A quantity of loose Military Uniform circa 1970's 1980's which includes camouflage jackets, belts and similar along with a Chameleon LED Torch, a very early Super Paxette Camera and a GB-Bell & Howell 8mm vintage Cine Camera on a tripod. Nothing in this lot has been checked or tested. Conditions of the uniform generally appears to be Fair to Good although would benefit from a clean and the vintage camera and cine camera do generally appear to be Good although as stated not tested. (qty)
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Corgi - a boxed Military group to include 07501 (Fighting Vehicles) a Land Rover and 2 Wheeled Trailer "British Army", US51904 (Forgotten Heroes) a Bell H-13/HTL-USMC-HMX-1 Military Helicopter "Korean War Series II", US50104 (Fire Base 'Nam Series) an M151 A1 "Mutt" Utility Truck (US Army) along with others. All contents do generally appear to be Good although not checked for completeness and are all in generally Good outer pictorial boxes/window boxes. (5)
Claude Henry Buckle RI, RSMA (1905-1973) - the Bell Foundry with men working on large bells, light streaming in from a window nearby, signed, watercolour, 19.5" x 24.5" **He worked for J.S. Fry & Sons, chocolate manufacturers in Bristol as an assistant architect. During this time with Fry's, he was involved in the building of a new factory at Keynsham, Somerdale and was supported by Fry's to study architecture at Bristol University. In 1926, at the age of twenty-one, Buckle moved to London and joined Wallis, Gilbert and Partners and became responsible for building the Ford factories at Dagenham. He became one of the youngest amateur members of the British Savages Art Group based in Bristol. He travelled to France, Spain and North Africa and later became responsible for designing railway posters, he was a close friend of Terence Cuneo, both artists have surviving artwork in The National Railway Museum in York. From 1958 onwards, he became a member at The Royal Institute of Painters and Watercolours and a member of the Federation of British Artists as well as a member of the Marine Society and exhibited works at the London Boat Show Full-scale lithographic reproductions were distributed to high street retailers including Fenwick in London, he also held exhibitions of his work in Marlborough, Wiltshire, and London in his studio at Vernham Dean, it is said that the artist produced an estimated three hundred watercolour paintings. In appreciation of Claude Buckle's career, Terence Cuneo, paid tribute to Buckle's style of painting. His work can be seen at National Railway Museum, Kirkcaldy Museum and Art Gallery, Birmingham Museums Trust *The work is contained within a gold leaf plaster and wooden frame
Two cased clarinets. An cased ebony clarinet, mouth piece stamped B & H (Boosey & Hawks?); With one other Chinese made cased clarinet. (2)The black clarinet with the B&H mouthpiece is 22cm in length from the bottom of the bell to the tip of the mouthpiece. On closer inspection, there is another identical B&H mouthpiece in the lot, however, there appear to be no other markings on the clarinet.The Chinese-made clarinet is missing a barrel joint.
A Late 19th century Paillard & Co, drum and bell music box. Featuring a 23.5cm cylinder playing ten airs, stop/start and repeat controls, a six-beater drum and four bells, three of which are struck by an array of enamelled butterfly strikers, the drum and bell mechanisms can be switched off. The movement is contained within a polished veneered case with banding and marquetry to the lid, maker's label to the interior of the lid. Height 23.5cm, width 53cm, depth 30.5cm.There is some wear to the cog that starts the mechanism when winding the lever. On closer inspection, there appear to be a few missing and repaired pins. The tune sheet is also missing. The bells may require attention, as two of them have a fairly dull sound. In spite of these points, the box plays well and has a lovely sound.
Trevor Bell (British, 1930-2017)Gust signed, titled and dated 'GUST/2010/Trevor Bell' (on board verso)oil on board and plywood50.5 x 110 x 5.5cm (19 7/8 x 43 5/16 x 2 3/16in).(unframed)Footnotes:ProvenanceWith New Millennium Gallery, St. Ives, where acquired by the present owner, 5 August 2010Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
LATHAM, Robert and William MATTHEWS (editors). The Diary of Samuel Pepys. London: G. Bell and Sons Ltd., 1971-1983. 11 vols., mixed editions, 8vo (215 x 135mm.) (Mild toning.) Original green cloth, dust-jackets. Note: volumes 4-11 are first editions (11).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
WOOLF, Virginia. Flush. London: Hogarth Press, 1933. First edition, large paper copy, 8vo (214 x 134mm.) Photographic frontispiece, 9 further plates including 4 illustrations by Vanessa Bell. (Toning to text and plate margins.) Original tan cloth (some spotting to upper cover and spine), dust-jacket (toning, minor staining to upper panel, closed marginal tear to lower panel).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
[BRONTE, Charlotte.] 'Currer Bell'. Shirley. London: Smith, Elder and Co., 1849. 3 vols., first edition, 8vo (185 x 104mm.) 3pp. 'Jane Eyre' advertisement to rear of volume 3. (Lacking half-titles and the 16pp. catalogue, toning, spotting to titles, two endpapers with corner loss and 'Contents' leaf of volume 2 torn with loss.) Near contemporary black half morocco over black buckram (volume 1 with boards detached and spine lacking, rubbing to all extremities). Note: Charlotte Bronte's third novel. Provenance: William Hale-White ['Mark Rutherford'] (bookplates to the front pastedowns, and name inscribed verso front-free endpapers) (3).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
HERBAL. - Joseph MILLER. Botanicum Officinale; or a Compendious Herbal: Giving an Account of all such Plants as are now used in the Practice of Physick, with their Descriptions and Virtues. London: E. Bell, 1722. First edition, 8vo (198 x 119mm.) Engraved headpieces and initials, 10pp. 'Index Rerum' to rear, 10pp. 'Table of English Names', 2pp. 'An Explanation of Some Abbreviation…'. (Occasional spotting and minor soiling, marginal tear to *3, initial blank replaced, illegible names inscribed to rear pastedown.) Contemporary calf, brown morocco lettering piece to spine (spine ends and corners repaired, minor scuffing). Provenance: Robert Willan (armorial bookplate to front pastedown).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Sydney Charles Seymour Lucas(1878-1954)Portrait pair of Great War soldiers Major James Leadbitter Knott DSO, and Captain Henry Basil Knott (1891-1915), each in military uniform,signed, dated, and inscribed, painted posthumously in 1918 and 1919 respectively,oil on canvas, each 90 x 70cms, uniformly framed.Following the deaths of the Knott brothers in the First World War, their father, Sir James Knott, donated the bell tower at St George’s Memorial Church in Ypres, Belgium in their honour. The Knott brothers were also memorialised closer to home; in Fenham, Newcastle, at St James and St Basil’s Church. The tenor bell inside the church bares the inscription ‘We ring in memory of James and Basil Knott, God knows’.
Bryson & Son, Dalkeith: a mid 19th Century Scottish mahogany longcase clock, the circular silvered roman dial with subsidiary seconds dial, two train movement fitted a deadbeat escapement with bell, the case with architectural pediment above a door with circular glass panel, rectangular waist door on panelled and plinth base, with weight and pendulum, 201cms high.
A Smiths Wootton lantern; gauges and dials, 100 Rear Bearing Co, Sunvic type TS 1 thermostat range; W H Bramall & cO pressure gauge, 0-20 lbs per sqr inch, Ardent hearing tester; Edison Bell induction Coil no 332; Igranic M Egostat, Lotus Valve holders, assorted valves, Mica Condenser, Mansbridge type condenser etc, part boxed qty
A Bowie Knife by the Bell Bowie Knife Co., Sheffield, the24cm clip-point steel blade stamped with maker's name, with brass crossguard and chip carved wood grip, with original leather scabbard, 39.5cm; a German Bowie Knife by R. Weber Jr., Solingen, with 20cm clip-point steel blade, brass crossguard and walnut grip with finger grooves and aluminium pommel, with leather scabbard, 34cm; a Small Bowie Knife, the 14cm clip-point steel blade etched J.Nowill & Sons, Sheffield, with brass crossguard and two piece wood grip with leather scabbard, 29cm (3)
An Early 19th Century Colonial 18 Bore Flintlock Dragoon Pistol, the 21cm octagonal blued steel barrel with swivel steel ramrod, the lock plate crudely engraved with a rampant lion, the walnut half stock inlaid with foliate rosettes in bone, with brass fore-end tip, brass trigger guard, flat butt plate with bell shape lanyard ring and with chequered grip, 36cmAction not working. Orange rust pitting to metalwork. Fine crack to butt behind the tail of the lock plate.
A Hermes ashtray, the base signed Hermes, Paris 19 x 15.5 x 4.5 cm; together with a bronze model of a horse with plaque inscribed 'Lester Piggott, all-aged stakes, Chepstow 1991', an oval painted tray and a bell-shaped doorstop (4) Provenance: From the estate of the late Julie Cecil (1942-2022)
A mahogany chiming longcase clock, early 19th century, the hood with swanneck pediment and twin columns flanking the 16inch painted dial signed 'Wm Holland, Chester', with moonphase disc to arch, female seasonal figural spandrels, 8 day movement chiming on 8 bells and striking on a further bell, the trunk with conforming column corners233cm highA good looking clock with 3 weights, pendulum and keys. Ticks for a short time then stops, so probably needs a service.
A French ormolu and Sèvres style mantel clock, 19th century, the Louis XVI design case with blue urn above a painted dial with Roman numerals and bell striking drum movement, swags below, on a shaped base with three painted porcelain panels of a Romantic couple flanked by classical temples, on six toupie feet 34cm wide, 40cm high
A French ormolu and porcelain mantel clock, 19th century, the Rococo design case surmounted by a seated putto and flanked by two further putto riding stylised dolphins, the blue ground dial signed 'Alph. Giroux & Cie a Paris', a shaped cherubic painted panel below, bell striking drum movement, on a scrolling leaf and shell moulded base, 35cm high, 40cm wideSeveral mounts are loose or working loose. Lacks rear cover. Movement not tested. Porcelain panels look intact.
Sir Laurence Whistler CBE (1912-2000)an early rare glass decanter and stopper and six glasses, dated 1938, made as a wedding present for Eve & Christopher Hassall from Jill & Laurence Whistler, smoked grey glass, the decanter diamond point engraved with columns of stylised bell flowers, an oval cartouche inscribed Eve and Christopher Hassall for December the 28th 1938 from Jill and Laurence Whistler, the stopper with radiating star and central H, the six footed glasses each with a different classical border to the top rim and foliate scrolling monogram,23.5cm. high (decanter and stopper)8cm. high (glasses), (8) ProvenanceThe son of the illustrator John Hassall, and brother of Joan Hassall, Christopher Hassall was a recognised actor, dramatist and poet. He formed a successful musical partnership with Ivor Novello whom he originally worked with in a touring company. This early decanter set was made for the wedding of Eve & Christopher in 1938 when Laurence was only twenty six years old.
A 19th century gorge case, brass carriage clock, retailed by Parkinson & Frodsham,with push repeat, the 2.25" enamelled dial signed 'Parkinson & Frodsham', 'Paris' below 6 o'clock, with Roman numerals and minute markers, over another subsidiary alarm dial, both reserved against a ground engraved with scrolling foliage, the 8-day twin-drum movement with compensated balance and lever escapement, striking on a bell, the back plate engraved 'PARKINSON ET FRODSHAM PARIS', with handle down 13.3cm highCase with some spots of staining and oxidation all over. Alarm dial with barely visible hairline crack from 12 - 5 and chipped near the centre.Alarm, push repeat and striking train work, but not tested over a 24 hour period.Lacking winder.
AN OAK AND PINE LONGCASE by John Pashler, London, the eight day movement with anchor escapement striking on a bell, the 11 1/2" arched brass dial with Arabic and Roman numerals, the matted centre with seconds dial and calendar aperture, the arch inscribed "Tempus Fugit" with The Grim Reaper figure, the pagoda topped case with turned finials and inset brass fret panel on engaged turned columns, arched door and panel base on plinth, 92" high (Est. plus 21% premium inc. VAT)Movement and dial very good and clean, case has had some restoration and now finished in a very dark stain. With weights and pendulum
AN OAK LONGCASE by P Clare, Manchester, the eight day movement with anchor escapement striking on a bell, 12" square brass dial with Roman and Arabic numerals, the foliate chased centre with seconds dial, the mahogany banded case with caddy top and brass finials, blind fret frieze on turned columns, arched door flanked by quarter columns, canted base and bracket feet, 93 3/4" high (Est. plus 21% premium inc. VAT)
A BRASS SKELETON CLOCK, the single fusee movement with anchor escapement striking on a bell, 4 1/2" chapter ring with Roman numerals, on turned supports, under glass dome, on moulded ebonised base, 18 1/4" high (Est. plus 21% premium inc. VAT)Some crazing to enamel and three minor chips, clock otherwise good and in working order
A MAHOGANY CASED BRACKET CLOCK by John Bancroft, Scarborough, c.1800, the twin barrel movement with verge escapement striking on a bell and with pull repeat cord, 7" arched dial painted with flowers and with Roman and Arabic numerals, calendar and strike/silent dials, the case with gilt mounts, arched brass trimmed panelled top with urn finials and loop handle, clear glass side panels, canted angles with mask headed gilt fruiting oak pendants, on moulded base and bracket feet, 11" x 17 1/4" (to tip of handle) (Illustrated) (Est. plus 21% premium inc. VAT)Movement good and in working order,case good bar split to rear door, chips to dial near winding holes and to centre of strike/silent dial
A LOUIS XVI STYLE GILT METAL LYRE MANTEL CLOCK, mid 19th century, the twin barrel movement with outside count wheel striking on a bell, 4" gilded dial with pierced centre and enamel Roman numeral buttons, the case with sun god surmount and swan head terminals hanging a floral festoon, the stepped oblong veined black marble base with cornucopia applique, leaf banding and bun feet, 7 1/4" x 19 1/4" (Illustrated) (Est. plus 21% premium inc. VAT)Movement good, slight wear to some of dial numerals and split to one, case good bar festoon held by swans appears to be reglued
A BURR ELM AND OAK ALARM LONGCASE by William Crawshaw, Worsborough/Barnsley, early 18th century, the thirty hour single hand movement with anchor escapement and outside count wheel striking on a bell, the 11" square brass dial with Roman numerals, matted centre with alarm dial, the case with caddy top with gilded turned finials, hood with engaged turned columns, arched door, the panel base on plinth, 87 " high (Illustrated) (Est. plus 21% premium inc. VAT)Movement good, dial good although the matted centre appears to have been gilded, case of pleasant faded colour, chips to gilding of finials and to gilded column bases, shrinkage split to base and some losses to veneer edge banding on either side, plinth later
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123896 item(s)/page