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Lot 104
Magic and conjuring.- Hoffmann (Professor Angelo J. Lewis) Modern Magic, first edition, first state with the Routledge monogram to title, frontispiece, tissue-guard, illustrations, ink ownership stamp to title and pastedown, tape marks to endpapers, upper hinge strengthened, original first state pictorial cloth with the hat in black and cone in gilt, light rubbing to tips and spine and corners, light rubbing to joints, but a bright and sharp copy overall, [1876]; and 2 others by the same, 8vo (3)
Lot 40
Babbage (Charles) On the Economy of Machinery and Manufactures, fourth edition, engraved title with medallion portrait of Roger Bacon, tissue guard on title, some foxing, ink stamp of Robert Montgomery of Convoy on front pastedown, original blind-stamped cloth, discoloured, gilt spine, dulled, edges uncut, sm. 8vo, 1835.
Lot 45
Schroder (Johann) Pharmacopoeia Schrodero-Hoffmanniana illustrata et aucta, half-title, title in red and black and with large engraved printer's device, 6 engraved plates, engraved illustrations, library ink stamp to title, stained and foxed, lower margins repaired at start, contemporary calf, richly gilt spine in compartments and with red morocco label, upper joints starting, but holding firm, corners worn, rubbed, folio, Geneva, Samuel de Tournes, 1687.
Lot 49
Chivalric epic poetry.- Alamanni (Luigi) Gyrone Il Cortese, collation: a8 a-y8 z4, double column, italic type, title and woodcut printer's device within ornate segmented woodcut architectural border, large criblé initial, errata f. at end, armorial ink stamp to title, some small areas of marginal water-staining, small marginal repairs to s6-u1, a few small stains, contemporary limp vellum, labels removed from spine, some light staining, small 4to (203 x 147mm.), Paris, Regnault & Claude Chaudière, 1548.⁂ A very good copy of this chivalric epic, adapted from the French medieval romance of Giron le Courtois. Alamanni was favoured by François I after fleeing to France following the discovery his leadership in an anti-Medici plot. The work is dedicated to Henri II.
Lot 93
Oliver Cromwell.- Anonymous English artist (circa 1649) The Royall Oake of Brittayne, satire depicting Cromwell and parliamentarians over-seeing the destruction of the 'Royall Oake', with the branches of the great tree containing books representing the Magna Carta, the Bible, and the Royal Coat of Arms, originally the frontispiece to Clement Walker's 'Anarchie Anglicana, or, The History of Independency, the Second Part', etching and engraving, on laid paper without watermark, off-setting from another impression on verso, sheet 170 x 230 mm. (6 3/4 x 9 in), faint central vertical fold with some splitting and support verso, minor loss to upper left corner, some small nicks and tears, unframed, 1649.Provenance:Denstone College Library (stamp verso)Literature:BM Satires 737cf. M. Jones 'The Print in Early Modern England: An Historical Oversight', New Haven and London, 2010, pp. 102.
Lot 94
Hypertrichosis.- Gaywood (Richard, active 1650-1680) Portrait of Barbara van Beck, three-quarter length, with one hand on an organ, engraving, on laid paper without watermark, trimmed lacking lettered title below, otherwise a good impression, sheet 190 x 150 mm. (7 1/2 x 5 7/8 in), one small nick upper left, unframed, [circa 1656].Provenance:Denstone College Library (stamp verso)⁂ Born in Augsburg, Germany, in 1629, van Beck achieved international renown for her hair growth, and travelled Europe appearing in shows. She travelled to London in 1655, and in 1660 she travelled to appear in a show at Beauvais, where Gaywood's 1658 variant engraved portrait was used as the advertisement to the exhibition. The Wellcome collection hold another copy of the present early engraved portrait (no. 1926i), and the British Museum hold a copy of the later state from 1658 (see acc. no. 1851,0308.45).
Lot 2152
British Mint Stamps Collectors packs 1984-90, Channel Tunnel Collection Gift Pack, Our World Int. Images of Nature, Penny Black Anniversary Book, Britannia Coin & Stamp Collection, Royal Mint God Save The Queen ltd.ed. ingot covers, Millenium coin cover, Royal Mail Special Stamps Nos. 19-21, QEll Jubilee Portrait in Stamps etc Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2191
Large collection of All World FDC & other covers mostly post-1960 including signed Last Flight, Canada, Kenya, Air Mail, Jersey etc, 25th Anniversary of the Coronation, 1986 Royal Wedding, Stamp & Post Cards etc in albums and loose Condition Report Click here for further images, condition, auction times & delivery costs
Lot 435
A Victorian Aesthetic ebonised framed armchair after a design by E W Godwin by Gillow & Co. circa 1875, the upholstered scroll back over a Japanese lattice work style panel and swept arms, the seat with serpentine front rail, raised on five slender turned and ringed supports united by turned and ringed stretchers, the two rear legs stamped "Gillow & Co.", 56 cm wide x 72 cm high CONDITION REPORTS Upholstery, in all likelihood, not original, though in sound condition. Ebonising throughout with wear to the extremities, particularly i.e. edges, especially to the arms. Of the five legs, two have serious breaking and repairs, one with a metal straight bracket with three screws - see image. Another mended with dowel. Both split right through. Gillow & Co stamp to one leg. Wear to the feet - again see images. Several dents, knocks and scratches throughout conducive with age and use
Lot 76
18TH CENTURY ITALIAN SCHOOL "The Holy Family with attendants, a figure in the background holding a sprig of lilies, a further sprig spilt upon the floor", oil on copper, unsigned, bears later stamp and inscription verso "BY697 - Lot 108 18 6 82", 27 cm x 21 cm, housed in an early carved giltwood and gesso frame with dragon scale and guilloche carved decoration CONDITION REPORTS Has areas of flaking throughout especially evident on the top edge and to Mary's arm and sleeve. There is dirt and paint marks all over, areas of surface scratching. There is an area of flaking which is black but doesn't appear to show any touching up under UV in line with Jesus' foot underneath the blue of Mary's skirt. Crackalure and crazing throughout. Wear and tear conducive with age and use. The frame has heavy worm, flaking to the gilding, cracks showing throughout, especially in the joins - see images for more details
Lot 73
A cast iron industrial time-recording timepiece Blick Time Recorders Limited, London, early 20th century The single train going barrel movement with platform lever escapement driving secondary mechanism incorporating four carousels with reverse raised letters for the month, date of the month, hours and minutes positioned against an aperture lined with an inked ribbon to the hinged case top panel, the front with 3.25 inch circular silvered Arabic numeral dial inscribed BLICK, TIME RECORDERS, LIMITED, 174, GRAY S INN ROAD, LONDON, W.C. 1 to centre, with blued steel hands and behind fixed bevel-glazed bezel, the rectangular case with armature fitted with plunger for the printing stamp and brass paper positioning slider to the hinged top panel, the front inscribed BLICK UNIVERSAL beneath the dial, on canted skirt base, 17.5cm (11.75ins) high; with a black japanned thermograph, Negretti and Zambra, London, early 20th century, with inked pointer recording onto a rotating clockwork driven paper-scale lined drum to interior and armature enclosing coiled bimetallic element to the exterior of the rctangulast glazed front case surmounted by a chrome plated carrying handle and with trade plate inscribed NEGRETTI & ZAMBRA…, LONDON, 26cm (10.25ins) wide. Provenance: Private collection, Hampshire (The Blick time recorder ref. C23).
Lot 26
NO RESERVE Arkady Shishkin (899-1985); and others Lights in the Steppe, 1959; and othersA group of 5 gelatin silver prints, three signed and titled in pencil in Cyrillic verso, one with photographer's stamp verso, sizes varying from 9.2 x 13.5cm (3 5/8 x 5 3/8in) to 37 x 52.7cm (14 1/2 x 20 3/4in)Photographers include Mikhail Savin, David Shulkin, Anatoly Skrurikhin and Mark Markov Grinberg.
Lot 27
NO RESERVE Georgi Khomzor (1914-1990); and othersWomen in a train, 1945; and othersA group of 7 gelatin silver prints, two signed and titled in Cyrillic verso, one with photographer's stamp verso, two titled and authenticated in Cyrillic in unknown hand, Sizes varying from 7 x 5cm (2 3/4 x 2in) to 31.5 x 48.5cm (12 3/8 x 19 1/8in)Photographers include Georgi Lipskerov (2), Eleazar Langman, B.Mikhalyovkin and V.Krutlikov.
Lot 30
NO RESERVE Ivan Shagin (1904-1982) Nazi Aeroplane Shot Down on Sverdlov Square, 1941; Going to the Football Game, 1930Two gelatin silver prints, each titled and dated in Cyrillic in pencil verso, one with photographer's stamp verso, 22.3 x 28.3cm (8 3/4 x 11 1/8in); 19.2 x 29.5cm (7 5/8 x 11 1/2in)
Lot 47
NO RESERVE Georgi Zelma (1906-1984) USSR, 1920s-40sA group of 17 gelatin silver prints, four flush mounted on envelopes, each signed in Cyrillic or with photographer's stamp on envelope recto or print verso, mostly titled, dated and annotated in Cyrillic,Various sizes from 2 x 3.5cm (1 x 1 3/8in) to 23 x 14.8cm (9 x 5 3/4in)
Lot 48
NO RESERVE Georgi Zelma (1906-1984) Portraits, 1920s-40sA group of 12 gelatin silver prints, each but one signed or with photographer's stamp in Cyrillic on envelop recto or print verso, mostly titled, dated and annotated in Cyrillic, sizes varying from 11 x 7.5cm (4 3/8 x 2 7/8in) to 16 x 11.8cm (6 1/4 x 4 5/8in)This lot includes portraits of Moseil Nappelbaum, 1935; Iosif Iosilovich, 1926 and Maxim Gorky, 1935.
Lot 49
NO RESERVE Georgi Zelma (1906-1984) Uzbekistan and Turkmenistan, 1920-40s.A group of 18 gelatin silver prints, 10 flush mounted on envelopes, each signed or with photographer's stamp in Cyrillic on envelope recto or on print verso, the majority titled, dated and annotated in Cyrillic, sizes varying from 6 x 5cm (2 3/8 x 2in) to 28 x 20cm (11 x 7 7/8in)
Lot 54
NO RESERVE Georgi Zelma (1906-1984) Central Asia, 1920s-30s.A group of seven gelatin silver prints, one mounted on envelope, five signed in Cyrillic, most of them titled, dated and annotated in black ink in Cyrillic verso, three with photographer's stamp verso, sizes varying from 8 x 5.5cm (3 1/8 x 2 1/4in) to 11.2 x 16cm (4 1/2 x 6 1/4in)
Lot 60
NO RESERVE Varvara Rodchenko (b.1925) Paportnik (Fern), 1990; and three othersFour gelatin silver photograms, each signed, titled and dated in pencil or ink verso, two with photographer's copyright stamp verso, sizes varying from 21.5 x 12.5cm (8 1/2 x 4 7/8in) to 29.5 x 23cm (11 5/8 x 9in)Varvara Rodchenko is the daughter of the artists Alexander Rodchenko and Varavara Stepanova.
Lot 64
NO RESERVE Max Vladimirovitch Alpert (1899-1980) The First Train on the Turkestan-Siberian Railway, 1929; and 3 others 4 gelatin silver prints, one with photographer's stamp verso, one monogrammed and annotated in Cyrillic verso, one with typed newspaper caption affixed verso, sizes varying from 6.4 x 9.4cm (2 1/2 x 3 3/4in) to 21.9 x 26.3cm (8 5/8 x 10 3/8in)Titles include Fergana Canal, 1939; Viktor Kalmikov at Magnitogorsk, 1929 and Dr Filatov, 1940.This lot also includes Max Alpert's diploma for the 2nd Exhibition of Photojournalism in 1927.
Lot 170
Sir Alfred James Munnings (1878-1959) - Signed lithograph - Unsaddling At Epsom, Summer Meeting, signed in pencil and inscribed 'To Maurice Codner from A.J.Munnings, also with Fine Art Trade Guild blind stamp, published by Frost & Reed 1932, 39.5cm x 51.5cm, A.R. Condition: Somewhat yellowed - ** General condition consistent with age
Lot 434
A Victorian mahogany campaign folding writing desk, with a part fitted dark red leather interior, with stamp and sealing box, brass inkwell, lockable fixed case and straps for pens, paper etc, with release buttons, the legs united by a turned and fluted stretcher, 97cm high closed, 62cm wide.
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165558 item(s)/page