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Art Deco variegated marble three piece clock garniture, the clock of rectangular form surmounted with a bronze reclining female figure clutching a dove, signed Belleste. French movement striking on a bell with silvered diamond shaped dial and Art Deco-style Arabic numerals. The marble garniture as a pair of Art Deco-style columns with flat dished tops, clock 39cm overall width
Nineteenth century gilt and silvered brass mounted mantel clock with blue porcelain panels painted with Classical scenes and cherubs. The case with rococo foliate decoration incorporating female Bacchanalian figures surmounted by a Classical urn. French movement striking on a bell, 31cm overall height
A Gilt Brass Striking and Repeating Alarm Carriage Clock, signed Chas Frodsham, Clock Maker to the Queen, 84 Strand, London, circa 1890, the case with bevelled sides, repeat button to the top (handle missing), white enamel dial with Roman numerals, alarm subsidiary dial, twin barrel movement with silvered platform lever escapement, striking on a bell, 13cm high
A `Boulle` Striking Mantel Clock, retailed by F.Villemsens A Paris, circa 1890, the case with applied gilt metal scroll mounts and surmounted with a cockerel, tortoiseshell veneer and brass inlay, white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped by the retailer, 33cm high
An Ormolu Striking Mantel Clock, signed Hilgers, A Paris, circa 1790, the case with musical trophies and flowerhead decoration, white enamel dial with Roman and Arabic numerals and signed Hilgers a Paris, twin barrel movement with outside countwheel striking on a bell, later converted to spring suspension, 43cm high
A French Regence Striking "Boulle" Bracket Clock, signed Roquelon A Paris, the highly elaborate case surmounted with a figure of father of time, waisted case with scroll gilt mounts and glazed side viewing windows, the glazed door decorated with winged cherubs and raised upon scroll worked feet, 9-1/2-inch cast dial with twelve Roman enamel cartouches and a central enamelled plaque signed Roquelon a Paris, twin barrel movement with square shaped plates, anchor escapement, numbered outside countwheel striking on a top mounted bell for the half hour strike and for the hours, movement lower backplate with matching signature, later pendulum with sun burst bob, 87cm high, together with matching "boulle" gilt mounted wall bracket, 33cm high
An Ormolu Striking Mantel Clock, signed A.B.Savory & Sons, 11 & 12 Cornhill, 20533, circa 1880, the case with two winged cherubs and surmounted by two birds, floral and scroll work base, 4-inch enamel dial with Roman numerals, twin barrel movement striking on a bell, movement backplate stamped with maker`s mark and numbered `20533`, 31cm high
A French Ormolu and Bronze Mantel Clock, circa 1830, the case surmounted with a cherub painting at an easel, bronze tree trunk with opening door to the back, circular base upon claw feet, 4-inch silvered dial with Roman numerals, twin barrel movement with silk suspension, outside countwheel striking on a bell, movement backplate stamped `Arera` and numbered `292`, 43cm high
A French Gilt Brass Striking Mantel Clock, circa 1880, the elaborate case surmounted with a winged cherub and scroll work throughout, pierced side panels, 4-1/2-inch black slate Roman chapter ring with a central visible Brocot escapement (one pallet missing), twin barrel movement with outside countwheel (bell missing and hammer lacking), 47cm high
A `Boulle` Striking Table Clock, 19th Century, the elaborate case surmounted by a winged figure, gilt metal mounts throughout of figures to the corners and winged griffins around the base, (finial missing to the hood), cast dial with twelve Roman numeral cartouches and inscribed below on a oval plaque `Prevost, Paris`, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped `EB` and numbered `10914`, 88cm high
A French `Exhibition` Alarm Timepiece, retailed by Robin A Paris, the single barrel movement with silk suspension, hammer striking on a below bell for the alarm, white enamel dial with Roman numerals, upon an ebonised base with pull cord to the side to windup alarm work, beneath glass dome, 24cm high
An Ormolu Striking Mantel Clock, signed Aubert Klaftenberger A Geneve, circa 1850, the case surmounted with two figures in costume, rectangular base with scroll mounts, 3-inch silvered dial with Roman numerals and signed, twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate signed and stamped `Vincenti`, 46cm high
A `Boulle` Striking Bracket Clock, the gilt metal mounted elaborate case surmounted with a figure, glazed front and side panels, scroll and floral brass inlay and raised upon scroll feet, cast dial with twelve Roman enamel cartouches, twin barrel movement with outside countwheel striking on a top mounted bell, movement backplate signed `Leblanc Boulogne`, (dial associated to movement and to the case), 66cm high
A Brass Miniature Striking Lantern Clock Made For The Turkish Market, signed Robt Ward, London, circa 1790, 3-1/2-inch arched brass dial with silvered Turkish numeral chapter ring, matted dial centre, the arched with circular silvered disc signed, four posted movement with verge escapement and striking on a top mounted bell, engraved Turkish crescents to the side opening door panels, (both side frets are missing), bob pendulum, later adapted hoop and spurs, 20.5cm high, together with a small lead weight
A Mahogany Striking Wall Clock, circa 1860, the case with a circular top and side opening doors, trunk with pendulum viewing window and flanked by carved side `ears`, bottom opening door, 11-inch painted dial with Roman numerals and inscribed `Thos Rich, Worcester`, twin fusee movement with anchor escapement and striking on a bell, 72cm high
A Mahogany and Brass Inlaid Striking Wall Clock, Jn Turnbull, Stokesley, circa 1860, an octagonal shaped case with brass inlaid front, side and bottom opening doors, trunk with glazed pendulum window and flanked with carved side `ears`, 12-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, 59cm high
A Rosewood and Brass Inlaid Striking Bracket Clock, Wm Holmes, Strand, London, circa 1820, the drum shaped case with a single pineapple finial, brass inlaid front with pull repeat cord to the side, the base with a glazed pendulum window and raised upon brass ball feet, 7-inch painted dial with Roman numerals, circular twin fusee movement with anchor escapement and striking on a bell, movement backplate border with engraved floral decoration, 54cm high
A Scottish Mahogany Eight Day Longcase Clock, signed Cowan, Glasgow, circa 1820, the case with swan neck pediment, inlaid stringing and fluted columns, nicely figured trunk door, rectangular plinth raised upon later bracket feet, 14-inch one piece silvered dial with Roman numerals, dial centre with date and seconds, arch signed, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 224cm high
A Mahogany Eight Day Longcase Clock, signed J.Wignall, Ormskirk, circa 1830, the case with swan neck pediment, turned columns, nicely figured arched trunk door with fluted pilasters, rectangular canted plinth raised upon bracket feet, 14-inch square painted dial with Roman numerals, corners painted with fruit, dial centre with subsidiary seconds, date dial and signed, four pillar movement with anchor escapement and rack striking on a bell, 224cm high
An Oak and Mahogany Eight Day Longcase Clock, the flat top pediment with fluted columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular base with raised panel and upon bracket feet, 13-inch square brass dial with silvered chapter ring, signed `A Coften, Kirkham`, dial centre with date aperture, four pillar movement with anchor escapement and rack striking on a bell, 211cm high (dial and movement associated to the case)
A Walnut Eight Day Longcase Clock, the flat top case with brass capped columns, arched trunk door, rectangular plinth with bracket feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with subsidiary seconds and date aperture, arch with silvered plaque signed, `Thos Napier, Glasgow`, four pillar movement with anchor escapement and rack striking on a bell (dial and movement associated to the case), 212 cm high
An Oak Eight Day Longcase Clock, signed Winder, Kirby Lonsdale, circa 1820, swan neck pediment, turned columns, arched trunk door flanked with fluted pilasters, rectangular plinth with canted corners, (bracket feet missing), 14-inch painted arched dial with Roman numerals, dial centre with subsidiary seconds and date, with signed, rolling moon in the arch, four pillar movement with rack striking on a bell, 226cm high
A Rare Oak Eight Day Longcase Clock, the case with flat top pediment, glazed side windows, moulded trunk door with glazed lenticle, plain rectangular plinth upon a moulded skirting, 12-inch square brass dial with silvered chapter ring signed `John Green de Skipton`, matted dial centre with ringed winding holes, date aperture and subsidiary seconds, crown and cherub spandrels, four pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations and possibly associated to the dial and movement circa 1720), 213cm high John Green is recorded working in Skipton around 1696. He died in 1742. His work rarely comes on the market and there is thought to be only three longcase clocks known to exist by him. See Loomes (Brian) Clockmakers of Northern England, pg.43.
A Japanned Eight Day Longcase Clock, the case with a pagoda hood, turned columns and brass capped capitals, oriental gilt painted scenes throughout the case, arched moulded trunk door, rectangular plinth with a stepped skirting, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture and subsidiary seconds, the arch with silvered disc inscribed `William Winrowe, London`, five pillar movement with anchor escapement and racking striking on a bell, (dial and movement associated to the case), 247cm high
An Oak Eight Day Longcase Clock, signed Jno Lees Middleton, circa 1780, case with swan neck pediment, turned columns, wavy shaped trunk door flanked by inset pilasters, rectangular plinth with canted corners, upon bracket feet, the unusual painted 13-inch brass dial with Roman and Arabic chapter ring signed, dial centre painted with a landscape scene, arched date aperture and rolling moonphase, painted scene in the corners, four pillar movement with anchor escapement, inside countwheel striking on a bell, 229cm high
A Mahogany Eight Day Longcase Clock, the case with a swan neck pediment, fluted columns, inlaid trunk door flanked by fluted and carved capital pilasters, rectangular canted plinth upon bracket feet, 15-inch painted dial with Arabic numerals, date aperture and inscribed `W.Dawes, Whitehaven`, subsidiary seconds, the arch with rolling moonphase, four pillar movement with anchor escapement and striking on a bell, (dial associated to the movement and both are associated to the case), 246cm high
An Oak Thirty Hour Longcase Clock, signed Thos Lister, Halifax, circa 1780, the caddied hood with brass finials, turned columns, arched trunk door flanked by plain inset pilasters, plinth with raised panel and upon a later skirting, 12-inch square brass dial with a Roman and Arabic chapter ring, dial centre with floral engraving, date aperture, `Halifax` moonphase and signed, brass hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 223cm high
A Rare Brown Oak Eight Day Longcase Clock, signed Simcock, Prescot, circa 1780, the case with broken arched pediment and good figuration, turned columns, wavy shaped crossbanded trunk door flanked by inset pilasters, rectangular plinth with a raised quatre form panel and canted corners, later bracket feet, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring signed, inner date ring with a corresponding central date hand, dial centre with subsidiary seconds and applied silvered floral and scrollwork with old sayings "On Times, Date:depends, Uncertain, Eternity", the arch with rolling moonphase, four pillar movement with deadbeat escapement and rack striking on a bell, 220cm high
A Mahogany Eight Day Longcase Clock, signed Major Scholfield, Manchester, circa 1780, the case with Swan neck pediment and pierced fret to the front, fluted columns, trunk with good figuration, rectangular plinth with canted corners and bracket feet, 14-inch arched brass dial with silvered Roman and Arabic chapter ring, inner date ring with central corresponding date hand, nicely engraved dial centre with bird and floral decoration, centre seconds hand, arch with rolling moonphase and signed above, four pillar movement with anchor escapement and inside countwheel striking on a bell, 244cm high
A Fine Shereton Revival Chiming Longcase Clock, signed S.Smith & Son, 9 Strand, London, circa 1900, the finely made case with a gadrooned caddied hood and acanthus leaf carved borders, satinwood inlaid swags to the front, pierced side sound frets, marquetry floral inlaid trunk door with moulded borders, rectangular plinth with an inlaid centre panel depicting floral fruit bowl and flanked by turned urn finials, 14-1/2-inch silvered dial with Roman and Arabic chapter, dial centre with subsidiary seconds and engraved with swag and scrollwork, signed `S.Smith & Son, 9 Strand, London`, sun burst decorated corners, the massive triple weight driven movement with deadbeat escapement, eight hammers quarter striking onto eight tubular bells and a further hammer striking a further tubular bell for the hours, 270cm high
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123896 item(s)/page