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Lot 1438
Wildlife of the 50 states - an FDC and postcard album with 50 different stamp covers and USPS maximum cards - all stamped USPS CAPEX Toronto. From 1987. Has certificate of authenticity and all contenst are pristine as new. Ideal for the wildlife lover as well as the stamp collector. Original price well in excess of £500.
Lot 306
Three Silver And Pearl Set Brooches Two by Mikimoto with stamp and hallmark to bar, the first an understated bar brooch with three central pearls, the second in the form of a stylised bouquet set with five pearls. Finally one brooch hallmarked silver, of foliate form set with 23 pearls of varying size.
Lot 931
Baxter's Colour Prints Mounted and Framed From The 1850's ( 3 ) In Total. Some Prints with Baxter's Impress Seal / Stamp Below. Titled 1/ Jenny Lino, As Daughter of The Regiment, Date July 19th 1856, No 219. Very Rare on Stamped Mount. 2/ Summertime or Gathering Roses, No 367. Date Dec 1 1856. 3/ Short Change, No 269. 1850's.
Lot 246
*Farington (Joseph, 1747-1821). Landscape sketch with ruined castle on a promontory, pen, brown ink and watercolour on laid paper, with Britannia watermark, 120 x 182 mm (4.75 x 7.2 ins), with additional pencil sketch to verso, and old inscription Saltwood Castle Kent, plus a late 19th century collector's stamp, mounted Provenance: Robert Witt (1872-1952), purchased by him 'At the Farington sale long ago' (according to a letter which accompanies this lot); Reverand Canon F.H.D. Smythe (1873-1966). With autograph letter from Robert Witt to Archdeacon Smythe, on 32 Portman Square headed notepaper, dated Christmas 1948, in which Witt presents the Farington watercolour 'a vigorous little Farington sketch from one of his sketch books' to Smythe as a gift. (1)
Lot 325
*Walbourn (Ernest Charles, 1872-1927). On the Ouse, oil on board, studio stamp to lower right, 30.5 x 46 cm (12 x 18 ins), framed, with Bourne Gallery label to verso, stating that theis work came from the artist's studio collection, signed by Ernest D. Walbourn, and dated 1st March 1987 Private Collection. Exhibited: Bourne Gallery, Reigate, Paintings from the Studio Collection of Ernest Walbourn presented by Bourne Gallery and Jeremy Wood Fine Art, April 25th-May 14th 1987, Catalogue No. 20. A copy of the exhibition catalogue is included with this lot. (1)
Lot 359
*Burgkmair (Hans, 1473-1531). The Triumph of Emperor Maximilian I (Kaiser Maximilians I. Triumph. Le Triomphe de l'Empereur Maximilien I, Une Suite de Cent Trente Cinq Planches grav‚es en bois d'apres les desseins de Hans Burgkmair), Vienna & London, Matthias Andr‚ Schmidt & J. Edwards, 1796, a collection of 88 woodcuts (from the total of 135), including 56 full sheet (385 x 554mm), each with oval library ink stamp to verso, the remaining 32 cut down (approximately 385 x 400mm) and with mounting adhesive remains to versos, printed plate numbers sometimes altered in an old hand, occasional fraying, scattered old dampstaining and browning, a few tears and crude repairs, mostly to cut down plates, plate 82 (renumbered 83) highly defective, all loosely contained in old quarter morocco portfolio, soiled and worn, large folio The original drawings for the woodcuts of The Triumph of Maximilian were made between 1512 and 1516, chiefly by Hans Burgkmair but with contributions by Albrecht Altdorfer, Hans Schaufelein, Hans Springinklee, and others, including one by Albrecht Durer. The woodcuts form a continuous procession measuring approximately 177 feet, celebrating the achievements of the young emperor, whose death in 1519 at the age of 60 put an end to the production. The illustrations are especially interesting for the depiction of regional officials and professions, and exotic peoples and animals. The blocks were first printed in a very small edition in 1526 at the instruction of Ferdinand, younger brother of the succeeding Emperor Charles V, and were not reprinted until this edition in book form in 1796. The 135 surviving blocks are conserved in the Albertina in Vienna. Lipperheide Sba 2. The full sheet plates present are: 2, 3, 4, 6, 8, 14, 16, 18, 20, 24, 26, 28,30, 31-40, 42, 44-46 [45-47], 48 [49], 57, 61, 63, 64, 68, 69, 71, 72, 76-79, 88 [80], 80 [81], 84 [85], 86 [87], 94 [110], 95 [109], 96 [111], 97 [112], 101-106 [116-121], 108-109 [123-124]. The cut-down sheets present are: 5, 7, 9, 11, 13, 15, 17, 19, 22, 25, 27, 41, 43 [44]. 47 [48], 49-50 [50-51], 62, 65, 67, 70, 73-75, 82 [83], 87 [88], 89-92 [104-107], 107 [122]. The engraving by Durer known as 'The Small Triumphal Car' appeared as the final plate (135) and is not present here. (1)
Lot 432
*Keene (Charles Samuel, 1823-1891). Standing male figure, circa 1884, pencil on verso of a pale brown envelope cover, unsigned, but with address in ink to the other side of Charles Keene Esq, 239 King's Road, Chelsea, S.W., with stamp and postmark for October 27th 1884, 136 x 95 mm (5.4 x 3.75 ins), framed and glazed (1)
Lot 261
A Model 1889 Prussian infantry officer's sword. The straight blade is typically nickel plated, 31 inches long and has two parallel fullers running along most of its length. At the ricasso is seen the 'WKC' and knight's helmet stamp of the maker. The brass hilt is typically Prussian, consisting of a stepped celluloid grip wrapped in silver wire, canted pommel, and twin merging knuckle-bow bars, a hinged side guard bearing the Imperial Prussian Eagle completes the hilt
![[§] SIR WILLIAM MACTAGGART C.B.E., R.A., P.P.R.S.A., F.R.S.E., R.S.W. (SCOTTISH 1903-1981) FROM MY STUDIO WINDOW Signed, i](https://cdn.globalauctionplatform.com/b4beedbe-1dc3-4e24-ba17-a75900c76850/a8680d8f-47f7-4c0c-b19a-1e828861950d/468x382.jpg)
Lot 396
VE Day collection. Includes 19 FDC's amongst these are Benham Liberation of Guernsey covers and FDCs, BLCS105 covers. Also includes 3 of the Benham 50th anniversary of VE-Day Victory in Europe stamp cards A4 size with multiple stamps and postmarks. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Lot 397
D-day collection. Includes 9 FDC's of which 6 are the 50th anniversary the D-day landings FDC, 3 of D-day fifty years on FDC. 2 50th anniversary of Operation Overlord The D-day landings stamp card and 2 D-day fifty years on stamp card A4 size with multiple stamps and postmarks. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Lot 211
A pair of 18ct gold and enamel cufflinks by Asprey in their original fitted Asprey case, each cufflink with an oval deep blue enamel plaque with applied Indian crests including the initials HB, fixed curved back posts and swivel fixings, Birmingham hallmarks 1988, signed 'Asprey' and with quatrefoil stamp containing a big A and small PLC, length of plaque 2.2cm; in maroon shaped and fitted case with Asprey 'By Appointment' crest
Lot 555
Edward Robert Smythe (British, 1810-1899) A beach scene, probably on the coast of North Norfolk, with a cottage, figures and ponies near a cottage and fishing vessels signed lower right "E R Smythe" oil on canvas, unlined 51 x 77cm (20 x 30in) Oil on canvas which is unlined and has a supplier's stamp on the reverse for the Winsor and Newton company. The canvas is slightly slack but generally in a good condition. The paint layers are in a good condition overall. There is a thin layer of yellowed varnish and some surface dirt including fly spots. The frame is in a poor condition with loose and flaking gesso and gilding.
Lot 620
Walter Richard Sickert, A.R.A. (British, 1860-1942) A Sketch of Edwardian women in hats, some crocheting, circa 1890s charcoal and white chalk on buff paper 30 x 23cm (12 x 9in) Provenance: Private Collection, Norfolk Other Notes: Dr Wendy Baron has authenticated the present sketches as by Walter Sickert on the basis of photographs. We are very grateful for her assistance. Condition appears fine. Crowing cock stamp to top right corner.
Lot 628
Follower of Filippo Juvarra (Italian, 1678-1736) Design for a classical temple in an ornamental garden, the verso showing an aerial perspective of the same, in situ pen and brown ink and red chalk with a collector's stamp to verso depicting a three-masted ship within a cartouche 21 x 25cm (8 x 10in) One side of glass broken. Some fading and loss of colour. Double-sided. Some creasing to the lower right corner of verso. Some staining.
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165558 item(s)/page