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Lot 320
The end of World War II hand painted gold presentation cover, limited edition 18/60, by Westminster, comprising end of the war stamp, sheetlet pictorially postmarked 5th July 2005 - 1st day of issue, and two gold proof Royal mint coins `The end of the war`, £2 piece and a sovereign, both dated 2005, with certificate of authenticity
Lot 850
An early 20th Century Continental electroplated Inkstand, of shaped form, and embossed with a reclining female nude with long flowing hair, to a stylised border, and fitted square section reservoir receptacle to the right (reservoir lacking), and bearing contemporary initials with further stamp Meneses, width 7 ¼”
Lot 1106
A late Victorian three-piece Coffee Set comprising Coffee Pot, Sugar Basin and Milk Jug, each of typical half wrythen fluted design, raised on four ball feet, each with contemporary armorial, weight combined 34 ozs all in, London 1896, markers mark WGJ Ltd and further retailers stamp for Goldsmiths & Silversmiths Company, 112 Regent Street, (3)
Lot 150
"The Norton Facsimile, the First Folio of Shakespeare prepared by Charlton Hinman", Paul Hamlin 1968, library stamp to title page, small plate inside front cover and barcode, full green cloth in green slipcase, "Shakespeare`s Comedies, Histories and Tragedies being a reproduction in facsimile of the first folio edition 1623 from the Chatsworth copy, introduction by Sidney Lee" Oxford Clarendon Press 1902, no. 499 of 1,000 copies signed by Sidney Lee, library stamp on title page, full suede but front and back covers detached (2)
Lot 185
Sladen, Douglas "Egypt and the English" Hirst & Blackett 1908, photographic plates, library stamps, library plate inside front cover, pictorial red cloth, Gadd, C.J. "The Stones of Asyria" Chatto & Windus 1936, photographic plates, "Wall Decorations of Egyptian Tombs" British Museum 1914, colour plates, library stamp and barcode (3)
Lot 733
* Benjamin Wilson, American, 1721-1788- "The Repeal, Or The Funeral Of Miss Americ-Stamp", published march 18th, 1766; engraving, 25x35cm: French School c.1778- The Olive rejected or the Yankees Revenge"; published May 4th 1778, hand-coloured engraving, Note: One of the most famous and popular of the political satires commenting on the Stamp Act, this print actually celebrates the end of the tax. An instant success, the print became one of the most copied satirical prints of the period. The print depicts a funeral procession composed of supporters of the act carrying a small coffin containing the remains of the bill toward an open vault. The vault has been prepared for the burial of all unjust acts that would alienate Englishmen. Leading the procession and preparing to deliver the funeral eulogy is the Reverend W. Scott, who is followed by the mourners: Grenville (carrying the coffin), Bute, Bedford, and Temple, some of the same Englishmen who were responsible for passing the act. By setting the action on a dock, Wilson is able to show the large unshipped cargoes destined for America that accumulated during the period when the act was in force. Ships labeled "Conway," "Rockingham," and "Grafton" that represent the Parliamentary leaders responsible for the repeal of the bill now stand ready to carry the goods to America. Stamps just returned from America are also stacked on the wharf. Source: Joan D. Dolmetsch, Rebellion and Reconciliation: Satirical Prints on the Revolution at Williamsburg (Williamsburg, Va., 1976), pp. 38-39. (a lot) (unframed)
Lot 91
Rare Tom Morris patent (applied for) "Cupped Ball" Elliptical face cleek c. 1891, stamped to the head with the Tom Morris St Andrew`s oval logo, patent no 3059 and with Tom Stewart pipe mark - |together with Tom Morris St Andrew`s shaft stamp below the thick under listing. The design of iron with the rounded sole allowed players to use the club from any angle hence it was well received but interestingly was never patented. Illus. Note: See The Jeffrey Ellis Auction Catalogue lot 549 which realised $2625
Lot 93
Fine Urquhart patent adjustable iron c. 1890s, with production number 1445 stamped the hosel and to the toe of the club next to the makers bordered circular "U" stamp mark -together with fine clear makers name and markings to the face and fitted with thick full-length under listing. One with the best head markings seen for some time. Illus.
Lot 96
Early A G Spalding patent "The Cran Cleek" fitted with a full face wooden insert secured by two rear screws. The head is clearly stamped with the Spalding Baseball logo - Pat. June 1897 - Model C and stamped to the shaft E Mitchell just below period full length leather grip - it`s rare to find the makers stamp mark, the model and patent date stamped to the head. Illus. See Jeffery Ellis Auction catalogue lot 31 which realised $1200
Lot 99
Rare F H Ayres patent swan-neck iron c1903 with random hand punched dot face markings c/w FH Ayres shaft stamp just below the under listing - some pitting to the head, nevertheless an extremely rare club to find. Illus. Note: See Jeffery Ellis Auction catalogue lot 499 which included the putter, the iron and the driver with both the iron and driver being difficult to find which was reflected in the final price selling for $2250 - all in very good condition
Lot 200
A scarce smooth faced bent neck blade putter with "Stymie Measure - 6 inches" stamp mark to the shaft just below the full-length perforated leather grip - the head stamped with the FH Ayres Maltese Cross cleek mark, together with professional Arthur Day Tenby oval stamp mark hence c1905. Illus.
Lot 214
The Rodwell "New Standard Putter" patent alloy mallet head putter c1922 with a raised semi circle alignment aid complete with aiming notch and stamped with an early production number 107 between the semi circle and the straight line makers stamp- fitted with full-length leather grip. Illus. See Jeffrey Ellis auction catalogue lot 456 which realised $200
Lot 317
Collection of interesting golf clubs to incl exquisite all original small headed Auchterlonie juvenile dark stained persimmon brassie with full brass sole plate, shaft stamp and full length hide grip , together with a Huntley Alloy mallet head putter with thumb grooved grip and sound hosel plus Auchterlonie smf mashie, and a Winton iron for James Peterson Barnet - all complete
Lot 369
Matching set 5 W L Ritchie Addington irons c1920s - all stamped with the makers Scottish Bluebell Flower and " WLR Brand" cleek marks - to incl. 2 iron, 3 iron, 1 mashie, Spade mashie, and a niblick - 4 stamped GC Jones Berkshire GC Ascot and another stamped Earnest H Sales Sunningdale GC with shaft stamp - plus another similar 2 iron - all fitted with matching full length leather grips. (6) Illus.
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