural History Museum).

Lot 14

Garden statues: A pair of Coade style terracotta sphinxes, late 19th/early 20th century , one bearing the stamp Coade, Lambeth, 80cm high by 102cm longThis sphinx model appears in the Catalogue of Coade’s Artificial Stone Manufactory published in 1784.This pair, one of which bears the stamp Coade Lambeth would have been cast from a mould taken from an original pair probably around 100 years ago.

Lot 20

Garden pots and urns: A pair of cast iron braziers, mid 19th century, one with makers stamp Addis. Leicester Street and with diamond registration mark, 132cm highProvenance: Reputably removed from Bleak House, Broadstairs - the summer home of the novelist Charles Dickens.See footnote to lot 19.

Lot 9

Architectural: A similar boundary marker plaque, lacking Coade stamp, 30cm high by 25cm wideProvenance: St Olave’s school, Tooley Street, London

Lot 92

Modern and Garden Sculpture: Gerald MooreAphroditeBronzeSigned Gerald Moore, 1996, and foundry stamp Burleighfield115cm highPart of the Late Dr Gerald Moore Collection of Paintings and Sculpture

Lot 95

Modern and Garden Sculpture: Gerald MooreCassandraBronzeTitled and signed Gerald Moore and foundry stamp Burleighfield107cm highPart of the Late Dr Gerald Moore Collection of Paintings and Sculpture

Lot 1218

MCINTYRE BROS., Australian Cricketers - Champion Eleven 1920-21, large, Australian trade issue, purple company stamp to backs, poor trim, P to FR, 15

Lot 1447

PHILLIPS, medium silks, inc. Irish Easter Rebellion stamp, Britiash bulldog (Let Them all Come); Great War Leaders & Celebrities, complete (4), medium (2) & large, VG to EX, 14

Lot 256

CRICKET, original press photos, Australians to England 1956, The Ashes, Australian squad photo wearing their cricket whites after their arrival in England (player names attached to the image) and Neil Harvey with Jack Rutherford after their double century partnership, MCC v Australia at Lord's, June 1956, press stamp to backs (2), 10 x 8 (2), sl. trim and faults G, 2

Lot 257

CRICKET, original press photos, Australians to England 1956, The Ashes, Australian team with kangaroo having drinks at Kensington Palace, Gil Langley splits his trousers during the fifth test at the Oval, Keith Miller struck during the fifth test at the Oval and Keith Miller bowled by Satham, press stamp to backs (4), mainly 8 x 6 (4) VG, 4

Lot 259

CRICKET, original large display press photograph, Australians to England 1956, The Ashes, Australian captain Ian Johnson is given not out from a ball by Jim Laker 5th test match at the Oval, Aug 1956, press stamp to backs (1), 14 x 9.5, sl. faults still G,

Lot 261

CRICKET, press photos, New Zealand to England 1958, depicting New Zealand's John Reid and Noel Harford walking out to bat during the 1st test match at Edgbaston, June 1958, press stamp to back, 10 x 8 VG, 1

Lot 262

CRICKET, press photos, Australia v England 1958/9 Ashes tour matches, depicting: Peter Richardson ct Jarman b. Martin M.C.C v Sth Aust, Peter May batting against Ray Strauss, M.C.C v NSW, Norman O'Neill struck by Tyson M.C.C v NSW, Dexter b. J. Edwards M.C.C v Victoria, Arthur Milton out lbw to Ray Lindwall, Willie Watson ct by Wally Grout b. Lindwall and Trevor Bailey batting M.C.C v Queensland (3), press stamp to backs (7), date stamps for use (7), all 8.5 x 6.5, VG to EX, 7

Lot 263

CRICKET, press photos, Australia v England 1958/9 Ashes tour matches, M.C.C v N.S.W at Sydney cricket ground Nov 1958 and January 1959, depicting: Norman O'Neill batting against Brian Statham, Tom Graveney ct by Neil Harvey, Peter May batting against Peter Philpott, NSW batsman Neil Marks batting against Statham, Peter Richardson batting against Philpott, Brian Statham out to Richie Benaud and Arthur Milton pulling Peter Philpott for two runs. press stamp to backs (7), date stamps for use (7), all 8.5 x 6.5, VG to EX, 7

Lot 264

CRICKET, press photos, Australia v England 1958/9 Ashes tour matches, depicting: Arthur Milton ct Watson MCC v Combined XI at the WACA, Peter Philpott edges a ball from Mortimore MCC v NSW, Willie Watson drives a ball from Ian Quick, Roy Swetman bowled by Neil Crompton and Arthur Milton batting to Huntington both MCC v Victoria, Tom Graveney batting against Johnny Martin MCC v An Australian XI, press stamp to backs (6), date stamps for use (6), all 8.5 x 6.5, VG to EX, 6

Lot 265

CRICKET, press photos, Australia v England 1958/9 Ashes tour matches, depicting: Tom Graveney ct by Barry Jarman, (MCC v South Australia, Norman O'Neill struck by Frank Tyson and Trevor Bailey drops Jim Burke, both during the MCC tour match against NSW at Sydney, Jarman just makes it back to his crease as Roy Swetman takes the bails, tour match against Sth Australia at Adelaide, Colin Cowdrey attempting a slip catch, press stamp to backs (4), all 10 x 8 (5), VG to EX, 5

Lot 266

CRICKET, press photos, Australia v England 1958/9 Ashes series depicting: Evans catching Jim Burke, 1st test match at Brisbane, Dec 1958, Alan Davidson bowled by Brian Statham during the 4th day's play, 2nd test at Melbourne, Neil Harvey bowled by Tony Lock, Aust XI v MCC at Sydney, Neil Harvey batting, Graveney 177 not out v Western Australia at Perth, press stamp to backs (4), all 10 x 8 (5), VG to EX, 5

Lot 267

CRICKET, press ph+E12otos, Australian test greats, Ray Lindwall bowls Trevor Bailey first ball for 0, to equal Clarrie Grimmett's highest number of test wickets (216) for an Australian bowler, Australia v England, 5th test match at the MCG, Feb 1959, Keith Miller being carried from the field of play while playing for the M.C.C v Oxford University at Lord's, June 1959, Neil Harvey batting in the Sheffield Shield match NSW v Victoria (central crease), November 1960, Peter Burge hooking a ball from Grahame Corling 1961, Neil Harvey at slip, press stamp to backs (3), date stamps for use (4), 11.5 x 9 (3) and 6.75 x 5.25 & smaller, G to VG, 5

Lot 268

CRICKET, press photos, Australia to England 1961 Ashes series depicting: Bobby Simpson and Peter Burge each in head and shoulders pose, Neil Harvey and Ken Mackay each in batting pose, press stamp to backs (4), all 8 x 6 (4), VG to EX, 4

Lot 269

CRICKET, press photos, Australian test greats in civvies, Alan Kippax being presented a watch (10 x 8), Neil Harvey with Ian Meckiff, Lindsay Kline and Colin McDonald pre Australia to South Africa 1957-58 (11 x 8.5), Alan Davidson and Neil Harvey shown with Sir Eric Woodward after receiving their M.B.E's for services to cricket (12 x 9), press stamp to backs (2), date stamps for use (3), various larger sizes G to VG, 3

Lot 270

CRICKET, press photos, all depicting Don Bradman during the Australia v England 1962/3 Ashes series: Don Bradman walking out to bat for The Prime Minister's XI v M.C.C, 6th February 1963 for his last innings he scored a boundary four and was then bowled by Brian Statham), along with three different depictions of Bradman(in civvies) at formal occasions during the 1962-63 tour, press stamp to backs (4 different), all 8.5 x 6.5, VG to EX, 4

Lot 271

CRICKET, press photos, Australia to England 1964, three excellent posed images from the Australian team's first official practice session of the tour at Lord's 20th April 1964, Bill Lawry and Ian Redpath both in batting pose, ad Tom Veivers in bowing pose, also Richie Benaud directing Bob Cowper (batting) while making a cricket film at The Albert Cricket Ground, Melbourne, Australia, 1st Feb 1965, press stamp to backs (4), 10 x 8 (3), 8 x 6 (1) EX, 4

Lot 272

CRICKET, photograph, Australia v South Africa 1963-64, excellent Allan studios original team group photograph depicting the Australian team for the 2nd test match against South Africa at Melbourne, 1st of January 1964, Australian team includes Simpson, Lawry, Redpath, McKenzie, Hawke, Grout, publication stamp (1), 10 x 8 (1) EX 1

Lot 273

CRICKET, press photographs, Australia v Pakistan 1964-65, 2nd test match at Melbourne, 8th - 12th December 1964, Javed Burki dropped at slip by Brian Booth off the bowling of Graham McKenzie, Saeed Ahmad caught at 2nd slip by Ian Chappell off the bowling of Neil Hawke and Nasimul Ghani bowled by David Sincock, publication stamp (3), 10 x 8 (3) EX 3

Lot 274

CRICKET, very good original press photograph, South Africa v England 1964-65, 4th test match at Johannesburg, Jan 1965, photograph depicting South Africa's captain Trevor Goddard being congratulated by England captain Mike Smith upon the completion of his first test century (112), publication stamp (1), 10 x 8 (1) EX 1

Lot 275

CRICKET, press photos, South Africa in England, 1965, showing South African wicketkeeper Dennis Lindsay at catching practice, Colin Bland batting in nets; h/s portraits of Barlow, van der Merwe & Bacher, press stamp to backs (mixed 5), 8.5 x 6.5 & smaller, VG to EX, 5

Lot 276

CRICKET, press photos, England mid 1960's including: 10 x 8 Fred Titmus ct by Bevan Congdon bowled Dick Motz, England v New Zealand 1st test Edgbaston, May 1965, 8 x6 and 6 x 4, two images of England wicketkeeper J.T Murray, 11 x 7.5 England captain M.J.K Smith runs out Peter Burge with Bill Lawry at the non-striker's end Australia v England 3rd test match, 11th Jan 1966 (Parks behind the stumps), press stamp to backs (mixed), VG to EX, 4

Lot 277

CRICKET, press photos, Australia mid 1960's including: 8 x 6 Bobby Simpson bowling during the tour match against Northampton, Australia to England 1964, 10 x 8 Thomas ducks a David Larter bouncer, tour match NSW v MCC at Sydney, 1st December 1965 and 10 x 8 of Australian legend Doug Walters drinking a pint after the 1965-66 Ashes series, 8th March 1966, press stamp to backs (3), VG to EX, 3

Lot 278

CRICKET, press photograph, Rest Of The World XI v England XI 1965, very good original image of Pakistan legend Hanif Mohammad in typically belligerent batting pose for the Rest Of The World XI v England XI 1965, publication stamp (1), 10 x 8 (1) EX 1

Lot 279

CRICKET, press photograph, West Indies to England 1966, very good original press photograph of West Indies captain Gary Sobers and Mike Smith, captain of the Duke of Norfolk's XI and England alongside The Duke Of Norfolk during the opening tour match at Arundel castle, April 30th, 1966, publication stamp (1), 8 x 6 (1) EX 1

Lot 281

CRICKET, scarce press photos, Australian Touring team to South Africa (Simpson's XI) v Australian Touring team to New Zealand (Favel's XI), also known as the Tasmanian Bushfire Test, MCG, 7th - 10th April 1967, including: Norman O'Neill batting and playing his last shot in first-class cricket c Tauber (for 0) & c Watson, Ken Cunningham batting prior to his injury, Cunningham helped off the pitch, Norman O'Neill being chaired off the pitch by his team-mates at the end of his first class cricket career. press stamp to backs (Central), 10 x 8 (2) and 8.5 x 6.5 (4), VG, 6

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