Various ArtistsPax Britannica: A Hellish PeaceThe complete portfolio, 2004, comprising 22 prints of various media, on various papers, each signed, from the edition of 100, published by Aquarium Gallery, London, in the original black portfolio box, overall 235 x 325mm (9 1/4 x 12 3/4in) (folio)Artists include Banksy, Steve Bell, James Boswell, Alexander de Cadenet, Sir Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattson, Antonio Pacitti, Jamie Reid, Martin Rowson, Ralph Steadman, STOT21stC and Gee Vaucher.This work is accompanied by a certificate of authenticity issued by Pest Control Office.This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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DIB COHRAN & THE EARWIGS - OH BABY 7" (BELL BLL 1121). Extremely seldom seen original UK 7" release of the one-off project featuring Marc Bolan, Tony Visconti, Rick Wakeman and John Cambridge. This is the version with credits 'Produced By Dib Cochran' on both sides. The record is in VG condition - there are surface markings and some scuff marks to both sides which never extend deeper and are as stated surface only. With 'Factory Sample Not For Sale' sticker on the A side. Matrix: BLL 1121 A-2/B-2. Complete with neat VG+ original company sleeve.
SOUL/FUNK/DISCO - 7" REISSUES & MODERN RELEASES. Fantastic collection of 39 x 7" and 1 x 7" box set bringing us essential reissues of big money cuts and also modern classics too. Artists/titles include Various - Funk 45's (WSM 10 x 7" box set 5046-72554-7 - all complete and in Ex+ condition), Dorothy Williams/Albert Washington - The Well's Gone Dry/I'm The Man (Kent 118 - VG+, also with Kent TOWN 119, 120 and 123), Soul Toronados - The Complete Recordings (essential 3 x 7" on Jazzman - Ex or Ex+ records/Ex+), Nathan Bartell - Top Goin' Down, Goin' Up, Lil' Lavair & The Fabulous Jades, Barbara Lynn (FRY 001), Nini Nardini (Jazzman JAM 024), Shirley Scott (SUP 012), Astrud Gilberto, The Highlighters Band (Jazzman JM 015), Wess & The Airedales, Massak, Fantasy, Latin Breed and Madeline Bell. Condition is generally VG+ to Ex+.
SOUL 45s. Plenty to get spinning with this collection of around 75 x 7". Expect choice cuts from the likes of Martha And The Vandellas, The Miracles, Jimmy Ruffin, Michael Jackson, Sam & Dave, The Miracles, Jimmy Ruffin, Stevie Wonder, Dusty Springfield, Gladys Knight & The Pips, The Temptations, Rufus Thomas, Marvin Gaye, Little Eva, Commodores, Bobby Goldsboro, Eddie Kendricks, Four Tops, Eddy Grant, Marv Johnson, Judy Clay & William Bell, R Dean Taylor , The Teddy Bears and The Elgins. Condition is generally G+ to VG+.
One lot of miscellaneous items to include a nest of Eastern hardwood occasional tables of rectangular form with simple carved detail, a camel stool with stitched pad seat, cabin trunk, reproduction cheval mirror, green painted tin trunk, wicker log basket, two divisional magazine rack, a Chinese carved hardwood framed table dinner gong with scrolling dragon and further detail complete with brass bell and striker
An Art Deco marble and onyx three-piece clock garniture,of Moorish design, the illuminated clock and ornaments mounted with a pair of turbaned spelter figures, the face above steps flanked with Arabic arches, the French drum movement striking on a bell,62.5cm wide19cm deep 33cm high,with a pair of domed ornaments,also with Arabic arches,27cm high (5)
Fine quality small figured walnut longcase clock after an original by Fromanteel, the matted and gilt brass dial with silvered chapter ring Roman and Arabic numerals and subsidiary seconds dial, signed Bedingfeld, Dorking, the four pillar movement with anchor escapement striking on a bell, circa 1790, the case of modern construction CONDITION REPORT Dial size - 25cmTrunk door length - 99cm x 21cmTrunk height to dial - 197cmTrunk width - 24cmTrunk bottom - 33cmTrunk top - 40cm
19th Century French black slate and ormolu drum form pillar clock, the enamel dial with Roman numerals inscribed Hry. Marc, Paris, with a two train movement striking on a bell CONDITION REPORT Has no pendulum, bell has been screwed into position too tight and needs some work to remove it. Some small chips to edge of slate plinth and two hairline cracks to the dial (see photos)
19th Century North country mahogany and crossbanded longcase clock, the arched hood with swan neck pediment above a triple arch door flanked by carved columns on a conforming plinth base, the painted dial with Roman and Arabic numerals, subsidiary seconds and calendar dials with moonphase to the arch, the two train movement striking on a bell
George III oak mahogany crossbanded and inlaid longcase clock, the hood with swan neck pediment above an arched door on a plinth base, the painted enamel dial with Arabic and Roman numerals, subsidiary seconds and date aperture, with a two train movement striking on a bell CONDITION REPORT There are no badges on the cues.Overall they are in fair condition, no signs of major damage or splits, some tips are missing and need replacing
19th Century French ormolu and patinated bronze figural mantel clock, the enamel dial with Roman numerals, with a two train silk suspension movement striking on a bell CONDITION REPORT Case and movement appear to be in good condition. Back foot is loose, will just need tightening.It is working and striking ok. Gilt is ok but needs a gentle clean. Dial is in good condition and has no cracks or chips.
19th Century French Empire gilt and dark patinated bronze mantel clock, with a female figure head surmount above a tapering body, raised on claw feet on a rectangular plinth base mounted with eagles, the enamel dial with Arabic and Roman numerals inscribed Vaillant a Paris, the two train movement striking on a bell CONDITION REPORT Overall in good condition.I believe case has been cleaned at some point with some light cleaning to gilding, which appears to have been lacquered.Chip to enamel dial near winding hole, hand glued in position for a reason I cannot quite see but I expect it will need repairing or replacing.There appears to be no fixings for the glass cover to the back and movement is working but needs a clean.There is no signature beneath the bell.This is a private consignment.In my opinion I believe it not to have been changed, I can't see any alterations or marks to give evidence of replacement.17.25ins high x 8.5ins wide x 6ins deep
Various makers metal wood and resin Paddle Steamers 1:1200 scale or similar Waterline Models, Tri-ang Minic M728 'Britannia', unmarked 'Waverley', 'Dover', 'Duchess of Fife', 'Wolf', 'Sandown', 'Heather Bell', 'Barry', 'Whippingham', 'Limerick', 'Portsdown', 'Duchess of Kent', 'Gwalia', 97 'Cobra', 'Milford', JSL 'Queen Empress', 'Westonia', G03 with sails, 'Royal Eagle', G209 'Southern Belle', smaller scale 'Lymington' and two even smaller, generally VG-E (24)
A large late 19th/early 20th Century French figural mantel clock With bronze mount of a recumbent lady over a white marble body with applied gilt metal mounts, central white enamelled dial with Roman Numerals and signed 'Deniere Paris', to a brass movement striking on a bell, total height 49cm
Thomas Richardson of Weaverham, an impressive George III longcase clock The arched brass 35cm dial with silvered Arabic and Roman chapter ring, pierced brass spandrels, fitted with moon phase and date aperture to arch and inscribed above 'He appointed the moon for certain seasons', fitted with a brass three train musical movement striking on a rack of eight bells and a further independant single bell, the mahogany case with broken arch pediment, glazed hood door supported on Corinthian columns over an arched trunk door with blind fretwork pillar and brickwork decoration, approx height 235cm in total CONDITION REPORT Clock has been recently renovated and movement is clean. Trunk door appears slightly warped and there is some slight cracking to body work Has been running recently but offered with no guarantee Case has been re polished/repaired recently, Three weights present, moon phase is disconnected
An 18th Century and later longcase clock Of small proportions, the unsigned 25cm square brass dial, with Roman and Arabic chapter ring, pierced foliate and masked spandrels and subsidiary seconds dial, to a brass 30-hour movement striking on a bell, the case with caddy top glazed hood door and pierced fretwork detail over a plain trunk and box base.
George Booth, Manchester - An 18th Century longcase clockWith brass 35cm square dial, with silvered Roman and Arabic chapter ring, subsidiary seconds dial and date aperture and applied cherub and foliate spandrels to a brass eight day movement striking on a bell, set in oak caddy top case with glazed hood door, pillared side supports, arched trunk door and box base, approx height 210cm.CONDITION REPORT2 weights and pendulum and key presentMovement and case a likely marriage, seat board appears relatively recentCase rather dirty and could benefit from some re-polishing Piece of base moulding loose, clock movement dirty, may not have run for some time
A late 19th/early 20th Century Continental white marble and gilt metal clock garnitureThe clock with circular enamelled dial with Roman numerals and garland detail to a brass movement striking on a bell, supported on twin pillars with floral mounts, together with an accompanying pair of urns, largest piece approx height 40cm
Coates of Wigan an 18th Century longcase clockThe square 33cm brass dial with pierced spandrels, silvered chapter ring with Roman and Arabic numerals, moon roller date aperture and subsidiary seconds dial to a brass eight day movement striking on a bell, set in an oak and mahogany crossbanded case with arched pediment and pillared supports to the hood, the body with ribbed side detail and central trunk door, height 215cm
Watkin Owen, Llanrwst an oak longcase clock: having an eight-day duration, five-pillar movement striking the hours on a bell with a wood rod to the pendulum and conical shaped weights as typical of this maker, the thirteen-inch square painted dial having black Arabic hour numerals, a subsidiary seconds dial, date aperture, blued steel hands and signed to the centre Watn. Owen, Llanrwst, decorated with two sailing ships to the centre and flora to the four corners, the false-plate to the rear of the dial embossed with the dialmaker's name Wilson, Bham, the oak case having fan inlaid decoration to the trunk door and raised panel to the base, with fluted quarter columns to the trunk, the hood having turned pillars with cast-brass capitals and a shallow swan-neck pediment with a carved wooden fan finial to the centre, all standing on bracket feet, height 206cms.* Biography Watkin Owen was a fine maker and his history, and that of his family is well-recorded. He took over the family clockmaking business 1776 aged twenty following the death of his father John, a most skilled and excellent clockmaker himself, and continued for another thirty-three years. He always fitted his movements with five pillars as opposed to the normal four and his painted dials were supplied by Wilson of Birmingham, one of the first to manufacture this style and considered one of the finest exponents. Watkin Owen died in April 1809.* Note For an in-depth study detailing the life, clocks and working practices of Watkin Owen see Colin & Mary Brown, The Clockmakers of Llanrwst, Bridge Books 1993.
A London style mahogany longcase clock: having an eight-day duration movement with a half-dead beat escapement and striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre having an inset silvered subsidiary seconds dial and date aperture, with the arch having a silvered 'strike/silent' dial, with oriental style cast-brass corner spandrels to the four corners and dial, the mahogany case having a shaped stepped moulding to the trunk door, fluted quarter columns to the trunk with brass stops and cast-brass capitals, with the hood having matching full pillars and surmounted by a pagoda top with carved wood flame finials, the base having a shaped raised panel, a double plinth and standing on bracket feet, height 246cms.
A Georgian mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted cream break-arch dial having black Roman numerals, a subsidiary seconds dial, a 'strike/silent' dial within the arch and blued steel heart shaped hands, the London-style mahogany case having a break-arch moulding to the top of the trunk door, fluted quartered columns with cast-brass capitals and brass stops being repeated to the hood, the base with a shaped raised panel and double plinth, height 220cms.
Fearnly, Wigan an oak longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, the silvered centre engraved with floral and rococo decoration and having subsidiary seconds and date dials, with cast-brass rococo style spandrels to the four corners and decorative blued steel hands, the oak case cross-banded in mahogany and having fluted quarter columns to the trunk with cast-brass capitals, the hood having fluted pillars with cast-brass capitals, a blind fret to the front frieze and surmounted by a swan-neck pediment with three eagle-and-ball brass finials, with canted corners to the base and all standing on bracket feet, height 230cms, including finial. *Note A clock signed for Fearnly in a similar style to this example and housed in an oak case is illustrated in Clockmakers of Northern England, by Brian Loomes, published by Mayfield Books, 1997. *Biography. Peter Fearnley was a well-known and prolific maker described by Arthur Hawkes, Borough Librarian of Wigan 1919-1950 as 'a clockmaker of importance', with the first reference to him being the birth of his daughter Alice in March 1777, thereafter numerous other of his children are recorded. He came to prominence when given the contract to build a new clock for the parish church, with various vestry records giving an insight into the procedure. His wife Ann Lawson, from the clockmaking Lawson family, died in June 1821, aged 67, followed by Peter himself in 1826 aged 77. * Note. Reference Arthur J. Hawkes, The Clockmakers and Watchmakers of Wigan, published by the author 1950, pages 64 - 69, chapter Peter Fearnley, Contemporaries and Successors.
James Edwards, Stourbridge, a striking skeleton clock: the eight-day duration, double-fusee movement having scroll shaped plates standing on a pair of plinths, five-spoke wheelwork and striking the hours on a bell set to the top, the silvered chapter ring engraved with black Roman hour numerals and the retailer's name Cave, Plymouth, with blued steel Germanic cross hands, standing on a rosewood base with glass dome (damaged), height 38.5cms inc. base and dome. * Biography James Edwards is recorded as working in Stourbridge, Worcestershire from before 1829, when he is known to have been in the High Street, until 1853 by which time he is known to be working at Hagley Road. By 1860 all records of him stop so presumably he had ceased trading or died at this point. Edwards was probably the first of the skeleton clock makers to produce top quality pieces on a fairly large scale, pre-dating both Evans of Handsworth and Smiths of Clerkenwell by at least ten years. * Note. Reference Derek Roberts, Skeleton Clocks Britain 1800 - 1914; Antique Collectors Club 1987; pages 173-177.
Rollin à Paris, a French boulle bracket clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped for the maker Rollin à Paris, and numbered 785, the gilded brass dial having raised decoration and blue Roman numerals placed on white roundels within the dial, signed with a repeat of the maker's name above VI o'clock, the waisted red boulle case of tortoiseshell inlaid with engraved brass and having rococo and floral ormolu mounts including a female-head mask above the dial and surmounted by an ormolu figure depicting a young man playing an instrument and all standing on matching feet, with a glazed panel to the front to view the sunburst pendulum bob, complete with a matching boulle wall bracket, height 43cms clock, 59cms including bracket. * Biography Rollin is recorded as working etc.
Japy Frères, a French rococo style wall clock formerly the property of Dame Hilda Bracket: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and stamped with the trademark of the maker Japy Frères, the round ivorine dial with black Arabic numerals, decorative floral centre and gilt-brass hands, with a gilt-metal floral and rococo style cartel case, height 53cms. * Provenance Formerly the property of the drag artist Patrick Fyffe, born 23rd January 1942, died 11th May 2002 who was known by the stage name Dame Hilda Bracket, one half of the variety duo Hinge & Bracket alongside George Logan who played Dr Evadna Hinge. The pair had their own Radio 4 show, The Enchanting World of Dr Evadne Hinge and Dame Hilda Bracket as well as a 1980s television series, Dear Ladies. Sold Bonhams Auctioneers, 14th October 2002 as part of the Patrick Fyffe estate.* Biography Japy frères were founded by Frederic Japy of Beaucount, born 1749, who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.
A marble and bronze Art Deco mantel clock: the eight-day duration French movement striking the hours and half-hours on a bell with an outside countwheel, the gilded diamond shaped dial having stylised black Arabic numerals with blued steel hands, the rectangular brown marble case with inset onyx surround to the dial and inset with black marble decoration with a round onyx back, the black marble base with applied pieces to the edge and standing on a further plinth, surmounted by a painted bronze mythical pheasant signed Danvin, height 26cms.
F. Barbedienne, a French marble and bronze mantel clock: the eight-day duration movement having a silk-suspension and striking the hours and half-hours on a bell with an outside countwheel, the round silvered engine-turned dial having black Roman hour numerals, blued steel spade hands and with a cast gilt-brass bezel, the variegated mustard marble case having bronze acanthus-leaf mounts to the stepped base all surmounted by an ormolu figure depicting a semi-clad classical female, the rear of the bronze mount stamped F. Barbedienne, height 39cms.* Biography Ferdinand Barbedienne, born August 1810 in Calvados, moved to Paris becoming a dealer in wallpaper. In 1838 he went into partnership with Achille Colas who had invented a machine capable of producing miniature replicas of statues. Barbedienne died in 1862 with the business continued by his nephew Gustave Leblanc.
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