Morris (Francis Orpen). A History of British Birds, 2nd edition, 4 volumes (of 6), London: G. Bell & Sons, 1870, volumes 1,2,4 and 6, wood-engraved colour frontispieces and numerous plates, lightly spotted, tissue-guards to plates, hinges repaired, original green pictorial cloth gilt, volumes 1 and 6 rebacked with original spines laid on, 8vo, together with:Fearnside (William Graham). The History of London: illustrated by views in London & Westminster, London: Orr and Co, c.1840, steel-engraved frontispiece and vignette to additional title, 32 steel-engraved plates, lightly spotted, some dust-soiling to margins, library stamps throughout, bookplate of Henry Barrett Lennard to front pastedown, contemporary red half morocco gilt, all edges gilt, worn, 8voCalvert (Frederick). Picturesque Views, and descriptions of cities, towns, castles, mansions, objects of interesting features in Staffordshire & Shropshire, Birmingham: William Emans, 1830, engraved frontispiece and vignette to title, numerous engraved plates, spotted and toned, modern red half calf, 8vo, with other volumes and loose prints relating to British topography and natural historyQTY: (1 Carton)
We found 123509 price guide item(s) matching your search
There are 123509 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123509 item(s)/page
![[Defoe, Daniel]. The History of the Wars, of his present Majesty Charles XII, King of Sweden, from his first landing in Denma](https://cdn.globalauctionplatform.com/21b22f34-a274-4e72-bd63-aea600d93d9e/0895ab06-8523-4309-9507-aea601030d4f/468x382.jpg)
[Defoe, Daniel]. The History of the Wars, of his present Majesty Charles XII, King of Sweden, from his first landing in Denmark, to his return from Turkey to Pomerania, by a Scots gentleman in the Sweedish Service, 1st edition, London: A Bell, T. Varnam, J. Osborn, W. Taylor and J. Baker, 1715, title page with armorial bookplate of Robert Lowndes dated 1702 to verso, approximately 35 leaves with blue ink stain to tips of right blank corners, 20th century manuscript reference not to front free endpaper, contemporary blind panelled calf, morocco title label to spine, joints cracked, extremities rubbed, 8vo (Moore 322; ESTC T65952), together with:Erasmus (Desiderius), Moriæ Encomium; or, a Panegyrick upon Folly ... Done into English [by W. Kennet], and illustrated with above fifty curious cuts, designed and drawn by H. Holbeine. To which is prefix'd, Erasmus's Epistle to Sir Thomas More, and an account of H. Holbeine's pictures, etc. and where to be seen, London: J. Woodward, 1709, engraved portrait frontispiece, 46 engraved illustrations to 28 plates and four illustrations to text, title page with early signature Wm. Wyce(?), some light dust-soiling and occasional damp stains throughout, contemporary panelled calf, morocco reback with gilt and blind decoration, rubbed and scuffed, 8vo, Bailey (Nathan), An Universal Etymological English Dictionary, 2nd edition, with large additions, London: E. Bell, J. Darby, A. Bettesworth [& others], 1724, old ink spot to a4, contemporary blind panelled calf, upper board detached, lacking title label to spine and with wear at head & foot, board edges worn, 8vo,Shakespeare (William), The Works of Shakespear in Nine Volumes. With a Glossary. Carefully printed from the Oxford Edition in Quarto, 1744, 9 volumes, London: J. & P. Knapton, S. Birt, T. Longman [& others], 1751, engraved portrait frontispiece to first volume, imprint to volumes 2-8 dated 1750, ownership inscription to front free pastedowns 'Messrs. Brown & Stockhouse, Stainforth, 1796' and first volume with manuscript provenance note to front free endpaper 'these volumes were formerly in the possession of the Ingleby family at Lawkland Hall, William Addison 1931', contemporary calf, gilt decorated spines, rubbed with some title labels lacking, 12mo,Malden (Henry), An Account of King's College-Chapel, in Cambridge ..., including a Character of Henry VI and a Short History of the Foundation of his two Colleges, King's and Eton..., Cambridge: printed for the author, by Fletcher & Hodson, 1769, etched portrait frontispiece and single engraved plate, front free endpaper with ownership 'T. Kerrich M.C.C. 1800', contemporary dutch gilt floral wrappers, spine worn, 8vo, plus other 18th and early 19th century antiquarian, including a defective and worn copy of [Dodsley, Robert, compiler], The Preceptor: containing a general course of Education: Wherein the first principles of polite learning are laid down in a way most suitable for trying the genius, and advancing the instruction of youth, 2 volumes, London: R. Dodsley, 1748, 32 engraved plates and maps (of 33), many torn with loss, heavy dust-soiling and fraying particularly to plates, title with the ownership inscription of the literary critic and author Rose of Kilravock (1747-1815) and with her armorial bookplate to front pastedowns, contemporary calf, rubbed, 8vo (this work contained contributions by Samuel Johnson)QTY: (23)
Castiglione (Baldassarre, conte). Il Cortegiano, or The courtier: written by the learned Conte Baldassar Castiglione, and a new version of the same into English. Together with his other celebrated pieces ... To which is prefix'd, The life of the author. By A. P. Castiglione, London: H. Slater, F. Noble, W. and T. Payne, T. Wright and J. Duncan, 1742, engraved portrait frontispiece, occasional light dust-soiling, front pastedown with armorial bookplate of Baron de Spon, contemporary speckled calf, neat modern reback with red morocco title label, corner and board edge repairs, 4to, together with:Langhorne (John & Langhorne, William), Plutarch's Lives, translated from the original Greek, with notes critical and historical, and a new life of Plutarch, 6 volumes, London: Edward and Charles Dilly, 1770, half-titles, engraved frontispiece to each (offset to titles), front endpapers with armorial bookplates of John Bowdler and Baron de Spon, contemporary calf-backed marbled boards, gilt decorated spines with contrasting morocco labels (some labels recent), few joints cracked, 8vo,Junius, Stat nominis umbra, 2 volumes, London: Henry Sampson Woodfall, 1772, engraved titles (closed tear to vol. 2 repaired to verso), armorial bookplate of Baron de Spon to upper pastedowns, contemporary mottled calf, rebacked, 8voSheridan (Thomas), A Course of Lectures on Elocution, 1st edition, London: W. Strahan for A. Millar [&c.], 1762, title with early 19th century ownership signature, armorial bookplate of Baron de Spon to upper pastedown, contemporary marbled sheep, rebacked, 4to,[Smith, James & Horatio], Rejected Addresses: Or the New Theatrum Poetarum, 1st ed., 1812, half-title, advert leaf at rear, contemporary marbled calf, gilt decorated spine, joints split, 12mo, and others including Dr. Webster's Complete Dictionary of the English Language, thoroughly revised and improved, by Chauncey A. Goodrich & Noah Parter, London: Bell & Daldy, c.1864, and also A Dictionary of the English Language by Samuel Johnson, 2 volumes, facsimile of 1755 edition, London: Longman, [1990], with information booklet, contained together in original slipcase, folioQTY: (15)
Rhys (Ernest). Sir Frederic Leighton Bart., P.R.A., An Illustrated Chronicle, with prefatory Essay by F. G. Stephens, 1st edition, London: George Bell and Sons, 1895, photogravure and monochrome plates and illustrations, top edge gilt, remainder rough-trimmed, original white cloth gilt, some soiling and light discolouration, 4to, together with Baldry (Alfred Lys). Albert Moore, His Life and Works, 1st edition, London: George Bell & Sons, 1894, monochrome photogravure plates, several lithographic reproductions, and other illustrations, upper inner hinge cracked, original straw yellow cloth gilt, very lightly rubbed in original publishers cloth-backed book box (somewhat worn), large 4to, plus Bemrose (William). The Life and Works of Joseph Wright, A.R.A., commonly called 'Wright of Derby', 1st edition, London: Bemrose & Sons, 1885, two etchings by Seymour Hayden after Joseph Wright, monochrome plates and illustrations, original pale red cloth gilt, rubbed and marked with some fraying to head of upper joint, folio, limited signed edition, no. 149 from an unspecified total, signed by the publishers, folio, plus others similar including A. L. Baldry, Hubert von Herkomer, 1901, A. G. Temple, The Art of Painting in the Queen's Reign, 1897, Wilfrid Meynell, editor, Some Modern Artists and their Work, 1883, etc., mostly original cloth, 4toQTY: (15)
Pepys (Samuel). The Diary of Samuel Pepys ... edited with additions by Henry B. Wheatley, 10 volumes, London: George Bell & Sons; Cambridge: Deighton Bell & Co., 1904-10, half-titles, monochrome frontispieces and plates, folding pedigrees and plans, top edge gilt, remainder untrimmed, contemporary maroon half morocco, maroon cloth sides, gilt panelled spine compartments, 8voQTY: (10)
A collection of books to include: (1). Grandmaster of Chess: The Early Games of Paul Keres edited by Harry Golombek. Published by Herbert Jenkins Ltd, London, 1964. (2). From My Games. 1920-1937. E. Euwe. Published by ,G. Bells and Sons, 1938. (3). The Development of Chess Style: EUWE, M: Published by McKay, 1968. (4). Alekhine's Best Games Of Chess 1938-1945: ALEXANDER, C. H. O'D. Chosen and Annotated by. Published by London, G. Bell and Sons, 1949. (5). Handbuch der Schach-Eröffnungen. Band 12: Holländisch 1.d2-d4 f7-f5, (Staunton-Gambit, Stonewal und verwandte Systeme) Ausführliche Theorie mit 185 Partien. Schwarz, Rolf. Published by Schach-Archiv, Hamburg, 1964. (6). My Best Games of Chess 1924-1937: Alekhine, Alexander: Published by G. Bell, London, 1955 (7). Chess Masterpieces, 50 Selected Games By the World's Masters Paperback – 1 Jan. 1924 by W.H. (Ed) Watts (Author). Inscribed “ New York Dec 10 1924 – To Chandler Paris, For his victory at chess this evening against A G Jennings and F J Marshall in simultaneous London play “. Frank James Marshall ( August 10, 1877 – November 9, 1944 ) was the American ( U.S ) Chess Champion from 1909 to 1936, and one of the world's strongest chess players in the early part of the 20th century.
(1). Traps on the Chessboard: Dangers in the Openings. Eugene A. Znosko-Borovsky. Publisher: Frank Hollings. 1938 (2). "Lasker's Chess Manual" by Emanuel Lasker, Publisher: Printing-Craft Ltd. 1932. (3) Modern Master-Play. F D Yates. Publisher: Printing-Craft. 1929. (4) 1000 Best Short Games of Chess. Irving Chernev. Published by Hodder & Stoughton, 1957. (5) A Popular Introduction to the Study and Practice of Chess, by an Amateur S.S. Boden. 1851. (6). Chess by L Hoffer. Fourteenth Edition. George Routledge & Sons. (7) Early Chess in America. Alfred C Klahre. 1934. Meet the Masters. The modern Chess Chamopions and their most characteristic Games. Euwe, Dr. Max: Published by Pitman, London, 1940. (9). The Book of Chess. H R Agnel. D Appleton & Co. 1868. (10). The Chess-Player's Handbook Staunton. Published by Henry G. Bohn, London, 1848. (11). How To Play Chess Endings. Znosko-Borovsky. Published by Frank Hollings, 1940. (12). My Best Games Of Chess 1908-1923. Alekhin, Alexander. Published: G Bell & Sons. 1928. (13). Masters of the Chess Board. Richard Reti. Published: G. Bell and Sons Ltd, 1933.
Glasgow, 28th September 1839 - 18th September 1841. Book published under the superintendence of the Universal Suffrage Central Committee for Scotland. Printed by W & W Miller, 90 Bell Street, 1841. Issue nos. 1 - 104, folio, 436pp, full leather boards with gilt lettered spine, boards edges are bruised and rubbed, stained and water damaged. Foxing and staining throughout.
PINK FLOYD/ DAVID GILMOUR - LP RARITIES. A superb pack of 2 prog LP rarities by Pink Floyd and David Gilmour. Titles include Pink Floyd - The Division Bell (72438289841/ EMD 1055. Original 1994 UK/ European pressing on EMI. Printed inner sleeve with lyrics on is in superb, like-new condition. The black vinyl is in stunning Ex+ condition/ the gatefold sleeve is also in immaculate Ex+ condition) & David Gilmour - On An Island (094635569513, original 2006 UK/ EU pressing with poster and printed inner. The record is in stunning Ex+ condition/ the gatefold sleeve has a small tear at the right end of the rear top edge, otherwise in beautiful shape, VG).
PINK FLOYD - STUDIO LP PACK. A quality pack of 10 LPs by British prog-rock giants Pink Floyd. Titles include Atom Heart Mother (Q4 SHVL 781, Quadraphonic. Record Ex/ sleeve VG+), The Dark Side Of The Moon (Q4 SHVL 804, Quadraphonic. Ex/ Ex), Delicate Sound Of Thunder (EQ 5009), A Momentary Lapse Of Reason (EMD 1003), Wish You Were Here (PCQ 33453, quadraphonic), A Nice Pair (SHDW 403, Monk sleeve), The Wall (SHDW 411), In Concert-280 (130780--S, BBC Transcription Service), The Endless River (825646215478, includes booklet) & The Division Bell (Blue vinyl reissue). Condition is generally Ex to Ex+.
STATUE DE VAJRASATTVA EN ALLIAGE DE CUIVRETIBET OCCIDENTAL, XIII/XIVE SIÈCLEHimalayan Art Resources item no. 4860 23.2 cm (9 1/8 in.) high Footnotes:A COPPER ALLOY FIGURE OF VAJRASATTVA WEST TIBET, 13TH/14TH CENTURY 藏西 十三/十四世紀 金剛薩埵銅像Provenance:With Claude de Marteau, Brussels, by 1970sThe bronze depicts Vajrasattva with his most popular iconography, seated while holding a vajra before his chest and a bell by his left hip. As the Primordial Buddha, Vajrasattva represents the essence of the Buddhahood and is frequently invoked for a rite of purification before undertaking most Tibetan Buddhist tantric instruction. The broad, flat shape of the lotus petals around the base, and the way in which the scarf framing the figure is cast with supporting rods, indicates this image was cast in West Tibet within the 13th or 14th century. For comparison, see a Ratnasambhava in the Zimmerman Collection, published in von Schroeder, Indo-Tibetan Bronzes, 1981, p. 180, no. 34A, and a standing Avalokiteshvara with similarly prominent fanning crown ribbons behind the temples in the Museum of Fine Arts, Boston (2003.339).For further information on this lot please visit Bonhams.com
STATUE DE VAJRADHARA EN LAITON INCRUSTÉ D'ARGENTTSANG, TIBET CENTRAL, XVE SIÈCLEHimalayan Art Resources item no. 4840 24 cm (9 1/2 in.) high Footnotes:A SILVER-INLAID BRASS FIGURE OF VAJRADHARA TSANG, CENTRAL TIBET, 15TH CENTURY 藏中 十五世紀 銅錯銀金剛總持像 Provenance:With Claude de Marteau, Brussels, by 1970s The primordial Buddha, Vajradhara, crosses a vajra and bell before his chest (vajrahumkara mudra), symbolizing the perfected union of wisdom and compassion that is Buddha-consciousness, and into which the human ego can blissfully evaporate. His sublime body is clad in a lower garment with patterned floral hems, and a scarf that drapes over his shoulders before sweeping around the elbows and falling to his sides. His crown consists of five tall leaves, representing each of the Five Presiding Buddhas. The sculpture is a superior example of the non-gilded, brassy, and frequently inlaid style favored in Tsang province of Central Tibet. This alloy can be brought to a high polish, achieving an attractive buttery patina, as seen on the figure's back. Vajradhara's squarish countenance and accentuated smile are also characteristic of Tsang style. A 15th-century date is supported by the particular rippling of the lower garment around the shins, and the long, densely packed lotus petals around the base, which Tibetan craftsmen adopted from imperial Chinese Buddhist bronzes that were sent to powerful Tsang monasteries by the Yongle emperor (1403-24). Similar Tsang bronzes of Vajradhara are kept in the Johkang, Lhasa; the Rubin Museum of Art, New York (C.2005.37.1); and a private collection (see von Schroeder, Buddhist Sculptures in Tibet, Vol. II, 2001, p. 1193, no. 323B; HAR 90823; and HAR 30586, respectively).For further information on this lot please visit Bonhams.com
STATUE DE VAJRASATTVA EN ALLIAGE DE CUIVRE DORÉTIBET, XVE SIÈCLEHimalayan Art Resources item no. 4853 24 cm (9 1/2 in.) high Footnotes:A GILT COPPER ALLOY FIGURE OF VAJRASATTVA TIBET, 15TH CENTURY西藏 十五世紀 銅鎏金金剛薩埵像Provenance:With Claude de Marteau, Brussels, by 1970sVajrasattva (lit. 'Vajra Being') is identified by the vajra he holds before his chest and the bell he cradles against his hip. He represents the Primordial Buddha, and as such is identical with Vajradhara. Sometimes Vajrasattva is also considered a sixth Presiding Buddha (Tathagata). He is usually invoked during a purification rite undertaken before most tantric instruction in Tibetan Buddhism. Seated in double-lotus posture (vajraparyankasana) above a double-lotus base, the Primordial Buddha raises his chin to impart an uplifting expression. The flared design of his earrings follow the aesthetic traditions of the Kathmandu Valley, and is one of several features indicating the bronze was produced by a Newari master craftsman for a Tibetan patron. The sculpture compares favorably with related examples of Vajradhara published in von Schroeder, Indo-Tibetan Bronzes, 1981, p. 430, nos. 113B-C).For further information on this lot please visit Bonhams.com
Captain Beefheart: Four Acetate Recordings,1968,four 12inch discs, three double-sided, one single-sided, each dated 10/17/68 and with Bell Sound Studios, Inc. labels with typewritten recording details, two with John Peel's handwritten track timings and each with his inventory number to die-cut Transco/Audiodiscs sleeves, titles being: Teroplane, Trust Us, Moody Liz, Big Black Baby Shoes, Flower Pot, Dirty Blue Gene, Kandy Korn, Safe As Milk, Gimme Me That Harp Boy, Moody Liz (sic), Tomorrow, Korn Ring Finger, 20th Century Quaker, Mirror Man (4)Footnotes:'If there has ever been such a thing as a genius in the history of music, it's Beefheart'- John Peel in Captain Beefheart, M. Barnes, 2000In addition to the timestamps written by Peel on the vinyl labels (a practice seen on many of John's records from his collection), the track 'Tomorrow' is annotated below 'Gimme That Harp Boy' and 'Moody Liz', as it had presumably been omitted from the label printing. The four records are each dated 17th October 1968, and contain early tracks from numerous Captain Beefheart albums including: 'Teroplane' released in 1971's 'Mirror Man' as 'Tarotplane'; '20th Century Quaker' which was later released as '25th Century Quaker'; and the rare 'Korn Ring Finger'.For further information on this lot please visit Bonhams.com
John Peel: A Large Collection of Tickets, Stubs, Invitations, Postcards and Stickers,1960s-2000s,for both musical and arts events, gigs, film premieres, release parties, after parties and similar for acts such as The Fall, Siouxsie & The Banshees, Blondie, The Police, Captain Beefheart, Neil Young, The John Peel Roadshow, The British Rock & Pop Awards, John Peel Disco, The British Broadcasting Corporation, Peel Sessions Live, the John Lennon Menlove Avenue blue plaque unveiling, Monty Python, Edward Bell, Kiss, The Goonies, Led Zeppelin, Squeeze, AC/DC, Hole, Steve Strange, Echo & The Bunnymen, World's End, Raiders Of The Lost Ark, Top Of The Pops, The Stranglers, Pink Floyd, Stiff Little Fingers, E.T., Patti Smith, The Ramones, Grace Jones, The Specials, The Jackson Five, Prince, Yoko Ono, Elton John, HMV, NME, British Pop Awards, Pink Pop, Paul Gambaccini, Free Radio Association, Glastonbury, Rough Trade, Bryan Ferry, BBC Parties, Roxy Club, British Record Industry Awards Show, among many others, (Qty)For further information on this lot please visit Bonhams.com
A fine white statuary marble inlaid Fireplace, in the manner of Pietro Bossi, the scagliola inlay in the Neo-classical style, the moulded shelf over a central urn issuing leaf swags on a rectangular tablet flanked to either side with a panel inlaid with a roundel with bell flower swags and ribbon bows, the jambs with similar inlay each headed with a two handled urn raised on breakfront blocks, 58" x 70" (148cms x 178cms). (1)
Henry O'Neill (1798 - 1880) "Monasterboice, County Louth, with couple praying by the Round Tower showing numerous Celtic Crosses and Graves, c. 1840," O.O.B., 42cms x 51cms (16 1/2" x 20"). Exhibition label verso "The Bell Gallery, 3 Alfred Street, Belfast." In a painting that clearly echoes George Petrie?s 1838 watercolour The Last Circuit of Pilgrims at Clonmacnoise, O?Neill depicts the round tower at Monasterboice, surrounded by high crosses and monastic ruins. Founded by the Abbot Boethius in the sixth century, Monasterboice is located some five miles north of Drogheda. Although nothing remains of the original buildings, there are the ruins of two churches and three sculptured high crosses, all dating from around the tenth century AD. The churches and crosses are depicted in O?Neill?s watercolour, which also shows the round tower with its distinctive jagged top. In the foreground, amidst tilted gravestones, two figures kneel, deep in prayer, before a carved cross. Overgrown with ivy, the outlines of the ruined churches are barely discernible. With the setting sun partly obscured by the slender tower, and a cloud-flecked sky paling from pink-tinted hues on the horizon to pale blue, the painting has all the characteristic of a Romantic landscape, reminiscent of paintings by JMW Turner, Francis Danby or Petrie. Today, the buildings have been stripped of foliage, the graves neatened, and the site, while far better tended, lacks something of the Romantic mystery conveyed in O?Neill?s watercolour. While George Petrie held that the ancient round towers of Ireland were of Christian origin, O?Neill, like Henry O?Brien, believed they were pagan buildings, later adopted by Christians. He set out to publish a multi-volume analysis of Irish round towers, but in the event only one volume was published, in 1877, detailing the four round towers of County Dublin. *We would like to acknowledge the assistance of Dr. Peter Murray in catalogue these lots.
A collection of miscellaneous silver and silver Plate ware, comprising three silver plated cigarette cases, a silver plated and ruby glass bumble bee form honey pot, a small silver plated bell, a plated small punch bowl, a rustic desk stand with golfer, a pair of plated wall mounted lamp brackets with claw terminals, a cased silver christening spoon and a small bud vase. A lot. (12)
A very fine carved white marble Portman Fireplace, in the Neo-Classical style after Robert Adams, the inverted breakfront mantle shelf above an ornate frieze with central tablet, carved with a two handled urn issuing floral sprays bell flower swags and rosettes, the two outer panels carved with smaller urns, leaves and sprays, the tapering jamb panels carved with anthemions, leaf swags and bell flowers, each crested with an urn under a dentil moulded band, 61 1/2" h x 76" w (156cms x 193cms). (1)
A French or Belgian brass barrelled flintlock blunderbuss pistol c 1800, 11" overall, 3 stage barrel 5½" with bell mouth muzzle and scroll engraved octagonal breech; plain lock with swan neck cock; walnut fullstock with some silver wire inlay, and brass mounts. GWO & generally GC (some wear, 3½" of fore end replaced). £200-250
An early 19th century Indian steel barrelled military style flintlock long blunderbuss or musketoon, 43½" overall, slightly swamped bell mouth barrel 28" with octagonal breech and three shallow flutes to the muzzle, slightly rounded Brown Bess lock with swan neck cock, the plate stamped with crown over "GR" and "Tower", varnished fullstock with chequered wrist, the butt carved on one side with floral decoration, with military pattern brass mounts and steel ramrod. GWO & basically GC (heavily rusted patina to lock and barrel, the side plate incomplete). £300-400
FRENCH CONNECTION. A 1960's French Connection, Indian cotton maxi dress with bell sleeves & pin-tucked bodice. Length 147cm. Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
CLOCK GARNITURE. A French Art Deco marble & onyx clock garniture, the clock mounted with a pair of bronze doves. The dial signed Le Goric Savenay. With pendulum & key. The brass movement stamped Exacta, numbered & striking on a bell. Clock H23 x W29cm. Please note: We cannot guarantee the continuous working order of any timepiece in this auction. All clocks in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any clock is in continuous working order or may not require attention. If detail on condition is required on any lot(s). PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
A brass cartel clock,by J W Benson, Ludgate Hill, London, surmounted by a cast urn over ribbons and foliage, the enamel dial supporting a French drum movement, striking the hours and half hours on a bell,65cm highdial 9.5cm diameterProvenance: Mr & Mrs J Jowitt, Taillefer, Saint-Puy, France.Good order.The dial is a little rubbed.Movement not tested.No key.
A George III mahogany eight-day repeating bracket clock, by Ellicott and Taylor, Royal Exchange, London, the 7¾in (19cm) enamel dial with Roman numerals and inscribed below a 'concealed' brass seconds dial and N-S lever, the twin fusee repeating movement striking the hours on a bell, the backplate engraved 'Ellicott & Taylor, London' within an engraved border, the case with an arched top, brass pierced fish scale panels, carrying handles and brass ball feet,31cm wide19cm deep45cm highEdward Ellicott was of the third generation of a distinguished line of London clockmakers. His grandfather, the eminent John Ellicott FRS (1706-1772), was succeeded by Edward Snr and Jnr. The partnership with John Taylor was formed in 1811. He was free of the Clockmakers' Company in 1795 and later Master. He died in 1835. Condition ReportIt appears the clock was restored in 2013, thus it seems in good order. The working order of the movement is not guaranteed. Complete with winding two door keys.
A pair of oak and bell metal candlesticks,each with a sconce inscribed 'Oak & Bell Metal of York Minster burnt May 20 1840',27.4cm high (2)This was the third of the four major fires at York Minster - 1753, 1829, 1840 and 1984. The candlesticks were made from recovered wood and metal, and sold to raise funds for the restoration.Both appear to be in good condition. small knocks and dents bell metal tarnished, areas of varying patina to the timber
A collection of 18th century drinking glasses,comprising:a matched pair, c.1765, each with a moulded ogee bowl, over a double series opaque twist stem with ten-ply spiral outside two spiral tapes,14.3cm high,another wine glass, c.1765, with a moulded funnel bow, above an opaque twist stem of four multi-ply spiral cables,15cm high,a similar wine glass, c.1765, with a bell bowl above a double series opaque twist stem with a pair of spiral tapes outside a corkscrew,15.6cm high,a facet cut wine glass, c.1780, the rounded bowl cut with star motifs, above a facet cut stem,13.8cm high, andthree plain stem glasses, each with a folded foot,12.3, 14.2 and 16.5cm high (8)Condition ReportMoulded funnel bowl glass) Chip to foot rim.Opaque bell bowl glass) The bowl rim is probably polished.Small plain stem glass) Chip to bowl rim.
A colour twist wine glass,c.1765, with a bell bowl, above a stem with an upper knop and opaque corkscrew edged in red enclosing a green core, raised on a conical foot, inventory number to foot 'NZ152/inv.123',17.2cm highBowl rim 6.5cm. Foot rim 6.9cm. Some scratching/slight cloudiness. Some wear to the underside edge of the foot rim.
A small unmarked silver communion cup with paten,16th century, probably East Anglian,the inverted bell-shaped bowl engraved with a band of trailing foliage between two plain bands, raised on a short trumpet stem terminating in a slightly domed foot, underneath the foot is an old label 'Elizabethan, probably Norwich',7.3cm diameter, cup 11.1cm high, 13cm high overallCup - Engraved band good. There is a split to the bowl of about 2cm. The base of the bowl is uneven and has an old repair and the cup doesn't sit flush on a flat surface.Paten - The edge is repaired and uneven, of thin gauge and the knop has been erased.
An unusual sailing presentation trophy,by Theodore Ross of Market Place, Norwich, Norfolk, London 1930,modelled as 'The Bell Buoy, Great Yarmouth', on a sea spume base, with two applied rectangular plaques attached by rope-twist wire, each engraved 'Inner Shoal', and engraved around one base of the buoy with a line from the last stanza of the poem by Rudyard Kipling, The Bell Buoy: 'I dip and I surge and I swing In the rip of the racing tide', first published 1896,24cm wide19.5cm long14cm high,together with a separate pennant buoy on a wavy base of circular outline,also by Theodore Ross of Market Place, Norwich, Norfolk, stamped London 1930,diameter of base 12cm15cm highboth items 35.8ozt overall, the larger trophy has a wooden base (2)Provenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Hallmarks clear on both items. Detailing crisp. Some sections of the rope-twist wire securing the panels missing on the buoy.
A mahogany and rosewood crossbanded longcase clock,by Justin Vuillamy, late 18th century, the 11.5in square silvered dial with subsidiary seconds dial, date aperture and 'strike/no strike' lever, enclosing an eight-day five-pillar movement striking on a bell, the case of architectural design with moulded trunk door and plinth base,41cm wide22cm deep202cm highCondition ReportStrip of moulding missing to the top of the door. General wear, knocks and scratches to the hood and the case. Split to inside of the door. Damage to backboards, with a later baton applied. Case appears cleaned and re-finished. Areas of wear to the silver dial. Scratches and marks. Ticks and chimes when wound, however a little eratically and we would recommend inspection by a professional. Tarnish and discolouration to brass. Associated winding key present.
George III mahogany bracket clock, moulded top, arched glazed door, glazed side panels, moulded feet, seven inch arched brass dial with cast spandrels, silvered chapter ring, strike silent and date aperture, signed Henry Barlow, London, twin fusee movement with engraved backplate, striking on a bell, height 46cm.Condition report:Case is generally looking good but has had repairs, notably to the top moulding, hinges, locks, framing of glass, feet, the dial is not a great fit for the case, movement has clealry been recently overhauled and appears complete and ticks and chimes, anchor escapement.
William IV mahogany bracket clock and bracket, the case with an acorn finial, carved and scrolled pediment, brass inlay, side carrying handles and grilles, on ball feet, circular painted dial signed Viner, London, double fusee movement striking on a bell, the bracket with a rectangular platform, gadrooned edge, and carved decoration, height approximately 81cm overall.
Loading...-
123509 item(s)/page