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Lot 279
A George IV Scottish mahogany longcase clock, J. Melrose, Edinburgh, the white painted dial surmounted by a castle view, with subsidiary second and date dials, with an eight-day bell striking movement, the hood with broken swan neck pediment and fluted pilasters, the crossbanded case raised on shaped bracket feet, 48cm wide, 211cm high, 24cm deep
Lot 1175
An Engineers`s steel Tool Box containing turning items incl. a cased Mandrel, too holders, thread cutting tool, side or knife tool holder, miniature tool maker`s clamps, boxed pair of Starrett clamps (2”), an improved cutting off, grooving or screw-cutting tool holder, a saw Emery wheel arbor, a `Bell centreing punch`, a wooden boxed Brown and Sharpe Mfg Co. scribing compass/spacing attachment and four miniature metal clamps
Lot 1404
A Stereoscopic Viewer and a quantity of View Cards in mainly sepia incl: 12 by C.M. Bell - The rooms in the President`s House Washington D.C., the Capitol, The Smithsonian Institute and one Meadville Pa copyright 1892 - Keystone View Company `On all the trees, on every bough, thousands of crystals sparkle now`.
Lot 603
"W** WILKINSON, PENRITH, AN EARLY 19TH CENTURY OAK, ELM AND MAHOGANY VENEERED LONGCASE CLOCK, the hood with later applied moulded pediment, period brass capped pilasters, the trunk with arched panel door on box plinth, 30 hour mechanism, 4 pillar with" anchor escapement and count wheel strike on bell, faced by square painted dial with Arabic and Roman chapter, 2m high
Lot 79
Aviation Ephemera - Large Quantity of Mid XX Century Brochures and Photographs Relating to Military and Commercial Aircraft, including Martin - Baker (their ejection seat manual included), Hawker Siddeley Group, Rolls Royce, Bell, Pratt and Whitney, Fairchild, Avro, RAF and USAF, Ryan Aeronautical, BEA etc.
Lot 91
Four Colour Prints Depicting Operation Chastise, including Pete West`s `Apres Moi Le Deluge` and John Larder`s "Operation Chastise", bearing thirty two signatures in graphite and ink by the two artists and Alex M Mckie, John Bell, M Colyer, Len Sumpter, Jim Clay, Chan Chandler, Larry Curtis etc. All unframed. (4)
Lot 92
Two Untitled Colour Prints, of Lancaster AJ-`P` dropping its bomb whilst evading flak, signed to the margins in graphite and ink by seventeen airmen including John Bell, MBE; Alex M Mckie, DFM; Terry Kearns DSO, DFC, DFM, Larry Curtis, Gill Chalmers, Chan Chandler etc. 39 x 61cms, unframed; AFTER JOHN LARDER, "Operation Chastise" colour print, of Lancaster AJ-`P` amidst flak, signed in graphite to the margin by the artist and Gill Chalmers of AJ-`O`, 33 x 49cms, unframed. (3)
Lot 99
AFTER MAURICE GARDNER, "Dambusters Take-Off" and "Dambusters Return" colour prints, each signed by the artist and Bill Townsend, Douglas Webb and George Chalmers, surviving crew members of Lancaster AJ-O, unframed. Plate size 23 x 44cms, with certificates; An Untitled Colour Print, of a Lancaster dropping its bomb whilst evading flak, signed to the margin in graphite and ink by John Bell, M.B.E, DFC; Harry Johnson, DFM; and seven others. Plate size 39 x 61cms. Unframed. (3)
Lot 212
Bell (John) Travels from St.Petersburg 1st 2 vol., first edition, list of subscribers, engraved folding map, errata F., 2pp. advertisements at end, later ink onwership inscription to title of vol.1, short tear to lower edge of map, just within printed area, no loss, endpapers damp-stained, handsome contemporary speckled calf, gilt, spines in compartments, richly gilt and each with red and black leather labels, vol.1 spine ends a little chipped, a few minor ink spots to covers, [Gaskell 415; Blackmer 111; Cordier, Sinica, 2093], 4to, Glasgow, for the author, for Robert and Andrew Foulis, 1763. *** Bell travelled throughout Russia and the east during 1715-1738. He accompanied the embassies of Peter the Great to Isphan in Persia in 1715-1718 and travelled to Peking through Siberia and on to Derbent in Persia in 1719-1722. .
![[Brontë (Charlotte)], "Currer Bell", Villette 3 vol., first edition, 12pp. advertisements at rear of vol.I [dated J](http://lot-images.atgmedia.com/SR/1574/2785729/301_468x382.jpg)
Lot 466
Woolf (Virginia) Monday or Tuesday first edition, 4 full-page woodcuts by Vanessa Bell (some offsetting), advertisement leaf at end, endpapers browned, original cloth-backed decorative boards by Vanessa Bell, a little rubbed at edges and spotted, [Woolmer 17; Kirkpatrick A5a], 8vo, Hogarth Press, 1921. *** One of 1000 copies..
Lot 249
* Gris (Juan, 1887-1927). Two lithographs from Ne Coupez pas Madamoiselle ou les Erreurs des P.T.T., by Max Jacob, pub. Paris, Galerie Simon, 1921, printed in an edition of 120 copies, entitled La Cartelettre and L’Apero, both badly frayed to margins, 30 x 22cm, together with four lithographs from Denise, by Raymond Radiguet, published Paris, Andre Simon et Cie, 1926, printed in an edition of 112, plus three lithographs from A Book concluding with As A Wife Has a Cow, Paris, Andre Simon et Cie, 1926, with colophon signed by Gertrude Stein and Juan Gris, plus twelve pages of text only from another published work illustrated by Gris, including one full page etching, and one etched illustration to text by the artist, and colophon dated 1925, signed by the artist, sheet size 19 x 12cm (7.5 x 4.75ins) Provenance: By descent from Anthony Bell, Chairman of the publishing house Lund Humphries. (11)
Lot 261
* Paolozzi (Eduardo, 1924-2005). Metafisikal Translations, 1st ed., December 1962, b&w screenprint illustrations throughout, printed by Kelpra Studio, orig. printed wrappers, some minor marks and light browning to edges, presentation copy from the artist,inscribed to front free endpaper ‘To Tony Bell, 23/100 Eduardo Paolozzi’, slim 4to. A scarce early work of neo-dada screenprints and text by Paolozzi,inscribed to Anthony Bell, Chairman of the publishing house Lund Humphries. (1)
Lot 298
* Gentleman (David, 1930-). A group of six unpublished drawings of Winchester College and surroundings, consisting of four pen and ink drawings, and two pencil drawings on paper, 14.5 x 20.5cm (5.75 x 8ins), and similar, together with a copy of the artist’s published portfolio of four colour reproduction drawings entitled Winchester College, 6th Centenary 1982, printed for the Wykehamist Society by Lund Humphries, 1982. Nine vignette drawings by David Gentleman were used to illustrate the accompanying text for the Winchester Portfolio, although none of these are included amongst the original drawings here present. Provenance: By descent from the Chairman of Lund Humphries, Anthony Bell. (7)
Lot 1025
A late 19th Century gilt metal and enamel mantel clock with eight day movement striking on a bell, the enamel dial with blue Roman numerals on a pink ground framing a central flower garland, the case with urn surmount above inset enamel panels filled with flowers within gilt and pink borders, on a concave shaped base, stamped `PH Mourey` to back, height approx 31cm (faults) with pendulum and two keys.
Lot 1031
A late 19th Century bronze and ormolu mantel clock with eight day movement striking on a bell, the engine turned dial with Roman numerals, the case surmounted with a gilt bronze figure group of a mother and two children seated on a rocky outcrop, the rectangular pedestal applied with a scallop shell flanked by a pair of dolphins and bulrushes, above an acanthus leaf border, plinth and anthemion scroll feet, height approx 48cm (lacking pendulum).
Lot 1036
A late 19th Century gilt spelter and porcelain mantel clock with eight day movement striking on a bell, the pink porcelain dial with Roman numerals and a garland of flowers, the case surmounted with a classical maiden standing beside a globe, the plinth base inset with porcelain panels on scroll feet, the case stamped `P.H. Mourey 72`, height approx 39cm (lacking pendulum and faults).
Lot 1042
A brass lantern clock, probably 19th Century, with bell strike movement, the chapter ring with Roman numerals framing a centre engraved with three skeletons and inscribed `Nobilem ex Rustico distingue, Talis erum qualis es` and `Talis eris qualis sum`, the case of typical form with bell surmount above foliate and dolphin pierced fret panels, turned finials and columns and brass side doors, on turned feet, height approx 34cm, together with weight and pendulum.
Lot 1046
A George III mahogany longcase clock with eight day movement striking on a bell, the painted breakarch dial with subsidiary seconds, date aperture and inscribed `Symonds Reepham`, the breakarch painted with birds above floral spandrels, the arched hood with gilt finials above a blazed door and turned columns, the trunk with arched door on a plinth base, height approx 210cm, together with pendulum and two weights (alterations).
Lot 1078
A late 19th Century gilt metal mounted slate and marble clock garniture, the clock with eight day movement striking on a bell, the white enamel dial with visible escapement and Roman numerals, the case with urn surmount on scroll feet, with pendulum, height approx 48cm, together with a pair of matching four branch candelabra.
Lot 1100
A George III figured mahogany longcase clock with eight day movement striking on a bell, the gilt break arch dial with silvered chapter ring and centre, subsidiary seconds dial, date aperture and inscribed `William Avenell, Portsmouth`, beneath rocking Father Time automaton to arch, the hood with swan neck pediment above a glazed door flanked by fluted columns, the rectangular trunk door with shell paterae inlay, on a plain base and bracket feet, height approx 222cm, with pendulum and weights.
Lot 1113
A George III oak longcase clock with thirty hour movement striking on a bell, the square brass dial with subsidiary seconds and inscribed `Budgen Croydon`, the hood with swan neck pediment above a glazed door flanked by turned columns, the trunk with arched door, on a plain base and bracket feet, height approx 214cm, together with weight and pendulum.
Lot 1114
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with subsidiary seconds, dater aperture and inscribed `Phillips Tenbury`, the hood with glazed door flanked by columns, the crossbanded rectangular trunk door on a plain base and bracket feet, height approx 205cm, with two weights and pendulum (alterations and restoration).
Lot 706
A Victorian 18th century-style ebonised bracket clock, the eight day duration, double fusee movement striking the hours on a gong, having an arched brass dial with matted centre, a raised, silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and cast brass corner spandrels, the arch having a subsidiary ‘strike/silent’ dial, the ebonised ‘bell-top’ case having glazed side panels, fretwork to the front, and surmounted by a brass carrying handle, height: 47cm.
Lot 708
John Berry, London, an ebonised quarter-repeating bell top bracket clock, having an eight day duration timepiece fusee movement with verge escapement and pull quarter-repeat on two bells, the backplate profusely engraved with floral and rococo decoration and signed ‘Jn Berry, London’, having a six inch arched brass dial with the raised silvered chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, a matted centre engraved with a repeat of the signature and a ‘false bob’ aperture, with cast brass ‘female head’ spandrels to the corners, blued steel hands and a date dial within the arch, the ebonised bell top case having fret-work panels to the sides and front, cast brass finials, handle to the top and bracket feet, height: 44cm. * There were a number of makers named John Berry working in London at this period with the most likely being the one recorded as being a Freeman of the Clockmakers Company from 1728 until 1754 and quite probably apprenticed to his father, also John.
Lot 709
James Gowland, London. An ebonised bracket clock, having an eight day duration, double fusee, five pillar movement striking the hours on a bell, the shaped silvered dial engraved with Roman numerals, with a ‘strike/silent’ dial below VI 0’clock and signed by the maker ‘James Gowland, London’ which is repeated to the backplate of the movement, the ebonised case having various ormolu mounts and shaped brass side frets to the trunk and top, a cast carrying handle to the top and four cast brass finials to the case corners. Height: 48cm. * James Gowland is recorded as working as a clock and chronometer maker at 11, Leathersellers Buildings, London Wall, London from 1832 until 1878. He showed a skeleton clock at the Great Exhibition in the Crystal Palace, Hyde Park of 1851.
Lot 711
John Drew, London, an eight day clock movement and dial, having five turned finned pillars and striking the hours on a bell, the twelve inch square brass dial having a raised, silvered chapter ring engraved with black Roman numerals, half-hour markings and Arabic outer five minute numerals, the matted dial centre having ringed winding holes and date aperture and silvered seconds ring, having cast ‘cherub & crown’ corner spandrels with engraved decoration between, engraved on the chapter ring with the maker’s name ‘John Drew, Johnson Court in Fleet Street, London’. * John Drew was apprenticed in 1676 to Joseph Knibb, one of the most emminent maker’s from ‘The Golden Age of English Clockmaking’ and is recorded as working in Johnson Court in Fleet Street, London from 1684, having been admitted a Freeman of the Clockmakers Company, until his death in 1713.
Lot 712
Muirhead & Arthur, Glasgow, a Victorian mahogany longcase clock, the eight day duration movement striking the hours on a bell and having a wood rod pendulum with brass cylindrical bob, a dead-beat escapement and brass bound weights, with the thirteen inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, the dial centre having engraved rococo style engraving and raised seconds and date rings, with cast brass female-head spandrels to the four corners, the arch with cast dolphin spandrels either side of a silvered boss engraved with the maker’s name ‘Muirhead & Arthur, Glasgow’, the mahogany case having a glazed front door, a panelled base, the turned pillars to the hood having brass Corninthian capitals, with a swan neck pediment and brass finial, height: 230 cm. * Muirhead and Arthur are recorded as goldsmiths, clockmakers, watchmakers and jewellers working in Glasgow from 1845 until after 1900. Henry Muirhead was admitted to the Incorporation of Hammermen on 30th of August 1844 and made a burgess & guildbrother two weeks later. He succeeded James Muirhead and was at Royal Exchange in 1839 before moving to 33 Nelson Street by 1840, later joining with business partner, the jeweller Robert Arthur.
Lot 713
Charles Webb, Exon (Exeter), A walnut longcase clock, the eight day duration movement striking the hours on a bell, the 12 inch arched brass dial having a silvered chapter ring engraved with Roman hour numerals, outer Arabic minute numerals, fleur-de-lys half hour markings and diamond half-quarters, with cast brass ‘Chinese’ spandrels to the four corners and dolphin spandrels to the arch, the matted dial centre having an applied silvered plaque engraved with the maker’s name ‘Charles Webb, Exon’, a subsidiary seconds dial and day aperture, the arch having a further silvered dial showing both the date and month, with blued steel hands, the walnut case having an arched door with chevron crossbanding to the base and door and an arched top with deep concave moulding, with quartered columns to the hood, height 220cm. * Charles Webb is recorded as a watch & clockmaker having been mentioned in the Exeter Quarter Sessions Books of Recognizances on the 4th of May 1722 with a further record in 1728.
Lot 38A
A J. Vieillard & Co. (Bordeaux) faience clock garniture in the aesthetic manner the circular clock case with grotesque lion mask handles on rectangular table base surmounted by a Buddhist temple dog flanked by a pair of vases of swelling square profile with elephant mask handles set on similar table bases under predominantly turquoise, black and aubergine glazes, clock case 41 cm high, impressed marks to all pieces, circa. 1880, the clock movement striking to a bell and stamped BR 325 and 66281.
Lot 962
A George II silver coffee pot by Edward Pocock London 1733 tapering circular form scroll handle domed hinged cover with a bell shaped finial faceted spout on a raised circular foot the base scratch initialled ‘M*B 20oz 1734’ height 20.6cm approx. weight 20oz. ** purchased from Sotheby’s London Silver and Vertu sale 1 June 2000 lot 162.
Lot 148
AN EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, by George Osmund of Tisbury, having arched hood above arched aperture flanked by wrythen pilasters, the base with quarter wrythen pilasters and crossbanded rectangular door, crossbanded and inlaid panel base on bracket feet. Arch painted dial decorated with flowers and fruit, and having Roman numerals and date aperture. Eight day movement striking on one bell. The face 16" x 11.5". 86" High overall.
Lot 153
A 19TH CENTURY GRAINED PINE LONGCASE CLOCK, the case with broken swan necked pediment above arched aperture flanked by reeded pillars, arch waist door on panel base. Arch painted face with maritime scene to the arch, foliate spandrels, Romans numerals seconds dial date and date aperture. Marked W.M Jenkins Narberth. Eight day two train movement striking one bell. Face 17" x 11.5". 82" High overall.
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123509 item(s)/page