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![A manuscript letter from Ernest Hemingway, Hotel Suecia, Madrid, dated May 21st [probably 1959] asking the recipient to `give](http://lot-images.atgmedia.com/SR/15438/2876362/471-2013222122025_468x382.jpg)
Lot 471
A manuscript letter from Ernest Hemingway, Hotel Suecia, Madrid, dated May 21st [probably 1959] asking the recipient to `give a private showing to my good friend Rupert Bellville of your library copies of `The World of Nick Adams` and `For Whom the Bell Tolls`, accompanied by a copy of Que Es Torear? by Gregorio Corrochano in which the letter was found, a programme of bullfights in Madrid in May 1959 and a black and white photograph of Hemingway
Lot 34
Daniel O’Neill (1920-1974)INTERIOR WITH NUDEoil on boardsigned lower right; inscribed with title on reverse; titled on Waddington Galleries [Montreal] label also on reverseLandscaPortraite18 by 24in., 45 by 60cm.Waddington Galleries, Montreal;The Collection of Mervyn & Pat SolomonDaniel O`Neill exhibited at the Waddington Galleries between 1946 and 1955. After leaving Ireland in 1958 to move to London he exhibited with the Waddington Gallery in Montreal, Canada. During this period he also exhibited in New York (1947), in Beverly Hills, California (1948) and in a group show in Amsterdam. George Waddington, who was Victor`s youngest brother, worked in the Dublin Gallery but when Victor moved to London, George decided to move to Montreal where he opened Waddington Galleries Inc in 1959.Mervyn and Pat Solomon have been known in the art world as passionate collectors of art for generations. From Belfast, the family name is also synonymous with the music industry, Mervyn`s father being one of the duo Solomon & Peres (Morris Solomon and Harold Peres) music and entertainment retailers, distributors and producers based in Belfast between 1924-1981, later acquired by Decca Records. Mervyn himself founded Emerald Music in 1964 and was the first person to record Rory Gallagher and Van Morrison.The present collection demonstrates a support for Northern visual artists: Frank McKelvey, Daniel O`Neill, Colin Middleton, Tom Carr, Cecil Maguire, Martin Mooney, Markey Robinson and a clear interest in Irish artists working abroad, in Roderic O`Conor and Aloysius O`Kelly. Contemporary names such as Sandra Bell and Michael Leventis are evidence of an appreciation of later trends.
Lot 190
Tom Carr HRHA HRUA ARWS (1909-1999)MIST OVER THE MOURNES, c.1974watercoloursigned lower right; with owner`s inscribed label on reverse; with Bell Gallery framing label also on reverseLandscaPortraite21.25 by 30.25in., 53.125 by 75.625cm.Purchased directly from the artist by Pat & Mervyn Solomon
Lot 116
An early 19th Century mahogany cased mantel clock of Gothic arched form, the eight day movement by Bell of Mount Street (late Dwerrihouse & Carter, Ogston & Bell) with engraved circular brass dial, Roman and Arabic numerals to a chapter ring, flanked by quadruple cluster column supports, raised on brass ball feet, 50 cm high CONDITION REPORTS Later dial. Bell altered and redone.
Lot 119
An 18th Century green japanned chinoiserie decorated long case clock, decorated with figures and warrior on horseback with pagoda, prunus trees, birds and floral scrolls, the arched hood with glazed door flanked by turned pilasters over an arched trunk panelled door to a flat fronted and plinth base, the arched brass dial with silvered chapter ring with Roman and Arabic numerals within mask head and pierced scrolling spandrels to a matted centre with subsidiary seconds and date aperture to an arch with silvered boss inscribed "Samuel Smith, Richmond" to an eight day striking movement on a bell, 225 cm high CONDITION REPORTS The case has been re-japanned in the late 19th / early 20th century. Overall with wear and scuffs, quite a lot of cracks and chips to decoration, some separating at joins to the carcass of the case and some repairs and inserted sections, various chips and losses, case does not stand quite vertical and leans slightly to one side, hood also with various chips and old repairs, etc. plus cracks to top of arch, decoration to case also with various chips and touch-up paint, etc., brass face with small hand and fitments missing, damage/section broken off to one corner (lower right), various tarnish, scratches, etc.
Lot 121
A 19th Century mahogany cased long case clock, the arched hood with brass finials flanked by stop fluted pilasters over an arched trunk door with three quarter stop fluted and gilt metal mounted pilasters to a panelled base on bracket feet, the circular silvered dial with subsidiary seconds and date dials, inscribed "E Bird, Bristol", to an eight day striking movement on a bell. 203 cm high CONDITION REPORTS Circular face with various wear, scuffs, tarnish and discolouration plus hand to small dial to top missing, some knocks and chips and touch-up paint, case overall with some wear and scuffs, section of moulding to edge of door broken off although there is a splinter/section sellotaped to interior of case, veneers with age cracks and some lifting and splits throughout, gilding with wear, metal top of one ball finial is broken off and missing, some splits to back board including board to rear of movement, overall colour appears reasonably good. Weights are not brass covered.
Lot 220
A 19th Century Mauchlinware and wax cotton reel depicting Osborne House, a Mauchlinware and purple velvet mounted pin cushion inscribed "The Sands Ramsgate", a Mauchlinware measuring tape inscribed "Dornoch", a parquetry ware decorated wax and velvet pin cushion / cotton reel, a fern decorated bell shaped measuring tape, a bone and pierced measuring tape, a bone barrel shaped measuring tape with stanhope to the winder, a sea shell measuring tape of simple form, and a miniature needlework cushion depicting a hound amongst flowers
Lot 269
A George III mahogany wine table, the circular dished top on a turned and ringed pedestal with inverted bell base to cabriole tripod supports and pad feet, 39.5 cm diameter CONDITION REPORTS Tripod base with old metal bracket repair to underside, and also metal bracket repairs to undersides of two of the legs/feet, numerous splits and breaks to the pedestal and to the legs and feet, pedestal appears to have been split at the top and has a screw repairing it, a section to the top of the pedestal beneath the table top appears to be of a different colour and also has woodworm holes, this attachment/section may be associated, the underside of the table top does have very similar colouring to the pedestal and base, although we cannot be certain that it is original to the base, the top of the table top is warped and has some age splits, stains - including water stains, ink, etc. - scuffs and deterioration to the finish, the top has patination conducive with age and use and is currently of a much lighter colour than the pedestal and base. Height approx 55cm.
Lot 272
A late George III mahogany occasional table, the rectangular single piece top on an unusual turned and ringed column to inverted bell base, cabriole tripod supports and pad feet, 45.5 cm x 44.5 cm CONDITION REPORTS Wear, scuffs, stains. Old metal bracket repair to tripod base. Various splits, and chips, and reglued breaks to legs, pedestal top etc. Fitments to underside of tabletop appear to be later. It is not known whether top is original or may be associated.
Lot 151
A French porcelain and ormolu clock garniture, late 19th century, the clock with urn surmount, painted ceramic dial bearing Roman numerals, eight day movement half hour striking on a bell, domed case with scroll and wreath handles, raised on a rectangular base and lions paw feet,, 34cm, with two matching urns of baluster form, with ram's head handles, reserve painted with rural scenes against a burgundy ground, 28cm high.
Lot 814
A parcel lot of Royal Albert Old Country Roses tea and dinner ware to include 6 dinner plates, 7 side plates, 6 cereal bowls, 6 cups and saucers, teapot, milk jug and sugar bowl 2 tureens, cruet, coffee pot A/F, 6 other plates, 2 cake plates, cake stand, 3 soup bowls and 6 saucers, bud vase, bell, ashtray, flower pot, gravy boat, place mats, etc (65 approx)
Lot 61
Late 18th/early 19th Century French white marble and ormolu mantel clock, the two marble columns topped with ormolu sprays and inset with blue jasperware plaques, base with pierced ormolu gallery, white enamel dial with black Arabic numerals and gilt beetle and poker hands, brass movement striking on a bell with star count wheel, 52cm high We do not guarantee the workings of clocks - please contact department for further details (see extra images) - General condition consistent with age **
Lot 62
19th Century French gilt spelter and porcelain cased mantel clock having figural decoration depicting Bacchanalian cherubs and bunches of fruit, Sevres style porcelain dial with Roman numerals on a dark blue ground, conforming panel below depicting male and female grape harvesters flanked by porcelain pillars and with conforming panels to the lower section, the un-named brass movement numbered 5097 and striking on a bell, the case stamped Ph. Mourey, 54cm high, on a giltwood stand We do not guarantee the workings of clocks - please contact department for further details (see extra images) - General condition consistent with age **
Lot 64
Late 19th Century gilt brass cased mantel clock by Raingo Freres of Paris, the rococo style case with elaborate foliate scrolls and standing on an integral base, dial with enamelled Roman numerals on an embossed ground and bearing enamel name plaque, brass movement signed Raingo Fres Paris and numbered 453, striking on a bell, 57cm high We do not guarantee the workings of clocks - please contact department for further details (see extra images) - General condition consistent with age **
Lot 70
Louis XVI style ormolu and white and grey marble three piece garniture de cheminee, circa 1890, the clock of portico style, surmounted with a figure of Cupid, white enamel dial with Arabic numerals and standing on an oval base, the French brass movement by Mougin, also stamped S.H. Paris and striking on a bell, 51cm high, the four branch candelabra each having cast acanthus arms and standing on a conforming base, 47cm high We do not guarantee the workings of clocks - please contact department for further details (see extra images) - General condition consistent with age **
Lot 211
18th Century wine glass having a bell shaped bowl and standing on a double series knop air twist stem with conical foot, 16.5cm high Small manufacturing fault in very edge of foot rim having appearance of a thumbnail depression around the outer circumference measuring approx. 8mm in length - General condition consistent with age **
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123896 item(s)/page