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Click here to subscribeLazi, Adolf -- Still life composition with objects. 1950s. Vintage large-format ferrotyped gelatin silver print on Agfa-Brovira paper. 39 x 30 cm. Photographer's stamp and annotated in pencil on the verso. Pinholes in corners, edges curled, some crease marks and creases in upper corners, light surface soiling, otherwise in good condition.
Riefenstahl, Leni -- Untitled, from the series "Die Nuba"; "Ringkämpfer Natu vom Stamm der Masakin-Nuba", from the series "Die Nuba", (1962-1969)/printed later. 2 chromogenic prints on Kodak paper. Each circa 40,5 x 51 cm. Each with Leni Riefenstahl Produktion stamp on the verso.Colors shifted through age, some handling marks, otherwise in good condition.Provenance: Directly from the photographer to the current owner.
Klein & Peyerl Photographers -- "Malabar - Fishermen at Sunset". 1920s. Vintage sepia-toned gelatin silver print on thick chamois paper. 29,2 x 21,2 cm. Photographer's blindstamp in lower right corner, photographer's studio stamp, therein inventory number in pencil as well as titled and annotated in pencil on the verso.The earliest mention of Wiele and Klein dates from 1890, when it is mentioned as a prize winner at the Madras Fine Arts Exhibition. After 1918, Wiele returned to England and Theodor Klein bought out his shares. In the 1920s, Michael Peyerl joined the company as a partner to operate the company as a photographic studio until World War II. Klein & Peyerl existed in other business areas until 1987. – A few light surface scuff marks, otherwise an attractive atmospheric print in very good condition.
[*] Feininger, Lyonel -- Photographer: Thérèse Bonney (1894-1978). Lyonel Feininger in his studio, his painting "Dorf (Yellow Barns)" 1924 in the background, Dessau. 1928. Vintage ferrotyped gelatin silver print. 19 x 19 cm (20,5 x 25,2 cm). Signed by Feininger in ink in right white margin; photographer's stamp and annotated in pencil on the verso. Lyonel Feininger painted "Dorf (Yellow Barns)" (Hess 239) in 1924. Here it is seen hanging behind him on his studio wall in Dessau. – Creases throughout, some stronger creases in upper right, some backed tears, otherwise in good condition.
Burkhard, Balthasar -- Mexico City, Los Angeles and Chicago from above. 1999. 9 gelatin silver prints. 34,5 x 50,5 cm. Each with photographer's stamp on the verso.The Swiss photographer Balthasar Burkhard mainly worked in black and white and printed his photographs himself, often in huge dimensions, and framed his images in iron frames behind glass. He often worked in cycles. His cityscapes, landscapes or deserts are mostly taken from a bird's-eye-view perspective - photographed from helicopters or atop skyscrapers. He is internationally recognized as an important minimalist artist, with works in several international museums and public collections. An exhibition of his work was recently shown at the Fotomuseum Winterthur and Museum Folkwang in Essen. The majority of images offered here are Mexico City. These smaller formats are unique as Burkhard usually printed these images in very large sizes circa 130 x 250 cm. – Some light buckling in edges, a few with bumped corners, one with crease mark in upper right, otherwise in good condition.
Architecture & Design -- Photographer: Sasha Stone (1895-1940). Interior of the German Pavilion at the World's Fair in Barcelona, designed by Mies van der Rohe. 1929. Vintage gelatin silver print. 16 x 22,7 cm. Berliner Bild Bericht agency stamp on the verso, framed under museum glass in fine wooden frame.View of the spectacular interior of the Barcelona Pavilion with the free-standing stone wall of onyx doré on a wide travertine floor and the diaphanous room separators. Mies van der Rohe's spatial concept is particularly evident in this view. One recognizes the simplicity and clarity of the layout and the interaction of the exquisite materials. A rare documentation of this extremely modern, streamlined design by Mies van der Rohe. The structure was van der Rohe's first major work, which was unfortunately torn down after the exhibition. – Corners slightly bumped, retouched spot in upper left, light indentation mark in upper right, otherwise a fine tonal print in very good condition (not examined outside frame).Lit.: Vitra Design Museum (ed.). Mies van der Rohe. Möbel und Bauten in Stuttgart, Barcelona, Brno (exhibition catalogue). Weil am Rhein 1998.
Güler, Ara -- "Carriers Waiting for Work at the Oil Quay, Istanbul ". 1954. Large-format gelatin silver print on strong paper. 40,3 x 50 cm. Signed by the photographer in silver marker in lower right corner; photographer's stamp on the verso.Lower right corner slightly bumped, a few minimal handling marks, light fold mark upper left, otherwise a strong print in very good condition.
World War I -- Photographer: Gebrüder Haeckel agency. Images of weapon production in Germany, WWI. 1910-18. 21 vintage ferrotyped gelatin silver prints. Each circa 13 x 18 cm. Each with agency stamp, typed press text label and War Ministry censorship stamp on the verso.This collection of press photos shows the industrial production of large cannons, rifles and ammunition as well as grenade turning and production of cartridge cases, etc. – Edges curled, some mirroring in edges, otherwise in good condition.
Klinger, Max -- Photographer: Otto Haeckel (1872-1945). Max Klinger in his studio in front of his large painting "Die Kreuzigung Christi". Circa 1910. Vintage gelatin silver print. 18 x 24 cm. Photographer's stamp and annotated in pencil on verso.The image shows Max Klinger sitting in his large studio room in front of his famous painting "Die Kreuzigung Christi" (today in Museum der Bildenden Künste Leipzig). His marble sculpture "Amphitrite" (1895) can be seen in the left corner, on the right is "Badendes Mädchen (1897). – Some light handling marks, otherwise in good condition. Lit.: Julius Vogel. Max Klingers Kreuzigung Christi. Leipzig 1918.
Hensky, Herbert -- Children fishing, Berlin. Late 1940s. Vintage large-format gelatin silver print. 49,7 x 36 cm. Photographer's stamp and number in ink on the verso.A remarkable postwar image of Berlin showing two young boys fishing at the river side, with the massive war ruins reflected in the water. – Some handling marks/creases, backed tear in lower left corner, otherwise in very good condition.
Häusser, Robert -- Postwar German architecture: Train station Heidelberg; High rise in Heidelberg. 1950s. 2 vintage ferrotyped gelatin silver prints on Agfa-Brovira paper. Each circa 17,5 x 23,5 cm. Each with photographer's stamp(s), annotated/with layout marks in pencil on the verso.Corners bumped, a few creases/handling marks, slight edge wear, some light surface scratches more visible at an angle, high rise print with airbrushing for publication, otherwise in good condition.
Sawada, Kyoichi -- Family escaping bombing in Vietnam. 1965. Vintage gelatin silver press print. 20,5 x 25,5 cm. United Press International agency stamp and typed press text label cutting affixed to the verso.The Japanese photographer Kyoichi Sawada worked for United Press International and received the 1966 Pulitzer Prize for Photography for his combat photography of the Vietnam War during 1965. Two of his photographs were selected as "World Press Photo of the Year" in 1965 and 1966. This image, showing a Vietnamese mother and her children wading across a river to escape a bombing of their village, won the award in 1965. Sawada died in 1970 while on assignment in Cambodia. – A few light handling marks, otherwise in very good condition.
Neuhauss, Dr. Richard Gustav -- Selected images from the "Wolken-Atlas" (Cloud Atlas). 1889-1891. 5 albumen prints.1889/91. Each circa 11,3 x 19 cm. Each with Neuhauss' blindstamp in lower left corner, mounted to gilt-edged Boudoir cards (some nicks in edges) and annotated/dated in ink by Dr. Richard Gustav Neuhauss, Dr. R. Neuhauss, pract. Arzt, Berlin S.W. Dessauerstr. 16 stamp and KÖNIGL.PREUSS. METEROLOGISCHES INSTITUT BERLIN stamp as well as annotated in pencil in an unknown hand on mount verso.Clouds have long been the subject of artists who have either used them as background and atmospheric embellishment or to give a symbolic frame to their subjects. As of the 18th century clouds became more a subject in their own right and artists began focusing on their various forms and characteristics. With the development of more precise scientific procedures they also became the subject of more detailed studies such as the images offered here by Dr. Richard Gustav Neuhauss. A German ethnologist, meteorologist, physician, anthropologist and scientific photographer, Neuhauss also photographed some of Otto Lilienthal's flight attempts as well as microscopic images of snow crystals. These images are both scientific documentation and an artistic rendition of an endlessly captivating subject. – Some minimal surface rubbing/scuffing, two with traces of faint ink line /writing along upper edge, one with two small surface spots in lower edge and lower left corner, otherwise in very good condition.Lit.: Dr. R. Neuhaus. Die Photographie auf Forschungsreisen und die Wolkenfotographie. Wilh. Knapp Halle, 1912.
Platt-Lynes, George -- Max Ernst, New York. 1941/printed later. Gelatin silver print. 25 x 20 cm. Photographer's estate stamp, therein editioned 7 of 30 and copyright stamp of Bernard Perlin on the verso, hinge-mounted in mat.Lower corners minimally bumped, otherwise a rich tonal print in very good condition. Lit.: Werner Spies/Jürgen Wilhelm (eds.). Von der Kunst, mit den Augen zu Trinken. Cologne 2005, ill. p. 18.
Hoffmann, Kitty -- Fall fashion photos. 1930s. 3 vintage (1 ferrotyped) gelatin silver prints. Each circa 22,5 x 16,5 cm. Each with photographer's copyright stamp, Schostal agency label, typed press text label and 1 also with additional agency stamps on the verso. Kitty Hoffmann studied at the Graphische Lehr- und Versuchsanstalt in Vienna where her teachers included Rudolf Koppitz. She then became an assistant in Trude Fleischmann's studio. After 1922 she opened her own studio in Vienna. Numerous images of her work were published in the fashion and illustrated press of the day. A portion of her estate is in the collection of the Photomuseum des Landes Oberösterreich, Bad Ischl. – Corners bumped/creased, some edge wear, one with stronger creasing, some light handling marks, otherwise in good condition.
Adams, Ansel -- "Half Dome, Merced River, Winter - Yosemite National Park, California". 1938/printed 1991 from the original negative by Alan Ross. Gelatin silver print. 19,5 x 24,5 cm. Mounted in original mat. Special Edition, Photographs of Yosemite By Ansel Adams stamp with title on mat verso.A fine tonal print in excellent condition.
[*] Sewcz, Hans Martin -- "Große Hamburger Straße, Ecke Auguststraße, Ost-Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57 cm (34,2 x 60,5 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Pressure point from verso in upper mid area, light handling mark lower left, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. p 15.
Adams, Ansel -- "Moon and Half Dome - Yosemite National Park, California". 1960/printed 1991 from the original negative by Alan Ross. Gelatin silver print. 23,5 x 19 cm. Mounted in original mat. Special Edition, Photographs of Yosemite By Ansel Adams stamp with title on mat verso.A fine tonal print in excellent condition.
Wolff, Dr. Paul -- Silesian industry. 1930s. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 23,5 x 16 cm. Photographer's stamp with negative number, layout marks/notes as well as typed paper caption label on the verso.Corners slightly bumped, some light surface rubbing, some retouching for publication, minimal edge wear, otherwise in very good condition.
Friedmann, George -- Truman, Stalin, Byrnes and Molotov at Potsdam Conference, Schloß Cecilienhof. 1945. Vintage gelatin silver print. 23,5 x 17,5 cm. Photographer's stamp with negative number, layout marks/notes as well as typed paper caption label on the verso.Corners slightly bumped, silver mirroring in edges, otherwise in very good condition.
Bresolin, Domenico -- Early views of Venice. 1855. 7 large-format salt prints. Each circa 27 x 35 cm. Each with photographer's blindstamp in lower left in image/on mount, each mounted to thin card (some buckling), each with caption label in lower right on mount.In the 1850s Domenico Bresolin was one of the most important coworkers of Carlo Ponti but also published his photos under his own name. He was one of the last Venetian photographers to work with salt prints up until the late 1850s. Photos with his blindstamp are quite rare as he only used his own stamp 1854/55. – Some lighter, otherwise in good condition.Lit.: Bodo von Dewitz/Dietmar Siegert/Karin Schuller-Procopovici (eds.). Italien Sehen und Sterben. Photographien der Zeit des Risorgimento (1845 - 1870). Cologne 1994, see p. 278.
Hilsdorf, Jacob -- The writer Stefan George (1868-1933). Circa 1910/printed 1920s by Theodor Hilsdorf. Brown-toned gelatin silver print on heavy chamois paper. 21,5 x 16,5 cm. Studio stamp on the verso, mounted along upper edge to original card (crease in upper right, slightly soiled), signed Müller-Hilsdorf in pencil and studio stamp on mount verso.This image, along with several other images taken by Jacob Hilsdorf of Stefan George, was printed in the mid-1920s by his brother Theodor Hilsdorf using the original negative plates. After Jacob's early death in 1916, Theodor incorporated some of his brother's negatives in his archive. When these were reprinted, they were often signed Müller-Hilsdorf. In 1903 Theodor Hilsdorf had taken over the photography studio of his father-in-law Friedrich Müller. The studio was totally destroyed in 1945 in a bombing raid and only 2000 of the over 100,000 negatives of the archive remained intact. – A fine tonal print in excellent condition.Lit.: Franz Toth. Jacob Hilsdorf 1872 - 1916. Photograph im Jugendstil. Bingen 1984.
Film Photography -- Scene from the film "Metropolis". 1926/27. Vintage ferrotyped gelatin silver print. 21,3 x 28 cm (23,4 x 29,8 cm). Ufa logo and number 57 in the negative in lower left corner; Photo:Ufa reproduction limitation stamp and film title stamp on the verso.Although "Metropolis" did not enjoy the expected success during its premiere, audiences were impressed with the technical tricks and visual effects, which remain an iconic element of cinematography today. This scene shows the still intact "Heart Machine" of the worker's city just before the masses begin to storm it. – Some handling creases in margins, a few light handling marks, corners bumped, slight oxidation mirroring in edges, otherwise in very good condition.
Giacometti, Alberto -- Photographer: Peter Fink (1907-1984). The artist Alberto Giacometti at his studio, Paris. 1960s. Vintage gelatin silver print. 24,7 x 19,2 cm. Photographer's stamp on the verso, hinge-mounted in mat.Remnants of mounting glue on the verso, otherwise a rich tonal print in excellent condition.
Uprising June 17, 1945 -- Photographer: Max Schirner agency.June 17, 1953, riots in Berlin, Leipziger Straße and Potsdamer Platz. 1953. 7 vintage ferrotyped gelatin silver press prints. Each circa 18 x 24 cm. 5 with agency stamp, 3 with typed paper press text label and annotated in pencil/ink on the verso.The riots of 1953 in East Germany took place in June of that year. A strike by East Berlin construction workers on June 16 turned into a widespread uprising against the Stalinist German Democratic Republic government the next day. The riots in Berlin were violently suppressed by tanks of the Soviet Forces in Germany and the Volkspolizei. In spite of the intervention of Soviet troops, the wave of strikes and protests was not easily brought under control. Even after June 17, there were demonstrations in more than 500 towns and villages. – Some traces of use, otherwise in good condition.
Soupault, Ré -- Wedding, Paris.1934/36/printed later. Gelatin silver print. 16,5 x 16,7 cm (30,3 x 23,8 cm). Signed by the photographer in ballpoint pen below image in margin; editioned 8/15 and initialed by the photographer in pencil as well as estate stamp on the verso. Slight buckling in edges, small dent in upper margin, otherwise in very good condition.
Hensky, Herbert -- The miner Adolf Hennecke in the former Soviet occupation zone of Germany. 1948. Vintage large-format gelatin silver print. 60 x 50 cm. Photographer's/estate stamp, numbers in red crayon and notations in felt-tip pen on the verso.On October 13, 1948, miner Adolf Hennecke performed four times the required work standard in an East German coal mine. Basically, it was a well-organized propaganda show to create role models and heroes and to raise work standards. The day before and after he had off. In addition, Hennecke received 1.5 kilograms of the then strictly rationed fat, three packs of cigarettes and a bottle of schnapps. The "Hennecke myth" lasted well into the 1970s in the GDR, and even longer among older people, before fading away completely. – Some handling creases, small loss in lower right corner, a few small tears in edges, otherwise in good condition.
[*] Sewcz, Hans Martin -- "Auguststr. Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57,4 cm (30,8 x 60 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Light handling mark upper right, corners slightly bumped, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. p 15.
Renger-Patzsch, Albert -- "Mantelpavian". Before 1928. Vintage gelatin silver print on chamois paper. 21 x 17,1 cm. Photographer's RENGER-FOTO D.W.B. stamp, reproduction limitation stamp and number T131 in pencil on the verso.An iconic photograph within Albert Renger-Patzsch's oeuvre, this image was published in the seminal photography book Die Welt ist schön in 1928 and Das Deutsche Lichtbild in 1930. – Slightly rubbed spot and small retouched spot in lower left area near edge, some spots of silver mirroring around edges, otherwise a fine tonal print in very good condition.Lit.: Albert Renger-Patzsch, Die Welt ist schön, Munich 1928, ill. plate 21.Das Deutsche Lichtbild, Jahresschau1930, Berlin, ill. p. 77. Bernd Stiegler/Ann and Jürgen Wilde (eds.). Albert Renger-Patzsch. Die Freude am Gegenstand. Gesammelte Aufsätze zur Photographie, Munich 2010, ill. p. 22.
Gundlach, F.C. -- "Kostüm aus weissem Wollcrepe von Lanvin, Paris". 1966/printed later. Gelatin silver print. 40,3 x 29,6 cm (50 x 40,1 cm). Signed, titled and dated by the photographer in pencil and photographer's stamp on the verso.A few light handling marks in right area and one in lower left area, one small retouched spot in lower right, minimal buckling in lower edge, otherwise a fine tonal print in very good condition.Lit.: Klaus Honnef (ed.). F.C. Gundlach. Modewelten, Photographien 1950 bis heute. Berlin 1985, ill. p. 185.Published in: Annabelle.
Güler, Ara -- "Kumkapi Fishermen Returning to Port in the First Light of Dawn, Istanbul". 1950. Large-format gelatin silver print on strong paper. 40,5 x 50 cm. Signed by the photographer in silver marker in lower right corner; photographer's stamp on the verso.After training to be an actor and studying economics, Ara Güler became a photographer and worked for the newspaper Yeni Istanbul. Later he worked for Time Life, Paris Match and Stern. In 1956 he met Henri Cartier-Bresson and Marc Riboud and became a member of Magnum. Ara Güler has received many important prizes. In 1961 Photography Annual named him among the seven best photographers of the world. In 1962 he was nominated 'Master of the Leica' and in 1968 MOMA named him one of the ten masters of color photography. – Small nick in left edge, a few light handling marks, one light fold mark in uper left, a few retouched spots, otherwise a strong print in very good condition.
Elizabeth II, Queen -- Photographer: Stanley Devon (1907-1995). Princess Elizabeth and the Duke of Edinburgh with their two children, Prince Charles and Princess Anne, in the garden at Clarence House, London. 1951. Vintage warm-toned gelatin silver print. 30,4 x 38 cm. Typed press text label and Associated Press stamp on the verso.Corners bumped, some edge wear, slight silver mirroring in edges, otherwise in very good condition.
Dance Photography -- Photographer: Herbert Volwahsen (1906-1988). Scene from dance pantomime "Der Weg", choreographed by Mary Wigman. 1932. Vintage gelatin silver print. 13 x 22 cm. Photographer's stamp on the verso.This image shows a scene from the pantomime dance "Der Weg" choreographed by Mary Wigman,1932 and photographed by the sculptor Herbert Volwahsen. – Some mirroring and creases in edges, especially in left edge and corner, small backed tears in left and lower edge, otherwise in good condition.
Borodulin, Lev -- "Diver". 1960/printed later. Gelatin silver print on doubleweight paper. 21,5 x 19,4 cm (25,3 x 20,8 cm). Signed, titled, dated and annotated in Cyrillic letters by the photographer in pencil as well as collection and Ogonyok archive stamp on the verso.This image was reproduced on the cover of "Ogonyok" for the 1960 Olympic Games in Rome. – Small retouched spot in upper left corner a few light pressure marks, otherwise in very good condition.
McBride, Will -- "Einer greift nach Seife und berührt Mike. Schule Schloss Salem". 1963/printed later. Gelatin silver print. 53,5 x 35,5 cm (61 x 51 cm). Signed, annotated and numbered 11/12 by the photographer in pencil and collection stamp on the verso.In very good condition.Lit.: Will Mc Bride. I, Will McBride. Köln 1997, ill. p. 205 (variant).Coming of Age: Photographs by Will McBride. New York 1999, ill. p. 29 (variant).Provenance: Directly from the photographer to the present owner.
Auradon, Jean-Marie -- Female nude. 1950s. Vintage gelatin silver print. 21 x 33 cm (30 x 40 cm). Mounted to original board, photographer's stamp below image in right corner on the mount.Jean-Marie Auradon became well known for his large-scale nudes, which he often posed like classical sculptures. He exhibited his work in 1930 and 1936 at the Salon International D'Art Photographique de Paris. He also belonged to the French 'Group XV' which included such well-known photographers as Robert Doisneau and Willy Ronis. The group existed between 1946-1956 and sought to promote French photography by organizing frequent exhibitions while stressing the importance of technique and quality in photographic prints. – Minimal surface scuffing/rubbing, more visible at an angle, otherwise in very good condition.
Frankfurt/M. -- Photographer: Gustav J. Essinger and unknown. Views of ruins in Frankfurt/M., Germany, WWII. 1940-45. 13 vintage, mostly ferrotyped, gelatin silver prints, most on Agfa-Brovira paper. Each circa 17 x 23 cm and reverse. 6 with photographer's stamp on the verso. Between 1940 and 1945, the Royal Air Force and the United States Army Air Forces flew about 75 air raids on Frankfurt a. Main. During this time, about 5,559 people lost their lives, including many prisoners of war and forced laborers. In March 1944, almost all important cultural monuments as well as the entire medieval Old Town with its more than 1,800 half-timbered houses were burned down. – Some silver mirroring in edges, some with buckling in edges, some with surfce soiling/rubbing, some with traces of previous mounting on verso, a few with small tears. Errata: This lot contains 13 gelatin silver prints.
Evans, Walker -- "Railroad Station, Edwards, Mississippi". 1936/printed 1976 by the Library of Congress from the orginal negative. Ferrotyped gelatin silver print on Kodak paper. 19 x 23,5 cm (20,5 x 25 cm). Annotated and with number notations in pencil as well as Reproduced from the collection of the Library of Congress and Tranegarden exhibition stamp (Copenhagen) on the verso.Some light handling marks, some light surface scratches, more visible at an angle, some traces of previous mounting on the verso, otherwise in good condition.Lit.: John T. Hill. Walker Evans: Lyric Documentary. Göttingen 2006, ill. pp. 98-99.
Barbette -- Photographer: Lucien Walery (1863-1935). The female impersonator Barbette. Circa 1923/24. Vintage toned gelatin silver print on doubleweight chamois paper. 19 x 16 cm. Signed by the photographer in ink in lower left; distributor's stamp and annotated in blue crayon and pencil on the verso.American-born trapeze artist Vander Clyde, who later called himself Barbette, performed in the circus dressed as a woman, among other things. Later, in the 1920s, he traveled through Europe and had great success especially with his travesty shows. He was friends with many artists and the many famous photographers (e.g. Man Ray, d'Ora Benda, Willinger, Walery and others) portrayed him. – Small crease in lower edge, corners minimally bumped, minimal silver mirroring in edges, only visible at an angle, otherwise a fine tonal print in very good condition.
[*] Sewcz, Hans Martin -- Prenzlauer Berg. 1976. Vintage gelatin silver print. 22,7 x 17,3 cm. Signed, titled and dated by the photographer in pencil, as well as photographer's stamp on the verso.Hans Martin Sewcz studied at the Academy of Visual Arts in Leipzig. One of his main topics are former East Germany and other East-Bloc countries. He has had numerous exhibitions and his work is in various collections such as the Berlinische Galerie, the Deutsches Historisches Museum, the Institut für Moderne Kunst, Nuremberg and the Deutsche Bank AG Frankfurt a. Main Collection. His work was also shown in the exhibition "Das Gesicht des XX. Jahrhunderts" at the Deutsches Historisches Museum, Berlin. – Corners bumped, handling crease in mid right near edge, otherwise in very good condition.
Picasso, Pablo / André Villers -- "Diurnes. Découpages et Photographies" portfolio. 30 collotypes. 40 x 30 cm. Each with portfolio number stamp on the verso and with protective sleeve with title, 18 text pages by Jacques Prévert, in original cloth-covered case with decorative color design by Picasso. Paris, Berggruen, 1962.Kibbey 1466. Goeppert 115. Prints in individual folder with printed title, edition 59 of 1000. "Picasso made some cut-outs of heads and silhouettes of men, women and animals. Villers mounted the cut-outs on different photographs - thirty in all - thus varying their effect and quality" (Goeppert). – Very good, clean copy and collotypes in excellent condition.
Astronomy -- Photographer unknown. The night sky with Paris horizon. 1950s. Vintage ferrotyped gelatin silver print. 15,4 x 23,2 cm. Distributor's/collector's H. Roger Viollet stamp and layout notes/marks in blue/red crayon on the verso.A few minimal handling marks, otherwise in very good condition.
Blumenfeld, Erwin -- "Model and Mannequin". 1945/printed 1984. Dye transfer print. 30 x 26,3 cm (49 x 40,3 cm). Erwin Blumenfeld Estate authorization stamp, therein monogrammed by F.Gundlach in pencil and editioned 12/50 in pencil on the verso.One of ten images from the portfolio "Blumenfeld Color" published by PPS Galerie F.C. Gundlach, Hamburg 1984. – In excellent condition.Lit.: Folkwang Museum. Erwin Blumenfeld, Essen 1988, ill. plate 51.
Schneiders, Toni -- "Im Sturm" (Infrarot). 1971. Vintage ferrotyped gelatin silver print. 30,7 x 23,7 cm. Signed, titled and dated by the photographer in pencil and photographer's stamp on the verso.A few handling marks, a few surface pitting marks, a few small retouched spots, otherwise a strong print in very good condition.
Francis Davison (British 1919-1984) "Pylon" Unsigned, circa.1952-63, with a facsimile image of the estate stamp and reference on verso, collage on essex board.54.5cm x 41.5cm (21.5in x 16.25in)Provenance: Bought from Gallery 17, Shrewsbury.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot.The collage is in good, original condition. There are some minor stains, surface marks and pin holes across the paper. There is some light browning and discolouration in areas across the collage and some light creases to the paper. The collage is ornately framed and glazed.
Francis Davison (British 1919-1984) Untitled Unsigned, 1978-83, with a facsimile image of the estate stamp and reference on verso, collage.43cm x 55cm (17in x 21.75in)Provenance: Bought from Gallery 17, Shrewsbury.Private Collection, U.K.Artists’ Resale Right (“droit de suite”) may apply to this lot.The collage is in good, original condition. There are some pin holes and creasing across the collage. There is some light time staining and browning across the paper. The collage is ornately framed and glazed.
Cambellotti, Duilio (1876 Rom - 1960 ebenda)Plakat "Rome 1911 / Fêtes commémoratives de la proclamation du Royaume d'Italie" (Rom 1911 / Jubiläumsfeierlichkeiten zur Ausrufung des Königreichs Italien). Farblithografie, 1911. Gedruckt bei Dr. E. Chappuis, Bologna. Im Stein im Motiv unten links signiert. Oben rechts Stempel der Dresdner Gastwirte. Ungerahmt. 90 x 45 cm (Bl). Angeschmutzt, Randmängel und Einrisse. Großer Knick durch die Bildmitte, ebenso kleinere Kratzer. Nicht hinterlegt. Programmatische Schilderung mehrerer Adler auf einer Säule des Römischen Reiches (S.P.Q.R.), im Hintergrund schlängelt sich die Via Appia Richtung Sonne. Poster Rome 1911 - Jubilee of the establishment of the Italian Kingdom. Colour lithograph, 1911. Printed in Bologna. Signed in the stone in the motif bottom left. Top right corner with stamp of the Dresden Inn keepers Assoc. Unframed. Not relined. Dirty and dusty. Losses and tears at the margins. Large bend across the center, some smaller as well. Scratches. Eagels on a column of the Roman Empire.
Satz von 5 Schüsseln, Hedwig Bollhagen, 2. H. 20. Jh.Keramik. Runde Form, Dekor 086-00, zentrale Spirale in rosa auf weißem Grund im Spiegel, blaue Keile wechseln sich mit roten Streifen ab. Kleinste Schüssel unterseitig monogrammiert, größe Schüssel Prägemarke "HB". Schüssel mit 32,5 cm am Standfuß min. gechipt, größte Schüssel am Rand bestoßen. D. zwischen 19,5 und 37 cm Set of five bowls, Hedwig Bollhagen Ceramic. Round form, libely decor. Smallest one is monogrammed, biggest one has a blind stamp. Two bowls min. chipped.
Weihnachtsengel mit Wolke, Erzgebirge, Mitte 20. Jh.Holz, polychrom bemalt. Weihnachstorchester mit Bläsern, Laternenträgern, Flügel und Petrus als Dirigent, beigegeben: Zweistufige Wolke. Unterseitig Originalstempel oder -etikett, Wendt & Kühn und Drechslerei Ellmann. Sechszehn Stück. Farben teilweise berieben. H. 4 bis 8,5 cm Christmas angels with cloud Wood, polychrome painted. Orchestra with sixteen pieces. Original stamp / label. Wendt & Kühn and woodturning Ellmann. Paint partly rubbed.
Hängerolle, China, Qing Dynastie (1644-1912).Künstler unbekannt, vermutlich 18. Jh. Zwei Katzen (Jungtier und Mutter) unter Baumpäonie und Pfirsichzweigen, ein Schmetterling. Wasserfarbe auf Seide, zwei runde Siegelstempel. Seidenbrokateinfassung. Erhaltung beeinträchtigt, sehr brüchig, großer Einriss im linken Rand. Lagerknicke, Randschäden. Stark gebräunt. Einfassung fleckig. 144,5 x 63,5 cm. Provenienz: Sammlung Peer Hultberg (1935-2007), Hamburg. Hanging scroll, Qing dynasty painter, depicting two cats under a peony tree. Watercolour on silk, two stamp seals, silk bordering. Lacks of condition, tanned. Collection Peer Hultberg (1935-2007), Hamburg. 144,5 x 63,5 cm.
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![[*] Feininger, Lyonel -- Photographer: Thérèse Bonney (1894-1978). Lyonel Feininger in his studio, his painting "Dorf (Yellow](https://cdn.globalauctionplatform.com/607e7e29-bdf9-4289-808b-af49014d74e2/bbd1dbcc-9817-438f-a6cd-af49016d73ce/468x382.jpg)
![[*] Sewcz, Hans Martin -- "Große Hamburger Straße, Ecke Auguststraße, Ost-Berlin". 1979/printed later. Panoramic gelatin silv](https://cdn.globalauctionplatform.com/607e7e29-bdf9-4289-808b-af49014d74e2/be2d29be-0acb-4109-818b-af4901712738/468x382.jpg)
![[*] Sewcz, Hans Martin -- "Auguststr. Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57,4 cm (30,8 x 60 cm](https://cdn.globalauctionplatform.com/607e7e29-bdf9-4289-808b-af49014d74e2/8505264b-9f78-4acc-9398-af49017128d2/468x382.jpg)
![[*] Sewcz, Hans Martin -- Prenzlauer Berg. 1976. Vintage gelatin silver print. 22,7 x 17,3 cm. Signed, titled and dated by th](https://cdn.globalauctionplatform.com/607e7e29-bdf9-4289-808b-af49014d74e2/797f942e-fb19-4b32-b06d-af4901712500/468x382.jpg)
