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A Quentin Bell Fulham Pottery circular plate, incised and painted in blue and grey with a half-length portrait of a woman with long hair, wearing a bead necklace, within a blue and grey patterned rim, resist pottery marks to base, diameter 22.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An airtwist stem wine glass, circa 1750, the bell bowl raised on a shoulder and centre knopped multiple spiral airtwist stem and conical foot, height 16.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A double series opaque twist stem wine glass, circa 1770, the bell bowl raised on a plain stem with a multi-ply spiral band outside a pair of spiral tapes, on a conical foot, height 16.2cm, together with a similar double series opaque twist stem glass, height 19cm, a pair of 18th century style wines with blue, green and white corkscrew stems, height 15cm, a similar 19th century example and four other wines, three with coloured stems.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Quentin Bell Fulham Pottery circular plate, incised and painted in green with a head and shoulders portrait of an elegant lady, the rim with an abstract foliate design, incised, impressed and painted marks to reverse, diameter 21.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19TH CENTURY FRENCH MARBLE ORMOLU AND CHAMPLEVE ENAMEL CLOCK GARNITURE, the clock with eight day movement, striking on a bell, white enamel dial with Arabic numerals interspersed with floral swags, the case with urn finials, six column supports on a shaped base, with a pair of urn shaped side pieces. Clock 14ins high.
A SUPERB 19TH CENTURY FRENCH ORMOLU MANTLE CLOCK BY RAINGO, PARIS, the eight day movement striking on a bell, with porcelain dial and separate numerals, in an ormolu case mounted with cupids holding an hour glass, the corners as females caryatid figures, the glazed door mounted with a horse drawn chariot on legs and harebell supports with four feet, the whole on a shaped platform base. 3ft 8ins high x 1ft 11ins wide.
RAF Limited Edition print multi-signed, titled Generations of Excellence by the artist Philip E West limited edition SCE number 8 of 23 signed in pencil by 8 RAF personnel and veterans includes AVM David Cooper, Cpt John Bell, Flt Lt David Robertson and more. Approx 19x25. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Actor, Hayley Mills 16x12 matted signature piece includes a colour photograph and a signed card. Mills (born 18 April 1946)[1] is an English actress. The daughter of Sir John Mills and Mary Hayley Bell, and younger sister of actress Juliet Mills, she began her acting career as a child and was hailed as a promising newcomer, winning the BAFTA Award for Most Promising Newcomer for her performance in the British crime drama film Tiger Bay (1959), the Academy Juvenile Award for Disney's Pollyanna (1960) and Golden Globe Award for New Star of the Year - Actress in 1961. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
The death plaque of Private John Taylor Alexander together with letters of commendation and mentioned in dispatches for Sgt D Bell Cameron Highlanders and commemoration letter killed in action for 2nd Lieutenant Robert Francis Cooper Ballard and a framed photograph Condition Report:Available upon request
A near pair of Spanish Baroque Revival ebonised open armchairs, each with a chapeau de gendarme back, shaped arms terminating in acanthus carved scroll hand rests, stuffed-over upholstery, shaped and pierced front stretcher carved with leaves and bell husks, the largest 125cm high, 72cm wide, the seat 56cm wide and 48cm deep, the other 119cm high, 67cm wide, the seat 52cm wide and 48cm deep (2)
Beautiful model with repoussé bunches of grapes and engraved grape vines. Equipped with copper bell and clapper. The Netherlands, Rotterdam, Pieter Zöllner & Willem Nicolaas Beijder, 1866, hallmarks: lion, Minerva, maker's mark, g - signs of use and dents. 273 grams, 835/1000. Dim. H 15.5 cm, diam 10 cm.
Butler & Wilson - seven novelty handbag charms/keyrings, Vintage Telephone; Bell Boy Teddy; Owl; and others, various boxes Circa 2010, together with an unmarked 60mm snail trinket box.Qty: 8Condition report:Please see further images uploaded to our website.All stones present, condition good, probably never been out of boxes.
Butler & Wilson -six Art Deco style crystal brooches, Champagne Glass; fringed Bird; Penguin and Elephant Cocktail Waiters; Bell Boy with Cases; Lady in Red Dress walking Dog; 70-120mm, black and pink boxed Circa 2002-2010.Qty: 6Condition report:Please see further images uploaded to our website.Condition all good, all stones present, probably have never been out of their boxes.
A rare and collectable punk bondage jacket in red tartan from iconic British designers Jane Kahn and Patti Bell. The Birmingham grown label Kahn & Bell is synonymous with UK punk and new romantic style. c1977-78 this was valued at 400-600 on the antiques roadshow in 2018. (1)Great condition, there's a small nearly hole at the back of the neck which hasn't fully formed yet.Size tag is M, but this is definitely a S men's, and m women's (38 inch chest)
A group of collectables to include a pair of cloisonne jars, 247cm high; a black and gold cloisonne jar with lid and dish, the jar measuring 30cm high; a parquetry mosaic style decorated box with lift out lid, 23cm wide x 23.5cm deep x 5cm high; a mahogany sarcophagus shaped tea caddy, 24.5cm wide x 13.5cm deep x 15cm high; a brass bell with Asian style decoration and further itemsParquetry box faded and with some small losses; tea caddy with some small surface scratches, otherwise in good condition
A GEORGE II CARVED WALNUT OPEN ARMCHAIR ATTRIBUTED TO DANIEL BELL AND THOMAS MOORE, CIRCA 1735102cm high, 72cm wide, 59cm deep overallProvenance:Private Collection, LondonRetailer's label for Norman AdamsSee Adam Bowett, Early Georgian Furniture 1715-1740, page 180, plate 4:73, for a related chair with strikingly similar legs, supplied by Daniel Bell and Thomas Moore, with a November 1734 bill to the 'Honourable Counsellor Rider' of Sandon Hall, Stafford, 'To ten hansome Wallnuttree Chairs broad banister backs cutt in shape with scrole tops finneard with very good wood, loose compass seats, stuft in white Hessings with rich carved fore feet with Lyons faces on Ye Knees and Lyons Paws...with scrolls...to ye fore-rails...£27.10.00'.Whilst this armchair displays similar features to the Sandon Hall chair, such as the legs and compass seat, the exceptional piercing and carving to the back of this armchair and the carving to the arms and the seat rail seem more balanced with the quality and scale of the base.Geoffrey Beard and Christopher Gilbert, Dictionary of English Furniture Makers 1660-1840, records: Daniel Bell 'St Martin's Lane, London, cabinet maker 1724-1734,...recorded in partnership with Thomas Moore as early as 1724 when the firm supplied goods to Benjamin Mildmay, Earl Fitzwalter for Moulsham Hall between 1724-34; Thomas Moore is recorded as 'London, cabinetmaker 1734-d1738...at St Martin's Lane. The younger James Moore, son of the Royal cabinetmaker, died in 1734, and it seems probably that Thomas was a member of the family who at that date or earlier had entered into partnership with Daniel Bell.'See also Christie's Books, Masterpieces of English Furniture, The Gerstenfeld Collection, pages 80 and 207, plate 58, cat no. 52, for a pair of George II walnut side chairs, the legs with related acanthus drapery, bold lion masks and paw feet. Closely related chairs are seen in the 1741 painting by William Verelst of the Gough Family, and these Gerstenfeld chairs are also referenced as prototypes for an identical Chinese model in rosewood. The Victoria and Albert Museum, London, has in it's collection giltwood seat furniture with some related features made circa 1730 by chair maker Thomas Roberts junior made for Robert Walpole, Houghton Hall, Norfolk. These Houghton sofas and chairs are carved naturalistically with lion's masks and lion's legs and feet.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The inner supporting rails to hold the seat in place are later replacements, the other rails and blocks with signs of age including old woodworm holes and fillerTo the rear of the back there are some old repairs and replacements including splicing, there is some filler also. This would appear to have had some professional restoration carried out previouslyThe surface has been cleaned and polished overallThe tapestry to the seat has age, there is a hole to the central decoration, there are also signs of repair to the sides, there are signs of other tack marks to the rails of the drop in seatOverall the frame is entirely solid and stablePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Y A GEORGE III MAHOGANY, SYCAMORE AND SATINWOOD PEMBROKE TABLEATTRIBUTED TO HENRY KETTLE, CIRCA 1775Centred with a marquetry rose, the drawer with a sliding leather inset writing surface69cm high, 51cm wide, 92cm wide with the leaves raised, 68cm deepThis fine Pembroke table, in the manner of Hepplewhite, closely relates to an example by cabinet maker Henry Kettle, supplied to John Parker the younger, later Lord Boringdon for the saloon at Saltram, Devon (Illustrated in C.Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, Leeds, 1996, fig. 543, p.289). A further related table, also in the manner of Henry Kettle, finished with a harewood ground and shaped panels to the leaves, is illustrated in P. Broome, The Hyde Park Collection, Hong Kong, 1985, p.191.Henry Kettle's known career began when he was taken into partnership with the cabinet-maker William Henshaw around 1770 whose workshops were at 18 St. Paul's Church Yard. Kettle continued solely at this address from circa 1774 when he took over the firm of Philip Bell at 23 St. Paul's Church Yard, the address from which he appears to have centred his business from around 1777. He is also discussed in G. Wills 'Some Labelled Furniture at Saltram', Furniture History, Leeds, 1966, vol.II, p.37 (pl.XIX).Closely related examples, all also fitted with the same unusual form of castors, were sold: Christie's, New York, Important English Furniture, 17th October 2003, Lot 230 ($26,290). See also Bonhams, Bond Street, London, Fine English Furniture, 21st November 2006, Lot 62 (£12,000) and lot 115, 2 March 2004 at the same venue. (£14,340)Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe interior of the drawer with a green leather lined slide, the inset is probably a replacement it has a creaseThe handle appears to be the original, the lock probably later, there is no key, The roller castors appear to be original, they have leather rollersOverall solid and stableCleaned and polished appearance overallPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A BRASS PENDANT HANGING SHADE BENARES OR MOROCCAN, EARLY 20TH CENTURYOf pierced bell shaped form, three later chain fittings28cm high including later finial screw, 33cm diameterTOGETHER WITH A CONTINENTAL POLYCHROME GLASS AND METAL STAR CROSS-SECTION HANGING LIGHT 49cm high (2)Provenance:From the London property of a former Australian Prime MinisterCondition Report: Benares dirty- polish residue- later chains and bolt finial, glazed shade- with damages to 9 panels, incomplete metal foot and rust and lossesPlease see additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use.Condition Report Disclaimer
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123939 item(s)/page