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Lot 471
French brass four glass mantel clock, the French movement striking on a bell, the white enamel chapter ring with Roman numerals enclosing a recessed visible escapement and retailers name Hry Marc Paris, mercury compensated pendulum, within a canted stepped bevelled glazed case, 17cm wide, 30cm high
Lot 476
Victorian gilt metal and porcelain mounted clock, the urn finial above sprigs of nuts and leaves flanking the porcelain dial above columns and putto and a stepped base, the blue dial with Roman hours and foliate decoration, twin train movement striking on a bell, together with glass dome and base, 65cm high including dome, 50cm wide
Lot 400
SELECTION OF CAMERASincluding a Kodak Brownie Model C, Konica 35mm Auto Reflex T3 with a Hexanan AR 50mm lens, Konica Hexanan AR 28mm lens, Halina 35X Super 35mm, Halina Vision Cxms 35mm, Bell & Howell Optromic Eye Super Eight cine camera, Kodak M22 cine camera, Bell & Howell Auto Load cine camera, Polaroid EE 100 Special instamatic camera and two boxes of Kodak Super 8 cartridges
Lot 23
An early 19thC mahogany longcase clock, the hood with a level top, over an arched window, the straight trunk flanked by ropetwist carved quadrant pilasters, on turned feet; the 8 day bell strike movement faced by a foliate scroll engraved, silvered Roman dial, subsidiary seconds, date dials and a circular tablet, inscribed Alex Kirkwood, Paisley 82''h LSF
Lot 393
19th century flame mahogany longcase clock, the projected moulded cornice, painted face, floral spandrels, Roman numerals, flanked by Doric columns, chamfered trunk, stepped panelled base raised on bracket feet. Chain chimes, anchor escapement, striking bell. CONDITION REPORT: The size of the dial is approximately 31cm.
Lot 210
A fine early 19th century French Empire period ormolu Mantel Clock, the female figure seated upon a leviathan, the dial with Roman numerals and above Classical plinth style base with allegorical trophy etc., the eight-day gilded movement striking on a bell, 52cm high CONDITION REPORT: The gilding on the clock appears to have darkened and is tarnished. There is only one hand on the front of the dial. The 12 o'clock numeral appears worn and rubbed. There appears to be no pendulum and therefore the clock is not tested and it is not known if it works although taking the bell off and looking at the movement it looks like it could benefit from a good clean. There is also no rear door covering the movement (possibly glass?) The clock appears to be a very high quality example but we advise that work is probably needed.
Lot 151
A good George III Hepplewhite mahogany secretaire bookcase, c.1780, the flared moulded cornice with arcaded frieze, above a bookcase with arched astragal eight panel glazing, enclosing two shelves, the base with secretaire drawer with two incuse cornered fielded panels and original octagonal brasses, opening to reveal a fitted interior with baize writing surface, nine drawers and four pigeonholes, above two cupboard doors enclosing a cupboard to the left and bank of three drawers to the right, on splayed bracket feet, 43¼ x 21in. (110 x 53.5cm.), 87in. (221cm.) high. * With letter of provenance dated 18 Sept. 1963 from Raymond Mortimer (Charles Raymond Bell Mortimer CBE), stating that the secretaire was "a present to the famous [Austen Henry] Layard [1817-1894] whose biography has just appeared. His bride was the daughter of Sir John Guest, rich from steel, and a sister of the first Lord Wimborne. The donor was Jean Louis Agassiz (spelt like that) [1807-1873], a famous naturalist and geologist, Swiss by origin at least I feel pretty sure that it was he."
Lot 236
Henry Bell - The Prospect of Lyn Regis from the West, engraving published by I. Bowles & Son, London, c.1680, on two sheets of laid paper, 16¾ x 35¾in. (42.5 x 90.75cm.), in Hogarth frame.* Condition: Majority of paper heavily time stained - outer 2in. less so. Some relatively light foxing and water marking to margins. V-shaped white chalk mark to centre of skyline. Small tear to right margin just above windmill. Not examined out of frame - possibly laid down, as there is a small area of damage to the paper to margin above left hand angel, showing card beneath.
Lot 257
An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.
Lot 259
A William and Mary walnut and marquetry eight-day longcase clock, John Clowes, London, circa 1690, the five finned-pillar outside countwheel bell striking movement with 12 inch square gilt brass dial with foliate scroll engraved and chamfered calendar aperture, ringed winding holes and silvered subsidiary seconds dial to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and stylised sword hilt half hour markers, within cherub and foliate scroll cast spandrels, signed 'John Clowes, near Covt. Gardi' to lower chapter ring, in a case with stepped cornice and pokerwork and fretwork frieze on later plain turned pilasters over a convex throat, the trunk with rectangular door with central circular lenticle and inlaid with three floral and foliate marquetry panels and marquetry borders, on a later rectangular plinth base with conforming decoration, 85¼in. (216.5cm.) high, some restoration. * John Clowes is recorded as working in London 1673-1713. See 'The Early Clockmakers of Great Britain' by Brian Loomes.
Lot 260
An early 19th century Scottish mahogany longcase clock, by Hay Mercer of Aberdeen, c.1830, the signed, silvered circular brass dial with Roman numerals, subsidiary seconds dial and noon and date dial at six, eight day bell strike movement, the domed hood with circular glazed door flanked by plain turned pillars, above a dome top, rosewood cross banded mahogany door and similar inlaid panel below, flanked by plain turned pilasters with Doric capitals, on square rosewood cross banded plinth base, 80in. (203cm.) high.
Lot 632
Auguste Nicholas Cain (French, 1821-1894), a pair of mid-brown patinated bronze three branch candelabra of naturalistic form, modelled as birds' nests nestled within reeds, one with the mother feeding a worm to her chicks, the other with a rat tormenting the chicks below, the three reeds terminating in bell flower nozzles, raised on circular bases with trailing ivy decoration and three snail feet, signed 'A. CAIN' to each base, 20in. (50.75cm.) high. (2)* Condition: Very good condition with no faults and no repairs.
Lot 492
BINGLEY, The Rev. W. Memoirs of British Quadrupeds Illustrative principally of Their Habits of Life, Instincts, Sagacity and Uses to Mankind. London, 1809. 8vo. Full cf. rebacked. 71 plts. Tog.with BELL, Thomas, A History of British Quadrupeds including The Cetacea, Van Voorst, 1837. 8vo. Illus. with wdcts. Full cf. glt. Spine. Plus WRIGHT, E. Percival, Mammalia; The Various forms & Habits. Adapted from Text of Louis Figuier. Cassell, 1883. 3rd edn. Numerous engrs. glt. Spine. 3
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