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Click here to subscribeAn oak longcase clock, with an eight day movement with five turned pillars and an anchor escapement striking on a bell, the arched brass dial with Roman and Arabic numerals with subsidiary and seconds dials, the circular nameplate inscribed 'George Fair Berwick', the hood with a broken swan neck cornice above an arched truck door and a panelled base and bracket feet, 212.8cm high.
A George IV mahogany mantel clock by Septimus Miles, the eight day twin barrel movement striking the hours on a bell, the brass backplate engraved and inscribed 'Septimas Miles, Ludgate Street, London', the circular dial with Arabic numerals and pierced hands, inscribed 'Miles LUDGATE STREET', the lancet shape case inlaid with stringing and banding, with brass fishscale panel sides and brass feet, 38.8cm high, 25cm wide, 16cm deep. Septimus Miles (active 1794-1847) was free of the Clockmakers Company in 1797.
A walnut longcase clock, the eight day movement, with five turned pillars and an anchor escapement striking on a bell, with a brass arched dial with a silvered chapter ring, with Roman and Arabic numerals, with subsidiary date aperture and Strike / Silent dial, inscribed 'Thos Brown Portsmouth', with the four season spandrels, the hood with a moulded cornice above a cross and feather banded trunk door and a later plinth base, 217.2cm high.
A Regency ormolu mantel clock in Louis XV style by James McCabe, the eight day fusee movement striking on a bell, the backplate inscribed 'James McCabe London 2792', the circular dial with Roman numerals, with fleur de lys hands and an engine turned centre, in a Rococo style case decorated with scrolls, rocaille and flowers, 35cm high, 21.8cm wide, 15cm deep.
A French Empire ormolu mantel clock, the eight day movement with an outside countwheel, striking on a bell, the enamel circular dial with Roman and Arabic numerals and pierced hands, inscribed 'Paul Brunet a Paris', in a lamp shape case with a flaming finial, some sections missing, together with associated ormolu finials, 29.8cm high, 19.5cm wide. Provenance: Removed from a West Country Manor House.
A japanned musical longcase clock, the eight day three train movement with four turned pillars and an anchor escapement, striking on a bell with a graduated set of eight bells and with a five centimetre pinned musical cylinder, the square dial with a silvered chapter ring with Roman and Arabic numerals with subsidiary seconds dial, inscribed 'J Windmills London', with a matted and engraved centre with cast cherub spandrels, with an arched hood and with japanned decoration with chinoiserie scenes of figures with pagoda's, birds, trees and bridges, with a later plinth base, 217.8cm high. Joseph Windmills (c.1640-1724)
A late 19th century ormolu clock garniture, the eight day movement striking on a bell, the backplate signed with initials 'H F' and 'Cie Paris', stamped '128', with a blue enamel dial with Roman numerals engraved with a coronet and a cypher 'DSD', and 'LONDON & RYDER 17 NEW BOND STREET', the tear drop shape Gothic style skeleton case applied with blue enamel and gilt cabochons, 44cm high, 27cm wide, together with a pair of matching three light candelabra. (3)
A late 19th century French marble four glass mantel clock, with a twin train movement, striking on a bell, stamped 'AD MOUGIN' and numbered '110287, 4 8', with a mercury pendulum, painted enamel dial with Arabic numerals and signed 'RICHOND, 11 BARD MONMARTRE, PARIS', with a moulded bezel, the breche marble case with ormolu mounts in Louis XVI style, 35.8cm high.
A late 19th century French gilt spelter and porcelain mounted clock garniture, the eight day movement striking on a bell, the backplate inscribed 'R&C PARIS & LONDON', the circular dial painted with a bird and flowers and with Roman numerals, the Louis XVI style case with porcelain mounts painted with flowers and birds and an amorous couple in a garden setting, 46cm high, 33.8cm wide, 13.9cm deep, together with a pair of associated porcelain urns and covers. (3)
A late 19th century French ormolu and marble mantel clock garniture, the eight day movement striking on a bell, the backplate stamped 'G. H.', with a painted enamel circular dial with Roman and Arabic numerals, in a Louis XVI style classical temple case with a surmount of two putti and with with victory trophies, 39cm high, 20.5cm diameter, together with a pair of matching urns. (3)
A late 19th century French siena marble mantel clock, the eight day movement with an outside countwheel, striking on a bell, the backplate stamped 'C468' and with makers stamp, the circular dial with Roman numerals and pierced hands, inscribed 'Freres Soevi et Cie A PARIS', the architectural case with ormolu mounts, the top with a stack of books, 40.4cm high, 23.5cm wide, 13cm deep. Provenance: By repute St. Swithun's Girl School Library.
A French boulle bracket clock, 19th century, with cherub surmount over a dial set with enamel numerals, the shaped case with pendulum aperture, enclosing a two train movement, stamped 'Rollin A Paris', with hammer striking on a bell and with matching boulle bracket, clock 40.5cm high, (pendulum & key).
Silver and silver mounted wares, comprising; a circular ashtray in the Art Deco taste, detailed 'Waikee 90 Silver', a silver mounted and wooden quaich detailed 'Sterling', a modern silver call bell, a rectangular photo frame, a Georgian silver sugar sifter, a large silver decanter label, a Victorian silver aide memoire, a double photo frame, a circular lidded box, a silver mounted prayer book, a novelty pill box formed as a peanut and fifteen further items, combined weight of weighable silver 460gms (26).
A French gilt metal and porcelain mantel clock, late 19th century, the circular drum case with white enamel dial detailed 'Hry Marc Paris', surmounted with a cherubic figure with inset porcelain plaques and a two train movement, with countwheel striking on a bell (21.5cm high) and an early 20th century dial clock. (2) (two keys and two pendulums).
A George III oak longcase clock, the dial signed William If? Settle, the unusual brass dial with Roman chapter ring and Arabic quarters, the matted centre with ring turned moonphase calendar, the brass four pillar movement with anchor escapement striking on a bell, 228cm high. (pendulum, two brass weights and two keys).
Assorted to include Bell's, 1990 Christmas Edition, one porcelain bell decanter (boxed, some rusting on box lid); Bell's, 1989 Christmas Edition, one porcelain bell decanter(boxed, some rusting on box lid); Burmester, 1985, one bottle; Glenrothes Single Malt, Select Reserve, one bottle (boxed), two porcelain bell decanters and two bottles in total
Peter R G Hornsby, 'Pewter of the Western world, 1600-1850',published by Schiffer, 1983, signed by the authorRupert Gentle and Rachel Feild, 'English Domestic Brass 1680-1810 and the History of its Origins', published by Paul Alek, 1975 Vincent J M Eras, 'Locks and Keys through out the Ages',published by Bailey Brothers & Swinfen Ltd, 1974J B Kerfoot, 'American Pewter',published by Crown, 1942Stanley C Woolmer and Charles H Arkwright, 'Pewter of the Channel Island's',published by John Bartholomew, 1973H J L J Masse & Ronald F Michaelis,'The Pewter Collector',published by Barry & Jenkins, 1971Henry J Kauffman' 'American Copper and Brass',published by Thomas Nelson & Sons, 1968J Tavenor-Perry,'Dinanderie, The History and Description of Medieval Art work in Copper, Brass and Bronze',published by The McMillan Company, 1910H J L J Masse, 'Pewter plate',published by George Bell & Sons, 1904J Starkie Gardener,'Ironwork (Part one) From the Earliest Times to the End of the
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