DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Guitare. Untertitel: Objekt. Technik: Pâte de verre, farbig, Metall und Gitarrenseiten auf Maße: 60,5 x 29cm. 13,5Bezeichnung: Bezeichnet unten rechts: Dalí. Stempel und Nummerierung auf der rechten Seite unten: MADE IN FRANCE, 120/150. Daum Éditeur D'Art, Nancy (Hrsg.)120/150 Beigegeben ist ein Metallständer (44,5 x 14 x 32cm). Der Skulptur liegt ein Zertifikat des Herausgebers bei. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Objekte Musikinstrument Skulptur Mischtechnik DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Guitare. Subtitle: Object. Technique: Pâte de verre, colour, metal and guitar strings on Measurement: 60,5 x 29cm. 13,5Notation: Inscribed lower right: Dalí. Stamp and numbering on the bottom of the right side: MADE IN FRANCE, 120/150. Daum Éditeur D'Art, Nancy (publisher)120/150 A metal stand is included (44,5 x 14 x 32cm). The sculpture includes a certificate from the publisher. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Sculptures Musical instrument Sculpture Mixed media
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SCHAD, CHRISTIAN SCHAD, CHRISTIAN 1894 Miesbach - 1982 Keilberg Titel: Orbis Sensualium Pictus. Untertitel: Mappe mit 18 Druckgrafiken. Datierung: 1976. Technik: Verschiedene Drucktechniken auf Velin. Darstellungsmaß: Blätter jeweils: 59 x 42cm. Bezeichnung: Signiert, datiert, nummeriert und betitelt. Herausgeber: Edition G.A. Richter, Rottach-Egern (Hrsg.). Exemplar: 34/38. Zustand: Blätter und Kassette in tadellosem Zustand. In originaler Leinenkassette (61 x 43 x 2,5cm). Blätter jeweils mit dem Trockenstempel des Herausgebers. WVZ. Richter, S. 24-25. Erläuterungen zum Katalog Christian Schad Deutschland Neue Sachlichkeit Moderne Kunst Grafik 1970er Druckgrafik Holzschnitt SCHAD, CHRISTIAN SCHAD, CHRISTIAN 1894 Miesbach - 1982 Keilberg Title: Orbis Sensualium Pictus. Subtitle: Portfolio with 18 prints. Date: 1976. Technique: Various printing techniques on vellum. Depiction Size: Sheets each: 59 x 42cm. Notation: . Signed, dated, numbered and titled. Publisher: Edition G. A. Richter, Rottach-Egern (publisher). Number: 34/38. Condition: Sheets and box in excellent condition. In original linen box (61 x 43 x 2,5cm). Sheets each with the blind stamp of the publisher. Cat. rais. Richter, p. 24-25. Explanations to the Catalogue Christian Schad Germany New Objectivity Modern Art Prints 1970s Print Woodcut
HÖCH, HANNAH HÖCH, HANNAH 1889 Gotha - 1978 Berlin Titel: Konstruktion mit H. Datierung: 1950er. Technik: Öl auf dickem Karton. Maße: 30 x 37cm. Bezeichnung: Monogrammiert unten rechts: H.H. Signiert verso: Hannah Höch. Dazu der Nachlassstempel Sammlung Rösser-Höch. Hier zudem bezeichnet: Konstruktion mit H. Rahmen/Sockel: Rahmen. Diese Arbeit ist im Hannah-Höch-Archiv unter der Nummer GB-HHC-S-240/79 registriert. Erläuterungen zum Katalog Hannah Höch Deutschland Dadaismus Moderne Kunst Unikate 1950er Abstrakt Gemälde Öl HÖCH, HANNAH HÖCH, HANNAH 1889 Gotha - 1978 Berlin Title: Konstruktion mit H. Date: 1950s. Technique: Oil on thick card. Measurement: 30 x 37cm. Notation: Monogrammed lower right: H.H. Signed verso: Hannah Höch. Additionally the estate stamp from Rösser-Höch collection. Here additionally inscribed: Konstruktion mit H. Frame/Pedestal: Framed. This work is registered in the Hannah-Höch-Archive under the number GB-HHC-S-240/79. Explanations to the Catalogue Hannah Höch Germany Dadaism Modern Art 1950s Abstract Painting Oil
CAVAEL, ROLF CAVAEL, ROLF 1898 Königsberg - 1979 München Titel: Ohne Titel. Technik: Bleistift und Pastell auf leichtem Karton. Maße: 43 x 30,5cm. Bezeichnung: Monogrammiert in der Darstellung unten rechts: CA (ligiert). Verso Nachlassstempel des Künstlers. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Rolf Cavael Deutschland Informel ZEN 49 Nachkriegskunst Unikate Abstrakt Papierarbeit Mischtechnik CAVAEL, ROLF CAVAEL, ROLF 1898 Königsberg - 1979 Munich Title: Untitled. Technique: Pencil and pastel on thin card. Measurement: 43 x 30,5cm. Notation: Monogrammed in the depiction lower right: CA (ligated). Verso estate stamp of the artist. Frame/Pedestal: Framed. Explanations to the Catalogue Rolf Cavael Germany Informel ZEN 49 Post-War Art Post War Abstract Works on paper Mixed media
BECK, HERBERT BECK, HERBERT 1920 Leipzig - 2010 Tegernsee Titel: Landschaft mit Bäumen in der Abendsonne. Technik: Mischtechnik auf ZANDERS PAROLE (Trockenstempel). Maße: 49,5 x 64,5cm. Bezeichnung: Monogrammiert unten rechts: B. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Herbert Beck Deutschland Expressionismus Moderne Kunst Unikate Landschaft Papierarbeit Gouache BECK, HERBERT BECK, HERBERT 1920 Leipzig - 2010 Tegernsee Title: Landschaft mit Bäumen in der Abendsonne. Technique: Mixed media on ZANDERS PAROLE (blind stamp). Measurement : 49,5 x 64,5cm. Notation: Monogrammed lower right: B. Frame/Pedestal: Framed. Explanations to the Catalogue Herbert Beck Germany Modern Art Post War Landscape Works on paper Gouache
CHAGALL, MARC CHAGALL, MARC 1887 Witebsk - 1985 St. Paul de Vence Titel: Der Stamm Simeon. Datierung: 1964. Technik: Farblithografie auf ARCHES (Wasserzeichen). Maße: 62 x 46 x 76 x 52cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Modellrahmen. Zustand: Blatt unter dem Passepartout und verso minimal gebräunt. Verso zwei Bräunungsflecken. Reste alter Montierung. Verso Stempel mit Angaben zur Lithographie. Blatt 2 aus "Zwölf Fensterentwürfe für Jerusalem". WVZ. Sorlier, Nr. CS 13. Erläuterungen zum Katalog Marc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1960er Religiöse Darstellung Druckgrafik Lithografie Fantasiewesen CHAGALL, MARC CHAGALL, MARC 1887 Vitebsk - 1985 St. Paul de Vence Title: Der Stamm Simeon. Date: 1964. Technique: Colour lithograph on Arches (watermark). Measurement: 62 x 46 x 76 x 52cm. Notation: Signed and numberedFrame/Pedestal: Craftman's frame. Condition: Sheet under the mat and verso minimally discoloured. Verso two brown spots. Remains of an old mounting. Verso stamp with information about the lithograph. Sheet 2 from "Zwölf Fensterentwürfe für Jerusalem". Cat. rais. Sorlier, no. CS 13. Explanations to the Catalogue Marc Chagall Surrealism Modern Art Prints 1960s Religious Art Print Lithograph Fantasy Beings
WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York nach Titel: Elvis stehend - Blau. Untertitel: Wandobjekt. Farbserigrafie auf Porzellanplatte, glasiert, in schwarzem Holzrahmen. 51 x 51 x 2,5cm. Drucksignatur unten rechts: Andy Warhol. Unten links gedruckte Manufaktur-Marke "Rosenthal studio-line" und Copyrightvermerk. Stempelnummerierung verso auf Editionsetikett: 43/49. In originaler Holzkiste: 59 x 59 x 10cm. Rosenthal studio-line (Hrsg.). Ex. 43/49. Porzellanobjekt aus der Serie "Andy Warhol Collection". Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Objekte 2000er Musiker Multiple Mischtechnik Mann WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York after Title: Elvis stehend - Blau. Subtitle: Wall object. Colour silkscreen on porcelain plate, glazed, in black wooden frame. 51 x 51 x 2,5cm. Embossed signature lower right: Andy Warhol. Lower left printed manufacture mark "Rosenthal studio-line" and copyright notice. Stamp numbering verso on edition label: 43/49. In original wood box: 59 x 59 x 10cm. Rosenthal studio-line (publisher). Number 43/49. Porcelain object from the series "Andy Warhol Collection". Explanations to the Catalogue Andy Warhol USA Pop Art Photographs Post-War Art Sculptures 2000s Musician Multiple Mixed media Man
SPROTTE, SIEGWARD SPROTTE, SIEGWARD 1913 Potsdam - 2004 Kampen/Sylt Titel: Ohne Titel. Datierung: 1992. Technik: Aquarell auf SCHOELLERSHAMMER T (Trockenstempel). Maße: 51,5 x 73cm. Bezeichnung: Signiert und datiert unten links: Sprotte 92. Erläuterungen zum Katalog Siegward Sprotte Deutschland Karlsruher Malerschule Nachkriegskunst Unikate 1990er Landschaft Papierarbeit Aquarell See SPROTTE, SIEGWARD SPROTTE, SIEGWARD 1913 Potsdam - 2004 Kampen/Sylt Title: Untitled. Date: 1992. Technique: Watercolour on SCHOELLERSHAMMER T (blind stamp). Measurement: 51,5 x 73cm. Notation: Signed and dated lower left: Sprotte 92. Explanations to the Catalogue Siegward Sprotte Germany Karlsruher Malerschule Post-War Art Post War 1990s Landscape Works on paper Watercolour Lake
HARING, KEITH HARING, KEITH 1958 Kutztown - 1990 New York Titel: Aus: "Three Lithographs". Datierung: 1985. Technik: Farblithografie auf BFK RIVES FRANCE (Wasserzeichen). Darstellungsmaß: 77 x 95,5cm Blattmaß: 81 x 100cm. Bezeichnung: Signiert, datiert und nummeriert. Exemplar: 12/80. Rahmen: Rahmen. Zustand: Verso Reste alter Montierung. Mit dem Trockenstempel "Matthieu Litho Switzerland". WVZ. Littmann, S. 40. Erläuterungen zum Katalog Keith Haring USA Street Art Comic Graffiti Zeitgenössische Kunst Grafik 1980er Figur / Figuren Druckgrafik Lithografie Abstrakt HARING, KEITH HARING, KEITH 1958 Kutztown - 1990 New York Title: From: "Three Lithographs". Date: 1985. Techinque: Colour lithograph on BFK RIVES FRANCE (watermark). Depiction Size: 77 x 95,5cm. Sheet Size: 81 x 100cm. Notation: Signed, dated and numbered. Number: 12/80. Frame: Framed. Condition: Verso remains of an old mounting. With the blind stamp "Matthieu Litho Switzerland". Cat. rais. Littmann, p. 40. Explanations to the Catalogue Keith Haring USA Street Art Comic Graffiti Contemporary Art Prints 1980s Figure / Figures Print Lithograph Abstract
WILDING, LUDWIG WILDING, LUDWIG 1927 Grünstadt - 2010 Buchholz Titel: "Objekt mit Scheinbewegung SBST 5514". Datierung: 1991. Technik: Serigrafie auf Karton und Plexiglas. In Plexiglasrahmen mit Holzrückwand auf Maße: 55,5 x 55,5cm. 11Bezeichnung: Betitelt, datiert, bezeichnet und signiert verso auf Holzrückwand: OBJEKT MIT SCHEINBEWEGUNG SBST 5514 1991 2. OBJEKT V. 3 Wilding. Hier zudem mit Galeriestempel. Prov.: Galerie Schüller, Düsseldorf (Stempel); Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Ludwig Wilding Deutschland Op Art Kinetische Kunst Nachkriegskunst Objekte 1990er Struktur Objekt Plexiglas Geometrische Abstraktion WILDING, LUDWIG WILDING, LUDWIG 1927 Grünstadt - 2010 Buchholz Title: "Objekt mit Scheinbewegung SBST 5514". Date: 1991. Technique: Silkscreen on card and Plexiglass. In Plexiglass frame with wooden rear panel on Measurement: 55,5 x 55,5cm. 11Notation: Titled, dated, inscribed and signed verso on wooden rear panel: OBJEKT MIT SCHEINBEWEGUNG SBST 5514 1991 2. OBJEKT V. 3 Wilding. Here additionally with gallery stamp. Provenance: Galerie Schüller, Düsseldorf (stamp); Private collection North Rhine-Westphalia. Explanations to the Catalogue Ludwig Wilding Germany OP Art Kinetic Art Post-War Art Sculptures 1990s Structure Object Geometric Abstraction
BISSIER, JULIUS HEINRICH BISSIER, JULIUS HEINRICH 1893 Freiburg - 1965 Ascona/Hagenau Titel: Ohne Titel. Datierung: 1951. Technik: Farbige Monotypie auf SCHOELLERS HAMMER (Trockenstempel). Maße: 102x 73cm. Bezeichnung: Datiert und signiert. Rahmen: Rahmen. Im Rahmen beschrieben. Erläuterungen zum Katalog Julius Heinrich Bissier Deutschland Neue Sachlichkeit Informel Moderne Kunst Unikate 1950er Abstrakt Papierarbeit Monotypie BISSIER, JULIUS HEINRICH BISSIER, JULIUS HEINRICH 1893 Freiburg - 1965 Ascona/Hagenau Title: Untitled. Date: 1951. Technique: Colour monotype on SCHOELLERSHAMMER (blind stamp). Measurement: 102x 73cmNotation: Dated and signed. Frame: Framed. Not examined out of the frame. Explanations to the Catalogue Julius Heinrich Bissier Germany New Objectivity Informel Modern Art Post War 1950s Abstract Works on paper Monotype
MARINI, MARINO MARINI, MARINO 1901 Pistoia - 1981 Viareggio Titel: Reiter.. Datierung: 1972. Technik: Farbaquatinta auf Charta Goya (Wasserzeichen). Darstellungsmaß: 48,5 x 41cm. Blattmaß: 71 x 50cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Alba, Turin (Hrsg.). Exemplar: XIII/XXV. Rahmen/Sockel: Rahmen. Zustand: Blatt im oberen Randbereich minimal gewellt. Knickspuren im unteren Randbereich. Verso im Druckbereich minimal gebräunt. Vereinzelte kleine Bräunungsflecken. Reste alter Montierung. Mit dem Trockenstempel des Druckers II Cigno, Rom. Außerhalb der Auflage von 75 signierten und arabisch nummerierten Exemplaren. WVZ. Guastalla, Nr. 286. Erläuterungen zum Katalog Marino Marini Italien Abstraktion Figurative Malerei Nachkriegskunst Grafik 1970er Figur / Figuren Druckgrafik Aquatinta Pferde MARINI, MARINO MARINI, MARINO 1901 Pistoia - 1981 Viareggio Title: Reiter. Date: 1972. Technique: Colour aquatint on Charta Goya (watermark). Depiction Size: 48,5 x 41cm. Sheet Size: 71 x 50cm. Notation: Signed and numbered. Publisher: Alba, Turin (publisher). Number: XIII/XXV. Frame/Pedestal: Framed. Condition: Sheet minimally wavy in the upper margin. Creases in the lower margin. Verso in the printed area minimally discoloured. Occasional small discolouration stains. Remains of an old mounting. With the blind stamp of the printer II Cigno, Rome. Outside of the edition of 75 signed and Arabic numbered copies. Cat. rais. Guastalla, no. 286. Explanations to the Catalogue Marino Marini Abstraction Figurative Painting Post-War Art Prints 1970s Figure / Figures Print Aquatint Horses
HILMAR, JIRI HILMAR, JIRI 1937 Hradec Králové/Tschechien Titel: Ohne Titel. Datierung: 1978. Technik: Grafit auf SCHOELLER DUREX (Trockenstempel). Maße: 99,5 x 69,5cm. Bezeichnung: Signiert und datiert verso: Hilmar Jiri 78. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Jiri Hilmar Tschechien Konstruktivismus Konkrete Kunst Nachkriegskunst Unikate 1970er Abstrakt Papierarbeit Grafit HILMAR, JIRI HILMAR, JIRI 1937 Hradec Králové/Czech Republic Title: Untitled. Date: 1978. Technique: Graphite on SCHOELLER DUREX (blind stamp). Measurement: 99,5 x 69,5cm. Notation: Signed and dated verso: Hilmar Jiri 78. Frame/Pedestal: Framed. Explanations to the Catalogue Jiri Hilmar Czech Republic Constructivism Concrete Art Post-War Art Post War 1970s Abstract Works on paper Graphite
DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Rosenthal "Suomi". Datierung: 1976. 5-teilig. Jeweils Porzellan vergoldet und bemalt. Mit Stempelsignatur und -nummerierung sowie mit der Marke Rosenthal studio-line Germany versehen. Teekanne: Höhe ca. 16cm; Ex. 398/500. Kaffeekanne: Höhe ca. 21cm; Ex. 52/500. Henkelschale mit Deckel: Höhe ca. 22cm; Ex. 138/500. Zwei Schalen: Höhe jeweils 17cm; Ex. 324/500 und Ex. 331/500. Rosenthal, limitierte Kunstreihen (Hrsg.). Entwurf und Gestaltung: Timo Sarpaneva und Salvador Dalí. Zu jedem Objekt liegt ein Zertifikat vor. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Objekte 1970er Abstrakt Keramik Porzellan DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Rosenthal "Suomi". Date: 1976. 5-part. Each porcelain gold plated and painted. With the signature and numbering stamp as well as with the mark Rosenthal studio-line Germany. Teapot: Height ca. 16cm; Number 398/500. Coffepot: Height ca. 21cm; Number 52/500. Handle bowl with lid: Height ca. 22cm; Number 138/500. Two bowls: Height each 17cm; Number 324/500 and Number 331/500. Rosenthal, limitierte Kunstreihen (publisher). Design and layout: Timo Sarpaneva and Salvador Dalí. Enclosed with ach object is a certificate. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Sculptures 1970s Abstract Ceramic Porcelain
CHAGALL, MARC CHAGALL, MARC 1887 Witebsk - 1985 St. Paul de Vence Titel: Der Stamm Levi. Datierung: 1964. . Technik: Farblithografie auf ARCHES (Wasserzeichen). Darstellungsmaß: 62 x 46cm. Blattmaß: 76 x 53,5cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Fernand Mourlot, Paris (Hrsg.). Exemplar: H.C. Rahmen/Sockel: Modellrahmen. Zustand: Blatt im Passepartoutausschnitt minimal gebräunt. Verso Reste alter Montierung. Verso Stempel mit Angaben zur Lithografie. Außerhalb der Auflagen von 150 arabisch und 71 römisch nummerierten Exemplaren. Blatt 3 aus "Zwölf Fensterentwürfe für Jerusalem". WVZ. Sorlier, Nr. CS 14. Erläuterungen zum Katalog Marc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1960er Fantasiewesen Druckgrafik Lithografie Religiöse Darstellung CHAGALL, MARC CHAGALL, MARC 1887 Vitebsk - 1985 St. Paul de Vence Title: Der Stamm Levi. Date: 1964. . Technique: Colour lithograph on Arches (watermark). Depiction Size: 62 x 46cm. Sheet Size: 76 x 53,5cm. Notation: Signed and numbered. Publisher: Fernand Mourlot, Paris (publisher). Number: H.C. Frame/Pedestal: Craftman's frame. Condition: Sheet in mat window minimally discoloured. Verso remains of an old mounting. Verso stamp with information about the lithograph. Outside the edition of 150 Arabic and 71 Roman numbered copies. Sheet 3 from "Zwölf Fensterentwürfe für Jerusalem". Cat. rais. Sorlier, no. CS 14. Explanations to the Catalogue Marc Chagall Surrealism Modern Art Prints 1960s Fantasy Beings Print Lithograph Religious Art
NOT BANKSY AND NOT BY BANKSY (STOT21STCPLANB)Titel: 11th Hour WORSE RAT & CHIMP "origi NOT BANKSY AND NOT BY BANKSY (STOT21STCPLANB)Titel: 11th Hour WORSE RAT & CHIMP "original". Datierung: 2019. Technik: Sprühfarbe. HolzMaße: 61 x 50 x Bezeichnung: Stempel oben links: NOT BY BANKSY; BY THE REAL NOT BANKSY; FRONT. Darunter: I.N.N.O.A.A., APPROVES. Künstlersignet sowie datiert verso: 12/12/19. Dem Werk liegt ein Echtheitszertifikat vom 12. Dezember 2019 in Kopie bei. Erläuterungen zum Katalog NOT BANKSY and NOT BY BANKSY (Stot21STCplanB) England Street Art Zeitgenössische Kunst Unikate 2010er Schrift Gemälde Sprühfarbe Tiere NOT BANKSY AND NOT BY BANKSY (STOT21STCPLANB)Titel: 11th Hour WORSE RAT & CHIMP "origi NOT BANKSY AND NOT BY BANKSY (STOT21STCPLANB)Title: 11th Hour WORSE RAT & CHIMP "original". Date: 2019. Technique: Spray paint. woodMeasurement: 61 x 50 x Notation: Stamp upper left: NOT BY BANKSY; BY THE REAL NOT BANKSY; FRONT. Beneath this: I.N.N.O.A.A., APPROVES. Artist's signet as well as dated verso: 12/12/19. Enclosed with the work is a certificate of authenticity in copy dated 12. December 2019. Explanations to the Catalogue NOT BANKSY and NOT BY BANKSY (Stot21STCplanB) England Street Art Contemporary Art 2010s Writing Painting Spray paint Animals
THIELER, FRED THIELER, FRED 1916 Königsberg - 1999 Berlin Titel: Ohne Titel. Technik: Mischtechnik. SCHOELLER HAMMER (Trockenstempel)Maße: 50,5 x 72,5 x Bezeichnung: Signiert unten rechts: F Thieler. Sockel/Rahmen: Rahmen. Erläuterungen zum Katalog Fred Thieler Deutschland Informel Nachkriegskunst Unikate Abstrakt Papierarbeit Mischtechnik THIELER, FRED THIELER, FRED 1916 Königsberg - 1999 Berlin Title: Untitled. Technique: Mixed media. SCHOELLER HAMMER (blind stamp)Measurement: 50,5 x 72,5 x Notation: Signed lower right: F Thieler. Frame/Pedestal: Framed. Explanations to the Catalogue Fred Thieler Germany Informel Post-War Art Post War Abstract Works on paper Mixed media
RAMOS, MEL RAMOS, MEL 1935 Sacramento, CA/ USA - 2018 Oakland, CA /USA Titel: Corvette. Datierung: 2003. Technik: Farblithografie auf leichtem Karton. Maße: 59 x 86 x 45,5 x 70cm. Bezeichnung: Signiert und bezeichnetGalerie Ernst Hilger, Wien (Hrsg.)A.PRahmen/Sockel: Rahmen. Zustand: In den Randbereichen minimal gebräunt. Verso Reste alter Papiermontierung. Mit dem Trockenstempel des Druckers. WVZ. Wiedmann/Leininger, S. 100/101. Erläuterungen zum Katalog Mel Ramos USA Pop Art Nachkriegskunst Grafik 2000er Frau Druckgrafik Farblithografie Erotik RAMOS, MEL RAMOS, MEL 1935 Sacramento, CA /USA - 2018 Oakland, CA /USA Title: Corvette. Date: 2003. Technique: Colour lithograph on thin card. Measurement: 59 x 86 x 45,5 x 70cm. Notation: Signed and inscribedGalerie Ernst Hilger, Vienna (publisher)A.PFrame/Pedestal: Framed. Condition: Minimally discoloured in the margins. Verso remains of an old paper monting. With the blind stamp of the printer. Cat. rais. Wiedmann/Leininger, p. 100/101. Explanations to the Catalogue Mel Ramos USA Pop Art Post-War Art Prints 2000s Woman Print Colour lithograph Erotism
GÖTZ, KARL OTTO GÖTZ, KARL OTTO 1914 Aachen - 2017 Wolfenacker Titel: "Krely". Datierung: 2001. Technik: Gouache auf Karton. Maße: 30 x 21cm. Bezeichnung: Signiert unten rechts: K.O. Götz, Signiert und datiert verso: K.O. Götz 2001. Hier zudem betitelt und Sammlungsstempel Karin Götz (Rissa). Rahmen/Sockel: Rahmen. Wir danken Herrn Joachim Lissmann, K.O. Götz und Rissa-Stiftung, Niederbreitbach-Wolfenacker, für die freundliche, wissenschaftliche Unterstützung. . Erläuterungen zum Katalog Karl Otto Götz Deutschland Informel CoBrA Nachkriegskunst Unikate 2000er Abstrakt Papierarbeit Gouache GÖTZ, KARL OTTO GÖTZ, KARL OTTO 1914 Aachen - 2017 Wolfenacker Title: "Krely". Date: 2001. Technique: Gouache on card. Measurement: 30 x 21cm. Notation: Signed lower right: K.O. Götz, Signed and dated verso: K.O. Götz 2001. Here additionally titled and collection stamp Karin Götz (Rissa). Frame/Pedestal: Framed. We thank Joachim Lissmann, K.O. Götz and Rissa-Foundation, Niederbreitbach-Wolfenacker, for the kind, scientific support . Explanations to the Catalogue Karl Otto Götz Germany Informel CoBrA Post-War Art Post War 2000s Abstract Works on paper Gouache
PENCK, AR PENCK, AR 1939 Dresden - 2017 Zürich Titel: Ohne Titel. Datierung: Um 1980. Technik: Farbaquatinta auf Velin. Maße: 90 x 199 x 125 x 229cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Rahmen. Im Rahmen beschrieben. Zustand: Knick in der oberen linken Ecke. In den Randbereichen stellenweise minimale Druckspuren. Im rechten Randbereich Stockfleck. Mit dem Trockenstempel des Druckers Vigna Antoniniana Stamperia d'Arte, Rom . Erläuterungen zum Katalog AR Penck Deutschland Neoexpressionismus Figurative Malerei Neue Wilde Nachkriegskunst Grafik 1980er Druckgrafik Farbaquatinta PENCK, AR PENCK, AR 1939 Dresden - 2017 Zurich Title: Untitled. Date: Ca. 1980. Technique: Colour aquatint on vellum. Measurement: 90 x 199 x 125 x 229cm. Notation: Signed and numberedFrame/Pedestal: Framed. Not examined out of the frame. Condition: Crease in the upper left corner. In the margins partly minimal pressure marks. In the right margin foxmark. With the blind stamp of the printer Vigna Antoniniana Stamperia d'Arte, Rome . Explanations to the Catalogue AR Penck Germany Neo-Expressionism Figurative Painting Neue Wilde Post-War Art Prints 1980s Print Colour aquatint
HUNDERTWASSER, FRIEDENSREICH HUNDERTWASSER, FRIEDENSREICH 1928 Wien - 2000 Queen Elizabeth 2 Titel: Good morning city - bleeding town. Technik: Farbserigrafie, teilweise phosphoreszierend, und Metallprägung auf Fabriano (Trockenstempel). Montierung: Auf leichtem, schwarzen Tonkarton aufgezogen (100 x 70cm). Maße: 83 x 56 x 84,5 x 56cm. Bezeichnung: Signiert, datiert und nummeriertArs Viva, Zürich (Hrsg.)2052/10000Rahmen/Sockel: Rahmen. Zustand: Minimale Bereibungen. Minimale Bestoßungen und Knickspuren an der unteren rechten Kante. Drei Prägestempel von Verleger und Drucker, zwei japanische Rotstempel sowie der Prägestempel "686 Giudecca 1969". Die "Phosphor"-Ausgabe erschien in einer Auflage von 2000 Exemplaren. WVZ. Fürst, Nr. 686, HWG 42, Serie K. Erläuterungen zum Katalog Friedensreich Hundertwasser Österreich Phantastischer Realismus Nachkriegskunst Grafik 1970/71 Stadtansicht Druckgrafik Mischtechnik Gebäude HUNDERTWASSER, FRIEDENSREICH HUNDERTWASSER, FRIEDENSREICH 1928 Vienna - 2000 Queen Elizabeth 2 Title: Good morning city - bleeding town. Technique: Colour silkscreen, partially phosphorescent, and metal embossing on Fabriano (blind stamp). Mounting: Mounted on thin, black card (100 x 70cm). Measurement: 83 x 56 x 84,5 x 56cm. Notation: Signed, dated and numberedArs Viva, Zurich (publisher)2052/10000Frame/Pedestal: Framed. Condition: Minimal rubbing. Minimally bumped and creased on the bottom right edge. Three blind stamps from publisher and printer, two Japanese red stamps as well as the blind stamp "686 Giudecca 1969". The "Phosphor"-edition was published in an edition of 2000 copies. Cat. rais. Fürst, no. 686, HWG 42, serie K. Explanations to the Catalogue Friedensreich Hundertwasser Post-War Art Prints Cityscape Print Mixed media Buildings
KNOEBEL, IMI KNOEBEL, IMI 1940 Dessau Titel: Ohne Titel. Datierung: 1980. Technik: Collagierte Mischtechnik (Acryl, Kunststofffolien) auf leichten Karton montiert. Maße: 100 x 70cm. Bezeichnung: Signiert und datiert unten rechts: imi (über Stempel) Knoebel 80. Erneut signiert verso auf der Rahmenrückwand: imi (über Stempel). Rahmen/Sockel: Künstlerrahmen. Im Rahmen beschrieben. Erläuterungen zum Katalog Imi Knoebel Deutschland Minimalismus Fotografie Nachkriegskunst Unikate 1980er Abstrakt Papierarbeit Lack KNOEBEL, IMI KNOEBEL, IMI 1940 Dessau Title: Untitled. Date: 1980. Technique: Collaged mixed media (acrylic, plastic foils) on thin card, mounted. Measurement: 100 x 70cm. Notation: Signed and dated lower right: imi (above stamp) Knoebel 80. Once more signed verso on the frame rear panel: imi (above stamp). Frame/Pedestal: Artist's frame. Not examined out of the frame. Explanations to the Catalogue Imi Knoebel Germany Minimalism Photographs Post-War Art Post War 1980s Abstract Works on paper Lacquer
GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hannover Titel: Paar. Datierung: 1919. Technik: Aquarell und Tuschfeder auf Papier. Maße: 19,5 x 16cm. Bezeichnung: Signiert und datiert unten links: O. Gleichmann. Rahmen/Sockel: Passepartout. Das Aquarell wird in das von Frau Petra Wenzel, Isernhagen, bearbeitete Werkverzeichnis aufgenommen. Prov.: Sammlung André Horn (Stempel); Sammlung Prof. Dr. Eggers, Essen . Erläuterungen zum Katalog Otto Gleichmann Deutschland Expressionismus Moderne Kunst Unikate 1910er Figur / Figuren Papierarbeit Mischtechnik GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hanover Title: Paar. Date: 1919. Technique: Watercolour and India ink pen on paper. Measurement : 19,5 x 16cm. Notation: Signed and dated lower left: O. Gleichmann. Frame/Pedestal: Mat. The watercolour will be included in the catalogue raisonné edited by Petra Wenzel, Isernhagen. Prov.: Collection André Horn (stamp); Collection Prof. Dr. Eggers, Essen . Explanations to the Catalogue Otto Gleichmann Germany Modern Art 1910s Figure / Figures Works on paper Mixed media
RÄDERSCHEIDT, ANTON RÄDERSCHEIDT, ANTON Köln 1892 - 1970 Titel: Ohne Titel (Figuren). Datierung: 1967. Technik: Tusche auf Karton. Maße: 99,5 x 64,5cm. Bezeichnung: Monogrammiert und datiert unten rechts: AR 67. Verso von Gisèle Räderscheidt bestätigter Nachlassstempel des Künstlers mit eingetragener Werk-Nr. 67/40a. Rahmen/Sockel: Modellrahmen. Erläuterungen zum Katalog Anton Räderscheidt Deutschland Neue Sachlichkeit Abstraktion Moderne Kunst Unikate 1960er Figur / Figuren Papierarbeit Tusche Abstrakt RÄDERSCHEIDT, ANTON RÄDERSCHEIDT, ANTON Cologne 1892 - 1970 Title: Untitled (Figures). Date: 1967. Technique: India ink on card. Measurement: 99,5 x 64,5cm. Notation: Monogrammed and dated lower right: AR 67. Verso estate stamp of the artist confirmed by Gisèle Räderscheidt with the registered work no. 67/40a. Frame/Pedestal: Craftman's frame. Explanations to the Catalogue Anton Räderscheidt Germany New Objectivity Abstraction Modern Art Contemporary Art 1960s Figure / Figures Works on paper India ink Abstract
WIINBLAD, BJÖRN WIINBLAD, BJÖRN 1918 Kopenhagen - 2006 Lyngby Titel: Porzellanservice. 22-teilig. Jedes Stück: farbig gefasst und glasiert; Kanne und alle Teller zudem handbemalt. Auf der Unterseite die Marke: Rosenthal studio-line GERMANY. Kanne und Teller hier zu dem jeweils bezeichnet: HANDGEMALT. Dazu Stempelsignatur: Björn Wiinbald. Rosenthal, studio-linie (Hrsg.). Erläuterungen zum Katalog Björn Wiinblad Dänemark Figurative Kunst Nachkriegskunst Objekte Figur / Figuren Keramik Porzellan Pflanzen WIINBLAD, BJÖRN WIINBLAD, BJÖRN 1918 Copenhagen - 2006 Lyngby Titel: Porcelain Service. 22-parts. Each piece: polychromed and glazed; Teapot and all plates additionally hand-painted. On the bottom side the mark: Rosenthal studio-line GERMANY. Teapot and plates here each inscribed: HANDGEMALT. Additionally stamp signature: Björn Wiinbald. Rosenthal, studio-linie (publisher). Explanations to the Catalogue Björn Wiinblad Denmark Figurative Art Post-War Art Sculptures Figure / Figures Ceramic Porcelain Plants
HERKENRATH, PETER HERKENRATH, PETER 1900 Köln - 1992 Mainz Titel: Ohne Titel. Technik: Gouache auf festem Velin. Maße: 50 x 35cm. Bezeichnung: Signiert unten rechts: Herkenrath. Verso bezeichnet mit der Werk-Nr. 1286. Rahmen/Sockel: Modellrahmen. Prov.: Nachlass Peter Herkenrath (Stempel verso); Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Peter Herkenrath Deutschland Informel Nachkriegskunst Unikate Abstrakt Zeichnung Gouache HERKENRATH, PETER HERKENRATH, PETER 1900 Cologne - 1992 Mainz Title: Untitled. Technique: Gouache on strong vellum. Measurement: 50 x 35cm. Notation: Signed lower right: Herkenrath. Verso inscribed with the work no. 1286. Frame/Pedestal: Craftman's frame. Prov.: Peter Herkenrath estate (stamp verso); Private collection North Rhine-Westphalia. Explanations to the Catalogue Peter Herkenrath Germany Informel Post-War Art Post War Abstract Drawing Gouache
Spitzweg, Carl München 1808 - 1885 21 x 11 cm Waldschlucht mit drei Zigeunern. Öl/Holz, unten rechts monogrammiert S im Rhombus, rückseitig Nachlasstempel. Veröffentlicht in Siegfried Wichmann, Carl Spitzweg, Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart 2002, S. 543, WVZ Nr. 1509 mit Abb. Provenienz: Aus dem Nachlaß des Stuttgarter Unternehmers Wolfgang Osterloh. SPITZWEG, CARL (1808-1885). A wooded dingle with three gypsies. Oil/panel, monogrammed lower right, verso estate stamp. Published in Siegfried Wichmann, Carl Spitzweg, Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart 2002, p. 543 catalogue raisonné no. 1509 with fig.
Sandreuter, HansSandreuter, Hans (1850 Basel - Riehen 1901). Sammlung von über 40 Vorz Sandreuter, Hans Sandreuter, Hans (1850 Basel - Riehen 1901). Sammlung von über 40 Vorzeichnungen zu 'Fantaisies a la Plume'. Tusche auf Transparent- o. festem Papier, tls. laviert. Versch. Formate. Lose Bl. Stellenw. knicksp. Rd. tls. rissig. Einige leicht gebr. - +Dabei: Ders.+ Sammlung von über 60 Gemäldeentwürfen. Überw. Tusche-, Blei- o. Kohlestiftzeichnungen, einige aquarell. Versch. Formate. Einige mit Monogr.-St. auf resto o. verso. Überw. lose, einige auf Karton gekl. o. mont. - +Ders.: Briefmarkenentwürfe.+ Über 20 Aquarelle u. Tuschzeichnungen auf Transparent- o. festem Papier. Versch. Formate. Überw. lose. - Provenienz: Nachlass Hans Sandreuter; Nachlass Marguerite Sandreuter, Riehen. - Collection of more than 40 drawings for 'Fantaisies a la Plume'. Ink on transparent or firm paper. Various formats, loose. Partly crease marks, chipping, few slightly browned. With: Collection of more than 60 painting drafts. With: More than 20 stamp drafts.
(Marsilius v. Padua).(Marsilius v. Padua). Opus insigne cui titulum fecit autor defenso (Marsilius v. Padua). (Marsilius v. Padua). Opus insigne cui titulum fecit autor defensorem pacis, quod qu(a)estionem illam iam olim controversam, de potestate Papae et Imperatoris excussissime tractet. O.O.u.Dr. (Basel, V.Curio) 1522. Fol. Mit gr. Titelholzschn., figürl. Holzschn.-Bordüre u. zahlr. Holzschn.-Init. 200 nn. Bl. Spät. Ldr. mit goldgepr. Rtit. u. blindgepr. Dfileten. (Rckn. leicht gebleicht, etw. best. u. leicht berieb.). STC 617 (unter Menandrinus). Adams M 675. VD16 M 1131. - Hieronymus 417. Potthast 768. - Eines der wichtigsten staatstheoretischen Werke des Mittelalters, 1324 abgeschlossen. 'In seiner zugleich theoretischen Staatslehre und politischen Streitschrift verwirft Marsilius die Tradition u. Hierarchie der Kirche mit dem papstlichen Herrschaftsanspruch (der stets den Frieden gefahrde) und das kanonische Recht und postuliert einen weltlichen Staat, in dem sich der Klerus, vom Herrscher eingesetzt, in franziskanischer Armut auf religiöse Aufgaben zu beschränken hat und in dem die Gesamtheit der Bürger die Gesetze gibt und den Herrscher wählt' (Hieronymus). - Der für die Basler Titelillustr. jener Jahre unüblich große Holzschn. zeigt den sitzenden Ludwig IV. mit allen kaiserlichen Insignien vor seinem Gefolge von Kriegern u. einem Berater (wohl Marsilius), im Hintergrund die Stadt Rom. - Tit. u. Bl. q3 mit hinterlegten Fehlstellen (ohne Textverlust), leicht gebräunt, tls. leicht fl. u. wasserrandig. St.a.T. - With big title woodcut, woodcut border and numerous woodcut initials. Later leather (spine slightly faded, somewhat bumped and slightly rubbed). Title and sheet q3 repaired (without text loss), slightly browned, partly slightly stained and waterstained. Stamp on title.
Tottenham - Danny Blanchflower, A Set Of Superbly Designed Modern Commemorative Covers, Issued By Sporting Legends In 2008, Commissioned As A Tribute To Legendary Tottenham Hotspur Captain - Danny Blanchflower, There Are 6 Covers In Total, The Front Of The Covers Has Been Neatly Hand Signed By Blanchflower's Former Team Mates Les Allen, Peter Baker, Terry Dyson, Dave Mackay, Tony Marchi, Terry Medwin And Maurice Norman Using A Liquid Gel Pen. The Insert Cards Are Packed With Details Concerning Blanchflower's Career With The Lillywhites, Please Note : The Stamp Featured Is Printed Onto The Cover And Is Not A Stamp Issued By The Royal Mail. Condition 8/10. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
West Ham United 1980, A Superbly Designed Modern Commemorative Cover, Issued By Sporting Legends In 2008, Depicting The 1980 Fa Cup Final - West Ham United V Arsenal, The Hammers Defeated The Gunners By A Solitary Trevor Brooking Goal - A Memorable Victory For The Then Second Division Club. The Front Of The Cover Has Been Neatly Hand Signed By All Eleven Players Using A Liquid Gel Pen: Parkes, Lampard, Stewart, Martin, Bonds, Pike, Allen, Brooking, Devonshire, Pearson And Cross. The Insert Card Is Packed With Details Including Team Line Ups And The 'Path To The Final', Please Note : The Stamp Featured Is Printed Onto The Cover And Is Not A Stamp Issued By The Royal Mail. Condition 8/10. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Eugene Laurent Vail (1857-1934) 'Leonie' Etaples c.1887 or 1893 Oil on canvas, 65 x 54.5cm (25½ x 21½'') Original exhibition label verso with artist's name, title and number 26 Eugene Vail was a cosmopolitan artist of American-French background. He was one of a close-knit circle of young painters in the ateliers in Paris and at the artists' colonies of Grez-sur-Loing, Concarneau and Etaples during the 1880s. He was a close friend of Irish artists Frank O'Meara and John Lavery. His pictures enjoyed great success at the Paris Salon and he was awarded the Legion d'Honneur. Eugene Laurent Vail was born of an American father and French mother in St. Servan, near St. Malo, Brittany, in 1857. He gained and engineering degree at the Stevens Institute of Technology, Hoboken, New Jersey. He worked as a cartographer on a scientific expedition in the West of America. Vail was also a keen sportsman and had an interest in theatre and art. He began to study at the Art Students' League, New York, in the studios of William Chase and Carol Beckwith. He travelled to Paris c.1882 and became a pupil at the Academie Julian. He became a close friend of John Lavery's there. In March 1882, he entered the Ecole des Beaux Arts, studying in the atelier of Cabanel. He was also a pupil of Collin and Dagnan-Bouveret. Vail first exhibited in the Paris Salon in 1883. In common with many of his contemporaries, Vail was impatient to paint from nature. Many years later, Lavery acknowledged the influence of his comrade in introducing him to Grez: I came to know Gres-sur-Loing through Eugene Vail. We were both at the Academie Julian and we decided to go there to spend the weekend. I remained there for nine months. Hawkins also met Frank O'Meara there. In 1883, Vail first exhibited at the Paris Salon. In the same year he visited Brittany: Pont-Aven, and Concarneau, in the company of American students Harrison and Simmons. Vail favoured marine and harbour subjects. His best-known Breton painting, 'Le Port de la Peche, Concarneau' (Musée des Beaux Arts, Brest), is a large, low-key study of the harbour and fishing boats. Although sombre in tone, there is a glowing twilight atmosphere, that was, perhaps, to influence Charles Cottet's paintings of Brittany. The picture was exhibited at the Salon in 1884. It was purchased by the French State for the Musée Luxembourg. In 1887, Vail moved to Etaples, Pas-de-Calais. He spent the winter there, lodging with his friends from Grez, O'Meara and Scottish artist Middleton Jameson. Although less well known than the great art colonies, and less picturesque than Concarneau, Etaples was convenient to reach, being close to Boulogne, and living was cheaper there than at Grez. O'Meara wrote: Etaples is a very convenient place - lots of motifs about, plenty of models and studios to be had cheap. French artist, Cazin, a native of Pas-de-Calais, gained inspiration from the landscape around Etaples. Amongst the artists there in Vail's time were Jameson and O'Meara, French painters Boudin and Tattegrain, the Belgian Faradyn, the Americans Walter Gay and Birge Harrison, Dudley Hardy and a contingent from Cork: William G. Barry, Egerton Coghill and Edith Somerville. Sarah C. Harrison was there in 1890 and E.M. Synge and Frida Moloney in 1909. A large number of British and Australian artists continued to work there up to the First World War. While O'Meara studied figures at the harbour and Barry and Coghill painted woodland scenes, O'Meara wrote to Lavery that: Vail is painting the deck of a fishing boat in a heavy sea, life-size, and I think that it will be very fine. Vail exhibited at the Salon again in 1886 and in 1888, when he was awarded a 3rd class medal. His work was praised by Albert Wolff, art critic of 'Le Figaro'. Vail served on the international jury of the Exposition Universelle in Paris in 1889. Four of his pictures were also exhibited there and he received a gold medal. Some of Veil's paintings were known for their dark tonality. Like Welden Hawkins, some of his subsequent work became more decorative and Symboliste, showing the influences of Whistler, Japonisme and the Nabis. Vail may have visited Etaples again c.1893, for his painting 'Soir d'Automne Etaples', which was exhibited at the Salon in 1894. Veil was awarded the Legion d'Honneur in 1894. Six of his paintings were exhibited at the Salon Nationale in 1899 and his work was praised by Gabriel Mouray in 'The Studio'. The present portrait shows an attractive young woman, wearing a headscarf or bonnet and she is viewed in profile. On the reverse of the stretcher, the words 'Leonie' and 'Etaples' are written, probably by the artist himself. Leonie evidently is the name of the model. The word 'Etaples' and an art supplier's stamp 'Caron Cousin. Peintre Couleurs et Toiles - Etaples' on the back of the canvas, indicate that the picture was painted in this town, probably c.1887 or c.1893. Leonie has a fine profile and healthy red cheeks, set against the simple white costume which she is wearing. Vail enjoyed a profile view, as can be seen in 'A Breton Sunday', c.1890 (National Museum of American Art, Smithsonian Institution), which shows a pious woman in scarf, standing in front of a harbour. On the one hand, 'Leonie' has the heroic quality of a peasant woman viewed in profile by Realist painter Jules Beton, for example 'Repose', 1864 (Musée des Beaux Arts, Arras) and 'Jeanne Calvet', 1865 (Francine Clarke Art Institute, Williamstown). But, on the other hand, Leonie is an ordinary country girl, whose rosy colouring reveals her hardworking, healthy life in the open air and by the sea. Her face is well modelled, with the dress indicated in a simple manner, with relaxed, criss-cross brushstrokes. Vail follows the 'Academie Julian' manner, combining a carefully represented face against a more sketchy treatment of clothing. But this relaxed manner also suggests the influence of Impressionist painters, such as Manet and Berthe Morisot. Julian Campbell
Sam Francis 1923 - 1994 Acrylic on paper H73.6 x L58.4 cm (H28.98 x L22.99 in ), 1975 Stamp by the artist on the reverse. Archive number Samuel L. Francis Foundation SF75-175 on the reverse Provenance The work was acquired by Samuel L. Francis Fondation, from Galleria Delaive, Amsterdam in 2004. Private Collection, Genoa Literature The work will be published in the online catalogue raisonné of Sam Francis Certificate of Authenticity The work is accompanied by a certificate of authenticity issued by Samuel L. Francis Foundation, California 21 July 2008. Archive N. SF75-175
AlbertoManfredi1930 - 2001Oil on panelH50 x L31 cm (H19.69 x L12.20 in ), 1991Signature lower right. Statement of authenticity on the reverse. Stamp by Archivio Generale Il Mappamondo, Milan on the reverseProvenancePrivate Collection, MilanCertificate of AuthenticityThe work is accompanied by the artist certificate of authenticity on photograph. N. 115 Archivio Generale Il Mappamondo, Milan; Opere di Alberto Manfredi
MarinoMarini1901 - 1980Etching H70.5 x L50 cm (H27.76 x L19.69 in ), 1959Signature lower right. Edition lower left. Ex. 30/60 Edition 60 copies numbered from 1/60 to 60/60 20 copies numbered from I/XX a XX/XX 5 copies out of print marked with the letters A,B,C,D,E. The following engraving constitutes the album "Marino Marini Opera grafica" edited and printed by Luigi de Tullio in 1972. Dry stamp of the publisher lower left. The mold dimensions are cm 44,2 x 36,8ProvenancePrivate Collection, MilanLiteratureG. e G. Guastalla, "Marino Marini Catalogo ragionato dell'Opera grafica (Incisioni e Litografie) 1919 - 1980", Catalogue raisonné, Edizioni Graphis Arte, Livorno, 1990, p. 205, n. A 58
Franco Gentilini 1909 - 1981 Oil and collage on sandblasted cardboard on canvas H30 x L21 cm (H11.81 x L8.27 in ), 1974 Signature lower right. Stamp Breraarte, Milan on the reverse. The painting served as a sketch for the week of eleven etchings-aquatints illustrating the Decameron, Milan, 1975 Provenance Private Collection, Milan Exhibited "Gentilini", Galleria La Colomba, Turin, from 6 December 1976 Literature Exhibition catalogue,"Gentilini", Galleria La Colomba, Turin, 1976, n. 6 6 G. Appella, "Gentilini, catalogo generale dei dipinti 1923 - 1981", Edizioni de Luca, Rome, 2000, p. 622, n. 1409 Certificate of Authenticity The work is accompanied by the artist certificate of authenticity on photograph issued in Rome, 28 June 1977
Turi Simeti 1929 Chalcography on paper H50 x L70 cm (H19.69 x L27.56 in ), 1973 Signature and date lower right Provenance Private Collection, Milan Certificate of Authenticity The work is accompanied by a certificate of authenticity issued by the artist in October 2020, stamp by Archivio Turi Simeti, Milan curated by Dep Art Gallery, Milan. Archive n. 1973-CBL0502
MattiaMoreni12 novembre 1920 - 29 maggio 1999Oil on canvasH162 x L130 cm (H63.78 x L51.18 in ), 1959Signature and date lower left. Signature, title, place and date on the reverse. Label by Galleria Toninelli, Milan on the reverse. Stamp by Galleria Rotta, Genoa on the reverse. Stamp by Galleria San Matteo, Genoa on the reverseProvenanceParis rue la Bruyère Primavera Interart, Zurich; collection Maurice d'Arquian, Bruxelles Galleria Toninelli, Milan Galleria Rotta, Genoa Galleria San Matteo, Genoa Private Collection, MilanoExhibited"Vier Italiener: Giuseppe Capogrossi, Mattia Moreni, Arnaldo Pomodoro, Giò Pomodoro," Kolnischer Kunstverein, Cologne, 1961 (exhibition room dedicated to the artist) "Mattia Moreni", Gallerie del Teatro Regio, Parma, 20 -27 May 1962 "Mattia Moreni", Galleria San Matteo, Genoa, 29 January - 8 February 1962 "Mattia Moreni. Opere dal 1955 al 1959", Galleria la Medusa, Rome, March 1962 "Mattia Moreni", Galleria La Bussola, Turin, 12 January 1962 "Un percorso dell'Informale: Bionda, Carmassi, Chighine, Meloni, Moreni, Nuti, Scanavino, Vacchi, Vedova, Galleria Michaud, Florence, 23 January - 18 February 1971 "Appuntamenti con l'arte. Mattia Moreni" Cassa di risparmio di Lugo, Lugo, November 1987 "Mattia Moreni o del Niente è veramente 1951-1990", Palazzo Sforza, Cotignola, 21 December 1991- 19 January 1992LiteratureExhibition catalogue "Vier Italiener: Giuseppe Capogrossi, Mattia Moreni, Arnaldo Pomodoro, Giò Pomodoro" text by J. Alvard, Colonia , 1961, n. 6 Exhibition catalogue "Mattia Moreni", text by P. Restany, Parma, 1962, n. 12 Exhibition catalogue "Moreni", text by G. Ballo, Genoa, February 1962, n. 8 Exhibition catalogue "Mattia Moreni. Opere dal 1955 al 1959", n. 13 Exhibition catalogue "Mattia Moreni", text by G. Ballo, Turin, 1962, n. 14 Exhibition catelogue "Appuntamenti con l'arte. Mattia Moreni", introduction by S. Babini, Arti Grafiche, Faenza, 1987, rep. b/w Exhibition catalogue "Mattia Moreni o del Niente è veramente 1951-1990" text by F. Cavallucci, P. Franceschelli, A. Savini, Edizioni Essegi, Ravenna, 1991, n. 5, rep. col. pp. 29,43 Exhibition catalogue "Un percorso dell'Informale" catalogue n.5 artistic season 1970-1971 Galleria Michaud, intr. di L. Cavallo, Florence 1971, p. 16 A. Savini, "L'ultimo dei romantici" in "Il Nuovo Ravennate", 13 December 1991, p. 41 E. Crispolti, "Mattia Moreni Catalogo ragionato delle opere, dipinti 1934 - 1999", Silvana Editoriale, 2016, p. 276, n. 3/1959/4Certificate of AuthenticityThe work is accompanied by the artist certificate of authenticity on photograph. Certificate of authenticity issued by GAM Archivio Mattia Moreni, Bologna N. 59/002/GCG 11C .
PieroDorazio1927 - 2005Oil on canvasH150 x L110 cm (H59.06 x L43.31 in ), 1971Signature, date, title on the reverse. Label by Marlborough Galleria d’arte, Rome on the reverse. Stamp by Galleria Rotta, Genoa on the reverseProvenanceGalleria Spagnoli, Florence Galleria Giraldi, Livorno Marlborough Galleria d'arte, Rome Galleria Rotta, Genoa Private Collection, MilanLiteratureM.V. Orlandini, J. Lassaigne, G. Crisafi, "Dorazio", Ed. Alfieri, Venice, 1977, n. 1265 “Arte” Mensile arte, cultura, informazione, anno XVI, n. 168, November 1986, Milan, p.85Certificate of AuthenticityThe work is accompanied by a certificate of authenticity on photograph issued by Archivio Piero Dorazio, Milan, 2018. Certificate N. 1971 - 001265- F59D
MarioSironi1885 - 1961Oil on canvasH60 x L70 cm (H23.62 x L27.56 in ), Metà anni '50Signature lower right. Stamp by Galleria Bergamini, Milan on the reverseProvenanceGalleria Bergamini, Milan Collezione Pacilli, Milan Private Collection, MilanExhibited"Giorgio de Chirico 900, Bellezza e realtà", Villa Ponti, Arona, 31 October 2009 - 28 March 2010 "Poesia del vero, il paesaggio montano dall' 800 al Contemporaneo ", Centro Polifunzionale Ostana Cuneo, 17 October 2015 - 10 January 2016LiteratureM. Sironi, "Tempo di pittura murale" in Le Arti, 5th year, n. 34, March - April 1954, p.8 Exhibition catalogue "Giorgio de Chirico 900, Bellezza e realtà" curated by C. Occhipinti, Editore s.e., Milan, 2009, p. 76 Exhibition catalogue "Poesia del vero, il paesaggio montano dall' 800 al Contemporaneo", p. 38Certificate of AuthenticityThe work is accompanied by a certificate of authenticity issued by Francesco Meloni
RiccardoLicata1929 - 2014Mixed media on paper on panelH41.5 x L32 cm (H16.34 x L12.60 in ), 1974Signature and date lower center. Stamp by Galleria L'Alfiere, Padua on the reverseProvenanceGalleria L'Alfiere, Padua Private Collection, PaduaCertificate of AuthenticityThe work is accompanied by the artist certificate of authenticity on photograph issued in Padua 20 March 1991
GiorgioMorandi1890 - 1964Pencil on paperH10 x L10 cm (H3.94 x L3.94 in ), 1946Signature and date lower center. Stamp by Galleria Annunciata, Milan on the reverseProvenanceCollezione Accetti, Milan Galleria Annunciata, Milan Private Collection, MilanCertificate of AuthenticityThe work is accompanied by a certificate of authenticity on photograph issued by Marilena Pasquali, Centro Studi Giorgio Morandi, Bologna, 6 July 2019. The work will be catalogued and published in the General Catalogue of Giorgio Morandi's works with the n. D1946/5
MarioRossello1927 - 2000Enamel on canvasH30 x L25 cm (H11.81 x L9.84 in ), 1982Signature and date lower right. Stamp by Galleria d'Arte Bonaparte, Milan on the reverseProvenanceGalleria d'Arte Bonaparte, Milan Private Collection, MilanCertificate of AuthenticityThe work is accompanied by the artist certificate of authenticity on photograph
AlbertoManfredi1930 - 2001Oil on hardboardH39 x L30 cm (H15.35 x L11.81 in ), 1993Signature and date lower left. Title on the reverse. Stamp by Archivio il Mappamondo, Milan on the reverseProvenancePrivate Collection, MilanExhibited"Alberto Manfredi alla Versiliana", Galleria Il Mappamondo, Milan/Marina di Pietrasata, 10 July - 26 August 1993LiteratureExhibition catalogue "Alberto Manfredi alla Versiliana", Galleria Il Mappamondo, Milan 1993, p. 3Certificate of AuthenticityThe work is accompanied by the artist certificate of authenticity on photograph. N. 222 Archivio Generale Il Mappamondo, Milan; Opere di Alberto Manfredi
AlbertoManfredi1930 - 2001oil on cardboard canvasH30 x L20 cm (H11.81 x L7.87 in ), 1993Signature lower right. Signature, date, title on the reverse. Stamp by Archivio Generale Il Mappamondo, Milan on the reverseProvenancePrivate Collection, MilanCertificate of AuthenticityThe work is accompanied by the artist certificate of authenticity on photograph. N. 251 Archivio Generale Il Mappamondo, Milan; Opere di Alberto Manfredi
Andy Warhol (American 1928-1987), 'Siberian Tiger, from Endangered Species', 1983, screen print in colours on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 150, published by Ronald Feldman Fine Arts, Inc., New York, stamped with the Publishers stamp to the sheet verso; sheet: 96.5 x 96.5cm
Andy Warhol (American 1928-1987), 'Elephant, from Endangered Species', 1983, screenprint in colours on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 150, published by Ronald Feldman Fine Arts, Inc., New York, stamped with the Publishers Stamp and Artists' Copyright verso; sheet: 96.5 x 96.5cm
Andy Warhol (American 1928-1987), 'Apple (Macintosh), from Ads Series', 1985, screenprint in colours on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 190, published by Ronald Feldman Fine Arts, Inc., New York, stamped with the Publishers And Artist's Copyright Stamp, and Apple Computer Inc Copyright Stamp verso; sheet: 96.5 x 96.5cm
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