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Lot 2380
Gilded spelter two train figural mantel clock, the Japy Freres movement with outside countwheel striking on a bell (missing), the 3" dial within a drumhead surround upon an ornate plinth flanked to the left by a seated peasant girl holding a tambourine with a recumbent goat at her feet and upon a stepped marble base with cast gilt metal feet, 19.5" high
Lot 2381
French spelter two train figural mantel clock, the movement with outside countwheel striking on a bell, the 3.5" circular dial signed E. Dade, Egreville within a cast bezel upon a central pedestal flanked to the right by a standing lady holding a flaming torch and to the left by Cupid upon a naturalistic base and Sienna marble plinth, 18.75" high (pendulum); together with a spelter and marble two train figural mantel clock, the 3.25" circular dial within a rocky base signed T. Cartier surmounted by a prowling panther upon a marble plinth, 12" high (2)
Lot 37
Silver rack lever pair cased pocket watch, London 1806, signed Liverland Whiteside, Liverpool, no. 509, the fusee movement with bell engraved balance cock inscribed `Patent` with diamond endstone, flat steel three arm balance, Bosley type regulator and cylindrical pillars, with dust cover, the dial with Roman numerals and gold spade hands, matching cases, case maker `NL`, 53mm
Lot 38
Early 19th century silver rack lever pair cased pocket watch, Birmingham 1809, signed Jas Hargrave, Bawtry, no. 487, the fusee movement with engraved bell shaped balance cock depicting a swan and serpent inscribed `Patent`, diamond endstone, flat steel balance and cylindrical pillars, Bosley type regulator, original dust cover, the dial with Roman numerals and chased gold hands, lacework paper, matching cases, case maker `WR` (William Ryley), 56mm
Lot 39
Fine 18th century gold and green enamel quarter repeating verge pair cased pocket watch, signed Jno (John) Leroux, London, no. 277, the fusee movement with pierced balance cock, silvered regulating disc and cylindrical pillars, plunge repeat with hammers striking on a bell to the fine pierced and engraved inner case depicting a landscape, birds, mask and foliate scrolls, the enamel dial with Roman numerals, outer Arabic five minute chapter and shaped steel beetle and poker hands, the green enamel pierced outer case en-grisaille with an oval reserve depicting a seated lady within a white beadwork garland, original signed dust cover, case maker `SG`, 46mm *A similar enamelled cylinder repeating pocket watch by John Leroux with chatelaine can be found in The British Museum Collection
Lot 364
Two balastroid wine glasses: one with drawn trumpet shaped bowl set on an inverted baluster stem containing a single series air twist on a conical foot, circa 1740-50; the other with bell shaped bowl with single series airtwist extending into a straight stem set with a large beaded knop above a basal knop on a conical foot, 1740-50, both 17.5 cm high.
Lot 722
G. Gellier a Paris, a brass mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate signed for the clockmaker G. Gellier a Paris along with the trademark of the movement maker Japy Freres, the brass cast dial with applied enamel plaques with blue Roman numerals and blued steel spade hands, the cast brass portico case with pillars to the front encasing a matching pendulum, with a cast urn to the top and standing on matching cast feet, height 53cm.
Lot 724
Samuel Marti, Paris, a French marble clock garniture: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the maker Samuel Marti of Paris, the round ivorine dial with black Arabic numerals and decorative blued steel hands, the pink variegated marble case having gilt-metal mounts and surmounted by a gilt-metal and marble urn, with a stepped base to the case, height 46cm a pair of matching five-light candelabra.
Lot 726
A French marble clock garniture: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the round white enamel dial with black Arabic numerals, decorative gilt brass hands and a sunburst bob to the pendulum, the white and grey marble case with gilt-metal mounts to the rectangular columns, the movement between, surmounted with a young boy holding a branch, with a serpentine shaped base on which sits a pair of gilt-metal doves, complete with a pair of matching two-light candelabra, height 45cms (clock) 26cms (candelabra)
Lot 727
Thomas Andrews, Dover, a Georgian mahogany bracket clock: the eight-day duration, double fusee movement striking the hours on a bell now with an anchor escapement, the break-arch silvered dial engraved with black Roman numerals, Arabic outer numerals, floral decoration to the corners and arch and with a date dial to the centre and strike/silent dial to the arch, with decorative blued steel hands, signed to the dial Thomas Andrews, Dover, the mahogany bell-top case with cast-brass acorn finials, fretwork to the door, shaped inset panels to the sides, a brass carrying handle and standing on brass bracket feet, height: 52cms, inc handle. * Biography Thomas Andrews is recorded as working in Dover between circa 1773 and 1802.
Lot 728
Payne, New Bond Street, a Georgian style ebonised bracket clock: the eight-day duration, double fusee five-pillar movement striking the hours on a bell (missing), the six-inch square brass dial having a raised chapter ring engraved with black Roman numerals and signed Payne, 163, New Bond Street, London, with blued steel moon hands, the ebonised case having a stepped top with brass handle, wood side frets, brass mounts to the door and standing on decorative cast brass feet, height: 33cm (without handle) 36cm (with handle)
Lot 731
Hebie a Paris, a cartel wall clock:, the eight-day duration movement striking the hours on a bell set above and with an outside countwheel, with a silk-suspension to the pendulum, the large rectangular plates signed in scroll to the lower part Hebie a Paris, the round white enamel dial with blue Roman numerals, Arabic outer five minute numerals, decorative pierced and engraved brass hands and signed to the centre with a repeat of the maker's name, the gilded case of rococo and floral form with silk backing, height: 52cm.
Lot 732
T. Watson, London, a drop-dial wall clock with alarm:, the five-pillar, eight-day duration double-fusee movement striking the hours on a bell with pull repeat, with a strike/silent lever at XII o'clock, with a third alarm train wound through the dial with a brass setting ring to the dial centre, the twelve-inch round painted dial with black Roman numerals, blued steel moon hands and signed by the maker T. Watson, London, the ebonised case with brass stringing to the curved base, carved fan ears, brass frets to the side doors and a cast-brass bezel, height 45cm.
Lot 733
Moses Evans, Llanddoget, an oak longcase clock: the eight-day duration movement striking the hours and half-hours on a bell, the thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and Arabic outer five-minute numerals, the centre having a subsidiary seconds dial, a date aperture and an applied cartouche signed for the maker Moses Evans, Llanddoget, with cast-brass female-head spandrels and decorative steel hands, the oak case having a swan-neck pediment with brass ball-and-spire finials to the sides and a brass eagle finial to the centre, with turned pillars to the hood, and quarter columns to the trunk, the base with a raised plinth, canted corners and standing on bracket feet, height 223cm including finial. * Biography - Moses Evans is recorded as working in Llanddoget, Wales from circa 1780 until 1819.
Lot 736
Thomas Hunter Junior, London, a walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals, five-minute outer numerals, the matted dial centre with subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Thomas Hunter Junior, London, with decorative blued steel hands and cast-brass c-scroll corner spandrels, the arch with a strike/silent dial, now adapted and with a cast mask head attached, the walnut veneered case with decorative ebony and satinwood stringing to the base, trunk and hood, with a break-arch moulding to the door, raised panel to the base, the hood with brass capitals to the front pillars and a pagoda top with brass ball finials, height: 244cm. * Biography - Thomas Hunter Junior is recorded as working in Lombard Street, London circa 1770.
Lot 738
A mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch break-arch painted dial having black Roman numerals, subsidiary seconds and date dials to the centre, painted spandrels to the four corners depicting anchors on a gilt and green fishscale design with a sailing ship painted within the arch, with decorative brass hands, the mahogany case having ebony stringing to the base, hood and trunk, the hood with a swan-neck pediment with brass ball-and-spire finials, brass paterae, and square pillars, the case standing on bracket feet, height 228cm including finial.
Lot 739
George Margetts, London, a mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch silvered break-arch dial engraved with black Roman numerals, Arabic five-minute outer numerals, decoration to the four corners and a basket of flowers to the arch, the dial centre with subsidiary dials for seconds and date and signed for the maker Geo. Margetts, London, having a mahogany case, the base with a raised panel and double plinth, the trunk having fluted pillars with brass stops to the lower third and a break-arch moulding to the door, the hood with brass Corinthian capitals to the fluted pillars, with the break-arch top having brass ball-and-spire finials to the sides and a brass eagle finial to the centre, height: 222cm, not including finial. * Biography - George Margetts was a well-known maker being free of the Clockmakers Company in 1779 and a Liveryman from 1799 until 1808.
Lot 15
The Angler`s Guide to the Irish Free State compiled by the Department of Lands and Fisheries. Dublin: The Stationary Office, 1930 (Second Edition). Inscribed in pencil by previous owner/owners. Fishing - The ""Country Life"" Library of Sport (First Volume), edited by Horace G. Hutchinson. London: George Newnes, no date, early 20th century. And The Complete Angler, or, The Contemplative Man`s Recreation of Izaak Walton and Charles Cotton, edited by Edward Jesse, Esq. London: George Bell and Sons, 1900. Illustrated frontispiece and multiple wood engravings. (3).
Lot 171
(Trade Catalogues) F. Verity & Son Hardware Factors: Hinges, Locks & Ironfoundry (TC 5). And Illustrations of Coach Ironwork, Bolts, Axles, & Springs by I. Oldbury. Each page stamped `Trade Mark...` Both well-illustrated with black & white diagrams. Also Ingall, Parsons, Clive & Co. Ltd. Brassfounders & Ironfounders Catalogue, with sections bell pulls, knockers, letter plates, hat & coat hooks etc. (3).
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123939 item(s)/page