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Lot 192
French heavy Cuirassier trooper`s sword, pattern circa 1810, (model AN-XIII) brass twisting four bar guard and pommel, stamped 35, B, F, 3652, leather wire bound grip, double fullered 96.2cm blade engraved M Ftuice? Imp (Imperator) Klingernthal Octobre 1813, stamp B, L, steel scabbard, sword overall 113cm.
Lot 223
The following group of lots rifles and bayonets show the evolution of the British Army Rifle from smoothbore musket to bolt action rifle. A Cavalry version of `Brown Bess` smoothbore muzzle load flintlock musket, Ja`s (James) Wilkinson & Son, (Pall Mall, London) gunsmith circa 1830, 21" barrel, ? gauge, rod, brass trigger guard stamp 336, walnut stock with integral brass lidded shot, flint, wadding case, overall approx. 37". (This type of weapon was used in the Napoleonic Wars and American War of Independence, service period 1771-1837).
Lot 225
A Snider-Enfield 1863 percussion riffle MKII, 35¼" barrel, 9/16th gauge, ram, brass trigger guard, BSA stamp to breech, DC diamond and Enfield logo to walnut stock, overall approx 54", plus original cartridge. (This type of rifle saw service 1864-1871 use in US Civil War, Indian and Abysinnia campaigns, and was the 1st breech loader).
Lot 227
A Martini-Henry MKII lever action breech loading rifle .577, Enfield 1878 date stamp, rod walnut stock, leather sling and swivels, overall approx, 49½" and .45 cardboard cartridge. (This type of rifle saw service 1871-1895 in Zulu, Boer and Mahdist Wars as used by Gordon`s Kitchener` troops).
Lot 153
RUSSIAN AVANT-GARDE ARTIST, EARLY 20TH C.Constructivist Composition with Hammer and Sickle, c. 1920red and black pencils on paper22 x 14.6 cm (8 5/8 x 5 3/4 in.)initialed in Cyrillic G. ST. lower left with official stamp, possibly of OBMOKhU (Society of Young Artists) or INKhUK (Institute of Artistic Culture)LOT NOTESFamous Russian Avant-garde artist duo Vladimir and Gerorgii Stenberg founded the OBMOKhU (Society of Young Artists) in 1919 and participated in its group exhibitions in Moscow in 1919, 1920, 1921 and 1923. The brothers and Konstantin Medunetskii held their own ""Constructivists"" exhibition, which was accompanied by a Constructivist manifesto, in January 1922 at the Poets Cafe in Moscow. In 1920s - 30s they were well established as members of the avant-garde in Moscow and of Moscow`s INKhUK (INstitut KHUdozhestvennoy Kultury, or Institute of Artistic Culture). Other INKhUK members included Alexander Rodchenko, Varvara Stepanova, Lyubov Popova, Medunetskii and other artists, architects, theoreticians, and art historians.
![[RUSSIAN EXPRESSIONIST POETRY] A COLLECTION OF 7 PAMPHLET BOOKS BY IPPOLIT SOKOLOV AND OTHER RUSSIAN EXPRESSIONISTS, 1919-19](http://lot-images.atgmedia.com/SR/35328/2915703/371-201410812627_468x382.jpg)
Lot 371
[RUSSIAN EXPRESSIONIST POETRY] A COLLECTION OF 7 PAMPHLET BOOKS BY IPPOLIT SOKOLOV AND OTHER RUSSIAN EXPRESSIONISTS, 1919-1921, Comprising:(a) Bunt ekspressionista [The Revolt of the Expressionist]. Moscow: [I. Sokolov], Autumn 1919. 16 pp.,16mo (117 x 85 mm). Out-of-series copy. The Manifesto of Literary Expressionism. Condition: small ink stamp and pen mark to lower wrapper(b)Polnoe sobranie sochinenii. Izdanie ne posmertnoe [Collected Works. Printed Posthumously]. Moscow: [I. Sokolov], circa 1920. 16 pp. 16mo (uncut), (120 x 90 mm). Original lettered pink wrappers. Condition: light soiling to front wrapper, small ink stamps and pen marks to back wrapper.(c) Bedeker po ekspessionizmu [A Baedeker for Expressionism]. [Moscow: I. Sokolov], 1920. 8 pp., 8vo (170 x 105 mm). 1 folded sheet. Condition: short closed tear to p. 7, outer margin of text trimmed on pp. 7 and 9, presumably as issued.(d) Ekspressionizm [Expressionism]. [Moscow: I. Sokolov], 1920. 8 pp., (205 x 130 mm). 1 folded sheet. Condition: slightly discolored(e) Renessans XX veka [The Twentieth Century Renaissance]. [Moscow: I. Sokolov, 1920]. 8 pp., 12 mo (205 x 135 mm). 1 folded sheet. Condition: slightly discolored.(f)A. [Moscow]: R. S. F. S. R, 1921. 14 pp., 8vo (175 x 110 mm). Decorated tan wrappers. By Boris Pereleshin, Aleksandr A. Rakhinnikov and I. Sokolov. Condition: slightly discolored; ink stamps, pen marks and white out to back wrapper.(g) Ekspressionisty [Expressionists]. Moscow: Sad Akadema, 1921. 16 pp., 8vo (175 x 120 mm). By Evgenii Gabrilovich, Boris Lapin, Sergei Spaskii and I Sokolov. Original lettered blue wrappers. Condition: wrappers slightly discolored.LOT NOTESI. V. Sokolov was an influential Soviet journalist, film critic, screenwriter and poet who was active in the All-Russia Union of Poets. Ekspressionizm served as a manifesto of Russian literary Expressionism that he felt overthrew Futurism, Imagism and other schools of contemporary poetry.
Lot 418
FELIX CHOPIN FOUNDRYPortrait Bust of Grand Prince Mstislav of Kievan Rus, c. 1867bronze with a light brown patinaheight: 26.7 cm. (10 1/2 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bust, numbered 19LOT NOTESThis series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as ?A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors"" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 420
FELIX CHOPIN FOUNDRYPortrait Bust of Emperor Alexander I from The Romanov Dynasty Series, c. 1868bronze with a medium brown patinaheight: 26.5 cm. (10 1/2 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bustLOT NOTESThis series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as ?A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors"" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 423
FELIX CHOPIN FOUNDRYPortrait Bust of Grand Prince Yaroslav I of Kievan Rus, c. 1867bronze with a light brown patinaheight: 26 cm. (10 1/4 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bust, numbered 61LOT NOTESThis series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as ?A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors"" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 424
FELIX CHOPIN FOUNDRYPortrait Bust of Emperor Alexander II from The Romanov Dynasty Series, c. 1868bronze with a light brown patinaheight: 25.4 cm. (10 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1868 on inside of bust, numbered 61LOT NOTESThis series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as ?A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors"" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 425
FELIX CHOPIN FOUNDRYPortrait Bust of Empress Anna (Ioannovna) from The Romanov Dynasty Series, c. 1867bronze with a medium brown patinaheight: 26.5 cm. (10 1/2 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bustLOT NOTESThis series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as ?A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors"" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 426
FELIX CHOPIN FOUNDRYPortrait Bust of Emperor Nicholas I from The Romanov Dynasty Series, c. 1868bronze with a medium brown patinaheight: 29.5 cm. (11 5/8 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1868 on inside of bustLOT NOTESThis series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as ?A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors"" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 434
EVGENY ALEXANDROVICH LANCERAY (RUSSIAN 1848-1886)A Boy And Three Donkeys, ca. 1873bronze with brown patinaheight 21 cm (8 1/4 in.)signed and dated on base in Cyrillic E. Lanceray, Chopin Foundry mark and Finance Ministry stamp; Tiffany & Co. stamp on the side of the baseLITERATUREK. Can-Kai-Si, K. Zhuromsky, Russian Bronze Sculpture of the Second Half of XIX Century, Kabinet Gallery Collection, Moscow, 2005, page 88. L.A. Dementiev, Evgeny Lanceray Album of Sculptural Models, State Historical Museum, Moscow, 2011, page 86. For a similar model see N. R. Lewinson, L. N. Goncharova, Russian artistic bronzes, Moscow, 1956, fig. 82, illustrated; LOT NOTESRealistically modelled, depicting a young boy on a donkey leading two others, on rectangular naturalistic base with round corners,
![EGON SCHIELE (AUSTRIAN 1890-1918), Egon Schiele: Handzeichnungen [Egon Schiele: Drawings]. Vienna, Prague, Leipzig: [Gesell](http://lot-images.atgmedia.com/SR/35328/2915703/505-201410812114_468x382.jpg)
Lot 505
EGON SCHIELE (AUSTRIAN 1890-1918), Egon Schiele: Handzeichnungen [Egon Schiele: Drawings]. Vienna, Prague, Leipzig: [Gesellschaft fur graphische Industrie, Vienna for] Strache, 1920. 620 x 425mm. Title leaf, content leaf with colophon on verso, 15 collotype plates, of which 4 are in color, tipped onto charcoal-gray paper. Loose as issued in a brown board portfolio with artist`s name stamped in silver on upper cover. Folio cover in ""as-is"" condition, with bumped corners, scratching and missing inside flaps. Overall condition of the plates is very good with some discoloration around the borders of the leaves but not the plates. Number 157 of 510 copies. PROVENANCE: With library stamp on edition page of the Austrian National Library.The Handzeichnungen was published two years after the artist`s death. ""The inclusion of multicolor collotypes increased difficulty of production, but indicated a desire to fully capture the beauty of Schiele`s watercolor and gouache paintings. Monochrome prints of nude models express a greater concern for compositional experimentation than for erotic titillation. Yet the portfolio exhibits the internal contradictions of Schiele`s personality, most evidently through portraits of his wife Edith and her sister Adele."" (Claire Cass, Rediscovering Portfolio Prints by Gustav Klimt and Egon Schiele, Jason Jacques Gallery, New York, 31 March?31 May 2006, p. 58).
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