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AN ART DECO MANTEL CLOCK, circular black slate surround on a white marble base, the six sided gilt dial with black Arabic numerals, eight day movement with bell strike, the clock base mounted with a spelter figure of a fawn being tempted by a lady with a morsel of food, on a slate and marble plinth, approximate height 34cm x approximate length 70cm, together with a matched pair of garniture vases, gilt and black lacquered finish metal on slate and marble plinths, approximate height 25cm (condition: one hand on the lady is a replacement, some repainting)
A George III mahogany cased bracket clock, brass break and dial, with mask and figural spoundrels, silvered chapter ring, bearing Roman and Arabic numerals, subsidery strike silent, twin fusee eight day movement, with double bell strike, and musical movement, the case with glazed back and sides, 27cm x 18cm x 49cm.
George Bourn (Kirkby). A George III oak longcase clock, the circular brass dial bearing Roman and Arabic numerals, subsidiary date dial, two train movement with bell strike, the hood with a broken pediment and brass capped Corinthian columns, over a trunk with fluted quarter pilasters, 207cm high.
λ A French green tortoiseshell and boulle marquetry mantel clock in Louis XV style, the eight day brass drum movement by Japy Freres striking on a bell and stamped with maker's pastille and '10217', with a gilt brass and enamel dial with Roman numerals, in an arched case, with a basket of flowers finial and paw feet, late 19th century, 31.1cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A large collection of parliament of owls and related items, in bronze, brass, pottery, porcelain, papier-mâché, spelter and other media, including: inkwells, a candlestick, boxes and covers, a clock, vesta holders, a pen-wipe, letter rack, a table bell and other items by various makers, including: Doulton, Crown Derby, Eichwald and B & G Denmark, 19th century and later, 27.9cm high (max). (79) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A George III mahogany longcase clock by George Quarman Bristol, the eight day movement with an anchor escapement and four turned pillars striking on a bell, the 12 1/8in silvered arched dial with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, with engraved flowers and inscribed 'GEORGE QUARMAN TEMPLE CLOUD', the arch with a painted moonphase and inscribed 'HIGH WATER AT BRISTOL KEY', the hood with a swan neck pediment and brass urn finial with blind fretwork decoration, with a shaped trunk door and outline mouldings, with presentation plaque to inside of trunk door, 241cm high. Provenance: From the collection of Dr. J. S. Gordon.Click here to view the online page turning catalogue.
A late Victorian mahogany and marquetry display cabinet, the dentil cornice with a pendant moulding and inlaid with scrolling bell flowers, above a pair of astragal glazed doors enclosing two shelves, above three short drawers, the base with a drawer and two cupboards, with a card trade label for J. Colling, Brighton, purchased 20th March 1880, 226.5cm high, 146.8cm wide, 51.1cm deep. Provenance: Warrens House, Bramshaw, New Forest.Click here to view the online page turning catalogue.
A late 19th century French bronze and ebonised clock inkstand, with a drum movement by Henry Marc, with an outside countwheel striking on a bell, stamped on the backplate, the white enamel dial with Roman numerals and signed 'HRY MARC A PARIS', flanked by two cherubs one with a book the other with a lyre, with a pair of glass inkwells flanking a pen tray and two lidded compartments, 29.8cm high, 47.3cm wide. Provenance: Warrens House, Bramshaw, New Forest.Click here to view the online page turning catalogue.
An early 19th century Portuguese painted chestnut longcase clock, the eight day birdcage movement striking on a bell, with an arched enamelled and brass dial, with Roman numerals and inscribed 'Jeremie Girod Porto e Coruna', the arch repoussé decorated with exotic birds, the case carved with an urn of flowers and leaves above a mask, 233.2cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A late 19th century French gilt brass repeating carriage clock with alarm, with a platform lever escapement, the repeating movement striking on a bell, the backplate stamped '1944', with a white enamel dial with Roman and Arabic numerals and alarm dial, in a corniche case, 14.2cm high.Click here to view the online page turning catalogue.
A George III mahogany bracket clock by John Davidge London, the twin fusée movement with an anchor escapement, striking on a bell, with an engraved backplate, the arched brass dial with foliate spandrels, with silvered dials with Roman and Arabic numerals, with Strike/Silent and date aperture, inscribed 'John Davidge London', the bell top case with a brass carrying handle and urn finials, 50.2cm high, 28.2cm wide.Click here to view the online page turning catalogue.
A George III mahogany longcase clock by John Ross London, the eight day movement with an anchor escapement and five turned pillars striking on a bell, the 12in brass arched dial with a silvered chapter ring with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed John Ross London', with Rococo spandrels, the arch with a Strike/Silent dial, the brass mounted case with an arched hood with urn finials and Corinthian stop fluted columns, the case with outline mouldings and split quarter pilasters, 227cm high. Provenance: Kincraig House, Invergordon, formerly the home of the Mackenzies.Click here to view the online page turning catalogue.
A George III ebonised bracket clock by John Ward London, the twin fusée movement with a verge escapement and striking on a bell, the backplate engraved with Rococo scrolls and leaves, the arched dial with three silvered dials with Roman and Arabic numerals, with subsidiary Strike/Silent and seconds dial, with date aperture and gilt foliate spandrels, inscribed 'John Ward Cripplegate Buildings LONDON', the ebonised case with a bell top and brass handle and flaming urn finials, the front door with herm and floral mounts, on brass feet, 49.5cm high.Click here to view the online page turning catalogue.
A pair of late Victorian tailor's shears by T. Wilkinson & Son, with brass handles and steel blades, stamped with the Royal Coat of Arms and signed 'T. WILK.... MAKERS SHEFFIELD', together with another pair with bell metal handles, 34cm long (max). (2) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A selection of 1st / No. 1 editions early publications, all in good/unused order, undamaged except some foxing on a few, bound in purpose-made albums thus:- contains 20 mags: THE MODERN BUYER Nov 1928 (advice for consumers), THE BELL April 1917 (industrial finance), ARTISTS’RIFLES JOURNAL Aug 1916 (for WW1 battalions inc. Rifles), THE MAGISTRATE July 1922 (journal of Magistrates Assn.),OLD FURNITURE June 1927, THE SCOUT April 1908 (Baden-Powell’s Boy Scouts), TRUE STORY – no date but looks ‘20s (women’s short stories ), THE WAYFARER IN PRAGUE Oct (promote relations btwn. British & Czechoslovakia), BETROTHALS April 1907 (announce engagements), TO-DAY May 1916 (general), SUNDAY HOURS Feb 1913 (‘the paper for the happy home’),THE ATHENAEUM Feb 1921 (literature, science, arts etc), LONDON MAIL Mar 1912, JOHN BULL April 1903 (humour), EVERYBODY’S WEEKLY Mar 1911 (general), IN ESSENTIALS UNITY – no date but post-WW1 for women, G.K.’s WEEKLY Mar 1925 x 2 copies (general), THE THESPIAN Oct 1913 (amateur dramatics), LITERATURE Oct 1897
Monier Williams "Sakoontala or The Lost Ring, an Indian drama translated by Monier Williams", half title and title page, plates by George Measom after T Sulman, all decorations heightened in gold, plates, original viridian cloth, elaborate gilt blocked decorations and titles, designed by Knights & Keeling, after Sulman, Hertford, printed and published by Stephen Austin (Stephen Austin was printer to the East India College, established by the East India Company in 1805), the backboard and backstrip are detaching"The poetical works of Robert Browning" 1984 but in an embroidered coverBarrie, J M "Peter and Wendy", illustrated by F D Bedford, decorated front cover and backstrip, front board faded"The Tempest", a comedy by William Shakespeare, decorated by Robert Anning Bell, Freemantle & Co 1901, profusely decorated with woodblock illustrations, decorated end papers, decorated boards but shelf worn and spine faded W Heath-Robinson (ills)"Shakespeare Comedy of a Midsummer Nights Dream", Constable & Co 1914, colour frontis tipped in, decorated title page, colour plates tipped in throughout and black and white illustrations, small folio, decorated blue cloth (5)
AN 18TH CENTURY BEER JUG of squat baluster form with a large, leaf-capped scroll handle & a shaped rim, engraved festoon of bell flowers, scrolls and linear work, the body engraved on one side with a wreath cartouche, crested, unmarked, probably Colonial, 2nd half of the 18th century; 7.3" (18.6 cms) high; 26 oz
H.M.S. Maidstone - bell metal ships bell inscribed "HMS Maidstone 1938", with broad arrow, 20ins high x 18ins diameter, with separate clapper Note: Built by John Brown & Company, Clydebank, HMS Maidstone was commissioned 5th May 1938, and originally served as a submarine depot ship of the Royal Navy. She was scrapped in May 1978
H.M.S. Lion - Bell metal ships bell inscribed "H.M.S. Lion 1960", with broad arrow, 20ins high x 18ins diameter, with bell hanger and separate clapper Note: Originally launched as the Minotaur-class H.M.S. Defence in 1944, H.M.S. Lion was ultimately completed in 1960. She was scrapped in 1975. .
An unusual 19th Century French brass framed "Skeleton" timepiece, the 2.25ins diameter white enamel chapter ring with Roman numerals, to the twin brass framed single train movement with alarum, 7ins high, mounted on ebonised oval pedestal (containing bell for alarum), on plinth base, complete with oval glass dome for same, 12.25ins high
A mid-19th Century French ebonised and gilt brass mounted lyre pattern mantel clock, the 3.25ins diameter silvered dial with Roman numerals, to the eight day two train movement striking on a bell, contained in ebonised lyre pattern case with gilt brass urn of fruit finial and twin cornucopia of fruit flanking dial, the rectangular base with bold gilt brass leaf mounts, 19.5ins high
An early 19th Century French mahogany and ormolu mounted lyre pattern mantel clock by J.B. & Wilbor of Paris, No. 3034, the 3.5ins diameter silvered dial with Roman numerals, to the eight day two train movement with silk suspension and striking on a bell, contained in figured mahogany lyre pattern case with bold ormolu mask and leaf scroll cresting and with ornate leaf mounts to face, on rectangular base and bun feet, 20ins high
A late 19th Century French gilt metal and porcelain mounted mantel clock by G.F., No. 1195, the 3.75ins diameter porcelain dial with Roman numerals within gilt cartouches, on a wine and gilt ground, to the eight day two train movement striking on a bell, contained in gilt metal drum pattern case surmounted by a two-handled urn, the flared base inset with porcelain panel enamelled in colours with two young lovers, on gilt metal paw pattern front feet, 14.25ins high, and gilt wood plinth for same
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123896 item(s)/page