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Superb bundle of 3 x LPs from The Jam consisting of US promos and a hard to find fan release... Titles are In The City (US promo PD-1-6110 - Ex+ a couple of extremely minor and wispy paper marks/with printed paper inner/Ex a little edgewear, with hype sticker and demo stamped reverse), This Is The Modern World (US promo PD-16129 - Ex+ a couple of very light and faint paper marks/with printed paper inner/VG some creases, with hype sticker on the front and promo stamp on the reverse) and The Butterfly Collector (private TBS Records double LP - VG solid condition records with some light surface marks, not heavier/Ex well presented sleeve, a little discolouration, still partly in shrink.
A wonderful collection of 10 records, 1 CD box-set and 1 cassette, mostly by The Smiths but does include 1 Morrissey solo LP. The Smiths titles include The Queen Is Dead (ROUGH96, MPO matrix, printed inner, VG+/ VG+), Meat Is Murder (ROUGH81, printed inner has split, VG+/ VG+), Strangeways Here We Come (ROUGH 106, embossed text, printed inner, VG/ VG+), Hatful Of Hollow (x2) (ROUGH 76, printed inner, VG+/ VG+) & (ROUGH76, reissue, VG+/ VG+). Girlfriend In A Coma (RTT 197, G/ VG+), What Difference Does It Make 9x2) inc Original Morrissey Cover (RTT146, Ex/ VG+) & more common Terence Stamp Cover (RTT146, Ex/ VG+), Self-Titled (ROUGH61, printed inner, VG+/ VG), Panic (RTT193, sleeve only). Louder Than Bombs (ROUGH C255, cassette, appears excellent), Complete (2564665907, CD box-set missing World Won't Listen). Morrissey - Viva Hate (CSD 3787, VG+/ VG+).
A superb selection of around 9 LPs, one being a box-set. Artists/ titles include John Cooper Clarke - Snap Crackle & Bop (SEPC 84083, includes the book, Ex/ VG+), Public Image - First Issue (V2114, printed inner, Ex/ Ex), The Only Ones inc Baby's Got A Gun (SCBS 84089, includes insert, gold demo stamp on back cover, Ex/ Ex) & Even Serpents Shine (SCBS 83451, gold demo stamp on back cover, Ex/ Ex). Sex Pistols inc No Future UK? (GD001, private pressing, Ex/ Ex) & The Very Best of (YX-7247-AX, includes insert, Ex/ Ex). The Clash - London Calling (CBS Clash 3, no printed inners and sleeve has tearing. VG+/ VG), Sonic Youth - Goo (GOO-07, 2 LP reissue box-set, Ex/ Ex) & Derek & Clive - Ad Nauseam (V2112, Ex/ Ex).
MICHAEL AYRTON [1921-75]. From Delos, 1963. pencil on paper; inscribed by the artist and with studio stamp signature on the rev. 13 x 17 cm [overall including frame 26 x 29 cm]. Provenance: Artists family; private collection, UK. [very good condition - unexamined out of frame]. Buyers premium 20% + vat payable..
MICHAEL AYRTON [1921-75]. Sketchbook, May-June 1963 - 12 x pencil drawings of Naxos and Delos landscapes + 2 pages of poetry by the artist. pencil on paper. studio stamp signature. 13 x 17 cm. [good condition - slight soft crease top right and the sketchbook cover is a bit scruffy]. Buyers premium 20% + vat payable..
MICHAEL AYRTON [1921-75]. Creation, 1942. gouache; dated by the artist; studio stamp signature on the reverse. 20 x 26 cm - overall including the frame 54 x 49 cm. Provenance: The artist; Dr Bob 'Barnett' Stross, MP, 1962 [Stross was a 'White Wizard' and protected Ayrton and Constant Lambert from the 'Dark Lords' [Crowley etc.] - so they say']. A good early Neo-Romantic painting. [very good condition - unexamined out of frame]. Buyers premium 20% + vat payable. ARR 4%
MICHAEL AYRTON [1921-75]. Femmes/Hombres [Paul Verlaine[; 1972, etchings x 15 [ed.85] bound in leather book; this is no.1 - dedicated to Charles Collingwood; Publisher Douglas Cleverdon- with Ayrton's studio stamp signature in 2 places. 29 x 40 x 3 cm. Provenance: Charles Collingwood; private collection, USA. [very good condition - a few slight stains on red part of book cover]. Buyers premium 20% + vat payable..
LEONARD BASKIN [1922-2000]. Self Portrait. bronze; signed 'L Baskin' and marked with foundry stamp 'Bedi-Rassy NY'. 25 cm high. Major international sculptor - included in most museum collections, especially in the US. [very good condition - some slight rubbing of the patina at the back of the head]. Buyers premium 20% + vat payable..
CERI RICHARDS RA [1903-71]. Lyrebird, 1974. Watercolour & ink, studio stamp initials CR. 26 x 19 cm. Framed.Provenance: Artist's family; private collection, London [Martin Tinney Gallery label on the reverse]. [very good condition, unexamined out of the frame]. Buyers premium of 20% + VAT is payable.
CECIL STEPHENSON [1889-1965]. Abstract, 1939. oil crayon on card; signed and dated in ink on the reverse + studio stamp signature. Provenance: Annely Juda Fine Art [1980 ?]; Private collection, UK; Modern Art Auctions, 7.12.2016, lot 81 [£2400 hammer price]; private collection, UK. 34 x 24 cm [overall including frame 50 x 40 cm]. See lot 63 for more info. on the artist. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable. ARR 4%.
MICHAEL AYRTON [1921-75]. Minotaur Rising, 1971. etching, edition of 75, artist's proof. Signed in pencil [rare, most of the edition was signed with the studio stamp signature]. 40 x 54 cm [overall including frame 65 x 85 cm]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable..
Kenneth Stevens MacIntire (American, 1891-1979),a three-fold screen design, decorated with a nautical map of the Atlantic showing America and Europe, centred with a three-masted ship 'Montezuma',21 x 22cm 37 x 37cm overallCondition report: Verso with signed authentication stamp issued by the estate. Additional images uploaded.
Twenty-five photographs of the sculptures on Imperial Chemical House and Thames House Millbank,carried out by Charles Sargeant Jagger (1885-1934), the sculptures represent the various industries of Imperial Chemicals, published by 'W H Grove & Son, 73 Earls Court Rd., Kensington, W.8', all mounted, comprising:six, Chemistry,eight, Agriculture 'The Sower',five, Marine Transport,four, Construction 'The Builder',one, Thames House,one, 'St George',one, 'Britannia' (25)After active service in the First World War Charles Sargeant Jagger was responsible for a number of well-known war memorials, which in London includes the Great Western Railways' war memorial at Paddington Station and the Royal Artillery Memorial at Hyde Park Corner. He was appreciated for the rugged and realistic style of his work, which clearly comes across in the statues on the ICI building. Imperial Chemical House is a Grade II listed building situated on Millbank, London. It was designed by Sir Frank Baines in the neoclassical style of the inter-war years, and constructed between 1927 and 1929 as the headquarters for the newly created Imperial Chemical Industries (ICI). Thames House, the next building south along Millbank, was also designed by Baines and constructed at the same time.Once one of Britain’s largest industrial companies. ICI became a huge global concern, employing tens of thousands of people, but unfortunately, towards the end of the 20th century, it was sold off to AkzoNobel. Condition report: Mounts, 43 x 31, then in a slipcase - which has the WH Grove & son stamp and Royal coat of arms. The sizes of the photographs vary, 28. x 21; 29 x 10cm, some of the slip case worn and torn, and discoloured
Two G plan teak chests,en suite, each with four and three drawers, one drawer labelled with a gold stamp, raised on floating metal stands,91.5cm wide43cm deep78.5cm high, and91.5cm wide43cm deep64.5cm high (2)Condition report: Stained tops, wear to carcass and larger chest with knocks to front edge stands.
Max ROESLER (act. c. 1930), Pferde Skulptur aus Keramik von ROESLER Darmstadt. 28,5 cm x 26 cm x 14 cm. Steingut weiß glasiert. Unterseite mit Stempel und Nummer ''0705". Zustand siehe Fotos. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Max ROESLER (act. c. 1930), ceramic sculpture of horses by ROESLER Darmstadt. 28,5 cm x 26 cm x 14 cm. White glazed earthenware. Lower side with stamp and number ''0705". Condition see photos. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Brosche Weißgold 590. Mit 4 Diamanten und 6 Smaragden. 11,4 Gramm Gesamtgewicht. Die Diamanten im oberen Farb- und Reinheitsgrad. Zusammen circa 0,8 Karat. Wohl Übergangsschliff Mitte 20. Jahrhundert. Der Stempel 590 verweist auf eine Palladium - Weißgoldlegierung hoher Qualität. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Brooch in white gold 590. With 4 diamonds and 6 emeralds. 11.4 grams total weight. The diamonds in the upper degree of color and clarity. Total about 0.8 carats together. Probably transition cut mid 20th century. The stamp 590 indicates a high quality palladium - white gold alloy. Shipping of this object by third party possible. A list of selected trustworthy shipping partners is included with every invoice. The auction house does not ship.
Ikone Russland. Christus Pantokrator. Mit Silber und Emaille Oklad, vergoldet. 32 cm x 27 cm die Ikone. Marke 84 Zloty und Herstellermarke. Verso Silberplakette vergoldet mit Inschrift und datiert "Den guten Lehrer Alexej Alexjewitsch Soldin vom K.L. Tichomirow zum 25. Lehren Jubiläum. VIII / IX 1911". 40 cm x 35 cm Maß insgesamt. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Icon Russia. Christ Pantokrator. Silver and enamel oklad, gilded. 32 cm x 27 cm the icon. Stamp 84 zloty and manufacturer's mark. Silver plaque at the back side gilded with inscription and dated "The good teacher Alexej Alexjewitsch Soldin from the K.L. Tichomirow on the 25th anniversary of his teachin activities. VIII / IX 1911". 40 cm x 35 cm total size. Shipping of this object by a third party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
THIRTY-FOUR NEAR EAST STONE SEALS Near East, Ancient region of Mesopotamia (possibly some of the seals can be associated with Summerian culture), 4000 BC-2000 BC or later. The lot consists of twenty-nine stamp seals in a shape of faceted cylinder as well as five oval and flat stamp seals. Made from various stones including basalt, agate, calcedony, cornelian. Stones in beautiful hues of violet, white, blue, orange and brown. Characters and figurative scenes are engraved and most of the impressions are still very crisp. Some of the seals are especially interesting: one of them shows a warrior who is going to sacrifice the horned animal, on other fourteen pieces the depiction of a king who worships a god repeats. Provenance: Estate of Dr. Ernst Eichler (1932-2018), Vienna, Austria. Condition: Very good condition commensurate with age. Dimensions: Length 1 – 3.7 cm
THIRTY-THREE STONE AND ONE METAL SEMI CIRCULAR SEALS Probably Sasanian, ancient Persia /Iran, c.3rd-6th cent. The lot consists of thirty-three beautiful and small stamp seals made from various stones, including chalcedony and one made from metal. With engraved depictions of horned animals, winged creatures, birds, crescent symbols and some floral motifs. In beautiful hues of translucent brown, orange, red, white and green. All pieces with a hole to suspend them on a necklace or around the wrist so that they were always available when needed. Provenance: Estate of Dr. Ernst Eichler (1932-2018), Vienna, Austria. Condition: Very good condition commensurate with age, some larger chip to one seal. Dimensions: Length 1.2 -2 cm
AN AMAZING COLLECTION OF 101!!! NEAR EAST ANCIENT SEALS AND BEADS Near East, Ancient region of Mesopotamia, 4000 BC-2000 BC or later. The lot consists of stamp and cylinder seals as well as beads made from various materials: stone, carnelian, agate, quarz, black steatite, hematite and others. They all can be associated with rich cultures of the ancient Fertile Crescent region. Characters and figurative scenes are engraved and most of the impressions are still very crisp. All the pieces have a hole and they are thought to have typically been worn on a necklace or around the wrist so that they were always available when needed. Some of them were also pinned to the garment. Engraved stones have been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Stamp seals were mostly used to secure flat clay envelopes which would be broken upon a receipt. Provenance: Estate of Dr. Ernst Eichler (1932-2018), Vienna, Austria. Condition: Good condition commensurate with age. Dimensions: 1.2 cm -4 cm
Longfellow (Henry Wadsworth). The Song of Hiawatha, 1st edition, Boston: Ticknor and Fields, 1855, 12 pp. advertisements at end dated November 1855, a little light toning, a few small thumb marks, contemporary ownership inscription of Thomas Robertson to front endpaper, previous owner ink stamp to front pastedown, original brown blindstamped cloth, small chips and repairs at spine ends, slight lean, contained in modern cloth slipcase, 8voQty: (1)
Massenet (Jules, 1842-1912). French Composer. Hérodiade. Opera en 3 Actes & 5 Tableaux..., Musique de J Massenet, partition pour Chant & Piano, Paris: G. Hartmann, [1882], decorative title in green and gilt with publisher's stamp lower right, signed and dedicated autograph musical quotation signed to following half-title, written in purple ink with three hand-drawn staves and music from the part of Salomé ('charme des jours passés'), with Massenet's signed inscription for Madame Dumont dated at Paris, March 1882 neatly written beneath, title slightly browned, modern half morocco gilt over marbled boards, small folioQty: (1)
* Vuillard (Edouard, 1868-1940). French Painter. Autograph letter signed, 'E. Vuillard', no place, no date, 1920s, to Madame Tartiera, in French, thanking his correspondent for her kind thought and saying that he will willingly come on Saturday and be very happy to see her again, written in brown ink on letter side of a folding letter form with perforated edges, autograph address with stamp and indistinct cancellation mark, light stain near stamp and cancellation mark not affecting the text or signature, small 8voQty: (1)
* Literature, Art and Music Autographs. A group of 21 autograph envelopes handwritten by authors, painters and musicians, mostly 20th century, including J.R.R. Tolkien (partially cancelled with a forwarding address in an unidentified hand), W.B. Yeats (soiled), Arthur Conan Doyle (neatly trimmed), Benjamin Britten (marks around the stamp), J.M. Barrie (soiled), Edward Elgar (to his publisher Alfred Novello), George Bernard Shaw (slightly torn when opened), C.S. Forester (x 5, including one neatly cancelled with a forwarding address in an unidentified hand), Philip Larkin, Alfred Munnings, John Piper, William Plomer (without back), John Addington Symonds (father of the author), Ilya Ehrenbourg (signed on verso as part of sender's address), Philip Gibbs, Laurence Housman (torn), Hugo von Hoffmansthal (to John Drinkwater; partially cancelled with a forwarding address), plus a fragment of handwriting of Elizabeth Gaskell (8 words, with 3 further words neatly cut from the text), and an envelope addressed to the composer Julius Benedict in an unidentified handQty: (23)
* [Aldin, Cecil]. A group of five Royal Doulton plates, from the series 'Aldin's Dogs', c.1920s-1930s, comprising one dinner plate, 2 medium side plates, and 2 small side plates, each depicting a dog design after Cecil Aldin, and facsimile artist's signature, within a blue stylised foliate border and brown rim, glazing crazed, the versos with Royal Doulton and 'D4629' stamps, most with an additional stamp '21', the 2 medium side plates with faintly impressed maker's marks, the small side plate with impressed maker's mark and additional impressed circular mark, the dinner plate with single hairline crack to rim, 26cm (10.25ins), 16.5cm (6.5ins), and 14cm (5.5ins) respectivelyQty: (5)
Milne (A. A.). A complete set of first editions of the Winnie-the-Pooh Stories, 1924-1928, comprising: When We Were Very Young, 1st edition, Methuen, 1924, illustrated throughout by E.H. Shepard, presentation copy with original publisher's ink presentation stamp at foot of title, some toning to half-title and (blank) free endpapers, stitching slightly showing in places (but firm), top edge gilt, remainder rough-trimmed (with light spotting), original dark blue cloth gilt, spine very slightly darkened and a little rubbed at ends, 8vo; Winnie-the-Pooh, 1st edition, Methuen, 1926, illustrated throughout by E.H. Shepard, pictorial endpapers (some toning and light spotting), top edge gilt, remainder rough-trimmed, original green cloth gilt, spine ends and corners very lightly rubbed, 8vo; Now We Are Six, 1st edition, Methuen, 1927, half-title and final page partially toned, p.65/66 with small spot centrally, pictorial endpapers, top edge gilt, remainder rough-trimmed, original red cloth gilt, spine a little faded and lightly rubbed at ends, 8vo; The House At Pooh Corner, 1st edition, Methuen, 1928, illustrated throughout by E.H. Shepard, pictorial endpapers (free endpapers somewhat toned), top edge gilt, remainder rough-trimmed (a few light spots), original salmon cloth gilt, spine faded, two related advertisement slips loosely inserted, 8vo, housed together in a blue cloth slipcase with ribbon-pullQty: (4)
* Bell (Robert Anning, 1863-1933). The Martyrdom of Faithful, Pilgrim's Progess, circa 1898, pen & ink on card, with Winsor & Newton partial embossed stamp to upper blank margin, depicting Faithful surrounded by malevolent faces with his arms outstretched, before a mass of figures and a Grecian temple, the scene dominated by two large angels carrying swords on the right, titled 'Faithful' in pencil lower right margin below image, image size 21.3 x 16.4cm (8.5 x 6.5ins), sheet size 25.9 x 20.8cm (10.25 x 8.25ins)Qty: (1)NOTESRobert Anning Bell produced a series of striking black and white illustrations for an edition of Pilgrim's Progress published by Methuen and Co. in 1898. This particular drawing seems not to have made the final cut, as it does not apper in the published work.
* Veevers (Isabel, mid 20th century). A collection of original sketches, 55 pencil drawings for book illustrations, mostly on thin paper, and a few on card, the majority captioned, including drawings for 'The Queen's Sparrow', 'The House on the Cliffs' by Rita Coatts, published 1949, and 'Trouble at Melville Manor' by Mabel Esther Allan, published 1949, some with ink stamp on verso 'R P Gossop Ltd., 36 Carter Lane, St. Paul's E.C.4, Central 6950', two inscribed in ink on verso 'Rough sketch by Isabel Veevers', together with a pen & ink sketch with gouache of 2 children in a windy landscape, and 2 head & shoulder portraits in charcoal, one with watercolour wash, pin holes to corners, generally creased, some minor fraying and small holes, mostly sheet size approximately 28 x 23cm (11 x 9ins), and a few smallerQty: (58)NOTESBook illustrator Isabel Veevers produced illustrations for a number of Enid Blyton books, as well as for others of a similar genre.
Fleming (Ian). Goldfinger, 1st edition, London: Jonathan Cape, 1959, previous owner ink stamp to front pastedown, original cloth, later dust jacket (listing For Your Eyes Only to rear flap), 8vo, together with 5 others by Ian Fleming in dust jackets: On Her Majesty's Secret Service, 1963, You Only Live Twice, 1964, The Man With the Golden Gun, 1965, and Octopussy and the Living Daylights, 1966, all 1st editions, plus Diamonds Are Forever, 1964 reprintQty: (6)
Fleming (Ian). For Your Eyes Only, 1st edition, London: Jonathan Cape, 1960, previous owner signature to front endpaper, small ink stamp and bookseller ticket to front pastedown, original cloth, dust jacket, some fading to spine (as often), ink stamp at foot of front flap, small abrasions to spine and rear panel, small nicks and tears at spine ends and folds, 8voQty: (1)
Fleming (Ian). The Spy Who Loved Me, 1st edition, London: Jonathan Cape, 1962, small ink stamp at head of half title, original cloth, price-clipped dust jacket, later price sticker to front flap, short closed tear at head of rear panel, spine a little toned, light spotting to rear panel, 8voQty: (1)
Forester (C.S.) The Ship, 1943; Lord Hornblower, 1946; The Sky and the Forest, 1948, 1st editions, contemporary previous owner inscription to The Ship, and owner ink stamp to The Sky and the Forest, original cloth, dust jackets, a little rubbed with a few small chips and tears, 8vo, with others by C.S. Forester including Randall and the River of Time, 1951, Lieutenant Hornblower, 1952 (2 copies) and Hornblower and the Atropos, 1953, plus Alexander Kent, George Macdonald Fraser (including Flashman on the March, 2005, limited signed edition 818/1000), Julian Stockwin, Patrick O'Brian, Douglas Reeman and othersQty: (75)
Hughes (Ted). The Hawk in the Rain,1st edition, London: Faber and Faber, 1957, front endpaper with Dudley School library stamp, previous owner signature erased and label removed, original cloth (spine slightly faded, dust jacket, spine a little toned with small chips at ends, small abrasion from label removal, 8vo, together with 6 others by Ted Hughes including Gaudete, 1977, Cave Birds (with Leonard Baskin), 1978, and Euripides Alcestis, 1999, plus others by Andrew Motion, Simon Armitage etcQty: (29)
Lee (Harper). To Kill a Mockingbird, 1st UK edition, London: Heinemann, 1960, a little minor marginal spotting, bookplate and small ink stamp of S.J. France to front endpaper, original burgundy cloth, small indentation to upper cover, dust jacket, small chips and tears at spine ends, light water stain to flaps, 8voQty: (1)
A Vienna clock dial and movement, complete with pendulum and key, together with assorted metalware to include two Arts & Crafts copper door plates, unusual stamp, door knocker, etc.Additional InformationGeneral wear, tarnishing and minor dents to the metalware. General wear to the movement, although we have not checked if the item is in working order.
JOHN BIRNEY (20TH CENTURY); watercolour, ‘The Langdale Pikes’, signed lower left, 27 x 36.5cm. (D)Additional InformationBears label verso. There is also the remains of a press/stamp on the bottom right. The frame with general knocks but the main image appears fine.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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165558 item(s)/page