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Click here to subscribeMiniature 2nd Pattern Luftwaffe Dress Dagger, fine example with orange celluloid grip having wire binding. Pommel with swastika to both sides and standard type cross guard with Luftwaffe eagle. Housed in its scabbard with two hanging rings. Polished un-maker marked blade which measures 14 ¼ cms, overall 24cms. Please see Auction Information page for details on the shipping of edged weapons.
Miniature WW2 German Luftwaffe Officers Sword, excellent quality, large type miniature, overall length 26cms, scabbard and grip covered in blue leather, 17cms blade in mint condition, retaining all original bright factory polish, hanging ring either side of scabbard. Excellent condition. Please see Auction Information page for details on the shipping of edged weapons.
Third Reich R.A.D (Labour Service) Enlisted Ranks Dagger / Hewer by Carl Eickhorn Solingen, with two piece stag horn grips. Housed in its original scabbard, refinished black centre. Lower mount with RAD emblem. Scabbard mounts with replaced screws. Standard hewer type blade with motto “Arbeit adelt” and the reverse with Carl Eickhorn Solingen makers trade mark and the RAD acceptance stamp. Some wear to the exterior of the dagger but the blade remains in good condition. Blade 24 ½ cms, overall 39 ½ cms. Re-offered due to non-paying bidder.
Third Reich Hitler Youth Boys Dagger by Max Weyersberg, good example with two piece black chequered grips, enamel Hitler Youth diamond insignia to the centre of the grip, no movement in the badge. Housed in its original scabbard with brown leather belt loop fitting. Standard pattern plain blade with the reverse having the RZM makers code M7/12 for Max Weyersberg. The blade measures 14cms, overall 25cms. Please see Auction Information page for details on the shipping of edged weapons.
Third Reich Hitler Youth Boys Dagger by Arthur Schuttelhofer, untouched example with two piece black chequered grips, enamel Hitler Youth diamond insignia to the centre of the grip, slight movement in the badge. Housed in its original scabbard, missing the belt loop fitting. Standard pattern plain blade with the reverse having the RZM makers code M7/13 for Arthur Schuttelhofer. The blade measures 14cms, overall 25cms. Please see Auction Information page for details on the shipping of edged weapons.
Third Reich Hitler Youth Boys Dagger by Klittermann & Moog, good untouched example of a transitional pattern Hitler Youth boys dagger, with black chequered grips, enamel HJ diamond with movement inserted. Plated pommel and cross guard. Housed in the original scabbard with leather belt loop fitting. Knife blade with Klittermann & Moog makers trade mark and also RZM M7/29 1940. The blade measures 13 ½ cms, overall 26cms. Please see Auction Information page for details on the shipping of edged weapons.
Third Reich Hitler Youth Boys Dagger by Wilhelm Wagner Solingen, transitional pattern dagger with motto “Blut und Ehre!” to the blade. Reverse of the blade with Wilhelm Wagner makers trade mark and RZM M7/25. Two piece black chequered grips with enamel HJ diamond to the centre which shows movement. Housed in its original scabbard with leather belt hanging strap, repair / replaced securing strap. Blade 14cms, overall 25 ½ cms. Please see Auction Information page for details on the shipping of edged weapons.
Third Reich Reichsluftschutzbund (R.L.B) 1st Pattern Enlisted Mans Dress Dagger, complete with the original grip which retains the 1st pattern emblem with blue enamel to the lettering. Original pommel and eagle cross guard. Housed in its original scabbard with single hanging mount and leather hanging strap. Double edged blade with medial ridge. Makers trademark has been removed from the blade. Some stress lines to the dagger fittings.
WW2 German K98 Combat Bayonet, untouched as found example with miss-matched numbers, bakelite two piece grips. Brown (Luftwaffe / Police) leather bayonet frog attached to the scabbard. Blade with some of the original blueing remaining. Fuller to the back edge. Blade measures 25cms, overall 40 ½ cms. Bayonet surface rusted to the exterior. Please see Auction Information page for details on the shipping of edged weapons.
Matching Numbers WW2 German K98 Bayonet, with two piece grips, steel pommel with Waffenamt stamp to the reverse. Housed in steel scabbard with frog mount. Blade and scabbard with matching numbers “3907”. Blade with fuller to the back edge. Blade 25cms, overall 40 ½ cms. Some surface wear to the exterior. Please see Auction Information page for details on the shipping of edged weapons.
Kandschar mit silberner Scheide, Persien, 1. Hälfte 19. Jhdt. Gekrümmte, zweischneidige Klinge aus Wootzdamast mit beidseitiger kräftiger Mittelrippe. Einteilig geschnitzter Griff aus Walrosselfenbein mit kräftig reliefiertem Dekor. Beidseitig Darstellung historischer Figuren zwischen Schriftkartuschen. Mit graviertem und getriebenem Silberblech ummantelte Holzscheide. Schauseitig Zierbesatz aus Türkiscabochons, ein gefasster Korallencabochon sowie Auflagen aus Goldblech. Länge 36 cm.Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. A Persian khanjar with silver scabbard, 1st half of the 19th century Gekrümmte, zweischneidige Klinge aus Wootzdamast mit beidseitiger kräftiger Mittelrippe. Einteilig geschnitzter Griff aus Walrosselfenbein mit kräftig reliefiertem Dekor. Beidseitig Darstellung historischer Figuren zwischen Schriftkartuschen. Mit graviertem und getriebenem Silberblech ummantelte Holzscheide. Schauseitig Zierbesatz aus Türkiscabochons, ein gefasster Korallencabochon sowie Auflagen aus Goldblech. Länge 36 cm.Attention: This lot can only be shipped within the European Union.
Silbermontierter Shamshir, balkantürkisch, um 1800 Kräftige (partiell stärker korrodierte) Rückenklinge aus Wootzdamast mit Resten einer goldeingelegten Marke auf der Terzseite. Griffband und Parierstange aus ornamental reliefiertem Silber mit zwei vernieteten (narbigen) Horngriffschalen. Im Mittelteil samtbezogene Holzscheide mit floral und geometrisch getriebenen und punzierten Silberbeschlägen. Zwei bewegliche Trageringe. Beschläge an den Kanten teilweise etwas eingerissen. Länge 94,5 cm. A silver-mounted Balkan Turkish shamshir, circa 1800 Sturdy single-edged wootz Damascus blade (heavily corroded in places) with remnants of a gold-inlaid mark on the obverse. Grip strap and quillons of silver with ornamental decoration in relief and two (pitted) riveted horn grip scales. Wooden scabbard covered with velvet in the middle and silver fittings chased and punched with floral and geometrical ornaments. Two movable suspension rings. Fittings somewhat torn at the edges. Length 94.5 cm.
Niellierte Silberscheide für einen Yatagan, osmanisch, 18. Jhdt Scheide aus fein graviertem und mit Niellodekor verziertem Silber, Mund- und Ortblech vergoldet, geschnittene Trageöse mit anhängendem Erbskettchen. Länge 45 cm, Gewicht 296,5 g. An Ottoman nielloed silver scabbard for a yatagan, 18th century Scheide aus fein graviertem und mit Niellodekor verziertem Silber, Mund- und Ortblech vergoldet, geschnittene Trageöse mit anhängendem Erbskettchen. Länge 45 cm, Gewicht 296,5 g.
Silbereingelegter Yatagan, osmanisch, datiert 1779 Beidseitig floral silbereingelegte Klinge mit quartseitig langer Schriftkartusche, Herstellersignatur sowie Datierung "1193" (= 1779). Griff- und Klingenfassung aus vergoldetem Silber mit drei gefassten Korallen am Knauf. Zwei vernietete (intakte) Walrossgriffschalen. Dreiteilig gearbeitete, floral und plastisch getriebene, punzierte Silberscheide. Länge 70 cm. A silver-inlaid Ottoman yatagan, dated 1779 Blade inlaid on both sides with floral ornaments with long inscribed cartouche on the reverse, maker's mark and date "1193" (1779). The grip and blade mountings of gilt silver set with three corals on the pommel. Two riveted (intact) walrus grip panels. Three-piece embossed silver scabbard chased with flowers and ornaments. Length 70 cm.
Goldtauschierter Tulwar mit Rückenklinge aus feinem, gemasertem Wootz-Damast, Indien, 1. Hälfte 19. Jhdt. Kräftige Rückenklinge aus gemasertem Wootz-Damast mit beidseitig goldtauschierten Kartuschen mit Floraldekor. Typisches, vollflächig floral goldtauschiertes, eisernes Bügelgefäß. Textilbezogene Holzscheide mit zwei vergoldeten Tragespangen und en suite goldtauschiertem Ort- und Mundbeschlag. Gut erhaltene Goldtauschierung, originaler Textilbezug. Holzscheide und Textilbezug mit Altersspuren und kleinen Fehlstellen bzw. Rissen. Länge 90 cm. Vgl. Hermann Historica, Auktion 76, Los 2701, sehr ähnlicher Tulwar, verkauft für € 6.500.Keywords: Talwar, India, A gold-inlaid Indian tulwar with single-edged blade of fine, grained wootz-Damascus steel, 1st half of the 19th century Sturdy single-edged blade of grained wootz-Damascus steel with flower cartouches inlaid in gold on both sides. Characteristic iron knuckle-bow hilt profusely decorated with flower ornaments inlaid in gold. Wooden scabbard with cloth cover, two gilt suspension bars, and locket and chape with en suite gold inlays. Well-preserved gold inlays, original cloth cover. Wooden scabbard and cloth cover with traces of age and minor flaws and tears, respectively. Length 90 cm. Cf. Hermann Historica, auction 76, lot 2701, very similar tulwar, sold for € 6,500.Keywords: Talwar, India,
A gilt silver and gold-koftgari steel push dagger (katar) North India, possibly Punjab, 18th Centurythe doubled-edged watered-steel blade with chiselled flowers to forte and centre, decorated in openwork and gold overlay with bands of palmettes and floral interlace, the hilt with cusped knuckle bar, with chiselled floral decoration and clad in gilt-silver, leather clad wood scabbard 31.5 cm. longFootnotes:The present lot provides a fine example of Indian craftsmanship. The side-bars and handgrips, decorated with flowerheads and foliate motifs, form a cohesive decorative programme culminating in the v-shaped knuckle bar cut in the form of leaves, its central sloping arch as though simulating a convergence of vine tendrils. The allusion to nature is further continued through the blade itself, featuring a blossoming flower and carved floral stem as well as floral koftgari motifs to the edges. The peaked shape of the knuckle-bar is paralleled in two examples found in Susan Stronge (ed.), The Arts of the Sikh Kingdoms, Victoria & Albert Museum, London, 1999, p. 139, no. 156 & 157 (The Board of Trustees of the Armouries (XXVI D62 & 85)). A further example is in the Metropolitan Museum of Art, New York (Acc. No. 36.25.694).For further information on this lot please visit Bonhams.com
TORSE DE DIVINITÉ MASCULINE EN GRÈSCambodge, style de Khleang, fin du Xe/début du XIe siècle A SANDSTONE TORSO OF A MALE DEITYCambodia, Khleang style, late 10th/early 11th centuryThe elegant torso with subtle, yet powerful representation of his pectoral muscles and broad shoulders. The superb sampot is rendered in narrow vertical pleats and spreads across the left thigh in broader fan-like manner. The fabric is drawn between the thighs and arranged on the verso in a double hook that rises from beneath the belt. The observation of the garment by the artist is remarkable in the manner in which it is secured with a delicately depicted overlapping sash on the left side and is pulled under the right side with a fold protruding artfully from the top and the end draped in a scabbard-like fold. 70cm (27 9/16in) high.Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired from Peng Seng, Bangkok, 26 January 1971Jean-Pierre Rousset, Paris (1936-2021)This rare and very important sculpture represents the transition in aesthetic tastes under Sûryavarman I (1002-1010) that defined the Khleang style. It is most likely that the figure portrays Avalokiteshvara due to the presence of four arms and the ruler's favour of Buddhism. The shoulders are quite straight and do not yet have the roundness of the style of the Baphuon and the adaptation of the sampot closer to the style of Banteay Srei. As with an example in the Norton Simon Museum of Art (P.Pal, Asian Art from the Norton Simon Museum of Art, Volume 3, p.184, no.145) the sampot has become shorter and has an oblique edge stopping at mid-thighs. The rendering of a finely pleated fabric replaces the broad vertical panels favoured in the 10th century reflecting the residual hieratic power of Pre Rup (see Jessup and Zéphir, Sculpture of Angkor and Ancient Cambodia, Millennium of Glory, 1997, p.218, no.46), and predicts the following celebrated Baphuon style (see lot 66). Here the sampot circles the waist in a flatter line as opposed to riding high on the hips as seen in Baphuon but is carved with the same delicacy and lightness (see Brand and Phoeurn, The Age of Angkor: Treasures from the National Museum of Cambodia, Australia, 1992, p. 74).Cette rare et très importante sculpture traduit la transition des styles sous Sûryavarman I (1002-1010) qui annonce le style de Khleang. La préférence du souverain pour le bouddhisme suggère que cette statue est une représentation d'Avalokiteshvara, avec ses quatre bras. Les épaules sont assez raides et n'ont pas encore la rondeur du style de Baphuon. Le style du sampot est plus proche du style de Banteay Srei. Dans l'exemple du Norton Simon Museum of Art (P.Pal, Asian Art from the Norton Simon Museum of Art, Volume 3, p.184, no.145) le sampot est plus court avec un bord oblique s'arrêtant à mi-cuisse. Le rendu d'un tissu finement plissé remplace les larges pans d'étoffe verticaux privilégiés au Xe siècle, reflétant le pouvoir hiérarchique résiduel de Pré Rup (voir H.I.Jessup et T.Zéphir, Sculpture of Angkor and Ancient Cambodia, Millennium of Glory, 1997, p.218, no.46), et prédit le célèbre style Baphuon qui suivra (voir lot 66). Ici, le sampot entoure la taille d'une ligne plus plate contrairement au style de Baphuon qui est au-dessus des hanches, mais il est sculpté avec la même délicatesse et légèreté (voir Brand et Phoeurn, The Age of Angkor: Treasures from the National Museum of Cambodia, Australia, 1992, p.74).柬埔寨 克亮風格 十世紀末/十一世紀初 砂岩神像來源：巴黎Robert Rousset（1901-1981）舊藏，於1971年1月26日得自曼谷Peng Seng古董店巴黎Jean-Pierre Rousset（1936-2021）舊藏這尊罕見且十分重要的雕塑代表了蘇利耶跋摩一世時期(1002-1010年) 審美趣味的轉變，奠定了南北倉風格。因其具四臂，且時任統治者更推崇佛教，故此像應為觀世音菩薩。此像肩膀筆直，未見巴普昂寺風格般渾圓的處理手法，其沙龍樣式更接近女王宮風格。參見諾頓西蒙博物館館藏一例，收錄于P. Pal著《Asian Art from the Norton Simon Museum of Art》，卷 3，頁184，編號145，其沙龍長度縮短，裙擺為斜邊，及大腿中部。裙褶處理手法精細，取代流行於十世紀體現比粒寺準則的寬闊垂直布幅（參見 H.I. Jessup et T. Zéphir，《Sculpture of Angkor and Ancient Cambodia, Millennium of Glory》，1997年，頁218，編號46)，並預示此後出現的巴普昂寺風格（見拍品編號66）。此處沙龍環繞腰際，線條處理較扁平，相較而言，巴普昂寺風格的沙龍則繫于臀部上方，但雕刻同樣精緻輕盈（參見 M. Brand 和 C. Phoeurn所著，《The Age of Angkor: Treasures from the National Museum of Cambodia》，澳大利亞，1992年，頁74)。For further information on this lot please visit Bonhams.com
STATUE DE DIVINITÉ MASCULINE EN GRÈSCambodge, style du Baphuon, XIe siècleA SANDSTONE FIGURE OF A MALE DEITYCambodia, Baphuon style, 11th centuryThe elegant elongated torso with a sampot rendered in narrow vertical pleats around the right leg and spreading across the left in broader fan-like manner. The fabric is drawn between the thighs and arranged on the verso in a fan-like fold that rises from beneath the belt. The observation of the garment by the artist is remarkable in the manner in which it is secured with a delicately depicted overlapping sash on the left side and is pulled under the right side with a fold protruding artfully from the top and the end draped in a scabbard-like fold, stand. 98cm (38 5/8in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired from Peng Seng, Bangkok, 27 April 1965Jean-Pierre Rousset, Paris (1936-2021)This large torso of an unidentified male sandstone deity presents all the characteristics of the Baphuon style. Departing from the earlier modelling focused on power and plumpness, the emergences of tendency to greater abstraction with slender and more attenuated representation of the human form. This is especially evident in the more naturalistic treatment of the torso tapering to narrow hips. The most notable departure was the new fashion of sampot that dominated the Baphuon sculptural style that drew upon the Banteay Srei but adopts the pleated fabric.Compare with an a closely related example in M.Brand and C.Phoeurn, in the The Age of Angkor: Treasures from the National Museum of Cambodia, Melbourne, 1992, p.74.Ce grand torse d'une divinité masculine non identifiée en grès présente toutes les caractéristiques du style Baphuon. S'écartant du modelage antérieur axé sur la puissance et la rondeur, on observe l'émergence d'une tendance à une plus grande abstraction avec une représentation plus élancée et plus affinée de la forme humaine. Ceci est particulièrement évident dans le traitement plus naturaliste du torse accentué par des hanches étroites. Le changement le plus notable est la nouvelle mode du sampot qui domine le style sculptural de Baphuon, inspiré de celui de Banteay Srei, mais adoptant le tissu plissé.Comparé avec un exemple très proche dans M.Brand et C.Phoeurn, The Age of Angkor: Treasures from the National Museum of Cambodia, Melbourne, 1992, p.74.柬埔寨 巴普昂寺風格 十一世紀 砂岩神像來源：巴黎Robert Rousset（1901-1981）舊藏，於1965年4月27日得自曼谷Peng Seng古董店巴黎Jean-Pierre Rousset（1936-2021）舊藏此佚名砂岩神像軀幹具備巴方寺風格雕塑所有的特點。脫離早期雕塑著重對力量及豐盈體量的表現模式，呈現出更為抽象、纖柔的人體形像。尤其從軀幹向狹窄臀部逐漸收細的處理手法，明顯更趨自然含蓄。最顯著改變為雕像穿著的紗籠裙，為主導巴普昂寺雕塑的嶄新風格，此特式借見於女王宮風格雕像上，惟裙帶褶襉。 見近似一例，圖載於M.Brand及C.Phoeurn，《吳哥時代：柬埔寨國家博物館的瑰寶》，墨爾本，1992年，頁74。For further information on this lot please visit Bonhams.com
Luftwaffe - Allgemein : Nachlaß des Generalleutnants Kurt Mälzer. Soldbuch, ausgestellt am 1. September 1939. Mit schönem Foto als Generalmajor mit den hier angebotenen, an ihn verliehenen Auszeichnungen. Mit Eintragungen der Beförderungen bis zum Generalleutnant ( 1.10.1943) sowie sämtlicher Auszeichnungen. Durch Gebrauch etwas zerflättert. Eisernes Kreuz 1. Kasse 1914. Versilbert, mit nicht magnetischem Kern, an Nadel. Rückseitig Kissenform. Eisernes Kreuz 1. Kasse 1914. Silber, mit magnetischem Kern, an Nadel. Im Originaletui. Wiederholungsspange 1939 zum Eisernen Kreuz 2. Klasse 1914. Buntmetallausführung, versilbert. Auf originaler Bandunterlage mit Druckknöpfen. Im zeitgenössischen, jedoch nicht zugehörigen Etui ähnlich dem Etui der Ehrenblattspange. Militär - Flugzeugführerabzeichen aus dem 1. Weltkrieg. Buntmetall - versilbert. An Nadel (Gegenhaken abgebrochen). Hohl - verbödete Ausführung. Flugzeigführerabzeichen. Frühe Buntmetallausführung, versilbert. An Nadel. Auf der Rückseite Herstellerzeichen "C.E. JUNCKER BERLIN SW. Die linke Flügelspitze des Adlers mit Riß. Effektenkonvolut mit einem Paar Schulterstücke als Generalmajor der Luftwaffe, einzelnes Schulterstück Generalleutnant, ungleiches Paar Kragenspiegel als Generalleutnant der Luftwaffe. Luftwaffen - Offiziersdolch. Leichtmetallausführung mit weißem Kunststoffgriff. Klinge mit gereinigten Korrosionsspuren. Rückseitig Herstellerzeichen "Alcoso", Solingen. Versilberte Eisenscheide. Mit zwei Originalgehängen. Originales US - Pressefoto von dem gegen Mälzer geführten Prozeß 1946 sowie des Mitangeklagten Pietro Caruso, Chef der Polizei von Rom. Kurt Mälzer (* 2. August 1894 in Altenburg; ? 24. März 1952 in Werl) war Generalleutnant der deutschen Luftwaffe. Bei Beginn des Zweiten Weltkriegs war Mälzer zum Stab der Luftflotte 2 abgestellt. Während des Frankreichfeldzuges wurde Mälzer am 28. Mai 1940 Kommandant der Flugbereitschaft des Luftgaukommandos Belgien-Nordfrankreich in Brüssel. 1941 zum Generalmajor befördert, war er 1942/43 Abteilungsleiter im Reichsluftfahrtministerium und wurde im September 1943 Kommandant der Sanitäts-Flugbereitschaft 17 in Wien. Am 1. Oktober 1943 zum Generalleutnant befördert, wurde er zum 30. Oktober 1943 als Stadtkommandant nach Rom versetzt. Als solcher unterstand er Eberhard von Mackensen. Als Kommandant von Rom war er 1944 nach dem Attentat in der Via Rasella am 23. März 1944 auf das Polizeiregiment "Bozen" für das Massaker in den Ardeatinischen Höhlen mitverantwortlich. Er wurde 1946 zum Tode verurteilt, aber zu einer lebenslänglichen Haftstrafe begnadigt und starb noch vor seiner sich abzeichnenden Entlassung in der JVA Werl. Historisch hochinteressantes Konvolut von großer Seltenheit und hervorragend für eine museale Ausstellung geeignet.Luftwaffe - Miscellaneous : Estate of Lieutenant General Kurt Mälzer.Grouping consists of the following: Kurt Mälzer's Soldbuch, issued on 1 September 1939. With beautiful photo as Major General with the decorations awarded to him offered here. With entries of promotions up to Lieutenant General (1.10.1943) and all awards. Somewhat flaked due to use. Iron Cross 1st Class 1914. Silver plated, with non-magnetic core, on pin. Cushion shape on reverse. Iron Cross 1st Class 1914, silver, with magnetic core, on pin. In original case. Repetition clasp 1939 to the Iron Cross 2nd Class 1914. Tombac version, silver plated. On original ribbon backing with buttons to be fixed on the button hole. In a contemporary case similar to the case of the honour clasp. 1st World War Pilot's badge. Silver-plated tombac version. Reverse fitted with pin (catch broken off). Hollow construction with back plate. Pilot's badge. Early tombac version, silver plated. Reverse fitted with pin. Manufacturer's mark "C.E. JUNCKER BERLIN SW" on reverse. The left wing tip of the eagle with crack. Lot of insignia with a pair of shoulder boards as Major General of the Luftwaffe, single shoulder board for Lieutenant General, unequal pair of collar patches as Lieutenant General of the Luftwaffe. Luftwaffe - Officer's Dagger. Light metal version with white plastic grip. Blade with cleaned traces of corrosion. Manufacturer's mark "Alcoso", Solingen, on the reverse. Silver-plated iron scabbard. With two original hangers. Original US press photo of the 1946 trial of Mälzer and his co-defendant Pietro Caruso, chief of the Rome police. Kurt Mälzer (* 2 August 1894 in Altenburg; ? 24 March 1952 in Werl) was a Lieutenant General in the German Air Force. At the beginning of the Second World War, Mälzer was seconded to the staff of Luftflotte 2. During the French campaign, Mälzer became commander of the airborne unit of the Luftgaukommando Belgium-Northern France in Brussels on 28 May 1940. Promoted to major general in 1941, he was head of department in the Reich Aviation Ministry in 1942/43 and became commander of Sanitäts-Flugbereitschaft 17 in Vienna in September 1943. Promoted to lieutenant general on 1 October 1943, he was transferred to Rome as city commander on 30 October 1943. As such, he was subordinate to Eberhard von Mackensen. As commander of Rome in 1944, he was jointly responsible for the massacre in the Ardeatine Caves after the assassination of soldiers of the "Bozen" police regiment in Via Rasella on 23 March 1944. He was sentenced to death in 1946, but was pardoned to life imprisonment and died in Werl Prison before his imminent release. Historically highly interesting convolute of great rarity and excellently suited for a museum exhibition.
Quantity of mixed collectables to include two ceramic ' The New Slipper ' Bed Pans, three vintage soda syphons, Czechoslovakian glass 'The Hygienic Feeder', silver plated cocktail shaker, Sheffield pewter teapot, a carved wooden souvenir knife & scabbard, an Italian classical style beaded tray, carved resin vase with elephant decoration, cruet set, etc (2 boxes)
WILLIAM IV DRESS SWORD,the pipeback blade unmarked, with pierced cypher to guard, with scabbard, 94cm long overallScabbard doesn't appear to have any dents, scratches present. The blade does have a slight offset towards the tip, scabbard straight. The blade is 77.5cm and the scabbard 79.5cm. The guard is loose and the pommel does have some jiggle. Photo added of the grip wires. Additional images have been uploaded.
A SILVER MOUNTED SKEAN DHUHallmarked George Unite, Birmingham 1879With notched tapering blade, the wooded beaded grip with Celtic interlace and facetted glass-set pommel, with black silver-mounted leather scabbard, the skean dhu 18cm long.For further information on this lot please visit Bonhams.com
A SCOTS GUARDS REGIMENTAL SILVER PLATE MOUNTED DIRKBy Anderson & Sons of George Street, EdinburghWith tapering blade, notched and fullered along the back to the double-edges point, the baluster wooden grip of swelling circular section carved with beaded Celtic interlace, the pommel-cap with facetted glass 'gem', in a black leather scabbard applied with thistles and regimental badge, with companion glass-set knife and fork en suite, the dirk 44cm longFor further information on this lot please visit Bonhams.com
A SCOTTISH REGIMENTAL WHITE METAL MOUNTED DIRK OF THE CAMERONIANS (SCOTTISH RIFLES)With baluster basketweave grip set with brass studs, the black leather scabbard with chape and mounts for the by-knife and fork, 47cm long; together with a Cameronians (Scottish Rifles) sporran, with white metal cantle, 45cm long, both by Lawrie of Glasgow; and a Border Rifles dress sword by Hobson & Sons, with tan leather scabbard, 103cm long. (3)For further information on this lot please visit Bonhams.com
A VICTORIAN AGATE AND SILVER MOUNTED SKEAN DHU The pommel with an oval polished agate, above the beaded basket-weave grip, thistle embossed mounts, engraved initials to rear, notched blade and leather scabbard, indistinct hallmarks, maker DF, blade 8.5cm long.For further information on this lot please visit Bonhams.com
A BRITISH PATTERN 1907 SANDERSON BAYONET AND SCABBARD with stamp Crown cipher and GR 1907 to blade. Note: These bladed products are not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please be aware that edged weapons or bladed products cannot be sent by postal courier to a UK residential address (Offensive Weapons Act 2019), 26 cnm long
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