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A 19TH CENTURY WELSH OAK EIGHTDAY LONGCASE CLOCK, by X Ganz of Swansea, having broken swan neck pediment above arched aperture flanked by turned pilasters, the waist with rectangular door flanked by canted angles on a panelled base. Painted face with Roman numerals, seconds dial and date aperture, painted with sporting scenes. Eight day two train movement striking on one bell. 84" High. Face 12.5" x 18".
A FRENCH BRONZE STRIKING MANTEL CLOCK AND GARNITURE LATE 19TH CENTURY THE CAST DIAL WITH INDIVIDUAL ENAMEL CHAPTERS, BLUED STEEL HANDS, TWIN BARRELS MOVEMENT WITH ANCHOR ESCAPEMENT AND COUNTWHEEL STRIKE ON BELL, FIVE-LIGHT CANDELABRA EN-SUITE THE CLOCK -- 17¼ IN. (44 CM.) HIGH THE GARNITURE -- 15¾ IN. (40 CM.) HIGH (3) View on Christie's.com
A small quantity of Corgi haulage, buses and military vehicles Diamond T Ballast x 2 plus Girder Trailer with Boiler Load and Scammell Highwayman Ballast Wynn’s, Kenworth W925 with King Trailer and Rock Crusher Load Interstate Hauling, Royal British Legion 4-piece set, Forgotten Heroes Korean War Bell Helicopter US Army Medical Service, Foden S21 Closed Tipper Blue Circle Cement, 5 single deck buses. All boxed, minor wear to some, contents VGC to as new. (10 sets/single items).
10 Corgi haulage and other vehicles including Scammell Constructor and Low Loader with Load Sunter Bros, Diamond T Ballast with Girder Trailer and Locomotive Load Annis & Co, AEC Ergomatic with Box Trailer Bell’s, Renault Premium Curtainside Kent Connection, Foden S21 Platform Lorry with Diesel Tank Load Knowles Transport, La France Aerial Ladder Truck, Rolls Royce Corniche, London Taxi. All boxed, minor wear to some, contents VGC to as new.
10 Corgi Aviation Archive including Military Air Power: 2 x Avro Vulcan – Falklands Black Buck Mission, 617 “Dambusters” Sqn, HP Victor K-2 Lusty Linda, Lockheed Hercules RAF; Military series: DH Comet A&AEE Boscombe Down, B-29 Superfortress with Bell X-1; Jet Fighter Power: 2 x EE Lightning; etc. All boxed, minor wear, contents VGC to mint (a few small parts may be missing).
A scarce Third Reich 1933 pattern NSKK dagger with inscribed blade, by Gebr Bell, Solingen, the blade etched “Spartkampftag Standarte 187” in addition to the motto, the hilt with nickel silver mounts and with small initials “BO” in crosspiece, in its black anodised sheath with nickel silver mounts and scarce vertical hanging straps with Assmann maker’s mark on the clip. GC (minor rust spots on the blade, the sheath with light surface rust overall) Plate 6
A group of 18th century and later glasses comprising: three glasses, each with a funnel bowl, faceted stem and conical foot with etched landscape scenes and gilt rim, 14.5cm high; three glasses, each with a trumpet bowl, double opaque twist stem, conical foot and vine etched bowl, 16cm high; two cordial glasses, each with an ogee bowl, double opaque twist stem, conical foot, gilt floral decoration, 12.5cm high; three glasses, each with a bell bowl, double opaque twist stems, plain foot, 12cm high; and a glass with an ogee bowl, faceted stem and conical foot, 15cm high (12)
A Baltic flintlock ball butt holster pistol with two stage barrel, octagonal at the breech engraved with foliate scrolls, the fine quality lock of rounded form engraved with neo-classical bell flowers and a grotesque mask, the cock with a finely chiselled bell flower, the full stock with ball shaped butt entirely covered in silver wire decoration and small panels of mother-of-pearl, with a brass pear shaped trigger and no trigger guard 40cm long, 28 bore
A late Victorian mahogany longcase clock the twin train movement striking on a bell, the painted dial with black Roman numerals and two subsidiary dials, the corners painted with the Seasons, the hood with broken swan neck pediment over columns, the case with panelled doors flanked by pillasters on a plain base with bracket feet 214cm high
A large 19th century mahogany and walnut longcase clock the twin train movement striking on a bell, the cream dial with black Roman numerals, two subsidiary dials, painted landscape panels, inscribed `S. Wehrley Leeds`, the case with broken swan neck pediment over columns, panelled door and base 240cm high
DDS John Kielty Bell (b.1937). The Deep Sea Diver; Doubt; The Graffiti Artist; Picasso’s Tea Cosy; The Rat Catcher; Steppenwolf. 6 works, oil and ink on card. All signed at lower corner, two dated ‘05 and one dated ‘06. All with the artist’s certificate of authenticity on the verso. Each c.10 x 7.5cm (4 x 3 in) (6)
* Bell ( William Charles 1830-1904). Miniature portrait of a Gentleman, 1854, fine miniature portrait, water and body colour on enamelled copper, signed and dated on verso, near contemporary pressed glazed metal frame, presented in an American hinged cast resin case, image size 35 x 28mm. Examples of Bell’s work are in the Royal collection. A fine example in very good condition. (1)
An oak eight day longcase clock, mid 18th century, the 10 inch square dial signed `Gillbert Bullock, Bp Castle` (Bishops Castle) to the centre, the two later winding holes within a chapter ring of Roman numerals and leaf moulded corner spandrels, the associated eight day movement striking on a single bell, the plain hood over a long trunk door, on a planked box base and cut-out plinth, 201cm high
A George III oak crossbanded mahogany thirty hour longcase clock, the 12 inch square dial signed `Matthew Bushell` to the centre with date aperture below, within a chapter ring of Roman and Arabic numerals, the movement striking on a single bell, the hood with a scroll pediment over a square hood door with turned front corner hood pilasters, above an ogee moulded long trunk door, on a box base with canted front corner and later plinth support, 209cm high Note: Brian Loomes notes a Matthew Bushell active in Bold circa 1761, in `Watchmakers and Clockmakers of the World, Volume 2`.
A brass lantern clock, 17th century, the 6 inch brass dial signed `Robert Cosbey Neeve, Rattclife Cross`, with single iron hand to the centre and engraved tulips within a 1 inch wide chapter ring, the movement now with anchor escapement but still with going train to the fore and strike train behind, now with 37 inch long pendulum and twin weights, the case with slender corner columns, urn finials, dolphin engraved frets and brass side doors (lacking bell and the front left foot), 38.5cm high, 15.5cm wide, 14.5cm deep, the angled loop and spikes to the rear standing 5cm proud
A late Victorian French gilt-metal and marble mantel clock, the eight-day duration movement striking the hours and half hours on a bell with an outside countwheel, the white enamel dial having black Arabic hour numerals with coloured swags of floral decoration between decorative gilt-brass hands, the movement set within a gilt-metal drum held by two putti between which the pendulum swings, standing on a white marble base surmounted with a floral and bird mount, height; 37cm.
A French Empire mantel clock, the eight-day duration movement striking the hours and half hours on a bell with an outside countwheel, the white enamel dial having black Roman numerals and decorative gilt-brass hands, the ormolu case with classical Romanesque mounts to the front with the clock movement set to one side within a bronze casing on top of which is surmounted a bust of Napolean with, standing to the side, the figure of a winged Herald holding a plaque declaring ‘Paix d’Europe’, height: 46cm.
Le Roy et Fils, Paris, a gilt-metal and porcelain-mounted mantel clock, the eight-day duration movement striking the hours and half hours on a bell, the backplate stamped with the mark of the maker ‘Le Roy et Fils, Paris’, with the matt-gilt porcelain dial decorated with a pink cherub and with black Roman numerals set onto a blue ground and signed ‘Le Roy et Fils, 13-15 Palais Royal, Paris, and ‘211, Regent Street, London’ being their retail outlets, with matching porcelain panels set within the front of the shaped case, the whole surmounted by a figure of a seated putto, all standing on a gilt-wood plinth, on an ebonised base, height: 48cm. * Basile Charles Le Roy was the Master Clockmaker to Napoleon & along with his son Charles-Louis were clockmaker’s to the Princess Pauline and the Duke de Bourbon. Examples of their work are in all the major collections as well in the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal and continued until the death of Charles at Versailles in 1865.
Francis Mitton, Chichester, an oak longcase clock, the eight-day duration movement striking on a bell and having turned, finned pillars with decorative steel-work, the twelve-inch square brass dial having a matted dial centre with ringed winding holes, engraved ‘C’ scroll decoration to the date aperture, cast ‘female-head’ spandrels to the four corners, a subsidiary seconds dial, a raised silvered chapter ring engraved with black Roman numerals, ‘fleur
A late-Georgian Westcountry mahogany longcase clock, the eight-day duration movement striking the hours on a bell, with the twelve-inch painted arched dial having black Roman numerals, floral corner spandrels, a seconds dial, date aperture and decorated with a depiction of an angel at a window signalling to a bearded gentleman reading, with brass ‘thistle’ hands, the mahogany case having a short door with canted corners to the trunk and stringing to the base, the hood having wavy moulding to the door, barley twist columns with cast brass capitals, wavy cresting and eagle finials, height: 210cms.
Matthew Bushell, an oak & mahogany longcase clock, the thirty-hour movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having cast ‘female-head’ spandrels to the corners, an engraved matted centre with ringed date aperture and ‘false’ winding holes, a blued steel single hand and a raised, silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, ‘fleur-de-lys’ half-hour markings and signed on a silvered cartouche ‘Matthew Bushell’, the oak case having mahogany cross-banding to the shaped trunk door and base, with mahogany pillars to the hood, a blind-fret to the top freize, with scroll dentil moulding to the cornice and a shallow caddy to the top, height: 214cms. * Matthew Bushell is recorded as working at Aston by Budworth, Cheshire living in a house now called ‘The Clockhouse’ and repaired clocks in Arley Hall, 1760
John Silver, Woodstock, an oak longcase clock, the associated thirty-hour plated movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having cast ‘cherub & crown’ spandrels to the corners, a matted centre with ringed centre hole, blued steel hands and a raised, silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, ‘meeting-arrowhead’ half-hour markings, diamond half-quarter-hour markings and signed either side of VI o’clock ‘John Silver of Woodstock fecit’, the oak case having a panelled door, cut-down base, angled sides to the hood and a shallow caddy top, height: 198cm.
James Glass, Bristol, a mahogany moon-phase longcase clock, the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted arched dial having black Roman numerals, cottage scenes painted to the four corners, a seconds dial and date aperture, with boxwood and decorative brass hands, the arch having a moon-phase date disc, the mahogany case having a short door with barley-twist columns to the trunk and boxwood & ebony stringing and inlay to the base & trunk, the hood with wavy moulding to the frame, barley twist columns with cast brass capitals, wavy-top cresting and eagle finials, height: 220cms (inc. finial) * James Glass, is recorded as working at 31, Old Market Street, Bristol from at least 1825 until 1856 and married Ann Brooks on the 6th of March 1825 at St. Philip & Jacob Church. He was paying insurance premiums on six houses in Bristol & Somerset and was still renewing in 1856 obviously supplementing his clockmaking business by buying, selling and renting property.
A George III green painted and gilt open armchair in the Hepplewhite manner, the shield shaped back decorated with a boy on a swan and stylised foliage, the downswept arms with bell flowers and the tapering square legs similarly decorated, together with a similar George III green painted open armchair decorated with flowers and foliage (some damage) (2).
A 19th century oak and mahogany longcase clock, with a swan-neck pediment, turned and fluted supports, long door with canted corners and on bracket feet, 11" square painted dial with Roman numerals, subsidiary date aperture, floral spandrels and inscribed, `Hart, Malmsbury`, thirty-hour movement, striking on a bell, 208cms, (82").
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123896 item(s)/page