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Lot 61
A quantity of Masons Regency pattern tea and dinner wares, an American shelf clock, two spirit barrels, a Mauchlineware stamp box, coins, other table wares and ceramics (7 boxes) Condition report Report by NG Regency only: Oval Plate, 35 cm wide Oval plate, 39.5 cm wide Oval plate, 30.5 cm wide 12x plates, 17.5 cm diameter, three chipped, two cracked. 1 x bread and butter plate, 27.5 cm wide- hairlined 8 x tea cups- three cracked, one chipped 7 x saucers, three chipped, one cracked 1 x milk jug, foot chipped 2 x oval tureens and covers, 29 cm wide, both bases hairlined, both covers with small chips 1 x bowl, 23.5 cm diameter 1 x gravy boat, wear to base 2 x sugar bowl, 12 cm diameter x 6 cm high, one cracked and chipped 1 x teapot and cover, 15 cm high, cover with chip to rim, body with chip to spout and scratch through back stamp 6 x plates, 27 cm diameter 6 x rimmed dishes, 25.5 cm diameter 6 x plates, 23 cm diameter Almost all pieces of the service are very heavily crazed and grubby.
Lot 59
A set of six Waterford Crystal wine glasses, similar glasses, other glass and a Paragon Rockingham pattern part tea service (damages) (2 boxes) Condition report Condition report Report by NG Rockingham only: Teapot and cover: used and stained. 2 x sugar bowls 12 x 15.5 cm diameter tea plates - 2 chipped, some with heavy signs of heavy use 14 x saucers - 2 with brown printed stamp and pattern name and red pattern numbers, some flatter and some dished 2 x 12 cm diameter pin dishes 1 bread and butter plate 1 milk jug 8 larger cups 6 x smaller teacups - 1 with large chip to foot-ring Service has been well used with wear and tear commensurate with use. Condition of glasses vary, not all perfect, some chipped.
Lot 670
Two enamelled Art Nouveau pendants the first is hallmarked for Birmingham with the makers mark P&S for Pledge and Son, enamelled in blues and greens over an engraved ground, to the double spiral design, further set with a pearl drop, length approx 45mm. The other one is leaf shaped with further enamelled pendant drop both enamelled in blues and greens with the reverse counter enamelled in turquoise no hallmark or makers stamp, length of pendant 65mm
Lot 128
EDWARD STOTT, ARA (1859-1918) A PAIR OF DRAWINGS Including studies of a young child and a mother and child; one pencil, one black and white chalk; one stamped with the artist's studio stamp 28cm by 38cm; 11in by 15in 30.5cm by 23cm; 12in by 9in (2) ++significant staining to both sheets, both sheets could benefit from a decent clean, some tiny holes and abrasions mainly to the edge of the sheet
Lot 1889
"The Rime of the Ancient Mariner" by Samuel Taylor Coleridge With tipped in illustrations, this being limited edition No: 456 of 525 copies, signed by the author Willy Pogauy, published George Harrap & Co., London circa 1900, bound in tan calf with blind stamp decoration. (AF) (illustrated)
Lot 23
Lucas van Leyden (Dutch 1494-1533) Venus la Tresbelle Deesse D’amours With initial L and date 1528 in the print and stamp lower left, also inscribed indistinctly by unknown hand Engraving 16 x 11.25cm; 6¼ x 4½in ++Trimmed, losses and tears to left margin and small loss lower right corner, some nicks to margins and some light staining
Lot 1540
Boxes and Objects - an early 20th century olivewood sewing etui, screw-on cover and base open to reveal a turned real, ivory thimble and division for buttons, 9.5cm long, c. 1910; a Victorian papier mache shaped rectangular snuff box, hinged cover with abalone, 7.1cm wide, c. 1860; a Victorian scumbled rectangular table-top snuff box, 9.6cm wide, c. 1860; a Victorian novelty stamp box, the cover applied with a painted enamel letter; birch cigarette box (4)
Lot 238
An 18ct gold rough amethyst crystal, sapphire and diamond pendant, designed as a large rough amethyst crystal set in yellow gold stylised branch mount set with three round mixed cut sapphires and three brilliant and old cut diamonds, the yellow gold lug set with faceted square amethyst, the reverse hallmarked London 1968, with maker stamp 'RMD', all suspended from yellow metal chain, the bolt ring clasp stamped '375', pendant measures 45mm x 35mm (excluding lug), total weight 55.2gms
Lot 464
A quantity of U.K. commemorative coin sets, to include; 1951/2001 St George and the Dragon stamp and coin set, two Britannia silver proof four coin collection 1997/98, a set of four £1 Piedforts 1994-1997, Royal Mint U.K proof coin sets- ten 1984/86/88/89/90/92/96/99/2001/2002, miscellaneous crowns etc (a lot)
Lot 16
A George III silver baluster coffee pot by James Stamp and John Baker I A George III silver baluster coffee pot by James Stamp and John Baker I, London 1768, with a bell shaped finial to the ogee domed cover, a gadrooned rim, a wooden double scroll handle, later engraved GF and on a circular gadrooned foot, 27.5cm (10 3/4in) high, 794g (25.55 oz) gross
Lot 64
A late Victorian silver patent bosun's call by Emanuel Emanuel, London 1896 A late Victorian silver patent bosun's call by Emanuel Emanuel, London 1896, retailer's stamp E EMANUEL 3 THE HARD PORTSEA , the curved and flared gun plain, the plain keel with rim and engraved HMS ARDENT 1897 below a naval coronet and Henry Farley, PO 1st. from KK , the buoy spherical, 10.5cm (4 1/4in) long, 20g HMS Ardent was a 280 ton destroyer. She was built at Chiswick in 1894 and was sold in 1911. The patent refers to E. Emanuel's patent of 11 April 1896. The boatswain's call has a long history both as a symbol of office and as a practical instrument for conveying orders at sea. Its distinctive shape has remained practically unchanged from medieval times to the present day. The call's shrill whistle can be varied in pitch to convey a variety of information, and can be heard above the sound of wind and sea. Such instruments were private possessions rather than official equipment and silver calls like this one made suitable gifts and presentation pieces.
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