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Shakespeare`s Comedy of A Mid Summer Nights Dream - with illustrations by W Heath Robinson, published by Constable & Co Ltd, London 1914, First Edition, bound in green and beige cloth, together with two further illustrated by Heath Robinson - Poe, Edgar Allen, 'The Poems of Edgar Allan Poe', publisher George Bell, 1900, also Peacock Pie. (3)
Slide Projectors and Slide Projector Lenses, a Zeiss Ikon Compact Autofocus, a Voigtländer Perkeo Automat-N, a Braun Novamat 515 AF, a Braun Paximat-S, a Prinz Concord slide projector, a Bell and Howell Unoscop film strip viewer, all with lenses, all untested, AF, with a group of slide projector lenses, including a Zeiss Ikon 85mm f/2.8 Talon lens, a W. Will Optik 85mm f/2.8 lens, an Agfa 85mm f/2.8 Agomar lens and other examples, overall G
A Tray of Various Cameras, including a Bell and Howell Electric Eye 127, Yashica Flash-O-Set, Voigtländer Vitomatic IIa, Super Frankarette, Ilford Sportsman, other viewfinder cameras, three Polaroid cameras, Canon Dial 35, two box cameras, Kodak Cresta II, Voigtländer Bessa folding camera and other examples
DOUG BANKS - I JUST KEEP ON DANCING/ BABY SINCE YOU WENT AWAY 7" (US NORTHERN - ARGO 5483). A scarce mid-60s slice of soul by Doug Banks; I Just Keep On Dancing/ Baby Since You Went Away (5483, 1964 US pressing on Argo. Gold labels are bright and clean with a remainder drill hole at bottom of logo. 13023/ 1302(scratched out 5)4 matrix. Stamped Bell Sound on each side. The record is in glossy VG+ condition, both sides have a number of light paper marks including a couple of tiny but feelable marks).
NORTHERN / SOUL - 7" DEMOS. A pack of 5 x 7". Artists/ Titles include Jean Plum - Look At The Boy (HLU10514, Ex), Archie Bell & The Drells - Where Will You Go When The Party's Over (promo, S PIR 4803, Ex+), The Spinners - How Couyld I Let You Get Away (promo, K 10243, Ex), The Brothers - Are You Ready For This (RCA 2618, Ex) and Harold Melvin & The Blue Notes - I Should Be Your Lover (demo, SRC 104, VG+).
TONY MIDDLETON - YOU SPOILED MY REPUTATION/ IF I COULD WRITE A SONG 7" (US PROMO - ABC-PARAMOUNT 45-10695). A scarce mid-60s US promo copy of You Spoiled My Reputation/ If I Could Write A Song by Tony Middleton (45-10695, 1965 US promo pressing on ABC-Paramount. White/ black text labels have some minor age-related handling-wear, Aside label has a red-lettered stamp on it. Bell Soun matrix. The record is in strong, glossy VG condition, displaying a small number of light paper marks on each side).
NORTHERN SOUL - ORIGINAL US 7" RARITIES. 11 x original US Northern 7" loaded with rarities! Artists/titles/cat. numbers are The Hill Sisters - Just In Case (Choice 1001 - Ex), The Wanderers - Somebody Else's Sweetheart (Cub K9099 - VG+), Robert Ward - I Will Fear No Evil (G.C. 201 - Ex), Goodie Wilson - The Door Bell RIngs (Titanic 102 - VG), The Hymes Sisters - Talking Around The Town (J-103 - Ex), Jimmy Helm - You're Mine, You (Symbol 923 - VG+), Kenny Woods (sic.) - Back With My Baby (Philips 40156 - VG, signed to the sleeve), The Falcons (Big Wheel 1967), Leon Haywood (Fat Fish 8001 - Ex), Bobby Hebb Philips 40400 - VG/VG) and Fabulous Peps (Ge Ge 503 - Ex).
A 17th century brass lantern clock, 16cm brass dial inscribed R Witter?, Over Whittacre fecit, Roman numerals, single hand, the movement converted to anchor escapement, count-wheel striking on a bell, the case crested by pierced frets engraved with dolphins, turned finials, Doric pillars, 42cm high, c.1680This maker may refer to Richard Rittle, a gunsmith recorded at Over Whitacre, Warwickshire whose son, Richard Rittle the Younger was apprenticed to Nicholas Paris of Warwick
A George II Revival gilt metal mounted walnut caddy top bracket clock, by Junghans, 20cm arched brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, twin winding holes, eight day movement striking on a bell, the arch with rolling moon phase, 49.5cm high over handle, 32cm wide, 23cm deep
A George II oak longcase clock, 30cm square brass dial inscribed J Shepard, Sheffield, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the domed case quite plain, long rectangular door to waist, 207cm high, c.1740
A George III Cumbrian mahogany longcase clock, 36cm arched dial inscribed W. Muncaster, Whitehaven, Roman numerals, subsidiary calendar dial, rolling moon phase to arch, the movement striking on a bell, the verso stamped Walker & Finnemore, Birmingham, the case with swan neck pediment and brass finials, crossbanded shaped rectangular door to waist, 238cm high, 56cm wide, 28cm deep, c.1810
A George III mahogany repeating bracket clock, 17.5cm arched brass dial inscribed John Ward, London, silvered chapter ring with Roman and subsidiary Arabic numerals, Strike/Silent top arch, matted centre with date aperture, twin winding holes, double fusee movement striking on a bell, the backplate engraved with scrolling foliage, the caddy top case with brass carrying handle, pierced brass sound frets, skirted base, 49cm high, c.1780
A George III oak longcase clock, 30cm square brass dial inscribed Robert Pell, Malling, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, leafy scroll spandrels cast with putti raising aloft crowns, bright-cut border, eight day movement striking on a bell, the case quite plain with blind fretwork frieze, 199cm high, c.1790
An early 20th century Adam Revival mahogany bow-centre display cabinet, shallow half-gallery above a frieze carved and applied with ribbon-tied swags and a pair of glazed doors enclosing two shelves, flanked by ribbon-tied trailing bell husks, fluted cylindrical legs, open undertier, 152cm high, 136.5cm wide, 48cm deep
A 19th century Yorkshire mahogany and specimen timber parquetry longcase clock, 35.5cm arched dial inscribed Shey & Co, Scarbro, Roman numerals, subsidiary seconds and calendar dial, the arch painted with a depiction of the Last Supper, the spandrels with a cross and the Holy Bible, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment, 239cm high, 62cm wide, 27cm deep
A 19th century French porcelain mounted gilt metal mantel clock, 10.5cm dial inscribed with Roman numerals, 14-day Miroy-Requier & Co movement striking on a bell, the case crested by a covered urn and painted in the manner of Sevres with frolicing celestial putti and a courting couple, knop feet, 41cm high, c.1870
A French gilt brass mantel clock, crested with a pair of lovebirds and flaming torch, the white enamel dial with Roman and Arabic numerals, twin winding holes, mounted with three bleu celeste porcelain panels, each painted with sprays of flowers, the stepped bowed base applied with musical instruments and Roman armour in high relief, striking on a bell, 27.5cm high
A George III Lancashire oak longcase clock, 30.5cm square painted dial inscribed Thos Houghton, Chorley, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the case mahogany crossbanded, 195cm high, 55cm wide, 29cm deep, c.1810
A late 19th century French bronze mounted black slate mantel clock, 9cm dial inscribed with gilt Roman numerals, twin winding holes, eight day movement striking on a bell, the backplate stamped A. DEHAIS, PARIS and numbered 391, the architectural case surmounted by a bronze group, Cheval de Marly, after Guillaume Coustou, 51.5cm high, 42cm wide, 20.5cm deep
English Blue and White Porcelain - an 18th century pearlware octagonal plate, painted with a chinoiserie landscape, 22.5cm diameter; a Miles Mason two handled oval chinoiserie dish; a Grainger plate, decorated with a dragon; a Chinese style printed plate, paper label for Wolfe; a J&MP Bell, Glasgow plate; a Clews plate; miniature pearlware saucers, etc
A 19th century Etruscan Revival ormolu mantel clock, the 14cm dial applied with enamel Roman numeral bosses, twin winding holes, eight day movement striking on a bell, the bowed drum case cast, supported and applied with leafy scrolls and stylised fronds, the stepped plinth base applied with a mask of Mercury wearing winged helmet, leafy feet, 36cm high, 25cm wide, c.1870
A George III Scottish mahogany longcase clock, 30.5cm arched dial inscribed Jno. Mill, Montrose, Roman and subsidiary Arabic numerals, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, painted to the arch with a young girl gathering flowers, the case with arched pediment and meandrous frieze, 207cm high, 54cm wide, 28cm deep, c.1800
A Louis XV Revival gilt metal mounted vernis martin clock garniature, 11.5cm dial inscribed with Roman and subsidiary Arabic numerals, twin winding holes, eight-day movement striking on a bell, the case painted with a courting couple and flowers, 43cm high, the two-branch candelbra 29.5cm high, c.1900
A pair of Sheraton Revival satinwood drawing room cabinets, each with arched cresting surmounted by crossed flambeaux above an architectural arrangement of sculpture niches and bevelled mirrors, the projecting base with central panel door flanked by bevelled glazed vitrine doors, inlaid throughout with ribbon-tied bell husk swags and scrolling acanthus, open undertier, 224cm high, 117.5cm wide, 42cm deep, c.1890
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123939 item(s)/page