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Lot 1

AN ART NOUVEAU SILVER AND ENAMELLED PENDANT BY CHARLES HORNER, of stylised plant forms enamelled in green and blue, Chester 1918 # 50 - 75. 343. AN ART NOUVEAU SILVER AND ENAMELLED PENDANT BY CHARLES HORNER, of inverted bell-shape, enamelled in black highlighted with white and roses, centred with a collet set pearl, Chester 1914

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A 19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, having an arched painted dial, 14in., with Roman numerals, two subsidiary dials painted to the centre with Jas Millar of Selkirk, the spandrels painted emblematic of the seasons, the arch with cottagers in an interior, eight-day movement striking on a bell, the hood having a swan neck pediment with three brass ball and eagle finials, turned pilasters, the trunk having convex and moulding, bowed door with cushion cresting and acorn finial flanked by half-round columns, the lower trunk with indented panel and on bracket feet, 86.5in. (220cms) high

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A GEORGE III SCOTTISH OAK LONGCASE CLOCK, having a silvered arched dial, 12in. (30.5cms), with Roman and Arabic numerals, seconds and calendar subsidiary dials, engraved to the centre with stylized birds and leafage, signed Alex MacFarlane of Perth No. 7 of eight-day movement with repeat strike on a bell, the hood with swan neck pediment above blind fret panels, reeded pilasters, the trunk having a shaped top to the long door, canted corners, on bracket feet, 82in. (208.5cms)

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AN 18TH/19TH CENTURY OAK LONGCASE CLOCK, the brass dial 12in. (30.5cms), with silvered chapter ring and seconds dial, the matted centre engraved with foliate scrolls, cast brass spandrels, inscribed John Holroyd, of 8 day movement striking on a bell, the case with square hood and reeded pilaster, the trunk with naive floral and foliate decoration in low relief, 81in. high (206 cms) (no pendulum or weights)

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varley (rev. telford). hampshire, one vol., London 1909 illus. Wilfred Bell, seventy-five col. plates, tissue guards with titles, decor. cl. bds

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A bronze or bell metal bell of typical shape surmounted by a crown of four lug handles, the clapper of iron, 30cm diameter. By family tradition this was an RAF bell used in World War II to rally pilots to scramble their aeroplanes

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A 19th century mahogany eight day longcase clock, the moulded arched cornice above an arch glazed door flanked with reeded columns enclosing an arched 12 inch painted dial with secondary seconds dial and date aperture signed S Peacock, Lincoln with five pillar bell striking movement above an arched long trunk door having a central lock, standing on a plinth base with bracket feet, 221cm high

Lot 1

A 19th century mahogany 30 hour longcase clock, the arched cornice above a glazed door flanked with turned columns enclosing an 11 inch painted dial with Roman numerals and secondary date and seconds dial signed W Loof, Parade, Tonbridge Wells, with four pillar bell striking movement above a long trunk door, standing on a plinth base with bracket feet and a shaped apron, 195cm high

Lot 1

Thomas a Paris, a mid 19th century marquetried rosewood cased mantel clock, the Vincenti eight day pendulum movement countwheel striking on a bell fixed to the lift out door at the back of the rectangular case, the glazing over the enamel dial sliding up to facilitate winding, further glazing between the gilt brass handle terminals over the anchor escapement, 22cm high

Lot 1

Marriott, London, a George III walnut cased table clock, the eight day three train fusee movement striking on a bell to one side of the carillon of eight bells, the pendulum bob and back plate engraved with foliage and the latter named, the brass dial with date aperture, subsidiary pendulum adjustment and strike/silent dials, the case surmounted by five urns, the dial between gilt brass caryatids, the sides with foliate pierced wood grilles over yellow silk, all on stepped bracket feet, 66cm high

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A late 19th century French alarum carriage clock, the eight day movement with alarm bell, the obis case with enamelled dial and faint retailers mark, 12cm high, with leather carrying case

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Henri Marc, a mid 19th century rosewood cased mantel clock, the eight day movement with platform escapement and striking on a bell, the enamel dial within a rectangular case topped by a gilt brass handle, the plinth foot with presentation label dated 1873 18.5cm high

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An 18th century walnut eight day longcase clock, the moulded cornice above an arch glazed door flanked with three quarter columns enclosing a 12 inch brass arched dial with Roman numerals and secondary seconds dial and date aperture, signed Richd Rayment, Bury, with five pillar bell striking movement above a long arched trunk door, standing on a reduced plinth base, 201cm high

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TC Savory, Cornhill, London, an early 19th century Neogothic rosewood cased mantel clock, the twin fusée eight day movement with anchor escapement and striking on a bell, the Gothic arched silvered dial with foliate engraved spandrels flanking the strike/silent dial and below the Roman numerals of the chapter ring, the triangular arched case on four bun feet, 49cm high

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Goldar, Gloucester, a 19th century mahogany wall clock, the twin fusée eight day movement striking on a bell, the trunk below the circular dial with convex glazed brass bezelled door, 39cm diameter

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A 19th century Marti eight day movement retailed by Gay Vicarino & Co and in later mahogany urn case, the pendulum movement originally striking on a bell, the case surmounted by a gilt brass acorn and the enamel dial flanked by rams' heads, the rectangular plinth on four brass bun feet, 43.5cm high

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Charles Frodsham, Maker to the Queen, a Victorian eight day clock movement in later mahogany case, the pendulum movement striking on a bell, the back plate stamped 298884 23-2 the gilt dial with foliate engraving central to the Roman chapter ring within cylindrical case supported on line inlaid down swept sides and brass stepped bracket feet, 42cm high

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A late 19th century Japy Freres eight day movement in later mahogany case, the pendulum movement originally striking on a bell, contained in line inlaid cylindrical case supported on downswept open brackets resting on chequer line inlaid plinth and four brass ball feet, 26cm high

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A 19th century Chinese clock, the eight day twin fusee movement with crown wheel escapement and fixed bob pendulum, the strike on a bell, the back plate bears a flourished signature twice (possibly European) with Chinese characters below, the slide up back of the case pierced with shou characters and wufu repeated on the engraved gilt metal surround to the circular white enamel dial bearing Roman and Arabic numerals, a drawer in the base of the rectangular case, 50cm high

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A Victorian and later ebonised bracket clock and bracket, the eight day triple fusée movement with anchor escapement, strike on one bell and carillon chime on eight bells operated by a cylinder inserted with needles, the silvered chapter ring with skeleton centre, the rectangular case with glazed sides, 37cm high

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Usherwood, Ticehurst, an oak alarum pantry clock, with engraved arched brass dial and alarum disc, bell striking posted frame movement, 37cm high (the case with restoration)

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An early 20th century French brass cased mantel clock, the eight day movement countwheel striking on a bell, the enamel dial with blue Roman numerals below an urn and between foliate volutes, a bow and quiver on the pierced plinth above the spindle and bracket feet, 54.5cm high

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Billy Dorling, St Edmund's Bury, a 19th century lantern clock, the eight day twin fusée movement striking on the bell surmounting the case between pierced foliate cresting, the brass chapter ring on one side doors on the other above four ball feet, 37cm high

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A Victorian cut glass celery vase, the bell shaped bowl engraved with fruiting vines between frosted bands above rib moulding, knopped stem and circular foot, 24cm high

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A silver caster by Thomas and Jabez Daniell, London 1772 of baluster shape with gadrooned foot, girdle and rim below a pierced and compressed cover with bell shaped finial, initialled, 16cm, 4.75oz

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An octagonal silver sugar caster by The Barker Brothers and Sons, Birmingham 1930 of plain octagonal baluster form with pierced cover and bell finial, 16cm, 3.75oz

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A Wedgwood Fairyland Lustre vase, designed by Daisy Makeig-Jones, the baluster shape decorated with the Candlemas pattern, the black fairyland with narrow bands of blue lustre containing the church bell ropes with dark brown little people hanging on, 22cm high

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A set of six Royal Crown Derby Christmas Tree ornaments, Bell, Round, Star, Wreath, Tree and Scolloped, printed marks (6)

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A 19th century Derbyshire Blue John saucer shaped pedestal urn, tapering cylindrical column, bell shaped domed foot, 11.5cm high (the bowl broken and re-glued)

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A 19th century Napoleonic Prisoner of War ship's bell bottle, 19cm high, early 19th century

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A George III ebonised and ormolu mounted rectangular bracket clock, the lofty pagoda with gilt flame finials and applied with ribbon tied foliate swags, the arched dial with silvered chapter ring and three winding holes, chime/silent, slow/fast and 8-bells/chime dials, inscribed E T Depree, Exeter, striking on a gong and bell, gilt foliate spandrels, stiff acanthus leaf borders, the case with caryatids and fruiting tendrils to angles, plinth base, scroll and paw feet, carrying handles to sides

Lot 1

A George III oak and mahogany crossbanded long case clock, the 25cm square enamelled with Roman and Arabic numerals, painted with scrolls to spandrels, twin winding holes, eight day movement, striking on a bell, subsidiary seconds dial and date aperture, inscribed E. Massey, Newcastle, the hood with square pediment, turned pilasters, shaped door to waist flanked by quarter fluted columns. plinth base, bracket feet, 188cm high **The maker is the well-regarded Edward Massey of Newcastle-under-Lyme born 1740 and was working from 1763 until 1813. Although bankrupted in 1778, he undertook work for Josiah Wedgwood - a Catholic, he belonged to a prolific Staffordshire clock making dynasty, and three of his sons - Edward II, Francis and John also became clockmakers

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A 19th century oak and mahogany crossbanded longcase clock, the 33cm painted arched dial with white chapter ring and Roman numerals, inscribed Thomas Craw?, Retford, twin winding holes, eight day movement striking on a bell, painted with Admiral Lord Nelson and battle ships, the arch with village church, the hood with later pierced cornice, shaped door to waist centred by a shell patera flanked by quarter fluted columns, plinth base, 223cm high

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George VI silver Baby’s Rattle in the form of Mr Punch, with mother of pearl handle, maker W.M.C., Birmingham 1941 and a silver Pram Bell, maker D. & F., Birmingham 1920.

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Ivory and brass mounted Bell Pull of teardrop form.

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Regency mahogany Bracket Clock, circular silvered dial, inscribed, “Muston & Gath, Bristol”, with Roman numerals, with twin fusee movement, striking on a bell, the case with arched top with flower and leaf appliqués, brass fretwork panelled sides and on a rectangular base and bun feet, 45cms, (18”). Footnote: Muston & Gath are recorded as working 1796-1844.

Lot 1

Late Victorian mahogany Display Cabinet, the top with moulded cornice above a central panel, inlaid with ribands, a cartouche and bell husks and flanked by bow fronted doors, the interior fitted with three shelves and on square tapered legs, 107cms, (3’6”).

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A continental white teapot and cover, a Meissen style coronet shape table bell, two crinoline lady scent bottles, two ornaments decorated with rats and other items.

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An early 19th Century mahogany cased mantel timepiece with alarum, the 7.75ins diameter enamelled dial inscribed 'Mackie James, London', to the eight day movement with alarum striking on one bell, contained in plain arched top case, the front inlaid with brass stringings, cant corners and gilt metal lions mask and ring handles to sides, on ball feet, 17ins high. Note: Possibly by James Mackie, Whitecross Street, London, recorded working 1799-1824

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An early Victorian mahogany cased mantel clock, the 7.25ins white enamelled dial with Roman numerals to the eight day two train movement striking and repeating on one bell, contained in figured case with shaped top and carved scroll mouldings to front, fretted brass grilles to sides, on bun feet, 16ins high.

Lot 1

An early 19th Century mahogany mantel clock, the 7ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in later arched and moulded top case with recessed panels to front inlaid with brass mouldings and with gilt metal lions mask and ring handles to side, the apron with fluted frieze and bead mouldings, on brass ball feet, 15.25ins high.

Lot 1

An early Victorian rosewood cased mantel clock, the 7.25ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in case with shaped top, carved scroll mouldings and applied mouldings to front, gilt brass ring handles to sides, on bun feet, 17ins high.

Lot 1

A late 19th Century French mantel clock by Japy Freres, the 4.75ins cream enamelled chapter ring with Arabic numerals and visible escapement to centre to the eight day two train movement striking on a bell, contained in black slate, green veined marble and gilt metal mounted case of architectural design, drum pattern upper case, the lower section with glazed panel displaying mercury compensated pendulum, 18.5ins high

Lot 1

A late 19th Century French mantel clock, the 4.5ins white enamelled chapter ring with Roman numerals and visible escapement to centre to the eight day two train movement striking on a bell, contained in black slate case of architectural design, drum pattern upper case, the lower section with glazed panel displaying compensated pendulum, 15.75ins high

Lot 1

A late 19th Century French mantel clock, the 3.25ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in black slate and grey veined marble case of architectural design with fluted drum pattern upper case, 9.5ins high, and one other French mantel clock, the 3.75ins cream enamelled chapter ring with Arabic numerals and visible escapement to centre to the eight day two train movement, contained in black slate and veined marble case of architectural design, 13.5ins high

Lot 1

A late 19th Century French mantel clock, the 3.5ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in black slate and red veined marble case of architectural design with fluted drum pattern upper section, 9ins high, and two other mantel clocks, both contained in black slate cases (all in need of restoration)

Lot 1

An 18th Century brass cased wall clock with alarum by Ralph Glover of London, the whole of small proportions, the 6ins arched brass dial with silvered chapter ring and Roman and Arabic numerals to the enclosed brass framed movement with verge escapement striking on a bell, 8.75ins high, mounted on later bracket, with brass cased weights for same. Note: Ralph Glover recorded working Hanover Square, London 1773 and Pimlico 1799

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An early 18th Century longcase clock movement by John Seymour of Wantage, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and leaf banding to edge of dial to the eight day two train movement with inside locking plate striking on a bell, complete with pendulum and two weights, now mounted on pine frame. Note: John Seymour of Wantage, died 1760

Lot 1

An 18th Century longcase clock movement by John Peckham of Ashford, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, complete with pendulum and pair of brass cased weights, now mounted on a pine frame. on Front Cover Note: John Peckham recorded Ashford 1741

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A late 17th/early 18th Century longcase clock movement by Ralph Cloud at Beaminster, the 11ins square brass dial with wide silvered chapter ring, subsidiary seconds dial and date aperture, turned winding holes and engraved 'Tudor Rose' to dial centre, engraved wheat sheaf pattern borders and cast cherubs heads and scroll spandrels to the eight day two train movement with outside locking plate striking on a bell, now contained in later oak and mahogany case with shaped and moulded pediment, reeded pillars to hood, the trunk door crossbanded in mahogany, with reeded front corners, 84ins high. Note: Ralph Cloud recorded working Beaminster, born 1663-1714 . See 'Dorset Clocks and Clockmakers' by Tom Tribe and Philip Whatmoor, published by Tanat Books 1981 for further details of maker

Lot 1

A mid 18th Century walnut longcase clock by John Faver of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and calendar dial to arch and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with deep moulded overhanging cornice, fretted frieze and plain turned pillars to hood, matched veneered trunk door inlaid with herringbone banding and with cross-grained mouldings, 90ins high. Note: John Faver recorded working London before 1753

Lot 1

An early 18th Century walnut longcase clock by James Walker of London, the 12ins brass square dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved wheat sheaf pattern borders to the eight day five pillar two train movement with inside locking plate striking on a bell, contained in case probably rebuilt and partly reveneered in figured walnut with caddy top and moulded cornice above fretted frieze, plain turned pillars, the shaped trunk door veneered in figured walnut and banded, and with cross-grained mouldings, 91ins high (new plinth and caddy top). Note: James Walker recorded working as apprenticed in London 1733

Lot 1

An 18th Century walnut longcase clock by Henry Thornton of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case probably partly rebuilt and partly reveneered with deep moulded arched pediment above fretted frieze, plain turned pillars to hood, the trunk door veneered in figured matched veneers, banded and with cross-grained mouldings, inset with circular glass 'Bulls-Eye', 93ins high. Note: Henry Thornton recorded as apprenticed 1692 clockmaker 1699-1732 recorded in Basing Lane in 1723 and Royal Exchange in 1730

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An 18th Century walnut longcase clock by Benjamin Steele of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, turned winding holes and engraved dial centre to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in case largely rebuilt and reveneered in figured walnut with moulded overhanging cornice and fretted frieze, plain turned pillars to hood, figured veneered trunk door and with cross-grained moulding, 87ins high. Note: Benjamin Steele recorded working Old Southampton Buildings, London 1744

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An early 18th Century walnut longcase clock by John Harris of London, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and turned winding holes to the eight day two train five pillar movement with inside locking plate striking on a bell, contained in modern replacement case with moulded cornice and fretted frieze, spiral turned columns to hood, figured veneered trunk door and with cross-grained mouldings, on bun feet, 84ins high. Note: John Harris recorded as apprenticed 1717, and member of The ClockmakersÕ Company 1737

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A mid 18th Century walnut longcase clock by William Dowell Swan of Margate, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train five pillar movement striking on a bell, contained in case with deep moulded cornice and fretted frieze, plain turned pillars to door, arched trunk hood inlaid with herringbone banding and crossbanded (the plinth rebuilt and with some reveneering), 86ins high. Note: William Dowell Swan recorded working Margate before 1754

Lot 1

An early 18th Century walnut longcase clock by James Leicester, Drury Lane, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, calendar dial to arch showing phases of the moon and turned winding holes to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered with moulded overhanging cornice above fretted frieze, arched and moulded lower cornice, plain pillars to hood, figured trunk door, crossbanded and with cross-grained mouldings, 86ins high

Lot 1

An early 18th Century walnut longcase clock by Jonathan Beake, Crutch Fryers, London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to arch and star pattern centre to the eight day two train five pillar movement striking on a bell, contained in case probably rebuilt and partly reveneered, with moulded overhanging cornice and fretted frieze, moulded arch and plain turned pillars to hood, arched trunk door with figured veneered centre panel, crossbanded and with cross-grained mouldings, 91ins high. Note: John Beake recorded as apprenticed 1673 member of The ClockmakersÕ Company 1681 Ð Assistant to Daniel Quare

Lot 1

A late 18th Century mahogany longcase clock by Levy & Godfrey of Kidderminster, the 13ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture showing phases of the moon, landscape and shipping scene to arch to the eight day two train movement striking on a bell, contained in associated case with moulded scroll pediment, turned and fluted pillars to hood, shaped trunk door inlaid with oval shell motifs and crossbanded in satinwood, fluted quarter columns, the rebuilt plinth similarly inlaid and on ogee bracket feet, 84ins high. Note: Levy & Godfrey dissolved partnership in 1795

Lot 1

A late 18th Century mahogany longcase clock by Walter Barry of London, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in modern replacement case with deep arched and moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered arched trunk door with moulded edge and conforming plinth, 89ins high. Note: Walter Barry recorded working London 1790

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