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Click here to subscribeLate Victorian silver plated ice bucket in the form of a barrel, by G. R. Collis & Co.Condition report: Height 17.5cm (to top of handle)Engraved crest to one side "The Bell", possibly the name of a pub (see additional image).Orignal liner present inside. Some overall surface scratching and wear to the silver plate. Some signs of tarnishing, mainly along the bottom rim, commensurate with age and use. (see additional image)
England v West Indies full squads signed full size bat commemorating the 2004 Npower test series between these two great cricketing nations, tests were at Lords, Edgbaston, Old Trafford and The Oval,England autographs Andrew Strauss, Rob Key, Michael Vaughan (c), Graham Thorpe, Andrew Flintoff, Geraint Jones, Ashley Giles, Matthew Hoggard, Ian Bell, Simon Jones and Steve Harmison. West Indies autographs Chris Gayle, Devon Smith, Brian Lara, Ramnarwesh Sarwan, Shivnarine Chanderpaul, Dwayne Bravo, Ridley Jacobs, Omari Banks, Tino Best, Pedro Collins, Fidel Edwards, Sylvester Joseph, Ian Bradshaw, Jermaine Lawson, Carlton Baugh and Dwayne Smith England would go onto complete a 4-0 rout in this series.Provenance: originally the property of Warwickshire & England cricketer Dermot Reeve (accompanying letter included stating so).
A George III chinoiserie silver coffee pot, of ogee form, chased to either side with figures of a woman and child with a parasol or a youth and palm tree beside a smaller figure with a 'bell toy', the spout cast with rocaille and festoons, the conforming lid with seated figure knop, crested, 31.5cm h, by Thomas Whipham and Charles Wright, London 1767, 36ozs 2dwts Light wear with polish residue, not dented, crest contemporary, no play in hinge, marks well spaced and struck on base, lion passant to lid, finial intact and not demountable
A French ormolu mounted Boulle clock, 19th c, with enamelled chapter plaques, the bell striking movement with outside countwheel, the case inlaid with cut brass scrollwork on a ground of green-stained horn, pendulum, 43cm h Piping child finial possibly associated, overhauled and clean. In apparently going order; in the same good restored condition as when purchased by the late vendor from the trade at the NEC in 1997
A French gilt brass mounted vernis Martin style clock, 19th c, the enamelled dial inscribed for a Brussels retailer, the bell striking movement with outside countwheel and stamped on the backplate BARRARD ET VIGNON HOROGERIE RUE COMMINES PARIS, the case decorated with loose bouquets and scattered flowers on a pea green ground, pendulum, 35cm h Movement complete, in apparently working order, case and mounts cleaned, some cosmetic restorations and in semi-matt lacquer. In the same good restored condition as when purchased by the late vendor from the trade at the NEC in 1996
A French gilt brass mounted Boulle clock and stand, 19th c, the dial with enamel chapter plaques, the bell striking movement with outside countwheel stamped S MARTI & CIE and also H & F PARIS, in Louis XIV style arched case with mask cresting and apron, swept pediment and finial, on four feet and serpentine plinth, pendulum, 44cm h In the same good restored condition as when purchased by the late owner from the trade at the NEC in 2000
A French ormolu mounted Boulle mantel clock, 19th c, the cast dial with enamel plaques and brass door set in pillar shaped case, inlaid to all four sides with cut brass scrollwork on a ground of red stained horn, on four angled cisele gilt paw feet, the movement with square plates, bell and gong, pendulum, key, 42.5cm h Good overall condition with no significant damage, the door to the back slightly warped
Airfix 1:72 scale model kits, comprising 01046 (series 1) Fiat G50-bis, boxed; 01081 (series 1) Spad S.VII 1917, boxed; 01748 (series 1) U.S.A. A.F. Personnel, boxed; 02019 Arado Ar 196A-3, boxed; 02050 (series 2) Brewster Buffalo F2A-2, boxed; 02064 (series 2) Westland Whirlwind Mk I, boxed; 02071 (series 2) Swordfish, boxed; 02080 BAC Lightning F3, boxed; 03033 Grumman TBM-3 Avenger, boxed; 03302 (series 3) R.A.F. Refuelling set, boxed; 04001-5 (series 4) Wellington B.III, boxed; 04006 (series 4) Northrop P-61 Black Widow, boxed; 04046 (series 4) Bell AH-1T Sea Cobra, boxed; 05006-3 (series 5) B-24J Liberator, boxed; 05007 (series 5) Catalina PBY-5A, boxed and 06003 (series 6) Sikorsky HH-53C Super Jolly Green Giant, boxed (16)
Aubert & Klaftenberger, Geneva. A late 19th century hour repeating carriage alarum clock,with gorge case and enamelled dial, movement striking upon a bell,width 9cm depth 8cm height 14cmOverall looks to have been well polished over the years but case essentially in good order, top plate looks to be a replacement, dial with some dirt marking but otherwise good, hands look original, movement complete and going but not tested for timekeeping, signed on the backplate, silence / sonnerie selector to the underside.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 9cm depth 8cm height 14cm
W. Poulton of Lancaster. A mid 19th century brass 'Cathedral' skeleton clock,with signed Roman dial and twin fusee movement striking upon a bell, veined white marble plinth and glass dome,width 35cm depth 18cm height overall 53cmOverall looks to be in good clean condition with no faults noted, comes with what looks to be the original brass adjustable pendulum and a later winding key, glass dome may be associated, very minor chipping around the edges of the marble plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 35cm depth 18cm height overall 53cm
William Storer of London. A Regency parcel ebonised mahogany hour repeating bracket clock,with gothic architectural case and painted Roman dial, twin fusee movement with anchor escapement striking on a bell,width 29cm depth 18cm height 62cmOverall in fair to good condition with good rich brown tone to the case, dial looks original with fine crazing and rubbing around the winding holes, bezel oxidised, the left side cluster column moulding shows less ebonisation than the right side, movement with engraved decoration to the backplate but not named, bell looks later, comes with original pendulum and associated cranked winding key, a few short cracks running around the back door.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 29cm depth 18cm height 62cm
John Harper of London. A William IV brass inset mahogany bracket clock,with Prince of Wales feathers crest and painted named circular dial, the case brass inset with stylised flowerheads and scrolls, unsigned twin fusee movement with anchor escapement,width 30cm depth 15.5cm height 51cmOverall in honest untouched condition, case has a mid reddish brown tone and is rather faded across the top with cracking running through the top veneers, front and side of a better richer colour, short cracks to the front near 8 and 5 o'clock, dial crazed in the paint with minor chipping retouching around the winding holes, working lock and key for the brass bezel, side panels have been relined in blue velvet, back rather faded with loss of veneer at the top left and other small areas missing, back door lock looks original but no key, unsigned movement looks to be in good untouched condition, bell looks to be a replacement, pendulum original, comes with a later winding key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 30cm depth 15.5cm height 51m
Robert Anning Bell, R.A. (1863-1933) The Amazon Guardoil on canvas61 x 35cmOil on canvas with canvas strengthened with paint from the back, remains tight but the paint now looks rather dirty, housed in an associated gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 61 x 35cmBell, R.A. (1863-1933), Robert Anning
§ § Vanessa Bell (1879-1961) Seated man in a Paris cafe c.1922pencil on paperBloomsbury Workshop label verso19 x 17cmGood untouched condition, paper is a floating mount showing very slight discolouration at the margins and a little undulation, plain card mount and slim wood frame with Bloomsbury label verso stating Provenance Richard Shoan to whom give by Duncan GrantPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 19 x 17cmBell (1879-1961), Vanessa
A large English porcelain pedestal vase, c.1810, possibly Coalport,each side painted with a study of flowers in a basket or a vase on a ledge, applied with a pair of swan neck-shaped handles with bell husk pendants, within gilt decorated borders, on a square pedestal base,42cm highFind crazing to the glaze all over, wear to the gilding on the Edges and other places. One of the swan neck handles is missing the tip of its beak. Some tiny patches of flaking to the enamel colours on the painted reserves. There are two hairline cracks to the underside of the base where the metal bolt fixing is located. Otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 42cm high
A LATE VICTORIAN BLACK SLATE AND MALACHITE INLAID MANTEL CLOCK OF ARCHITECTURAL FORM, the case with incised gilt foliate decoration, the white enamel dial with Roman numerals, brocot escapement, 8 day movement, bell strike, height 43cm x width of base 49.5cm, with pendulum and key (1 + pendulum & key) (Condition report: some yellowing to the centre of the dial, the clock has been running of its own accord but is overwound and isn't striking properly,the Brocot adjustment mechanism is missing)
FOUR BOXES AND LOOSE CERAMICS AND GLASSWARES, to include a twenty piece Poole Pottery twin tone part tea set in mottled grey and lime, twelve pieces of Spode Indian Tree tea wares, a Royal Albert Lavender Rose tea cup and saucer, an eighteen piece 1930s Shore & Coggins Bell China part tea set decorated with birds, an un-marked, hand painted, twenty three piece part tea set, a Honiton Pottery jug titled 'the dry sherry and the ice bucket', J & G Meakin and Johnson Bros teapots, a boxed set of four glass water bulbs for watering plants, six St Michael Harvest storage cannisters including Bisto, five painted and gilded glass sundae dishes and similar sherry glasses, glass vases, bowls and stemware, etc (sd) (4 BOXES + LOOSE)
SIX BOXES OF CUTLERY AND OTHER METAL WARES, to include a quantity of loose forks, knives (FOR SALE TO OVER 18s ONLY), spoons, tongs, peelers, ladles, scissors etc, some plated, cased sets of cutlery, a Picquot Ware tea and coffee set, plated bowls, trays and flatware, a brass bell, etc (sd) (6 BOXES)
A QUANTITY OF MASONS CHARTREUSE PATTERN TEA WARES ETC, comprising a graduated set of three jugs, a cake plate, a teapot, two cream jugs, a sugar bowl, two pin dishes, a bud vase, a match holder, a bell, an oval trinket dish, a square bowl, two vases tallest 20cm, and two covered jars, with two Masons mugs made for Crabtree and Evelyn in 1988 (Condition report generally good, would benefit from a clean, second quality, some crazing) (21)
A GROUP OF CERAMIC GIFTWARES AND ORNAMENTS ETC, to include a Lladro Lucky Owl figure no 8035, a Nao by Lladro group of ducks and seated girl with bird figurine, nine Lilliput Lane cottages: Two Pints Please, Little Scrumpy, Mother of Pearl, Sugar Mouse, Gold Top, Afternoon Tea, The Chocolate Box, Nutkin Cottage and The Toybox, Wedgwood Clementine and Royal Worcester vases, trinket dishes and bell, a Royal Crown Derby Derby Posies sugar bowl and cream jug, a Royal Doulton Brambly Hedge Spring beaker, bowl and jug, various plates including Minton and Poole, etc (Condition report: sd, most pieces in good condition) (Qty)
FOUR BOXES OF CERAMICS, GLASS AND PICTURES ETC, to include seven Booths kidney shaped dishes, Shelley Stocks 13522 pattern tea wares comprising three teacups (one cracked), five saucers, five side plates and one sandwich plate, Wedgwood ginger jar and trinket box with lid, hand painted coffee cups and saucers depicting Brickeen bridge (spelt Brickean), Masons Ironstons saucers depicting Waddesdon Manor, Bassetts Jelly Babies mugs, Silstone pottery cat and vase, assorted teawares, modern Chinese bowls, pictures include a pencil sketch of bell ringers in Leamington church by R Clements 1858, watercolour of Bambrough Gate, landscape prints etc
WILLIAM BURR OF HAMILTON, SCOTLAND, AN EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, decorated with various marquetry inlay, the square hood with fluted pillars flanking a glazed door enclosing a painted 11' arched dial, bell striking movement, the arch with a moonphase movement, Arabic and Roman numerals, seconds and date dials and signature, one slim box shaped trunk, two pendulums, winding key, trunk key and pendulum, height 220cm (condition:-dial paintwork partially faded, hour handle broken but not missing)
A SILVER CHRISTENING CUP, POSY VASE AND TWO VANITY JARS, the cup of a bell shape, fitted with a scroll handle, personal engraving to the front reads 'Maurice Burnett Powers, 11th January 1932', on a round base, hallmarked Birmingham 1930, 61.0 grams, 1.96ozt, a tapered stem posy vase on a round weighted base, hallmarked 'W I Broadway & Co' Birmingham 1972, approximate height 11cm, together with two glass and silver lidded vanity jars, each with a full silver hallmark for Birmingham 1909, and Chester 1906
A BOX OF ASSORTED SILVER AND WHITE METAL ITEMS, to include a pair of Art Deco silver pepperettes, each with a blue glass insert pierced decorative covers, rubbed sponsors mark, hallmarked Birmingham 1900, two glass and silver lidded vanity jars, each with a full silver hallmark for Birmingham, a glass salt with silver rim hallmarked Birmingham, a white metal floral embossed salt with blue glass liner unmarked, a white metal bell shape christening mug, personal engraving to the front, two white metal napkin rings, a selection of white metal jewellery such as filigree brooches, stick pins, a pair of Niello work cufflinks hallmarked silver London, non-pierced earrings etc, approximate gross weight of weighable silver 97.1 grams
GEORGE PAYNE OF LUDLOW, A GEORGE III OAK AND MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, the glazed door enclosing a square brass 8 1/2' dial with bell striking movement, spandrels, surrounding Roman and Arabic numerals, seconds dial, subsidiary date aperture and signature to base of dial, the trunk with an inlaid fan to the door, height 208cm (two weights, pendulum, two winding key and trunk key) (condition:-some veneer missing, replacement parts to pediment, loose beading below hood, replacement leaf to pendulum)
A LARGE BOX CONTAINING A MIXED SELECTION OF COINAGE. to include four-part coin albums of coins with amounts of silver coinage with a sheet containing USA coins seated liberty 1872-piece dollar 1935 bell half dollar others, India Hong Kong coins papal states i baiocco, a Chile 1851 un centavo substantial mis-strike on both sides, a quantity of fa cup and football coins in two folders etc
* KEITH BROCKIE (SCOTTISH b. 1955),HIGHLAND CATTLE, LUSKENTYRE BEACH, ISLE OF HARRISoil on canvas, signed and dated 2001image size 48cm x 73cm, overall size 57cm x 83cm Framed.Note: Keith Brockie was born in Haddington, East Lothian, Scotland, in December 1955. Educated at Bell Baxter High School, Cupar, Fife 1970-74. In 1978 he graduated from Duncan of Jordanstone College of Art, Dundee, and after a short period working as an illustrator with Dundee Museums and Art Galleries he became a freelance artist specialising in wildlife. Since then he has had 8 books published featuring his own work, Keith Brockie’s Wildlife Sketchbook, 1981; One Man’s Island, 1984; The Silvery Tay, 1988; Mountain Reflections, 1994; Cuaderno de Campo de la Naturaleza Espaniola, 1995 and Drawn from Nature, 1995; Return to One Man’s Island, 2012; Glen of the Lapwing, 2019. In addition he has part or wholly illustrated many more books including ‘Rural Portraits’, 2003, featuring the native farm animals of Scotland and the characters involved with them. A film ‘One Man’s Island’ featuring his work on the Isle of May was shown on the BBC 2 World About Us series in 1984. In the course of his work he has travelled widely in countries as disparate as Scandinavia, North Yemen, Tanzania, India and North America. Also he has participated in expeditions to Greenland in1982, 88, 91 and Svalbard 1993 as assistant leader with the British Schools Exploring Society teaching about the wildlife and field sketching. Working with groups of artists he has participated in environmental awareness projects (Artists for Nature Foundation) in Schiermonikoog, Netherlands, 1990 ; Biezbra Valley, Poland, 1992 ; Copper River Delta, Alaska, 1995 ; Briere Marshes, Loire, France, 2001; Hula Valley, Israel, in January, 2008 and the Society of Wildlife Artists Atlantic Oakwoods (Ardnamurchan) project in 2004. His original art is highly regarded, a recent review in The Scotsman of the Curious Eye exhibition at The Royal Scottish Academy by Duncan Macmillan, one of Scotland’s foremost art critics recognised the depth of observation and feeling which is transmitted by Keiths’ work: “His study of a hare watched through a telescope is as beautiful as the hare itself, but it is not just a borrowed beauty, something appropriated, that we admire in his work….(it) is a record of something seen, certainly, but also of otherness understood and wondered at, of empathy, of seeing informed by feeling…To record and transmit real feeling can’t be borrowed. It has to be your own, and if it is counterfeit we soon spot that deception”. Keith Brockie's paintings rarely appear at auction.
* DOUGLAS PHILLIPS (SCOTTISH 1926 - 2012),AT JOHNSHAVENoil on board, signed, further signed and titled label versoimage size 26cm x 29cm, overall size 42cm x 47cm Framed and under glass. Handwritten artist's label verso.Note: Douglas Phillips was born and brought up in Dundee. He studied at the former Dundee Art College in Bell Street before being called up to the army towards the end of the Second World War for service in India and Ceylon. On returning to Dundee he began work in the art department of DC Thomson where he illustrated for The Rover and The Victor, amongst others. After leaving D C Thomson’s went on to illustrate over 100 books but also continued to maintain a connection with the company, featuring in more than one thousand issues of The People’s Friend as the pen and brush of J Campbell Kerr. He also documented old Dundee with his lively pen and ink drawings and book collaborations with the late journalist, broadcaster and Courier columnist Ron Thompson. Latterly he followed in the footsteps of two artists he greatly admired, Joan Eardley and his good friend Lil Neilson, producing vibrant, expressive paintings of Catterline and the East Coast of Scotland which he loved so much. His work is held in public and private collections worldwide.
A VAL ST LAMBERT ETCHED GLASS HALL LANTERN Bell shape, with cover, suspended with metal collar and chains, signed "DE GRELLE VAL ST. LAMBERT / MADE IN BELGIUM / BEST CRYSTAL GLASS" 20cm diameter, 30cm high Condition: Some scratching to the glass, chipping to the cover where metal loop sits, metal features are beginning to rust, otherwise in good condition
A George III mahogany longcase clock, by J. Stewart, Glasgow, the 14 inch arched brass dial with maker's roundel and dolphin spandrels, above a roman and arabic silvered dial with subsidiaries seconds dial and date aperture, the twin train movement striking a bell, within a fret carved hood and waisted trunk, within spiral pilasters, on box base and bracket feet (221cm)
A George III mahogany longcase clock, the 13 inch indistinctly signed arched dial with moon phase, roman numerals, subsidiaries seconds dial and date aperture, within painted spandrels depicting, Peace, Plenty, Agriculture and Commerce, with twin train movement, striking a bell, within a swan neck hood above a shaped trunk door, crossbanded box base (214cm)
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