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Click here to subscribeA Victorian silver chatelaine, W & C Manton, Birmingham 1888, the clip with cast floral and figural decoration depicting cupid and a seated lady, suspending silver travelling comb, 9cm long, a silver propelling pencil, Villiers & Jackson, Chester 1895, 5cm long, a silver coloured mesh coin purse stamped 925, a silver stamp holder, William Manton, Chester 1901, 3cm long, and a silver button hook and vesta, 7cm long, gross weight 3.3ozt, overall length 25cm
A cultured pearl ring, the 4.8mm pearl peg set on a yelow metal mount with floral chased shoulders ring size M, 585 stamped inside shank; a three stone emerald ring size K, spaced by five small diamond, one missing, gross weight of lot 5g.Condition report:There is a continental stamp to the outside of the shank on the emerald and diamond ring.
A GEORGE IV MAHOGANY WRITING OR LIBRARY TABLECIRCA 1825 The rounded rectangular black leather lined top above three frieze drawers on one side, on reeded tapering legs with brass caps and castors76cm high, 140.5cm wide, 83cm deep Condition Report: One drawer with false stamp 'GILLOWS. LANCASTER' There are scratches, marks, knocks, cracks and abrasions consistent with age and use. The table is 76cm high, 140cm wide, 82.5cm deep There are losses, observations and restorations including: the drawer handles possibly later; the underside of the top with a reddish stain; the drawer stays and surrounds with a matt ochre wash concealing the timber which could possibly have been replaced, the curious positioning of a stamp 'FILE COPY' perhaps from when the desk was used in a office?; the feet slightly unpolished and a little rough with the gilding worn to the caster cappings; there is some evidence of worm. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
A GEORGE IV MAHOGANY DAVENPORTSECOND QUARTER 19TH CENTURYThe rectangular superstructure with two sliding doors enclosing pigeon-holes, above a hinged writing-slope with a leather-lined surface enclosing a plain interior with two drawers, both sides with a slide and four drawers on the right, on reeded bun feet105.5cm high, 52cm wide, 57cm deepCondition Report: Marks, scratches and abrasions, old chips and splits to the timber elements commensurate with age and use. Some additional darks marks, scratches and abrasions. Some old repairs, some old losses. Some losses disguised by wax filler. Some fading. Lock to fall and catch are replacements. There are some replaced screws. The catch is ill fitting and could be improved. (by securing its position) The lock is open. A key is present of the type associated with operating this type of security lock but it does not operate this lock currently. The lock may require adjustment/ repair or replacement. The key may not be the correct key. The locks to the interior drawers of the fall appear original and key is present. The locks to the drawers of the pedestal appear original. Key is lackingThe stamp to the drawer appears to be false (GILLOWS LANCASTER)The handles to the drawers of the pedestal appear original. Some fading/ discoloration to textile visible through sliding panels of upper section. The leather inset is probably replaced but in period taste. To the floor of the interior of the upper section (beneath the fall) There are some dark stains and evidence towards the centre of some screws poking through from beneath and a small later peg/ dowel joint. This is likely to be the result of repairs/ re-securing of elements of the sliding action of the top Please refer to all additional images for visual reference to condition. These are available to be sent alongside condition reports. Condition Report Disclaimer
A VICTORIAN PAINTED CAST IRON STICK STANDCIRCA 1880the backplate relief cast as the Infant Hercules after a design by Edwin & Theophilus Smith of 1866, the serpent grasped in his hands forming the retaining bar for sticks, the shaped base with lift out drip tray, with foliate cast edging and indistinct BOLTON foundry stamp to underside, 82cm high, 46cm wide
A WILLIAM IV MAHOGANY PEDESTAL CENTRE TABLEMid 19th CenturyThe underside of the tilt top stamped '3072'185.5cm diameter, 73cm high SALEROOM NOTICETHE DATE OF THIS TABLE SHOULD BE MID 19TH CENTURY, NOT REGENCY AS STATED ORIGINALLY IN THE CATALOGUECondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use. There are losses, observations and restorations including: the table top with some straight cracks along the sectional construction joints; some scratches and marks more obvious than the general patina of use; there is a metal handle to pull to tilt the top; the brass pegs do not fit the table top to the base; the underside of the table and the top of the base with impressed stamp '3072', the top of the base with splits; a metal brace under the four legs with some gaps where it is pulling away a little from the central column; some casters compressed so that they would touch the brass cappings. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Stewart Linford of High Wycombe, an oak dining table and eight chairs en suite; the rectangular table top and plain friezes on straight, square section legs; 76cm high, 213cm long, 106cm wide; the chairs, including two elbow chairs all with rectangular open backrests and shaped seats; all with maker's stamp to back edge of seat rail; 101cm high, the elbow chairs 62cm wide.
John Shapland (British, 1865-1928)Five architectural studies of capitalseach with blind E. S. K. stampwatercolour over pencilthe largest example 9 x 6cm (sight);together with two studies of Medieval ornamentation in the style of illuminated manuscripts, and a decorative border, each also stamped ESK (8)The blind stamp likely refers to Examined South Kensington, indicating that the present works were likely examination or study pieces carried out early in Shapland's career.Provenance:A private collection of works by John Shapland, including contents of the artist's studioPublished in Peter D. Thomas, Exeter's Lost Artist, John Shapland, pub. 2016
A Victorian mahogany pedestal desk, by Bulstrode of Cambridge, late 19th century; the rectangular top with inset faux leather skiver and moulded edges; the front with nine drawers around the kneehole, all with turned wood knob handles, the central one with maker's stamp; on plinth bases with lignum vitae castors; 74cm high, 121cm wide, 72cm deepNOTE: The highly regarded firm of Bulstrode is known to have supplied furniture to various of the Cambridge colleges.
Regency paper cut picture, depicting a garden scene, in verre églomisé cushion maple frame, 42 x 47cmProvenance: Removed from Sun Court, Hadleigh: From the Estate of David Tron, King’s Road Antiques Dealer.The stamp in the bottom right corner appears to read 'BATH' in reverse/mirror image (see additional photograph)
Peggy Somerville (1918-1975) two pastels - ‘Taking Sheep Home’, 12cm x 15cm.Provenance: David Messum Fine Art. No.12 Studio Collection 1392. Together with 'Soldiers’, blind-stamp ‘Peggy Somerville’ with artist’s reference No.1451 in brown ink, 23cm x 18cm, both in glazed frames Although there is spotting throughout the landscape pastel it doesn't detract from the work in my opinion. There is also some spotting to the wash mount. The Soldiers has some watermarks to the top left and right corners but again this doesn't detract from the work.
â–´ Sheila Robinson (1925-1988)The Great Bardfield Woodcuts: 'Brook Street, Gt. Bardfield';'Crown Street, Gt. Bardfield';'Bridge Street, Gt. Bardfield';'Bridge over the River Pant'a set of four woodcuts, printer's proofs, each inscribed 'P/P' and titled in pencil l.r., with LRP blind stampsheet 27 x 34cm, unframed (4)The prints come with a blue folder inscribed with 'SHEILA ROBINSON/The Gt. Bardfield Woodcuts/I'.Condition ReportIn good condition.
â–´ After Pablo Picasso'Pasage', 1979-82lithograph in colours on Arches paper, signed 'Collection Marina Picasso' in pencil l.r. and numbered '193/500' l.l., bears blind stamp73.5 x 54cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.Condition ReportPaper has yellowed a little over time, please see images for further details.
â–´ Nicolas de Staël (French,1914-1955)'Méditerrannée'pochoir, 1952, stamp signed in blue ink l.r., and numbered '177/200' in pencil l.l.image 36 x 46cmProvenance: With Redfern Gallery, London , 1956. Condition Reportframed: 56 x 71cmsheet: 48 x 65cmSome light cockling and time staining to the paper, the print has been framed with an acidic mount. Examined out of the glazed frame there is discolouration where the print has been framed with a mount, please see images. The sheet is attached to the board behind with three strips of tape applied to the front of the top edge.
â–´ Peter Schmidt (1931-1980)'Cycloid II';'Cycloid VI';two serigraphs on cartridge, published by Curwen Prints 1966, signed 'Peter Schmidt' in pencil l.r., numbered '14/60' and '37/60' respectively with 'CP' blind stamp to 'Cycloid II' l.l.75.5 x 50cm (2)Condition ReportFramed: 77 x 51.5cmTime staining and surface dirt to both. Cycloid VI has staining (watermarks?) to the lower edge, please see images. Unexamined out of glazed frames. The prints have been measured to the inside edges of the frame and the sheet edges are not visible.
â–´ Dame Elisabeth Frink CH RA (1930-1993)'Corrida Five'lithograph in colours, 1973, proof, signed 'Frink' in pencil l.r. with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe print has not been examined out its cellophane wrapping, however it appears to be in generally good condition with a deckled top edge.
â–´ Dame Elisabeth Frink CH RA (1930-1993)'Rejoneadora I' lithograph in colours,1973, proof, signed 'Frink' in pencil l.r., with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe top edge is deckled and has some time staining. Some light surface dirt and a small spot to the right of the signature, please see images. The print has not been examined out of its cellophane wrapping.
â–´ Dame Elisabeth Frink CH RA (1930-1993)'Rejoneadora III'lithograph in colours,1973, proof, signed 'Frink' in pencil l.r., with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThere is a small dirty smudge to the lower right margin, however, the print appears to be in otherwise generally good condition with a deckled top edge. The print has not been examined out of its cellophane wrapping.
â–´ Laurence Stephen Lowry RBA RA (1887-1976)'St Luke's Church, London'offset lithograph in colours, published in 1973, signed 'L.S.Lowry' in pencil l.r, numbered '850/492', with Fine Art Trade Guild blind stamp l.l.image 61 x 45.5cmCondition ReportFramed: 83 x 66.5cmThe print is attached to a sheet of mount board with pieces of tape applied to the top edge and the upper left edge, please see images. It has been framed with an acidic mount which has resulted in some staining to the margins of the print. The margins also have some light smudges of surface dirt. The sheet has the title '"St. Luke's Church, Old Street, London E.C." by L.S. Lowry' underneath the mount. The edition number is written in reverse i.e. 850/492 ( it would normally be written as 492/850).
â–´ Laurence Stephen Lowry RBA RA (1887-1976)'Deal'offset lithograph in colours, signed 'L.S.Lowry' in pen with the Fine Art Trade Guild blind stamp l.l., published by Venture Prints, 1973sheet 17.5 x 25cm Condition ReportFramed 36.5 x 43cmSlight cockling where the work has been attached the the board. It appears to have been stuck down with small pieces of tape in each corner. In otherwise apparently good condition, not viewed out of glazed frame.
â–´ HM King Charles III (b.1948)'Wensleydale from Moorcock'lithograph in colours, printed at Curwen Chilford Prints by Stanley Jones on Somerset paper, signed with monogram and dated '90' in pencil l.r., numbered '195/295' with blind stamp of Prince of Wales crest l.l. sheet 45.5 x 60cm, unframed, in original blue presentation folioCondition ReportThere is a very small brown speck to the top margin, but the printed area is unaffected, please see images. In good condition as has never been framed and kept in original presentation folder.
â–´ HM King Charles III (b.1948)'The Hüreli, Klosters, Switzerland'lithograph in colours, signed with monogram and dated '95' in pencil l.r., numbered '50/100' with blind stamp of Prince of Wales crest l.l. image 24.5 x 35.5cmCondition ReportOverall 64 x 75cmPrint appears to be in good overall condition. Unexamined out of glazed frame.
â–´ John Piper CH (1903-1992)'South Lopham' (Levinson 264)screenprint in colours, 1976, signed 'John Piper' in pencil l.r., and numbered 69/70 with Christie's Contemporary Art blind stamp and a Certificate of Authentication from Christie's Contemporary Art attached to the reversesheet 102.5 x 65cmCondition ReportFramed: 119 x 78.5cmThe print has deckled edges which have some time staining. There are some small dark spots to the margins, however the printed area appears unaffected, please see images. Unexamined out of glazed frame.
â–´ Neil Canning (b.1960)'Evolution XXI'unique screenprint in colours, signed and dated 'Neil Canning '00' in pencil l.r and numbered '1/1', with Advanced Graphics London blind stampsheet 65.5 x 76.5cmCondition ReportFramed: 82.5 x 81cmSlight rippling to the paper but in otherwise good condition. Unexamined out of glazed frame.
â–´ Phyllis Bray (1911-1991)'Self Portrait'inscribed with title and stamped with artist's estate stamp verso, crayon on paper49 x 38.5cmCondition ReportFramed 64 x 52.7cmTitle and stamp have seeped through paper l.l. Time staining and creasing, there is a small triangle missing from the extreme top left corner with further small tears to the lower right corner. There is a large vertical crease in the upper right quarter. Unexamined out of glazed frame.
9CT GOLD RINGS (3) - one with deep rectangular setting on open shoulders set with a carved shell cameo depicting a Greek Goddess, 20 x 15mm, Size Mid N-O, garnet floral cluster dress ring, the shank with 9ct gold reducer, Size Mid P-Q and a Victorian signet ring with Birmingham date stamp for '1854', monogrammed to the top, Size Mid N-O, 12.6grms gross
WEMYSS WARE - a preserve jar and cover painted with apples, 16cms H, 12.5cms diameter, black printed and impressed marks, a Wemyss ware baluster jug with scroll handle, painted with black chickens, impressed mark, 13.5cms diameter and a Wemyss ware circular dish painted with flowers, impressed marks 'R H and S' and with retailer's stamp for 'Goode & Co, London', 14.5cms diameter
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