Manchester City Signed Football Memorabilia: Scrapbook with headline 1956 FA Cup Winners and inside cuttings from various publications with 30 signatures. 1956 Road To Wembley brochure with 16 signatures inside. A few signed letters to include 1933 Finalists Toesland and Dale plus one from Peter Swales. 5 autograph pages with 19 autographs not back to back to include Corrigan, Summerbee, Barnes, Tueart and Bell. Few other City related items included printed autograph sheets and a distressed 1933 Cup Final newspaper signed to Ian by Matt Busby.
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Blackburn Rovers 1940s 1950s 1960s Football Autograph Collection: Stunning private collection all pre 1970 from various publications. All signatures are identified and laid down with photo corners on 12 x 12 inch card and easily removable. 50 pages to include 2 fully signed team groups, 18 signed trade cards, 4 signed autograph pages, 15 original signed press photos and 185 various sized pictures to include 26 A4. 115 different player signatures including Keith Newton, Eric Bell, Bill Eckersley, Derek Dougan, Jim Fryatt, Dave Whelan, Ron Suart, Roy Vernon, Louis Bimpson, Fred Pickering, Eamon Rogers, Andy McEvoy, Eddie Quigley, Walter Joyce etc. (350+)
Bury 1940s 1950s 1960s Football Autograph Collection: Stunning private collection all pre 1970 from various publications. All signatures are identified and laid down with photo corners on 12 x 12 inch card and easily removable. 23 pages to include 3 fully signed team pictures one of which has 29 autographs, 7 signed autograph pages and 117 various sized pictures to include 6 A4. 116 different player signatures including Les Hart, Colin Bell, Bob Stokoe, Alec Lindsay, Cyril Fairclough, Reg Halton, Bert Head, Eddie Quigley, Bobby Collins, Derek Mayers, Warren Bradley, Greg Farrell, George Jones, Ian Towers etc. (270+)
Manchester City 1940s 1950s 1960s Football Autograph Collection: Stunning private collection all pre 1970 from various publications. All signatures are identified and laid down with photo corners on 12 x 12 inch card and easily removable. 56 pages to include 3 fully signed team groups, 6 signed autograph pages, 10 signed original Press photos and 223 various sized pictures to include 31 A4. 138 different player signatures including Denis Law, Joe Mercer, Johnny Hart, Malcolm Allison, Bert Trautmann, Colin Bell, Francis Lee, Frank Swift, Roy Paul, Neil Young, Ken Barnes, Don Revie, Johnny Crossan, Arthur Mann, Joe Fagan etc. (390+)
Tranmere Rovers 1940s 1950s 1960s Football Autograph Collection: Stunning private collection all pre 1970 from various publications. All signatures are identified and laid down with photo corners on 12 x 12 inch card and easily removable. 16 pages to include 2 fully signed team groups, 5 signed autograph pages and 75 various sized pictures to include 5 A4. 86 different player signatures including Jim Cumbes, Roy McFarland, Abe Rosenthal, Harry Bell, Ken Beamish, Frank Lane, John Manning, George Yardley, Harry Leyland, Roy Sinclair, George Hudson, Ray Mathias etc. (170+)
A good mahogany cased drop-dial wall clock, the 12-inch white painted dial with Roman numerals and signed for retailer R Sharp, Liverpool, matched steel trefoil hands, opening glazed bezel, trapezoid-plate cable fusée timepiece movement featuring passing strike on a bell, wood rod pendulum with cylindrical lead bob visible behind a glazed panel, with key.
Chris Calle (American, B. 1961) "Gus Grissom - Second U.S. Manned Space Flight" Signed lower right. Mixed Media on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover of the Niue 25th Anniversary of the Moon Landing stamps issued July 20, 1994. On February 21, 1961, NASA announced that, of the seven astronaut-trainees of Project Mercury, three had been chosen to prepare for flight into space. Among them was 33-year-old military test pilot Captain Virgil "Gus" Grissom. So intent was Grissom on making the flight that he gave up water-skiing and became acutely observant of traffic laws to assure that nothing happened to make him ineligible. Finally, on July 21, 1961, only a few weeks after Alan Shepard's 15-minute suborbital flight in Freedom 7, it was Grissom's turn. He had named his Mercury 4 spacecraft Liberty Bell 7 because of its shape, even going so far as to paint a large crack on the vessel similar to the crack in the real Liberty Bell. At 8:20 a.m. Eastern Daylight Time, a Redstone rocket blasted Mercury 4 off from Cape Canaveral. Grissom slightly exceeded the distance and speed of Shepard's earlier flight, traveling to an altitude of 118 miles at over 5,000 miles per hour. After splashdown, the spacecraft's escape hatch blew off prematurely. While Grissom escaped unharmed, Liberty Bell 7 sank permanently to the ocean floor. Jokingly, Grissom named his next spacecraft "Molly Brown" after the popular Broadway musical The Unsinkable Molly Brown. Reluctant NASA officials agreed to the name after hearing Grissom's back-up choice: "Titanic." Image Size: 7 x 6.25 in. Overall Size: 11.5 x 10.5 in. Unframed. (B14795)
Steve Ferguson (American, B. 1946) "Bell P-59 Airacomet Airplane" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover with the U.S. 29c Flag stamp issued October 2, 1991. As he taxied down the hard-packed surface of Muroc Dry Lake on October 2, 1942, Bell test pilot Robert M. Stanley knew he was making aviation history. Enclosed in the prototype of America's first jet-powered aircraft, Bell put the XP-59A Airacomet through its paces and then executed a textbook perfect landing on the salt-infused lake bed. Developed from British work on gas turbine engines, the P-59 was a mid-wing monoplane with turbojets flanking its slender fuselage and was originally intended to be an interceptor pursuit aircraft. Subsequent, more intensive test flights revealed the plane's lack of power, short range and operational instability. Removed from combat capability, the P-59 saw service as a jet fighter trainer. However, its role in the development of American jet aircraft remains unsurpassed. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B13375)
Scandinavian ceramic bell labelled Jule Christmas 1982, Weihnachten Noel, assorted ceramics to include dishes handpainted in Poland, a large mixing bowl marked 'Jacks Farm' by Ulster Ceramics, Masons Ironstone jug, a blue and white lidded pot, Beswick-style ornamental ducks, white wall pockets, mid 20th century hors d'oeuvres dish with different coloured dishes held within a wicker basket and assorted glassware to include decanters, wines, vase, fruit bowl, etc (3 boxes)
Includes: Bone china bell in floral design by Camelot; candle snuffer by Oakley China; Limoges heart-shaped charm box depicting courting couple to lid; ceramic egg shaped charm box decorated with pink roses; and triangle shaped charm box with hinged lid, metal closure, and decorated with floral design. Dimensions of bell: 2.75 in. L x 2.75 in. W x 4 in. H. Condition: Age related wear. Limoges box has inner chip to rim. Triangle charm box does not open easily.
A Chinese Doucai Glaze Dragon Bell Shaped Vase H 23cm; W 9.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.
WILLIAM KENTRIDGE, ROBERT HODGINS & DEBORAH BELL limited edition (4/25) screenprint – 'Aida Etc’, signed, numbered and dated in pencil ’89 (I)Dimensions: 35 x 84cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:The mount has started to ripple on the left side.
Edward Golland of Retford (Notts) - mid-18th century 8-day carved oak longcase c1760 , with a stepped caddy top and blind fret, break arch hood door flanked by carved pilasters with brass capitals, trunk with a carved break arch toped door on a carved plinth with applied skirting and feet, brass dial with matching steel hands, silvered and engraved dial centre and chapter ring, with seconds dial and calendar aperture, four seasons spandrels and boss to the arch with makers name, four pillar rack striking movement, striking the hours on a bell. With weights and pendulum. Edward Golland is recorded as working in Retford during the late 18th century.Dimensions: Height: 240cm Length/Width: 50cm Depth/Diameter: 24cm
James Worthington of Kirkby (Lancs) - mid 18th century 8-day oak longcase c1740, with a swans neck pediment and break arch door beneath with reeded pilasters and capitals, trunk with reeded quarter columns and long trunk door on a high plinth with a raised panel and bracket feet, brass dial with urn spandrels and scroll brass work depicting father time to the arch, engraved dial centre with a silvered chapter ring, seconds dial, date aperture and cartouche with makers name, movement with innovative unusual wheel train, anchor escapement and rack strike, striking the hours on a bell. With weights and pendulum,Dimensions: Height: 230cm Length/Width: 44cm Depth/Diameter: 24cmCondition Report:Pendulum suspension missing
William Raw of Bridge End Whitby - early 19th century 8-day oak cased longcase c1810, flat topped pediment with a wide cornice, plain front and breakarch door beneath, detached columns with brass capitals, trunk with a long door, chamfered top and inlay on a plain plinth with decorative skirting and feet, painted dial with floral garlands and a cameo depicting a sailing ship to the arch, Roman numerals five-minute Arabic's and minute dots, with makers name, date aperture, seconds dial and matching steel hands, rack striking movement striking the hours on a bell. With weights and pendulum.William Raw was a clockmaker in both Hull and Whitby, succeeded by his sons Edwin and Henry.Dimensions: Height: 230cm Length/Width: 47cm Depth/Diameter: 24cm
John Fletcher of Barnsley - Mid18th century 30-hour oak cased longcase clock, with a flat pediment and broad cornice, square hood door with attached pillars and gesso capitals, long trunk and conforming door with a break arch top, square plinth on a shaped base, brass dial with cast spandrels and engraved dial centre, chapter ring with Roman numerals and five minute Arabic's, engraved calendar dial and steel hands, chain driven count wheel movement striking the hours on a bell. With pendulum and weight. The Fletcher family were a prolific family of clockmakers working in Barnsley (Yorks) during the 18th and early 19th century.Dimensions: Height: 200cm Length/Width: 44cm Depth/Diameter: 24cm
John Bancroft of Scarborough - oak cased thirty-hour longcase clock c1800, swans neck pediment with a recessed break arch door flanked by two pilasters with capitals, trunk with canted corners and long trunk door with a wavy top, rectangular plinth on bracket feet, painted dial with Roman numerals and five minute Arabic's, matching steel hands and calendar aperture, floral spandrels and conforming artwork to the break arch, chain driven count wheel movement striking the hours on a cast bell. With pendulum and weight.Dimensions: Height: 212cm Length/Width: 43cm Depth/Diameter: 23cm
John Bancroft of Scarborough - early nineteenth century oak-cased 30-hour longcase clock, with a swans neck pediment with brass patera, break arch hood door with circular pilasters and brass capitals, trunk with a long break arch topped door on a rectangular plinth on bracket feet, painted dial with upright arabic numerals and matching steel hands, dial inscribed Bancroft, Scarborough, with a subsidiary calendar dial, floral decoration to the spandrels and a game bird depicted in the break arch, rope driven countwheel striking movement, striking the hours on a cast bell. With weight and pendulum.Dimensions: Height: 215cm Length/Width: 44cm Depth/Diameter: 24cm
Humphrey Hadley of Birmingham - mid 18th century 30-hour oak longcase clock, with a flat caddy top and fixed square hood door with attached pillars, long trunk with a break arch topped door on a small rectangular plinth with a decorative base, brass dial with a matted centre and chapter ring roman numerals and five minute Arabics, cast spandrels and matching steel hands, chain driven count wheel striking movement, striking the hours on a bell. With pendulum and weight.The Hadley family were a prolific family of Birmingham clockmakers from the early 18th to mid 19th century.Dimensions: Height: 210cm Length/Width: 36cm Depth/Diameter: 23cm
A Late 19th Century French Bronzed Spelter and Black Marble Cased Mantel Clock No.5246, the 3.75ins diameter black dial with gilt Roman numerals and worded "Devienne Honore Lille" to the eight day movement striking on a bell contained in bronzed spelter drum-pattern case, surmounted by hunting trophies and flanked by a figure with horn, on shaped base and splayed bracket feet 21ins high
A Late 19th Century French White Marble Cased and Bronzed Metal Mounted Mantle Clock by Rollin a Paris, No.2658, the 3.5ins diameter white enamel dial with Roman numerals to the eight day movement striking on a bell contained in rectangular case with shaped front and surmounted by figure of Jesus on plinth base 18ins high
A Late 19th Century French Black and Red Veined Marble Cased Mantel Clock No.2767, the 3.5ins white enamel chapter ring with Roman numerals and visible escapement to centre, to the eight day movement striking on a bell contained in drum-pattern case with fluted sides on fluted scrolls on rectangular base with shaped apron 9ins high
A Late 19th Century French White Flecked Marble and Gilt Metal Mounted Cased Mantel Clock by A D Mougin No.198448, the 3.5ins diameter white enamel dial with Arabic numerals to the eight day two train movement striking on a bell contained in rectangular case surmounted by two-handled urn with drop handles to sides and on plinth base 17ins high
A 19th Century Rosewood and Gilt Metal Mounted Mantel Clock by Thomas Richards of London, the 7.75ins diameter cream dial with Roman numerals to the eight day two train movement striking on a bell contained in rectangular case with moulded top with pineapple finial, cornucopia and ring handles above metal grilled sides, panelled front and on plinth base with ball feet 20ins high
A 19th Century Mahogany Cased and Gilt Metal Mounted Mantle Clock by Stevenson of Nottingham, the 8ins diameter cream domed dial with Roman numerals to the eight day two train movement with brass plates, striking and repeating on a bell contained in arched and pagoda topped case with pineapple finial, inlaid with brass stringings, leaf scrolls and lyre motifs on ball feet 22.5ins high
A Rare Late 17th/Early 18th Century Thirty Hour Longcase Clock Movement, by James Tudman of London, the 11ins square brass dial with winged cherub's head and foliage spandrels and matted centre, the chapter ring signed 'Jacobus Tudman Londini Fecit', and with Roman and Arabic numerals, the two hand movement with four knopped pillars, anchor escapement and outside count wheel striking on a large bell mounted on an iron post bolted to the front to the front plate Note: James Tudman was apparently not in the clock maker's 'company'. He worked at The Crown, Lombard Street, London. He married in 1687.
A 19th Century Mahogany Longcase Clock, by W. G. Thompson, Great Tower Street, London, the 12ins cream enamel domed dial with Roman numerals to the eight day two train five pillar movement striking on a bell, contained in case with arched and moulded cresting and reeded front corners to hood, arched trunk door with stop fluted cant corners, on panelled base with plinth support, 77.5ins high
An Early 18th Century Walnut and Seaweed Marquetry Longcase Clock by Peter Trumball of London, the 12 in square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell contained in case inlaid with seaweed marquetry and strapwork ornament with moulded cornice and split turned columns to hood, the door with gilt framed lenticle, on plinth base with ogee bracket feet 86ins high Note: See Tom Robinson "The Longcase Clock, Antique Collectors Club" page 110, figure 5/33
A late 19th century French black slate, cloisonne enamelled and gilt metal mounted mantel clock, surmounted by an urn above a matt dial with Roman numerals, signed Dent 33 Cock Spur Street, London, the eight day movement striking on a bell, height 41cmPENDULUM ARM BENT A LITTLE, OTHERWISE GOOD AND COMPLETE
NANTGARW PORCELAIN CABINET CUP circa 1818-1820, footed and bell shaped, having twin gryphon handles, the body painted with sprays of flowers probably by Thomas Pardoe, gilt dentil rim, handles picked out in gold, 8.5cms highProvenance:deceased estate Cardiff, consigned via our Cardiff officeCondition Report:faint localised crazing, faint hairline below handle (poss. firing fault), v. sl. losses to decoration / gildinghairline crack behind handle
An Oak cased longcase clock by "Jn. Neve, Hengham" having an arched painted face with Roman hour numerals and Arabic minutes, an inset second hand and a semi-circular date register window, the arch having an oval painted scene depicting a horticulturalist in early country dress holding a basket and splicing twigs onto a tall tree-stump root-stock and with a house visible in the distance beyond an expanse of water. The 8 day movement, which was running at the time of cataloguing, striking the hours on a bell. 86 1/4" high, 18" wide and 9 1/4" deep. The hood has a fretwork edged pediment with a small section absent and part of the apron to the base is also absent.
Warhol, Andy Zwei-Dollar-Banknote, 1976 (Pittsburgh 1928-1987 New York) Vorderseitig mit dem Portrait von Thomas Jefferson und der Seriennummer "F 10549429 A" sowie aufgeklebter US-Postage-Briefmarke Alexander Graham Bell Issue 13 Cent von 1976, abgestempelt in Atlanta am 13. April 1976; rückseitig Darstellung der Unabhängigkeitserklärung nach einem Gemälde von John Trumbull. Auf der Vorderseite handsigniert, auf der Rückseite Signaturstempel. 6,5 x 15,5 cm, in Plexiglasrahmen 15 x 20,3 cm. - Mit Zertifikat der Galerie 32 Nizza, Frankreich.amerikanischer Künstler, Amerikanischer Präsident, Andrew Warhola, Dollar bill, Pop Art, Ready-made, Two Dollar Jefferson
French - 19th century Spelter and Alabaster 8-day mantle clock, on a raised base with a figure of a lady in 18th century costume, enamel dial with Roman numerals and steel moon hands, striking the hours on a bell. Dimensions: Height: 42cm Length/Width: 24cm Depth/Diameter: 20cmCondition Report:No pendulum or key
Three mid 18th century wine glasses, comprising bucket bowl upon stem with medial ball knop and folded foot, ogee bowl engraved with barley upon balustroid stem and domed foot, and bell shaped bowl engraved with fruiting vine upon knop stem, together with two late 18th/early 19th century slice cut glasses and Edwardian wine glass, the funnel bowl wheel engraved with grape vines and tendrils, and four similar furthers, tallest H24.5cm (10)
Continental - early 19th century porcelain mantle clock with a French eight-day movement, rectangular case with raised gilt rococo decoration and carrying handle, hand painted panel to the front portraying a picturesque lakeside scene and two figures in 18th century dress, contrasting light green background with raised gold decoration to the sides and a depiction of flying birds within a scrollwork cartouche, white enamel dial with a cast brass bezel, Roman numerals, minute track and steel trefoil hands, dial inscribed Henry Marc, count wheel striking movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 24cm Length/Width: 15cm Depth/Diameter: 10cm
French - 19th century Belgium slate mantle clock with an 8-day Parisian movement, rectangular break front case with a flat top on a broad plinth, enamel dial with Roman numerals and steel moon hands, twin train countwheel movement striking the hours and half hours on a bell. With pendulum.Dimensions: Height: 22cm Length/Width: 34cm Depth/Diameter: 20cm
French - early 20th century 8-day portico clock under a glass dome, on a shaped circular brass base with a decorative repousse border to the plinth, six reeded columns with finials and an ogee top with matching finial, gilt dial with cartouche Arabic numerals and pierced hands, countwheel striking movement, striking the hours and half hours on a bell. With pendulum and key. Dimensions: Height: 43cm Depth/Diameter: 22cm
English - late 18th century 8-day longcase movement and dial, with a 12.5� square silvered sheet dial, Roman numerals and minute track with engraved spandrels and seconds dial, non-matching steel hands, dial pinned via a false plate to a rack striking movement with an anchor escapement, striking the hours on a bell. No pendulum or weights.
French - 19th century Belgium slate 8-day mantle clock, in a break front case with a flat top on a broad plinth, white enamel dial with Roman numerals and steel moon hands, striking movement, striking the hours and half hours on a bell. With pendulum.Dimensions: Height: 22cm Length/Width: 30cm Depth/Diameter: 16cm
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123896 item(s)/page