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Lot 237
A VICTORIAN OLD SHEFFIELD CHAMBERSTICK, the detachable drip-pan issuing from a bell shaped sconce on a dished base with loop handle and flat thumbpiece, with stamped and filled foliate borders, and plain conical extinguisher, 6 1/4" diameter, together with an electroplate neo-classic style pedestal hot water jug engraved with a vacant wreath cartouche, 12" wide (2)
Lot 731
AN OAK LONGCASE CLOCK signed Jonas Barber, the eight day movement with anchor escapement striking on a bell, the 12" dial with silvered centre chased with foliage, Roman and Arabic numerals, the case with arched moulded hood with aperture showing Time sickle on turned columns, arched door, panel base and bracket feet, 88 3/4" high
Lot 736
A VICTORIAN EBONISED AND GILT METAL MOUNTED TABLE CLOCK, the triple fusee chain movement with anchor escapement and quarter chiming on ten bells and striking on five gongs, 7 1/2" arched brass dial with Roman numerals, signed M Rhodes, Bradford, the arch with subsidiary dials for slow/fast, and Westminster chimes, the case with flame finials on inverted bell top, loop carrying handles over pierced sunburst soundfrets, canted angles with caryatids, moulded base and scrolled bracket feet, 18" x 13 1/2" x 28 3/4" (Illustrated)
Lot 362
VICTORIAN MOULDED POTTERY BARGE WARE TEAPOT, typical form with teapot to the domed cover, painted in colours with roses, birds and fruit, on a mottled brown ground and applied with two crescent shaped plaques, inscribed `John Pardoe, Ada Bell` and `Mr and Mrs Pardoe, 9th June, 1878`, 12" (30.5cm) high
Lot 491
STUART CUT GLASS SQUARE SPIRIT DECANTER AND STOPPER, together with ANTHER SIMILAR SHIPS DECANTER AND STOPPER, probably Waterford pedestal DECANTER lacks stopper), SET OF SIX BRIERLEY BRANDY GLASSES, SET OF FIVE CHAMPAGNE FLUTES, boxed pair of Doulton stemmed glasses and a boxed German table bell (18)
Lot 1083
A late 19th Century Mahogany Cased Bracket Clock, Cousens & Whiteside, 20 Davies Street, Berkeley Square, the arched case on plain plinth base and raised on rosette feet to a cast brass bezel with bevelled and convex glass enclosing an 8” repainted Roman dial with outside minute track and blued steel moon hands, to a five pillar twin fusee movement with anchor escapement, strike on a bell, height 17 ¼”
Lot 1180
An early 19th Century Oak Cased 30-hour Longcase Clock, name erased, the hood with overhanging cornice, to a circular aperture and moulded throat with long shaped trunk door and plinth base, to a 14” first period circular dial, with Roman and Arabic chapter ring, the floral detailed centre with date sector and pierced steel hands, to a movement with plates united by four knopped pillars, with back mounted count wheel, anchor escapement, strike on a bell, height 81”
Lot 1933
A William IV inlaid mahogany longcase clock with a 35cm white dial, signed J N O Tootle, Eccles with subsidiary date aperture, lunar calendar, the two train eight day movement with anchor escapement rack striking on a bell, the case with a cavetto cornice and plain frieze, inlaid fluted columns, trunk with a lancet shaped door raised upon a plinth base, lacking feet with two weights and a pendulum, height 206cm (illustrated)
Lot 1934
A Victorian mahogany longcase clock with a 35cm white dial with subsidiary seconds and date dials, one lacking pointer, with painted spandrels and a painted arch, decorated with birds, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting above turned columns, raised upon a plinth base and shaped bracket feet, height 234cm (illustrated)
Lot 1935
A Victorian oak longcase clock with a 31cm arched dial, signed, 'Humphreys Barnard Castle', with subsidiary seconds, painted spandrels and the arch painted with figures by a Classical ruin, the single train thirty hour movement with outside count wheel striking on a bell, the case with a swan neck crest, above brass capped columns, panelled door, raised upon a panel plinth base, height 225cm (illustrated)
Lot 1937
A mid Victorian mahogany and cross banded long case clock with a 14in arch brass dial with cast cherub spandrels and roundel in the arch, engraved 'Tempest Fugit' the two train eight day movement with anchor escapement lacking saucer bell, the case with a swan neck cresting above turned columns cross banded door raised on a panelled plinth base lacking feet, with two weights, pendulum and winding key, 234cm (illustrated)
Lot 45
A Royal Doulton stoneware vase, late 19th century, of classical form, the flaring neck decorated with bell flowers and the body adorned with cartouches containing stylised masks, bearing impressed Royal Doulton stamp to verso, 16.5cm high; with a Doulton Lambeth Faience vase, c.1876, of compressed spherical form, decorated with naturalistic foliage over yellow ground, bearing impressed Doulton mark, date `1876` and signature to verso, 12.5cm high; a green majolica jug, of classical form and textured decoration, 19cm high, (3).
Lot 175
A Sevres Neoclassical cabinet cup and saucer, 19th century, of classical form and gilt blue decoration, the gilt handle with Roman mask to top, raised upon circular foot, overall decorated with continuous scrolling bell flower border over blue ground, the saucer of conforming decoration, bearing blue Sevres marks to verso, 10.5cm high, (2), (a/f).
Lot 415
Bryan's Dictionary of Painters and Engravers, new edition revised and enlarged under the supervision of George C Williamson, five volumes, published by G Bell & Son London 1920/21, The Royal Academy of Arts, Exhibitors 1769-1904, by Algernon Graves, in four volumes, republished by S R Publishers Ltd 1970, Hardie (Martin), Watercolour Painting in Britain in the 18th Century, three volumes, published by B T Batsford Ltd London 1969, The Development of British Landscape Paintings in Watercolours, edited by Charles Hulme, published by The Studio Ltd London 1918, Royal Academy of Pictures, being the Royal Academy Suppliment of the Magazine of Art 1894, five volumes of The Artist dated 1897 and 1898 (19)
Lot 416
Bryan (Michael) - Dictionary of Painters and Engravers, bibiographical and critical, in two volumes, published by George Bell & Sons London 1886, bound in half brown calf with green boards and gilt lettering and decoration, Sparrow (Walter Shaw) - Angling in British Art with a forward by H T Sheringham, with two hundred illustrations including thirty nine in colour, published by John Lane Bodely Head Ltd 1923, bound in blue cloth with gilt lettering, also further books on artists to include William Callow, George Morland, Frederick Walker, further books to include The Earlier English Watercolour and Painters by Cosmo Monkhouse, German, Flemish and Dutch schools of paintings in two volumes by Crowe, Rivers and Streams of England by Sutton Palmer, London to the Nore, painted and described by W L & Mrs Wyllie, In the Open Country The Works of Lucy E Kemp-Welch (12)
Lot 11
A Victorian walnut cased three train mantel clock with a 15cm brass dial, Arabic numerals, cast leafy spandrels with a three train German movement striking on four gongs, the case with a leaf carved bell top case above reeded columns, leafy frieze raised on plinth base and tapering feet, 46cm high
Lot 12
A 19th century French mantel clock with a 12cm white enamelled dial signed Simmons Paris and Manchester, the two train spring movement striking on a saucer bell with outside count wheel signed HY Marc Paris no 30532, the case surmounted with an equestrian figure, white marble foliate decorated case with scroll feet, 41cm, raised on an ebonised plinth base, overall 46cm (illustrated)
Lot 14
A 19th century French gilt spelter mantel clock with an 8cm porcelain dial, the centre decorated with blooms, signed Edwin Sell Paris, the two train eight day movement with an outside count wheel lacking saucer bell, the case surmounted with a maiden above an oval porcelain panel decorated with a portrait of a lady flanked by foliate porcelain panels, raised upon a shaped plinth toupie feet, 39cm (illustrated)
Lot 16
A 19th century Ormolu white marble mantel clock with a 10cm white enamelled dial, the two train movement by Carlhian and Corbiere Paris no 262 with roundel stamped Japy Freres 1888 France, striking on a saucer bell, the case surmounted with a classical maiden seated reading raised upon a bow end fluted shaped plinth, 45cm (illustrated)
Lot 132
*Two Fulham Pottery stoneware Bowls, by Quentin Bell (1910-1996), late 1950s, each incised with a gobi fish the other a flat fish in black and white within blue dotted and gilt border, both incised Fulham Pottery, Quentin Bell, 25cm (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: No obvious major faults.
Lot 311
*R Bell, 'CLARE COLLEGE GATE'; 'CLARE COLLEGE BRIDGE, CAMBRIDGE' Lithographs, inscribed and dated 1960/66 in pencil 49 x 39cm and 43.5 x 33cm; and another, *Bernard Rice (1900-1998), 'PODGORICA' Engraving signed in pencil and numbered 15/50 36.5 x 41.5cm (3) *Artist's Resale Right may apply to this lot.
Lot 135
A French bell clock, mid 19th century, profusely decorated in bands with quatrefoil reserves showing musicians in low relief, bi metal copper and brass, the bands engraved in Latin 'The Lord be with you and thy spirit', Pater Hoster, all on four feet, the dial with individual ceramic Roman numerals, 24 by 24 by 32cm.
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123896 item(s)/page