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Lot 670
A 18th century and later wall clock, the painted 28cm break arch dial embellished with painted architectural columns, enclosing a twin chain driven movement within a later constructed back box, striking on a 10cm external saucer bell, with two weights and pendulum, dial 39cm high, extensive historic worm (at fault)
Lot 671
A 19th century mahogany eight day longcase clock by 'Hummel, Derby', the 33cm painted break arch dial with subsidiary second dial and date aperture, signed with the makers name and enclosing a two train movement striking on a saucer bell, the swan neck pediment hood with freestanding wrythen pilasters above the case with conforming pilasters flanking a shaped door, 228cm high, two weights and a pendulum
Lot 672
A George III oak and mahogany cross banded thirty hour longcase clock by 'Thomas Hargraves, Settle', the 28cm brass dial applied with Roman and Arabic numerals, centred with a date aperture and faux winding holes, signed with the makers name, enclosing the chain driven movement striking on a saucer bell, the hood with freestanding tapering pilasters upon a case with conforming quarter pilasters flanking an arched door, 212cm high, one weight and a pendulum
Lot 674
A 17th century style brass lantern clock, late 19th century, signed 'Jeffrey Bailey at ye Turn Style in Holburn', the 13cm saucer bell on strap work supports over the 16cm dial applied with Roman numerals, enclosing the single train movement, stamped 'Peerless', raised upon bulbous supports, 41cm high
Lot 684
A George III oak and mahogany cross banded eight day longcase clock, signed 'R Bagnall at Talk', the 30cm brass dial with subsidiary second dial and date aperture, signed to the bezel, 200cm high, two weights and pendulum (at fault)Condition reportEvidence of damp throughout the case, top of hood loose, case trunk and bottom board are probably associated, movement board later, movement lacking bell and possibly incomplete
Lot 704
A mid 18th century oak cased thirty hour single hand longcase clock, signed 'Lewis Tapp, Olney', the 28cm square brass dial with makers name to the bezel, within an oak case, the door centred with an inlaid star, 204cm high, one weight and pendulum (at fault)Condition reportEvidence of damp throughout the case, replaced movement board, bars applied to the inside of the back board, minor scratches to LHS front of case, hood has been re glued and is lacking a pilaster.Movement is lacking a bell and has signs of repairs, also three drill holes to the dial bezel. Overall the clock appears to have undergone some level of repairs and restoration
Lot 171
A Second World War Air Raid Precautions (A.R.P) "Fiddlan" handbell, inscribed with impressed marks JB39, 26cm high; together with a further British military issue wall-mounted brass bell, impressed 'A.S 1942' alongside the war department arrow, 22cm high and a further brass bell inscribed 'Sans Pariel', (3)
Lot 353
A fine 19th Century Regency style giltwood Wall Mirror or Overmantel, the arched and leaf moulded pediment above a central roundel with classical figure issuing leafy scrolls, above a large mirror plate and border mirrors applied with oval form ribbon tied bell flowers, 96'' x 69'' (244cms x 175cms). (1)
Lot 17
MID 18TH CENTURY OAK LONGCASE CLOCK by Thomas Ranger of Chipstead - unusual 10in brass square dial with pierced spandrels, the chapter ring set with Roman numerals, single hand birdcage bell strike movement, chord weights included, single glazed door square hood with brass capped turned pillars over a long single trunk door and stepped base, 181cms H, 45cms W
Lot 4
EARLY 19TH CENTURY OAK LONGCASE CLOCK by W Scott, Lauder, arched top painted dial set with Roman numerals and subsidiary seconds dial with date aperture before a twin weight pendulum driven bell strike movement, pendulum and weights included, the single glazed door hood with broken swan neck pediment and brass finial with capped reeded pillars above a long shaped trunk door and stepped base, 207cms overall H, 50cms W
Lot 220
A white gold diamond and cultured pearl pendant and earrings suite,the pendant with brilliant cut, marquise cut and pear cut diamonds, in a fan shaped cluster, with detachable cultured pearl drop. The cultured pearl, approximately 10.70 x 10.20mm in size, with bell cap, grain set with brilliant cut diamonds, suspended from a filed trace link chain with bolt ring clasp. A total estimated diamond weight of approximately 0.97ct. The matching earrings with a matching diamond cluster spray top, with detachable cultured pearl drops, with diamond set bell caps, to post and butterfly fittings. A total estimated diamond weight of approximately 1.78ct. Marked 750, tested as approximately 18ct gold. Pendant 30mm long, 5.21g, earrings 27mm long, 7.59g (3) Condition report: Minor surface marks to the mounts under 10x magnification.Clasp in working order.Butterflies secure.
Lot 293
A Collection of Early/Mid 20th Century Published Story Books to Include 1964 (Ninth Impression) of Peter Pan by J. M. Barrie, Published by Hodder & Stoughton (Complete with Dust Jacket), 1955 Edition The Story of Peter Pan Illustrated by Alice B Woodward, Published G. Bell & Sons, 1941 (Sixty-fifth) Edition of The Wind in the Willows by Kenneth Grahame Published by Methuen, 1928 Phoenix Library First Issuing of First Plays by A.A. Milne, 1943 Edition of Kim by Rudyard Kipling Published by Macmillan and Co. and Rudyard Kipling's Verse Inclusive Edition 1885-1918
Lot 209
7" Singles, approximately four hundred 7" singles of various genres but mainly from the 1970s and 1980s with a large number of Soul and Disco with artists including Detroit Spinners, Real Thing, Trammps, MFSB, Lou Rawls, O'Jays, Harold Melvin & The Blue Notes, Tavares, Billy Paul, Main Ingredient, David Sylvian, Eagles, T Rex, Inner Circle, Simple Minds, Archie Bell & The Drells, Doobie Brothers, Shalamar and many more - various years and conditions
Lot 516
AN 18th century BRACKET CLOCK , the 8” brass & silvered dial signed “Henry Hurt, London” on a shaped tablet; “Strike/Silent” dial to the arch, with pendulum indicator & date aperture, roman hours & arabic five-minute divisions, eight-day movement with pull-repeat, striking on a bell & chiming on six bells, the sides with pierced brass grilles, in ebonised case with brass finials, carrying handle, & bracket feet; 19¼” high. (w.a.f.).
Lot 151
A CHINESE INSCRIBED PEWTER-ENCASED YIXING HEXAGONAL-SECTION TEAPOT AND COVER, SANXIANGHU QING DYNASTY The bell-shaped body decorated to one side with a bird perching on leafy branches, incised with calligraphy to the reverse, the loop handle and tapering spout set with jade, the cover surmounted by a jade knop, with a seal mark reading Fan Luceng zhi, 15cm. (2) Provenance: from the collection of Christopher Blair-Myers Esq.清 紫砂包錫三鑲壺《范祿曾製》款。來源：Christopher Blair-Myers先生收藏。
Lot 269
French Empire gilt bronze figural mantel clock by Leroy, Paris, C.1810 the silk thread count wheel movement striking bell in a bronze and gilt case surmounted by two figures, the silvered dial raised on a naturalistic rockface, overall H: 49 cm. This lot does not fall into our P&P groups, and as such would incur a charge of £35+VAT for in-house postage on THIS LOT ONLY.
Lot 253
Ca. 100-300 AD. Roman. A translucent blue-green unguentarium with a classic bell-shaped body, tall slender neck, and torus lip. The body displays an attractive metallic iridescence. Excellent condition. At the height of its popularity and usefulness in Rome, glass was present in nearly every aspect of daily life - from a lady's morning toilette to a merchant's afternoon business dealings to the evening 'cena' (dinner). Glass was often the preferred material for storing toilette oils, perfumes, and medicines in antiquity because it was not porous. The small body and mouth allowed the user carefully to pour and control the amount of liquid dispensed. By the 1st century AD, the technique of glass-blowing had revolutionised the art of glass-making, allowing for the production of small medicine, incense, and perfume containers in new forms. These small glass vessels are found frequently at Hellenistic and Roman sites, and the liquids which filled them (perfumes, oils, medicines) would have been gathered from all corners of the expansive Roman Empire. To find out more about glass objects in the Roman world, Bayley, J., Freestone, I., & Jackson, C. (2015). Glass of the Roman World. Oxford And Philadelphia: Oxbow Books. Size: L:135mm / W:70mm ; 127g. Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1970s.
Lot 259
Ca. 100-300 AD. Roman. A pale green glass flask with a flat base, a bell-shaped, tapering body, and a funnel neck decorated with horizontal lines; attractive iridescent surface. Excellent condition. While glass-making had been practised for centuries, the Romans invented the glassblowing technique in the 1st century BC, which revolutionized this craft. Roman glassmakers reached incredible artistic heights with both free-blown vessels and mould blown forms and decorations. To find out more about glass objects in the Roman world, Bayley, J., Freestone, I., & Jackson, C. (2015). Glass of the Roman World. Oxford And Philadelphia: Oxbow Books. Size: L:155mm / W:60mm ; 42g. Provenance: From the private collection of an Oxford gentleman; previously in an old British collection, formed in the 1980s on the UK / International art markets.
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123939 item(s)/page