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Click here to subscribeA French Louis XIV Revival ormolu clock garniture, 14cm gilt dial inscribed upon enamel cartouches with Roman numerals, twin-winding holes, 8-day movement striking on a bell, drum-head case with urnular finial, lion cast handles, 48cm high, flanked by a pair of of five-light candelabra, 45cm high, c. 1850
A Victorian mahogany longcase clock, 35cm arched painted dial inscribed S. Hurst, Liverpool, Roman and subsidiary Arabic numerals, subsidiary seconds and calendar dials, rolling moon phase to arch, twin winding holes, eight day movement striking on a bell, the case with brass mounted swan neck pediment, glazed door flanked by spirally turned pillars, shaped rectangular door to waist, skirted base, bracket feet, 227cm high, 60cm wide, 24cm deep
A Louis XVI ormolu-mounted Sèvres biscuit porcelain clock garniture, the 11cm diam white enamelled dial with Arabic numerals, inscribed 'BALTHAZARD / PARIS', the twin train movement by A D Mougin, No. 2411, striking on a bell, the clock surmonted with Diane Chasseresse, reclining, a dog at her side, on a rocky outcrop, the pair of side figures modelled as Cybele, wearing a crown and holding an orb in one hand and a cornucopia in the other, her companion, Juno, with a diadem in her hair and a peacock at her side, square bases, the three pieces each with incised interlaced L marks and stamped A.P to the underside, the clock 32cm high; the figures 31cm high, c.1880
A Louis XVI-style gilt-metal mounted marble clock garniture, 9cm convex white enamel inscribed dial, with Roman numerals and painted with swags of flowers, twin-winding holes, 14-day movement striking on a bell, drum-head portico case crested by an urn, 41cm high, the conforming two-branch candelabra, 28cm high, 20th century
A Sheraton design satinwood and marquetry demilune side cabinet, rosewood crossbanded top with radiating veneers inlaid with meandrous leafy stems, a rear-central batwing patera and bell husks, the front edge with a wavy border of amboyna and outlined with barberpole stringing, above a rectangular door inlaid with a ribbon-tied spray of flowers, flanked by panels, each inlaid with a musical trophy, divided and flanked by further ribbon-tied stems, tapered square legs, 81cm high, 122cm wide, 48cm deep, 19th century
An Adam Revival mahogany serpentine serving table, slightly oversailing top above three frieze drawers, the fronts carved and applied with palmettes and bell husks, flanked by rams head masks, tapered legs applied with further trailing bell husks, block feet, 81.5cm high, 151.5cm wide, 61cm deep
An early Macintyre silver-mounted earthenware tavern jug, The Bell Edmonton/The Diverting History of John Gilpin, the bell-shaped reservoir moulded in relief, angular scroll handle, 18cm high, the silver collar Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, London 1895
A George III Neoclassical silver oval mustard, engraved with swags of bell husks flanking a monogram within a wrigglework shield-shaped cartouche, further wrigglework geometric borders, anthemion thumbpiece, acanthus-capped scroll handle, blue glass liner, 10cm long, Peter & Ann Bateman, London 1794
Autographed Jake LaMotta 12 X 8 Photo - Colorized, Depicting One Of Boxing's Iconic Images - Jake LaMotta Knocking Sugar Ray Robinson Through The Ropes During Their Second Fight In 1943, Signed In Silver Marker By 'The Raging Bull'. The Fight Took Place In Robinson's Birthplace Of Detroit, Michigan. The Eighth Round Was Historic, LaMotta Landed A Right To Robinson's Head And A Left To His Body, Sending Him Through The Ropes. Robinson Was Saved By The Bell At The Count Of Nine. LaMotta, Who Was Already Leading On The Scorecards Before Knocking Robinson Out Of The Ring, Pummelled And Outpointed Him For The Rest Of The Fight. LaMotta Won Via Unanimous Decision, Giving Robinson The First Defeat Of His Career. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
[GEORGIA - CANALS & RAILROADS]. A sammelband of 5 promotional imprints regarding the Brunswick, Georgia Canal and Railroad Company, comprising: BALDWIN, Loammi (1780-1838). Report on the Brunswick Canal and Rail Road, Glynn County, Georgia. Boston: John H. Eastburn, 1837. Second edition. De Renne II, p. 453. -- [Trust Deed, and By-Laws, of the Brunswick Land and Canal Companies. Boston: N.p., 1837.] -- By-laws of the Brunswick Canal and Rail Road Company. [Boston: N.p., 1836.] -- [Public Sale, At] Brunswick, Georgia ... January ... 1837. [Boston: N.p., 1837.] -- [Report] to the Directors and Stockholders of the Brunswick Land Company and of the Brunswick Canal and Rail Road Company. Boston: N.p., March 1838. 5 works bound in one, 8vo (224 x 133 mm). 2 folding maps. (Some toning and spotting.) 19th-century quarter brown morocco gilt, marbled boards (some minor wear). Colonel Loammi Baldwin, known as the Father of American Civil Engineering, served in the American Revolutionary War, fighting in the Battle of Lexington and Concord, the Battle of Bell 's Point, and the Battle of Trenton. The folding maps depict a plan of the city of Brunswick, Georgia in 1837, and a plan for the canal between the Altamaha River to Brunswick Harbor. Thomson, Checklist of Publications on American Railroads before 1841, 1228, 1553, 1566, 1567, 1810. Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
WILKINS, John (1614-1672). Mathematical Magick: or, the Wonders That May be Performed by Mechanical Geometry. London: Richard Baldwin, 1691.8vo (159 x 102mm). Engraved portrait frontispiece. (Frontis browned, remargined at gutter and with a few small marginal chips, lacking final leaf [supplied in printed facsimile], some minor pale spotting or soiling.) Contemporary calf (rebacked, corners worn, endpapers renewed). Provenance: Edward? Price (early signature on title); John Bell, Yar.[mouth] (owner 's stamp on title) Fourth edition. Toole Stott 885; Wing W2201; ESTC R15643; Poggendorff II, 1328. Selections from Antiquariat Botanicum, Dr. Eugene Vigil
Dinky Toys - A group of three boxed Dinky aircraft to include Dinky Toys 710 Beechcraft S35 Bonanza, Dinky Toys 722 Hawker Harrier and the Dinky Toys 732 Bell Police Helicopter.Condition: 710 general wear to the packaging to include discolouring to plastic, sticker residue and small splits to one flap. The plane lifting to the stitches and slight loss of paint to edges in crease. 722 wear to packaging to include splits and holes in the plastic. The model has some lifting to stickers but no apparent damages. 732 discolouring to packaging and one large crack and a retail sticker to side. The model has no apparent damages
Charles I halfcrown 1634/5, Tower Mint, mm bell, obv. group III third horseman type 3a1, scarf flying from waist, rev. oval garnished shield, S2773, VF; and a Charles I shilling 1632/3, Tower Mint, mm harp, obv. group D fourth bust with falling lace collar, inner circles, XII in field, rev. garnished shield with CR at sides, S2789, AVF.
♦Elizabeth I, 2 x Shillings: 6th issue (1582-1600), without rose or date, mm anchor, bust 6B, S.2577, surface pitting & numerous scratches, full flan VG & 6th issue, without rose or date, mm bell, clipped, a few faint hairlines o/wise good surfaces VG to AFine & sixpence 5th issue (1578-82) dated 1580 (struck over 1579), S.2572, mm not clear, crease across bust, clipped, bust Fair o/wise VG+.
Plato's Phaedo by Wilhelm Wagner Hardback Book 1885 Eighth Edition published by Cambridge Deighton, Bell and Co some ageing good condition. Sold on behalf of the Michael Sobell Cancer Charity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A 19th/20th century whitewashed Medici-type urn, of campana form with the body relief moulded with classical figures above a pair of masks on opposing sides, 62cm diameter x 91cm highThe Medici vase is a marble krater that was sculpted in Athens in the first century BC. The vase is bell shaped and over 1.5 metres high. A krater is a vessel for diluting wine with water. Ok, but whitewash very worn.
A French gilt brass mantel clock, circa 1890-1900, with vase finial and moulded ring handles, the case cast with neoclassical mouldings and raised on four acanthus moulded feet, the 4-inch (10cm) off-white enamel dial having black Arabic numerals around a gilt metal pierced centre roundel, the eight day Japy Freres movement striking on a bell, numbered 17903 with matching number to pendulum, 39.5cm high.Case fair to good with some surface scratches and wear to plates. Moulded elements are good with some minor wear to gilding. Dial appears good. Movement winds, runs and strikes but not tested for timekeeping or longevity.
A George III cross-banded oak painted dial longcase clock, the hood with swan neck pediment and inlaid square columns, the trunk door with inlaid shell paterae, the case with boxwood strung mahogany panels, the 12 2/16" (37cm) painted dial with Arabic numerals and date aperture within flower spandrels, a cottage vignette upper half, the four-pillar eight-day movement striking on a bell, with two weights and pendulum, 51cm wide x 25cm deep x 208cm high.
A George III inlaid mahogany painted dial longcase clock, Walter Walson of Altrincham, the hood with swan neck pediment and reeded square-section columns, the shaped and boxwood strung trunk door flanked by reeded pilasters, the canted base box with boxwood strung panel, the 14" painted dial with black Roman numerals, subsidiary seconds and date aperture, decorated with two exotic birds and spandrels of fruits and flowers, the four-pillar eight-day movement striking on a bell, with two weights and pendulum, 55.5cm wide x 27cm deep x 209cm high.
A George III inlaid oak brass dial longcase clock, the arched hood with three brass finials, the door with chequer stringing and flanked by fluted full columns, the trunk with arched door flanked by canted corners inlaid with conforming chequer stringing, the plain base box raised on a shaped foot, the 12" brass dial with silvered chapter ring having Roman hour and Arabic minute tracks, silvered subsidiary seconds and a calendar aperture, moulded spandrels to the corners and dolphin spandrels flanking a classical medallion to the arch, the eight-day four pillar movement striking on a bell, with two weights and pendulum 46cm wide x 20cm deep x 222cm high.Dial silvering worn. Pendulum stem detached from bob and lacking suspension spring and so clock has not been tested running. Movement appears sound and does wind and strike. Case and hood has some shrinkage splits to boards, especially to trunk door and right side of base box. Some minor chips and small losses in places. General cosmetic marks throughout consistent with age and use.
A George III inlaid oak and mahogany painted dial longcase clock, by Inigo Smith of Wrexham, the hood with swan-neck pediment and door flanked by fluted full columns, the trunk with shaped cross-banded door flanked by fluted quarter column pilasters, the base box with cross-banded panel, the 13" dial having black Roman numerals, subsidiary seconds dial and date aperture, painted with two castle vignettes and flower spandrels, the four-pillar eight-day movement striking on a bell, with pendulum and two weights, 51cm wide x 23cm deep x 204cm high.Pendulum stem has snapped and has no suspension spring, consequently the clock has not been seen to run or tested for timekeeping. Movement appears in good order and does wind and strike, seconds and calendar advance correctly. Dial appears good with typical faint cracklure throughout and some wear/chipping to the paint on the outer edges. Hood lacking central finial, probably originally brass. Base box lacking foot or feet. Case overall fair to good with some cosmetic marks consistent with age and use. Left hand cornice beneath hood has a small loss to the front corner and there is a small chip to the top of the trunk door. A latch has been added to keep the trunk door closed. There is no door key or winder with this clock.
A Georgian mahogany and oak long case clock by F Johnson of Lincoln, the break arch dial painted with a farmyard and pastoral scene, circular dial bearing Roman numerals, subsidiary seconds and date dials, eight day two train movement with bell strike, the case by George Usher, cabinet and clock maker of Lincoln, with a broken arch pediment, raised on turned columns, trunk door with fluted quarter columns, raised on bracket feet, with weights, no pendulum or key.
A 19thC oak and mahogany country longcase clock, the break arch dial painted with a basket of fruit and bearing Arabic numerals, subsidiary seconds dial, eight day movement with bell strike, the hood with swan neck pediment, and brass capped columns, the case with cross banded trunk door inlaid with shell patera, raised on bracket feet, with weights and pendulum, 198cm high.
A late 19thC French boulle work mantel clock on stand, the clock with brass dial bearing Arabic and Roman numerals, eight day movement by Marli et Cie, with bell strike, the case of baluster form with cast urn finial decorated with masks and foliate scrolls, raised on a serpentine base, with pendulum, no key, 39cm high.
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