Map - London, Westminster and Southwark as in the Olden Times, by William Newton, "Shewing the City and its Suburbs with the Churches, Monasteries and all the important Buildings as they stood in the Reign of Henry VIII before the Reformation", published by Wm. Newton & Bell & Daldy, London 1855, large folding map, sectionalised and laid on linen, contemporary outline colouring, elaborate decorative borders, 41 x 55in. (104 x 140cm.)., *Condition: Some wear and losses along edges and to corners of paper sections throughout. 4in. horizontal tear to lower left corner with old tape adhesive mark to linen verso. Small tear with associated old tape adhesive mark to corner of one section. Index section dirty and time stained and top sections of map have some dirty smudges throughout and time stain spots & staining to edges. A few spots stains and dirty marks elsewhere.
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A Victorian silver table bell on ebonised base, George Unite, Birmingham 1898, dome form with reticulated and repoussé floral and foliate decoration, twist action ball finial 'ringer', on a turned ebonised base, 5 1/8in. (13cm.) high overall., *Condition: Working. Loose on ebonised base. Three dents to lower edge of silver. Otherwise good. Marks clear.
A cased set of six Elizabeth II silver goblets, Deakin & Francis, Birmingham 1972, of early Georgian form with bell shaped, gilt washed bowls and baluster stems, 5 5/8in. (14.3cm.) high, weight 41.1 tr.oz., in red fitted case., *Condition: Some light superfical scratching to exterior and one bowl has a very slightly dent to top edge. Marks clear. Box good, with one small stain mark to white fabric inside lid.
A late 19th century brass double fusee skeleton clock, unsigned, the eight day movement striking on a bell, the openwork shield and C-scroll chapter ring with black Roman numerals and cut edge, with foliate scroll frame, on turned feet, 13in. (33cm.) high, on an ebonised base, no dome. , *Condition:Lacks dome. Winds and runs. Striking hammer worn to one side but has been reversed. Brass tarnished throughout. Some chips and damage to wood at one end of base.
An 18th century oak longcase clock by Jeremiah Standring of Bolton with penny moonphase, the twin train bell strike movement with four knopped pillars, the square brass dial signed 'Jere. Standring Bolton', with brass Roman chapter ring and Arabic outer minute track, gilt brass foliate scroll spandrels, the matted centre with foliate engraving, date aperture at six and painted penny moonphase at noon, the case with swan neck pediment over a gilt and ebonised foliate frieze and fluted pillars, the trunk with fluted pilasters to the canted corners and serpentine door, raised on bracket feet, 85¾in. (218cm.) high.* With purchase note dated 1929 from Wollen, M.B.H.I., 137 Granby Street, Liverpool** Condition: Dial: Some tarnishing / scratch marking around chapter ring from contact with minute hand. Silvering to numerals in date aperture worn. Moonphase has some small scratches and heavier scratching / patches of worn paint to starry night section. Case: Chips to both front corners of the cornice and one to top of LH side of the broken arch. Finial later - it sits on a small mahogany bracket which may be a later 19th C addition. Some wear to painted frieze. Flaking to paint and a few small gesso chips to column capitals and bases. Trunk has some fading to colour and polish. Trunk door lock later. Some old scratches to centre of door. Base has a central vertical split to oak - possibly made in two pieces and this is separation. One weight is cast iron, the other lead. Some denting to pendulum. Movement appears original to case. With period winding key.
A late 19th century boulle work mantel clock by Hatton of Paris, the balloon shaped case with red tortoiseshell and brass inlaid veneers, gilt metal foliate and cherub mask mounts, surmounted by a floral urn finial, enclosing a 2¾in. white enamel dial with blue Roman numerals and Arabic outer minute track, signed 'HATTON PARIS', fronting an eight day movement by Japy Freres, signed 'Hatton Paris', striking the hours/half hours on a bell, with outside countwheel and original bob pendulum, 11¾in. (30cm.) high., *Condition:Winds and runs. Strikes correctly. Gilt metal mounts regilded. Brass inlay lifting slightly in a couple of places but good overall. Dial VG. With key.
A William III and later walnut and marquetry eight day longcase by John Drew of London, the square brass dial with Roman chapter ring and Arabic outer minute track, harboured winding holes, subsidiary seconds dial at 12, date aperture with engraved scrollwork border at 6 and gilt brass mask spandrels, signed 'John Drieu London Fecit', fronting a four knopped pillar twin train movement with outside countwheel bell strike, the floral and bird marquetry case with significant restorations and alteration, 77¾in. (197.5cm.) high.
An 18th century oak longcase clock by George Womersley, the square brass dial signed to centre, with silvered Roman chapter ring with Arabic outer minute track, the centre with painted moonphase with lunar date beneath and engraved date dial at 6, decorated with engraved bellflowers, within gilt brass foliate scroll spandrels, fronting a chain driven twin train movement with outside countwheel bell strike, the case with swan neck pediment with central brass ball finial, over a deep plain frieze on turned pillars, the trunk with incuse arched door flanked by turned quarter columns, on a panelled base with short bracket feet, 86in. (218.5cm.) high.
An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.
A good 19th century French ormolu, porcelain and white marble drum clock, the white 5in. dial with black Roman numerals, fronting an eight day twin train movement, no. 22339, striking the hours/half hours on a bell, in a fluted drum case with foliate and floral swagged plinth with central Sevres style plaque with floral bouquet, the moulded serpentine white marble base with gadrooned toupie feet, 11 1/8in. (28.25cm.) high, on a serpentine giltwood and red velvet stand and later ebonised base with glass dome., *Condition:In fine, restored condition. Winds and runs, strikes correctly. Dial excellent. A few tiny nicks to lower edge of marble. Small patch of verdigris tarnish to centre bottom of back panel on clock. A few rubs to edges of giltwood stand. Velvet faded and has some wear. With later key.
A late 18th century mahogany bracket clock with sweep calendar hand by John Massey of Lambeth, London, the twin fusee, 8 day engraved movement with original anchor escapement striking the hours on a bell, with strike/strike silent facility and pull repeat, the case of break arch form with carry handle, with circular convex painted dial, with Roman numerals and Arabic numerals 1-31 to the circumference, original brass fish scale fretwork to lower quarters and the sides, arched glazed door to rear, standing on brass ogee bracket feet, 15½in. (39.4cm.) high.* Condition: Clocks winds and runs. Repeat functioning correctly. Chimes correctly. Top of case has three removable panels allowing access to the top of the movement.No silk behind grilles. Both glass appears original. Putty missing from two edges of glass to rear door. Left hand side of rear door exterior is a replaced piece of beech veneer rather than mahogany. Old repairs and restoration evident to case. There are some shrinkage cracks and small repairs to veneers throughout and a few places where the veneer is lifting at edges. Brass rod moulding missing from left hand edge of front door. Dial good overall and original. Minor paint wear around winding holes, a few small scratches and small chip to centre. Minor contact scratching around chapter ring from hands.
A George I burr and figured walnut eight day longcase clock by John Carter of London, the arched brass dial with silvered Roman chapter ring and Arabic outer minute track, gilt brass mask spandrels and matted centre with silvered sub. seconds at 12, date aperture at 6 and harboured winding holes, signed to a silvered convex roundel to arch within a foliate border and gilt brass dolphin spandrels, fronting an eight day bell strike movement with five knopped pillars, the case with cavetto moulded arched top with three gilt brass ball finials, over a blind fret carved frieze and secondary step moulded arch, on gilt brass stop fluted columns, the trunk with moulded arched and feather banded door and cross banded sides, on a cross and feather banded base with shaped bracket feet, 92½in. (235cm.) high.
A good early 19th century Scottish inlaid mahogany eight day longcase clock by William Keith of Inverness, the eight day bell strike movement with four turned pillars, the painted arched dial with Roman chapter ring and Arabic numerals to the outer minute track cardinals, signed in an an oval to the arch with foliate, gilt and black bordered cartouche and conforming spandrels, subsidiary seconds dial at 12 and date dial at 6, the case with swan neck top with marquetry rosettes and brass ball finials, the arch centred by three feathers, raised on strung reeded and turned columns, the trunk with lancet arched and thistle marquetry inlaid door, flanked by barber's pole strung pilasters, the flame mahogany base with three feather marquetry and boxwood & ebony strung border, on plinth base, 88in. (224cm.) high.
A 19th century bronzed spelter and marble clock garniture, French, titled 'La Confidence' after A. J. Scotte, depicting Diana and Cupid, in mid-brown and red-brown patination, the balloon cased clock with Arabic white enamel dial, eight day movement with outside countwheel striking the hours and half hours on a bell, signed Japy Freres, no. 69528, on a tan and white marble plinth with gilt metal wreath mount and gilt foliate toupie feet, 15¼in. (38.75cm.) high; with two matching twin handled covered urns. (3), *Condition:A few small chips to lower back edge of marble. Movement winds and runs, strikes correctly. Minor wear to spelter finish on raised areas. Dial VG. One pin missing from left hand edge of wreath mount.
A French 19th century gilt metal cherub mantel clock by Baume & Lezard, the gilt metal case in the Louis XVI taste, with ornate scroll, rocaille, foliate and floral decoration, surmounted by a seated cherub artist seated upon rockwork, the white enamel 3 1/8in. dial with black Roman numerals, signed 'BAUME & LEZARD PARIS', the Vincente & Cie eight day movement with outside countwheel strike, striking the hours and half hours on a bell, signed 'BAUME & LEZARD A PARIS' AND NUMBERED B577, with bob pendulum, 14¼in. (36.25cm.) high, dial cracked., *Condition:Dial cracked in several places and has chip at 12.30. Clocks winds and runs, strikes correctly. Some spotted tarnishing to gilt cherub, a little wear to gilt on edges and raised detail. Lacks cover panel to movement to rear.
A Regency brass and mahogany double fusee bracket clock by F. Lawley of Bath, the eight day double fusee movement striking the hour on a bell, the signed and painted circular 8in. dial with Roman numerals, the rectangular case with shallow gadrooned top with brass finial, over a brass inlaid front and sides with foliate rosette ring handles and pierced brass scale fretwork grilles, raised on decorative gilt brass ball feet, 19½in. (49.5cm.) high. , *Condition:Very original condition - case is quite dirty but has a lovely colour. All brass inlays are complete. They are securely fixed overall - just two of the string inlays are lifting a little at the ends. Two chips to edge of gadrooned top to front and small chip to the back corners. Locks to dial glass and rear door working - key is rusty but original. Movement definitely original to case. A few old (inactive ) worm holes to top of back. Shrinkage crack down centre of right lower side of case, below the grille. Side moulding missing from the top right of case. Winds and runs but will almost certainly require cleaning and some work as it has not been serviced for decades. Winding key 20th century.
An early 19th century inlaid mahogany eight day Channel Islands longcase clock by Peter Poignand of St Helier, Jersey, the painted arched dial with Roman numerals, signed (worn), arched date aperture at 6 and subsidiary seconds dial at 12, within painted floral and foliate spandrels, the arch with painted autumn fruits, fronting a twin train four pillar movement with bell strike, the case with swan neck pediment with central turned finial, on turned columns with gilt capitals, the trunk with inlaid lancet arched door flanked by floret and pendant inlaid canted corners, on a cross banded base with bracket feet, 85¾in. (217.5cm.) high.
BRUCE JAMES TALBERT (1838-1881) FOR HART, SON, PEARD & CO. GOTHIC REVIVAL BRASS MANTEL CLOCK, CIRCA 1870 the twin train movement striking a bell inscribed GV/ 1507, the triangular brass case mounted with an agate set finial above three flower roundels set with coloured glass cabochons, the whole raised on shaped square feet 21.5cm wide, 27cm high Literature: Charlotte Gere, Charlotte & Michael Whiteway, Michael, '19th Century Design from Pugin to Mackintosh', W&N 1993, p. 118 where a similar example is illustrated. Note: Talbert trained as an architect before becoming one of the leading exponents of the Reformed Gothic style. This clock, designed circa 1871, was illustrated in 'The Illustrated Catalogue of Gothic & other Artistic Domestic Furniture, Fittings, Decorations, Upholstery & Metal work', published by Cox & Sons in 1872.
ROGER FRY (1866-1934) FOR OMEGA WORKSHOPS PAIR OF PAINTED DINING CHAIRS, CIRCA 1913 painted in pale grey, the arched toprail pierced with nine roundels above caned seat, back and arms on square legs, bears maker's marks (2) 45cm wide, 109cm high, 41cm deep Provenance: Lady Dorothy Wellesley, Penns-in-the-Rocks Literature: The Studio, August 1930, pp. 142/3 Anscombe, Isabelle 'Omega and After: Bloomsbury and the Decorative Arts', London, 1981, pp. 134/5, fig. 39 Note: Duncan Grant and Vanessa Bell carried on their decorative work through the twenties, developing and in many ways drawing on their earlier Omega experience. The Omega Workshops, which had been set up to execute the group's designs had been closed in 1919 but the Omega spirit continued to flourish. The chairs in the current lot were part of a 1929 project by the Omega Interior Design Company for the dining room at Penns-in-the-Rocks, home of Lady Dorothy Wellesley. Grant later recalled it as 'the best thing we did' and the commission was well-received and featured in the Studio magazine of 1930. It was there described to be an 'effect...of iridescence', with six large painted panels alternating with rectangles of colour amidst tones of pale grey and green.
ATTRIBUTED TO ROBERT TURNBULL BAYNE FOR HEATON & BUTLER ROMANESQUE STYLE STAINED GLASS PANEL, CIRCA 1860 depicting the figures of Christ kneeling with his disciples in the Garden of Gethsemane, later framed 128cm x 63cm Literature: Waters, William 'Angels & Icons: Pre-Raphaelite Stained Glass 1850-1870', pp. 68-69 illus. Note: Robert Turnbull Bayne (1837-1915) first designed stained glass for Clayton & Bell before joining Heaton & Butler. He entered the partnership in 1862 to create Heaton, Butler & Bayne.
Walton, Izaak; Charles Cotton. The Complete Angler, second Bell & Daldy edition, in two volumes, London: 1868. Original green cloth with gilt titles to spine, curiously numbered VII and VIII to spines (though complete, Part 1 and Part 2, in these two volumes). Coigney only had the first volume in his collection, and he was the first to record its existence. [Coigney 90]
Walton, Izaak; Charles Cotton. The Complete Angler, third Jesse edition, London: Bell and Daldy, 1870. Full green crushed morocco by Zaehnsdorf, marbled endpapers, gilt title with fish motifs to spine, top edge gilt. Contents good, clean, bright, binding discoloured at spine and edges. [Coigney 92]
Walton, Izaak; Charles Cotton. The Complete Angler, eighth Jesse edition, London: George Bell and Sons, 1896. Half-calf with gilt title, marbled boards and page edges, illustrated throughout, the plates with protective tissue-guards. Contents good, clean, bright; binding very good, tight, solid. [Coigney 176]
Walton, Izaak; Charles Cotton. The Complete Angler, ninth Jesse edition, London: George Bell and Sons, 1900. Later fine binding, half-calf with crushed oxblood morocco title label, gilt title and angling motifs, raised bands, top edge gilt, 32 pages of advertisements at rear. Contents generally good and bright, occasional spotting; binding tight and solid. An attractive copy. [Coigney 205]
Walton, Izaak; Charles Cotton. The Complete Angler, first Bell, Daldy and Low edition, 1863, publisher's gilt cloth [Coigney 82]; first Bell and Daldy edition, 1864, publisher's green gilt cloth [Coigney 83]; second Bell, Daldy and Low edition, 1865, publisher's gilt cloth [Coigney 84]; first George Bell edition, 1875, full vellum [Coigney 96]; second George Bell edition, 1879, publisher's green gilt cloth [Coigney 105] (5)
Bell's British Theatre, in eight volumes, London: John Bell, 1776, full contemporary calf with contrasting red & black morocco title labels, raised bands, marbled endpapers, armorial bookplates for Edmund Rolfe Finch. Together with two volumes of The London Stage; Essay on the History of Civil Society, by Adam Ferguson, fifth edition, London: T. Cadell, 1782; Essays on the Nature and Principles of Taste, by Archibald Alison, Vol.II only, Edinburgh: Bell & Bradfute, 1811; The Works of William Hogarth, by Rev. John Trusler, London: E. T. Brain, no date (13)
Travel / Exploration Interest. Bell, James Stanislaus. Journal of a Residence in Circassia During the Years 1837, 1838 and 1839, first edition, in two volumes, London: Edward Moxon, 1840. Complete with all 13 plates as called for: 12 lithographs (three of which hand-coloured), folding engraved map of Circassia (in good order). Contents generally good, clean and bright, occasional pale spotting/foxing (tissue-guard of Vol.II frontis.). Rebound/rebacked but completely retaining the original publisher's embossed brown cloth with gilt titles (2)
Natural History Interest. Yarrell, William. A History of British Birds, second edition in three volumes, London: John Van Voorst, 1845. Together with A History of British Fishes, second edition in two volumes, 1841, and A History of British Quadrupeds, by Thomas Bell, London: Voorst, 1837. Uniform dark green crushed morocco bindings with gilt titles, all page edges gilt, morocco end papers, and armorial bookplates for M. Attwood and Dacre Fisher (6)
Thirty Sermons or, Declarations, On various Subjects, with Several Prayers, Exactly taken in Characters, as they were delivered in the Public Meeting-Houses of the People, call'd, Quakers, by Stephen Crisp, late of Colchester, Leedes: Printed and Sold by James Lister, and Nath. Bell in York, no date [c.1750]. Full contemporary calf (worn), numerous owner inscriptions and remnants of wax to endpapers. Scarce. Theology Interest
An Asian style yellow gold pendant fringe drop necklace, the bell shaped pendant with small bead cluster droppers, pendant length approx. 6cm, continuing to fancy three row and flower head single row alternating links with granular bead borders, length approx.17'', applied pads to pendant stamped 916, assessed as 22ct gold, total gross weight approx. 34.4gramsCondition: Good-clasp missingCONDITION:Condition: Good-clasp missing
Steiff: A set of Steiff Skittles Assortment to include: brown burlap bear kingpin, boot button eyes and nose, red felt jacket with gold thread, chain from nose, red felt crown with gold thread and spangles, 25cm high, felt hare with bell and ribbon collar, dark grey felt elephant with bell and ribbon collar, felt cat with bell and ribbon collar, pink and brown pig bell and ribbon collar, lamb with bell and ribbon collar, together with three various dogs with collars and coins (possible replacement collars) with all on turned wooden tapering bases, circa 1903, the skittles 19cm (9)
A George III mahogany eight day longcase clock, by Thomas Ashton, Macclesfield, with a swan neck pediment and single door enclosing silvered chapter dial with Roman numerals. moon face mechanism. The clock with a musical 10 bell mechanism and one striking bell. Rusticated case. In the Chippendale style. H245cm W52 D32
A FRENCH CLARET GROUND PORCELAIN MANTLE CLOCK, C1840, painted with flowers, the bell striking movement with silk suspension, 33cm h++The enamel dial chipped, hands original, movement apparently complete with pendulum, case not cracked or chipped, slight wear to gilding. The back of the case retaining the original brass framed glass light.
Burslem 19thC flame mahogany cased longcase clock with 8 day movement striking on a bell, 36cm painted Roman dial, moon phase, spandrel corners representing various nations, banding and carved and turned pillars to the case and turned pillars and swan neck pediments to the hood, 224cm tall.
Desmond Seward, The Monks of War (London, Folio Society, 2000). Full illustrated cloth. Black slipcase. Walter George Bell, The Great Fire of London, 1666 (London, Folio Society, 203). Full blocked cloth. Black slipcase. Walter George Bell, The Great Plague (London, Folio Society, 2001). Full blocked cloth. Black slipcase. Philip Ziegler, The Black Death (London, Folio Society, 1997). Full blocked cloth. Black slipcase. 4 volumes.
Iris Murdoch, The Nice and the Good (Chatto & Windus, 1968). Brown boards. First edition, first printing. Very good dust wrapper. Signed by Murdoch at the start of her illness on the title page. Iris Murdoch, The Book of the Brotherhood (Chatto & Windus, 1987). First edition, first printing in fine dust wrapper. Iris Murdoch, Les Eaux Péché . A rare French edition of her novel The Bell (Plon, 1958). Signed and dedicated on the ffep by Iris Murdoch at the start of her illness.
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123896 item(s)/page