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Lot 274
Nine Sindy dolls to include three dated 1983-85 (Sindy stamp +033055 on back of head), one dated 1977-1980 (Gen 1077 stamp +033055), five dated 1974-76 (blank +033055) together with two heads dated 1977-1980 and one head dated 1974-1976 all in various outfits with shoes and other accessoriesLocation: RWB
Lot 591
A FINE 19TH / 20TH CENTURY CHINESE SILVER PRESENTATION DRAGON & BAMBOO GOBLET- HUNG CHONG SHANGHAI - The goblet with carved dragon decoration to the body, the stem formed from stylized intertwined bamboo root upon stylized root base, with its original hardwood carved stand ( stand AF ) and slide top box, the underside of goblet with makers stamp, "Lung chong & co Shanghai" 26cm high x 12cm wide.
Lot 3
W. G. WHITAKER - A WATERCOLOUR OF A SEATED KITTEN carries the Elgin Studios stamp to back signed lower right 48 x 32 cm together with JOHN S. MOODY - A WATERCOLOUR OF A BEACHED FISHING BOAT, signed lower right, painted to back a watercolour of a fisherman's hut also signed by Moody, 46 x 31 cm (2)
Lot 136
* World Unused Sheets. A collection of stamps circa 1900-1950s, including Falklands Islands, G.VI.R. 1/2 Penny, printed by Bradbury, Wilkinson & Co, New Malden, Surrey, printed in green with red overprint for 'South Orkneys Dependancy Of' (for use at Louise Island Base); United States, Thomas Jefferson (1956), 1 cent, printed in green with margin numbered 31303; Transvaal, September 1895, 1 Penny, printed by The Press. P&P Works, Pretoria, printed in red to commemorate the Penny Postage; Fiji, G.VI.R. (1935), 5 Pence, printed by Waterlow & Sons Limited, London Wall, London and printed in red and green; Spanish Civil War Issue, 10 Cents, issued for publicity and printed in green, the centre row having an inverted stamp; Cayman Islands, G.VI.R. (1938), 1/4d, printed by Waterlow & Sons Limited, London Wall, printed in orange plus 10 further sheets comprising Venezuela 1893, Paraguay 1911, Mauritania 1942, Southern Rhodesia 1947, Costa Rica 1950,Yugoslavia 1933, Germany 1923, Tanganyika circa 1938, Gambia circa 1938, South Arabia printed by Thomas De La RueQty: (16)
Lot 162
Camerarius (Joachim). In hoc libello haec insunt. De tractandis equis sive ???????????. Conversio libelli Xenophontis de re equestri in Latinum. Historiola rei nummariae, sive de nomismatis Graecorum et Latinorum, 1st edition, Tübingen: Ulrich Morhard, 1539, signature A4 B-K8 (K8=blank), woodcut initials, title-page soiled, nick to fore margin, ink-stamp of the Royal College of Physicians, faint damp-staining to last gathering, a little minor soiling elsewhere, bookplate and deaccession of the Royal College of Physicians to front pastedown, 20th-century half morocco, small 8vo (14.8 x 9.1 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams C432; Huth, Works on Horses and Equitation, p. 6; VD16 C 534. An early and uncommon work on horsemanship and coins in the ancient world by the renowned German humanist.
Lot 184
Fabretti (Raffaele). De Columna Traiani Syntagma. Accesserunt explicatio veteris tabellae anaglyphæ Homeri Iliadem ... Emissarii lacus fucini descriptio una cum Historia Belli Dacici à Traiano Cæs. Gesti auctore F. Alphonso Ciacono Hispano, Rome: Francisci Ant. Galleri Bibliopolæ ad signum Nauis, 1690, title-page with publisher's engraved device, title toned and slightly marked (oval ink library stamp and early inscription to lower margin obliterated with ink), verso of title with contemporary inscription in brown ink 'Aloysii de Marsutiis Jacobi F. Advocati', 2 folding plates, numerous letterpress engravings, h3 with short tear in lower outer corner (paper fault) just encroaching on text, Gg1-Ii4 and Zz1-Ddd4 with worm trail in lower outer blank corner (including one plate), endpapers browned, free endpapers a little edge-frayed, upper hinge split, rough-trimmed, early 19th century blue boards, paper label on spine with manuscript title in brown ink, soiled and extremities worn, with spine ends frayed and corners showing (one broken), 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.
Lot 260
Rosinus (Johannes). Antiquitatum romanarum corpus absolutissimum, in quo praeter ea quae Ioannes Rosinus delineaverat, infinitia supplentur, mutantur, adduntur...Thoma Dempstero..., Editio Postrema, emendatior, Geneva: Petrum & Jacobum Chouër, 1632, title in red & black with printer's woodcut device, two folding woodcut plans and few illustrations, light toning, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary vellum, 4to, together with: Ibid., Romanarum antiquitatum libri decem ... Cum indicibus locupletissimis. Editio ultima, omnium, quae hactenus prodierunt, tersisima, [Geneva?]: Stephanus Gamonetus, 1611, title in red & black with printer's woodcut device, two woodcut folding plans and few illustrations, light toning and scattered spotting, front free endpaper with the signature of Andrew Fletcher (of Saltoun, 1655-1716) and rear pastedown with the same signature and dated December 28, 1705, front pastedown with bookplate of Patricia Milne-Henderson, contemporary vellum, 4to, Landi (Costanzo), Constantii Landi, Complani comitis, In veterum numismatum Romanorum miscellanea explicationes, Lyon: Sebastianum de Honoratis, 1560, title within woodcut border, decorative woodcut initials, erratic pagination, early red ink stamp of the Colonan family to title and final leaf, light damp stains, contemporary limp vellum, spine worn & torn with loss, with remnants of marbled paper strip to spine, without ties, slim 4to, and three others, Le images des dieux Contenant levrs Pourtraits, coustumes & ceremonies de la Religion des Payens, by Vincent Cartari, Lyon: Paul Frellon, 1610; Discours de la religion des anciens Romains, by William Du Choul, Wesel: Andre? de Hoogenhuyse, 1672; and Romanarum antiquitatum libri decem, ex variis scriptoribus summa fide singularíque diligentia collecti..., editio ultima, by Johannes Rosinus, Lyon: Joan. de Gabino, 1606, each in contemporary vellum, 4toQty: (6)Provenance: Patricia Milne-Henderson (1935-2018), art historian.
Lot 265
Sambucus (Joannes). Emblemata, cum aliquot nummis antiqui operis, Antwerp: Christopher Plantin, 1564, title-page within emblematic woodcut border (small tear with loss to upper right margin and old ink inscription along fore-edge), woodcut illustrations including portrait of Sambucus, printing error on L2v affecting 5 lines of text, closed tear to L5 just touching text but without loss, bound with Alciati (Andrea), Emblemata denuo ab ipso autore recognita, Lyon: Guillaume Rouillé, 1564, title within woodcut border, each page within woodcut border, woodcut illustrations, lacking final text leaf (end of index), some old marginal dampstaining and soiling throughout, old ink inscriptions to endpapers at front and rear, armorial bookplate of John Spencer, contemporary German pigskin binding by Jakob Fritzsch of Wittenberg (active c.1555-1571), upper cover with a panel stamp of Justice and the lower cover with a panel stamp of Chastity, an outer roll-tooled border of the virtues, upper cover lettered in black GABRIEL CLAVDIOP [Gabriel of Claudiopolis] and dated on lower cover 1568, vellum repairs to corners and head and foot of spine, 8vo (19 x 11.5cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTES1st work: Dekesel S29; Landwehr, Emblem Books in the Low Countries 709.
Lot 277
Spon (Jacques). Miscellanea eruditae antiquitatis ..., Lyon: sumptibus auctoris, 1685, title printed in red & black with engraved vignette, title also with additional blind-stamped imprint 'Sumptibus ... apud Thomam'[?] partially obscured by printed imprint, engraved illustrations, scattered spotting, some leaves toned, two leaves at rear with a 3cm closed tear at head, ink library stamps of Queen's College Cork to title (by imprint), title blank verso (and additional 'withdrawn...' stamp), and to the blank margins of 3 further pages, armorial bookplate of The Library of Queen's College, Cork, front hinge cracked after endpapers, contemporary vellum, soiled with a couple of marks, gilt crest of Queen's College Cork to spine, folio, together with: La Chausse (Michel Ange de), Romanum Museum sive Thesaurus Eruditae Antiquitatis ..., Rome: Giovanni Giacomo Komarek, 1690, title printed in red & black with engraved armorial vignette (laid down), engraved portrait frontispiece, 160 engraved plates (complete), engraved head-and tail-pieces and initials, lacking all before title, some dampstaining or light cockling throughout, front hinge cracked, contemporary calf, dampstained, elaborately gilt-decorated spine, folio, plus: Augustin (Antonio), Antiquitatum Romanarum Hispanarumque in Nummis Veterum Dialogi Xi, Antwerp: Henricum Aertssium, 1617, engraved vignette title (with lower outer corner excised), 68 engraved plates, additional engraved decorative title 'Nomismata imperatorum Romanorum aurea ...', woodcut initials and head- and tail-pieces, bound with: Occo (Adolphus), Inscriptiones veteres in Hispania repertæ ..., [Heidelberg]: H. Commelini, 1596, engraved decorative title, letterpress toned throughout volume, five plates somewhat dampstained (two just to blank margins), pictorial bookplate of Robert Edward Way, pictorial book ticket of A. P. M. H., contemporary vellum, soiled with a few marks, covers bowed, folioQty: (3)Provenance: Patricia Milne-Henderson (1935-2018), art historian.
Lot 286
Tournes (Jean de). Insignium aliquot virorum icones, Lyon: Jean de Tournes, 1559, woodcut medallion portraits throughout, retaining blanks P7-8, toning, damp-staining to signature A, leaf A8 torn with loss (not affecting text) and laid down on archival tissue, a few spots and marks to margins elsewhere, collector's ink-stamp to title-page occasional underlining and marginalia, gilt edges, contemporary limp vellum, ties perished, 8vo (16.5 x 10.5 cm), together with: Simeoni (Gabriele). Illustratione de gli epitaffi et medaglie antiche, Lyon: Jean de Tournes, 1558, woodcuts throughout, browning, occasional marginal damp-staining, upper fore corner of title-page excised, worm-track to lower fore corners of first two signatures (A-B) touching catchwords only, a few marginal annotations, contemporary limp vellum with purple wash, 4 contemporary pen-and-ink sketches (depicting a horse, a sun, a profile bust of a man, and a lamb) to front cover, 4to (21.2 x 15 cm), and another copy of Jean de Tournes, Insignium, 1559, later vellum, without the two blanksQty: (3)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams S1161 (Simeoni); Mortimer French 527 (Tournes).
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165558 item(s)/page