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Lot 1472
A Wedgwood pale blue jasperware timepiece, circa 2000, of classical form with sprigged figure standing between two columns, together with a Beswick Beneagles Gold Eagle decanter (tiny chip to cover), a large Wade Bell`s decanter, a similar smaller and a small Beswick Beneagles Scotch whisky eagle.
Lot 335
AN EARLY GEORGE III SILVER CHAMBER CANDLESTICK of circular form with inverted bell shaped sconce and dished drip pan, both with twisted borders, the drip pan with scroll handle and engraved crest, a Crown above the motto `Y Very` and a thistle, marks for London 1764, maker Elizabeth Godfrey (nee Buteux). 174grams. 7.5cm(h)
Lot 356
THREE 18TH CENTURY ETCHED WINE GLASSES comprising a Newcastle type wine glass with tapering bowl etched with Jacobite type rose, thistle and sun over a multi-knopped stem and domed circular foot, pontil to base 16cm(h); a large Georgian air-twist wine glass, the funnel bowl etched with a bird in flight and trailing blossoms over a plain stem with multiple air threads, on a conical foot, pontil to base. 17.5cm(h); a Georgian double series opaque twist wine glass, the funnel bowl etched with a stylized foliate border, the plain stem with central twist surrounded by multiple threads, on a spreading circular foot, pontil to base. 14.5cm(h); sold along with a 19th century wine glass, the bell form bowl with fluted basel section etched with fruiting vines, the short stem with faceted knop resting on a circular foot with star-burst cut to base. 14cm(h) (4)
Lot 614
TWO 19TH CENTURY LITHOGRAPHS OF CATTLE the first entitled `Portrait Of A Short Horned Ox` from a painting by Thomas Bland, drawn on stone by J W?, published by Mr George Bell, Penrith, rosewood framed under glass. 43cm(h) x 52cm(w); the second entitled `EDEN` from a painting by R Harrington, published by Harrington, Carlisle, ebonised framed under glass. 42cm(h) x 51cm(w)
Lot 233
A late 19th Century Stuart & Sons table centre with a clear crystal wrythen foot with clear crystal and amethyst cairngorm tears rising to a plated three branch stand with gallery ring supporting a bell form bowl with wave rim and clear crystal and amethyst cairngorm tears, unmarked, height 27 cm. ILLUSTRATED
Lot 915
MANCHESTER CITY Official Celebration Dinner Menu for 1969 FA Cup Final, City defeated Leicester 1-0. This menu belonged to City winger Tony Coleman who played in the Final and it has 16 signatures including Coleman, Bell, Pardoe, Lee, Heslop, Book, Allison, Dowd, Connor, Doyle , Oakes etc. Good
Lot 516
MANCHESTER UNITED Autograph book containing some excellent signatures from the very early days of Manchester United plus many Busby Babes including Busby himself, Duncan Edwards (three separate signatures), Roger Byrne (two), Whelan, Taylor, Jones, Bent, Colman and Pegg, many are across two pages and some are laid down. There are pictures of Byrne and Edwards with laid down signatures beneath. The early signatures include Billy Meredith (laid down), George Wall, George Stacey, Alex Bell and Harry Moger. These players were all stalwarts of the first successful United side circa 1907. The book also contains a few 60s autographs including Denis Law, Stiles, Gaskill, Herd, Quixall and probably Best and Brennan. Some pages are loose but this is an opportunity to obtain many of the earlier greats from the history of Manchester United. As described
Lot 258
Bell`s Edition of the Poets of Great Britain 109 vol. engraved portraits additional titles contemporary tree calf spines gilt covers with gilt Greek key pattern border red and green morocco spine labels little rubbed some spine labels missing or chipped 12mo Edinburgh 1777-1799. ***Complete set..
Lot 430
A GEORGE III OAK LONGCASE CLOCK with a brass dial signed "Major Schofield, Manchester", with subsidiary moon phase dial and date dial, with a silvered chapter ring within gilt spandrels with an eight day two train movement striking on a bell, the flat topped hood with a pierced gallery and brass finial, the trunk with tall door with shaped top flanked by quarter recessed columns, 89" high. See illustration
Lot 431
A GEORGE III PROVINCIAL OAK LONGCASE CLOCK by Oldham, Southam, the case with crossbanded long door and square hood with turned tapering columns surmounted by a blind fret frieze and stepped pediment, the square silvered dial with Roman and Arabic numerals to the chapter ring and date aperture, the thirty hour movement striking on a bell, 69". See illustration
Lot 433
A DUTCH MAHOGANY AND FLORAL MARQUETRY LONGCASE CLOCK, the brass arched dial inscribed "Fromantell and Clark", the case with long door inlaid with ferns, flowers and swags, with an oval neo-classical urn brass lenticle, the hood with square tapering pilasters with gilt brass finials, surmounted by a blind fret frieze and architectural pediment, the brass dial with serpent and mask spandrels, with a silvered chapter ring with Roman and Arabic numerals, the matt centre with subsidiary dials for alarm, seconds and date, the two train movement striking on a bell, 95" high. See illustration
Lot 434
A WILLIAM IV OAK AND MAHOGANY LONGCASE CLOCK by D. Herbert, Aberistwith, the case with quarter fluted columns above a hood with turned columns and swan-neck pediment and urn finial, the arched brass dial painted with rural scenes with Roman numerals, subsidiary seconds dial and date aperture with two train eight day movement striking on a bell, 90". See illustration
Lot 436
AN EARLY 18TH CENTURY CHINOISERIE LACQUERED LONGCASE CLOCK by George Avernell, Farnham, the tall slender case with a black ground decorated with gilt and polychrome chinoiserie scenes and diaper panels, the square hood with turned columns and stepped pediment, with gilt ball finials, the brass arched dial with lion, unicorn and coronet-mounted name tablet flanked by dolphin and scroll spandrels, the silvered dial with Roman and Arabic numerals enclosing a matt centre with subsidiary seconds dial and date aperture, the two train movement striking on a bell, with two brass cased weights 96". See illustration
Lot 300
Bell (William). Narrative of the Entrance of the ‘Conch’ at Port Natal with Troops, to Relieve Captain Smith, when Blockaded by the Boers, in June 1842, by William Bell, who Commanded the ‘Conch’, and Late Port Captain at Port Natal, with an Introduction and Notes, 1st ed., Adams & Co., Durban & P. Davis & Sons, Maritzburg, 1869, 24 pp., a little spotting, orig. printed wrappers, contemp. ownership inscription to upper wrapper, ‘EPT Goldsmith, L/XX Regt. Natal, 22nd Sept.’, covers detached and both with sl. chipped and soiled, slim 12mo. No other copies of this original edition have been traced though a facsimile reprint of 100 copies was published in 1988 by Africana Book Collectors, Pieter Maritzburg. Captain George Durnford was in command of a company of the 27th Foot which went to the assistance of the British garrison besieged by rebellious Dutch trekboers at Port Natal in June 1842. The result of this conflict was the end of the Boer Republic of Natalia and the final annexation by Britain of Natal to the Cape Colony followed in 1844. Edward Primrose Tregurtha Goldsmith (born 1842 in Sutton, Lincolnshire, and died 1901 in Cheltenham, Gloucestershire) was created an ensign in the 20th (the East Devonshire) Foot (London Gazette, 11th February 1862). (1)
Lot 63
A French Louis XV style silvered metal mounted cream lacquered mantel clock, circa 1900, the eight-day bell striking movement with platform lever escapement and white enamel Roman numeral dial with retailers signature HOWELL & JAMES LIMITED..., the waisted case with rocaille cast edge mounts to front and on festoon swag applied concave fronted plinth base with scroll feet, 27cm high. Condition Report:** Movement is intact but not currently running as is overwound, however escapement appears free from damage so probably just requires a clean and overhaul. Dial has a series of hairline cracks to the upper numerals of the chaper ring but appears free of chips/losses to enamel. Case has overall wear and crazing to cream lacquer finish with noticeable flaking to carcass joints within the case, the metal mounts are complete but are tarnished and worn. Generally a very decorative clock with an attractive `lived in` feel. Clock does not have a winding key.
Lot 65
A French Regence style gilt metal mounted scarlet boulle mantel clock, late 19th century, the eight-day bell striking movement with white enamel Roman numeral cartouche inset gilt brass dial, the case with fruit filled urn finial to the concave upstand above mask centred shallow arch crest and bead panel beneath dial, on scroll feet, the whole veneered with red shell and brass marquetry, 31cm high. Condition Report:** Movement appears to be in working condition but probably would benefit from a clean and overhaul. Dial has shallow chip to enamel of IIII numeral otherwise is in good original condition. Case has small shell veneer losses to top panel where urn finial is screwed into the case, otherwise is in good original condition with no apparent losses to the marquetry, however the brass is discoloured and there are signs of slight lifting to brass marquetry in places. Clock comes with pendulum and winding key.
Lot 66
A French Jacob Petit Paris porcelain cased mantel clock, late 19th century, the eight-day bell striking movement with white enamel Roman numeral dial signed W. B. PROMOLI, RUE DE BOULOGNE 4, A PARIS to centre, the waisted case with floral spray painted panels on a mid green ground within elaborate rocaille moulded gilt highlighted borders, the underside with underglaze blue J.P. mark, on original matching porcelain plinth, (slight damage to clock case), 44cm high overall. Condition Report:** Movement appears complete and original however would benefit from a clean and overhaul. Ddial appears undamaged but is dirty. The case has a chip/loss to the extreme right hand scroll otherwise is in very good condition with only very light gilt wear, as well as some surface wear to green ground where clock sits in the base. Clock comes with pendulum but no winding key.
Lot 101
A FRENCH ORMOLU & PORCELAIN MANTEL CLOCK, JAPY FRERES, the 90mm porcelain dial with gilt Roman numerals, a garland of flowers, gilt spandrels on a blue ground and signed "Cresson a Paris, Rodier" the two train movement with outside countwheel striking on a bell, the case cast with a mask, rams heads and surmounted by two putti, and with porcelain side panels, the base with a circular portrait miniature and applied urns and foliage, 34cms high (with ebonised stand, pendulum & key)
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123509 item(s)/page