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Lot 99
JOHN CONSTABLE (1776-1837) "Medway Summer - 1803" - study of two three-mast barques, black ink collectors stamp "I" in an octagon for the Ingram Collection, verso, pencil with wash, 7" x 9". See illustration Provenance: The collection of Sir Bruce Stirling Ingram OBE, MC (1877-1963) (Lugt 1405A) Sotheby`s 17th March 1965. Sir Bruce Stirling Ingram was editor of the Illustrated London News for 63 years. He was a prolific collector amassing over 3,000 works, primarily of maritime interest. Examples from his collection can be found in the National Maritime Museum. In 1803 John Constable spend time on the East Indiaman "The Coutts" accompanying his friend and the captain Robert Torin, on a tour around the Medway and Thames before the ship set sail for China. It is believed this work was one of almost 140 rapid compositions he created during the trip. "I was on board nearly a month and was much employed in making drawings of ships in all situations. I saw all sorts of weather. Some the most delightful and some the most melancholy. But such is the enviable state of a painter that he finds delight in every dress nature can possibly assume". Charles Leslie (1794-1859) "Leslie`s Memoirs of Constable" - a letter from John Constable to John Dunthorne.
Lot 82
Six Pewter tankards with friezes to base depicting Welsh miners, stamp to base. German ASN mark to base together with a single Dutch pewter beaker impressed mark to base Royal Holland Pewter Caalderop, two pewter candlesticks impressed marks to base of a seated woman and two pewter plates one depicting a hunting scene, 23 cms and the other a tavern, 22 cms.
Lot 87
Imogen Stuart RHA (b.1927) A Hug (1997) Bronze, 11cm (4¼") including base, edition 9 Artist's stamp verso Exhibited: "Imogen Stuart Exhibition", The Solomon Gallery, March-April 2002, where purchased by the current owner Literature: "Imogen Stuart - Sculptor" by Brian Fallon, illustrated p107, Catalgoue Raisonne 208
![INDIAN STATES Idar: 1944 ]a yellow-green vertical pair & Idar: 1944 ]a yellow-green vertical pair & single used, pair](http://lot-images.atgmedia.com/SR/35466/2883143/233-2013917104152_468x382.jpg)
Lot 276
NEPAL 1981 Stamp Centenary Min sheet used or part used 1981 Stamp Centenary Min sheet used or part used (15), 1975 Tourism Year 2p (2) & 1995 Singhaduarbar 10p (10) U/M pairs with part design missing between, also Tibet 1974 UPU unissued set in traffic light blocks of 9 U/M but toning or creasing on some.
Lot 1410
Loys Lucha , Paris an Art Deco pen tray with verdigris decorated geometric pattern , signed Loys , Artisan France stamp Acquired from Riddetts Auctions Bournemouth Executor sale; From the collection of a Bournemouth connoisseur collected by him and his father over the last 50 years 11 x 3.70in. (28 x 9cm)
Lot 20A
An 18thC French ormolu mounted tulip wood serpentine commode, with Kingwood veneers and cross banding in rosewood, converted and retailed by and with Edwards & Roberts, circa 1900, bears stamp, 104cm wide, 58cm deep, 83cm high, (including the replacement marble top).Provenance: Golding Young Bitchfield Manor Sale.
Lot 308
LAMB OF MANCHESTER, EBONY AND GILT METAL MOUNTED CREDENZA, with ledge back, breccia marble top, the two centre doors each set with a `Sevres` style painted porcelain panel depicting groups of courtiers, end bow glazed doors, four free standing fluted columns with urn pattern centres, on four lobed toupe feet, 6`3" x 3`10" high, stamp Lamb, Manchester, No. 26504
Lot 451
Two Victorian Tunbridge ware stamp boxes, each decorated with a profile bust of Queen Victoria, with more than one thousand tesserae, the top with stickware, the sides with mosaic, one inscribed `POSTAGE STAMPS.`, the other `POSTAGE ONE PENNY`, 1½in (3.6cm) wide, 1Ύin (4cm) deep, max. (2) Provenance: The Alberto Rava Collection of Tunbridge ware.
Lot 453
λTwo Victorian Tunbridge ware and rosewood stamp boxes, the lids decorated with geometric designs, 1½in (3.5cm) square and two rectangular boxes. (4) This lot shows the evolution from `old` Tunbridge ware to a later higher quality output. Provenance: The Alberto Rava Collection of Tunbridge ware.
Lot 497
A Victorian Tunbridge ware and macassar ebony desk-stand attributed to Thomas Barton, with a turned ebony handle flanked by a pair of lidded cylindrical containers and two stamp boxes, with a central watch stand, pen tray, an ivory match stand and a metal striker, on bun feet, 5in (12.7cm) high, 8Ύin (21.8cm) wide, 5Ύin (14.5cm) deep.
Lot 594
A Staunton pattern boxwood and ebony chess set by Jaques & Son, the white king stamped `JAQUES LONDON`, with red crown marks to two knights and one rook, one rook with a plain stamp, weighted bases, the king: 4½in (11cm) high, the pawn: 2Όin (5.5cm) high, in a mahogany baize lined box with green trade label inscribed `THE Staunton Chessmen, TWO PRIZE MEDALS AWARDED, H. Staunton, Note this Signature, Without it none are Genuine. J. JAQUES & SON, LONDON, ENGLAND.`. (33)
![PAL FRIED [HUNG. / AMER. 1893-1976], OIL ON CANVAS RECLINING NUDE FEMALE 23" X 29": depicts a reclining female nude](http://lot-images.atgmedia.com/SR/33875/2890132/191-2013822101641_468x382.jpg)
![THEODORE GERICAULT [FR 1791-1824], PENCIL, PEN & BROWN INK & BROWN WASH, DRAWING ON 2 SIDES: 13.5 x 21.5 cm [5 1/4&qu](http://lot-images.atgmedia.com/SR/33875/2890132/2034-2013822101830_468x382.jpg)
Lot 2034
THEODORE GERICAULT [FR 1791-1824], PENCIL, PEN & BROWN INK & BROWN WASH, DRAWING ON 2 SIDES: 13.5 x 21.5 cm [5 1/4" x 8 1/2"] total size; "La Mort de Paris" on recto; "Le Christ en Croix" [in pencil] on verso; P.O.D. in a circle stamp in far lower right corner; framed. Drawing done for the early stages of the "prix de Rome" contest in 1816 with the subject being "Oenone Refusant de Secourir Paris" [although he was not one of the finalists]. Provenance: sold by Hazlitt, Gooden & Fox Ltd., London England, 7-9-1986, catalogue No. 8, plate 8 in the Hazlitt, Gooden & Fox exhibition, "French Drawings, 19 June - 18 July 1986" - photocopies of the bill of sale and exhibition listing [also seen in the last photo detail] both in customer file. Collections: Brame, Saint Remy, 1878; Pierre Dubaut [Lugt 2103b]; Hans E. Buhler, Winterthur. Exhibited: Paris, Hotel Jean Charpentier, "Exposition Gericault", April May 1924, no. 76; New York, Marie Sterner Galleries, "First Exhibition in America of Gericault", 1936, no. 25; Paris, Galerie Bernheim-Jeune, "Exposition Gericault", May 1937, no 86; Paris, Galerie Bignou, "Gericault---cet inconnu", May June 1950, no. 2; Winterthur, Kunstmuseum, "Theodore Gericault", 1953, no. 119; Paris, Galerie Bernheim-Jeune, "Gros, Gericault, Delacroix", Paris 1954, no. 34. Literature: C. Clement, "Gericault, etude biographique et critique", 3rd edition, Paris 1879, p. 430, no. 92 bis; "Revue de l `art ancien et moderne, XI.VI, 1924, p. 53; L. Eitner, "Two Re-discovered Landscapes by Gericault and the Chronology of his Early Work" in "Art Bulletin", June 1954, p. 136, note 25; P. Dubaut and P. Nathan [eds.], "Sammlung Hans E. Buhler, Winterthur 1956, no. 44; L. Eitner, "Gericault`s `Dying Paris` and the Meaning of his Romantic Classicism" in "Master Drawings", Spring 1963, p. 26 [illustrated plate 21]; L. Eitner, "Reversals of Direction in Gericault`s Compositional Projects" in "Stil und Uberlieferung in der Kunst des Abendlandes, III, Berlin 1967, p. 129 [illustrated plate 21, 3]; C. Clement, "Gericault, etude biographique et critique", 3rd [1879] edition, New York 1974 preface and catalogue supplement by L. Eitner], p. 472, no. 92 bis; L. Eitner, "Gericault/His Life and Work", London 1983, pp. 87, 89 [illustrated fig. 69]; New York, San Diego and Houston, "Master Drawings by Gericault", June 1985 January 1986 [catalogue by P. Grunchee], p.59 [illustrated plate 17b]. All references as per the Hazlitt, Gooden & Fox catalogue listing [see photo detail].
![CAMILLE PISSARRO [FR 1831-1903], BLACK CHALK, PEN & INK, WATERCOLOR, "AU MARCHÉ", 7 1/4`` X 4 1/4``: Above size](http://lot-images.atgmedia.com/SR/33875/2890132/2035-2013822101833_468x382.jpg)
Lot 2035
CAMILLE PISSARRO [FR 1831-1903], BLACK CHALK, PEN & INK, WATERCOLOR, "AU MARCHÉ", 7 1/4`` X 4 1/4``: Above size is a sight size; 19 cm x 11.5 cm actual size. Double initialed lower right, "C.P." with atelier stamp [Lugt 613e]. C. 1890; Inscribed, "Delatre 20-3x d`epreuves 3x do" in the upper left; titled on verso. Sold by Hazlitt, Gooden & Fox Ltd., London England, 7-9-1986, catalogue no. 28, plate 30 in the Hazlitt, Gooden & Fox exhibition, "French Drawings, 19 June - 18 July 1986". Framed. Photocopies of the bill of sale and the exhibition listing [also seen in the last photo detail] both in customer file.
![RAFAEL CORONEL [MEXICAN, 1932-], ENCAUSTIC, 1955, FACE, 19`` X 11 1/2``: Signed and dated lower left; framed. Jessie W. Forsy](http://lot-images.atgmedia.com/SR/33875/2890132/2041-2013822101850_468x382.jpg)
![PAUL GAVARNI [FR 1804-1866], WATERCOLOR, GOUACHE, PEN & BROWN INK, H 11 1/2" X W 8" SIGHT, "PIERROT":](http://lot-images.atgmedia.com/SR/33875/2890132/2223-2013822102719_468x382.jpg)
Lot 2223
PAUL GAVARNI [FR 1804-1866], WATERCOLOR, GOUACHE, PEN & BROWN INK, H 11 1/2" X W 8" SIGHT, "PIERROT": Signed lower right; 30 x 21 cm full size [on bill of sale]; inscribed lower left: "Et, pour la Canaille et Messieurs les Militaires, un sou!"; Hetzel & Cie stamp No. 57 on verso of the paper indicating that the work was unpublished; framed. Provenance: purchased 7-12-1985, Hazlitt, Gooden & Fox Ltd, London, England, exhibition, "Nineteenth Century French Drawings, 13 June - 12 July 1985, cat. No. 10 [label on verso of framing - see photo detail, also photocopy of the bill of sale in customer file].
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165598 item(s)/page