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19TH CENTURY ENGLISH SCHOOL "Castle set in a rural hill landscape with sheep grazing in foreground", oil on canvas, unsigned, another similar by the same hand, C. BELL "Figure on a path, with cottage in landscape", oil on canvas, signed lower right, and a 19th century watercolour of a boy taking water from a stream in a landscape
Andrew Bell [Anatomia Britannica A System of Anat disbound with 34 plates after I.V. Rymsdyck including 18 double page mostly of the womb engravings 360 x 280mm. to 540 x 420mm. occasional dampstaining rough edges some with tears most outside plate a few larger minor spotting Edinburgh 1798; with a small group of 5 anatomical drawings (39)
SHAKESPEARE, William, `The Dramatick Writings of Will. Shakspere with the Notes of all the Various Commentators; Printed complete from the best editions of Sam. Johnson and Geo. Steevens`, John Bell, British Library, 1788. 6mo. 94 Engrd. plts.( 1 det. with tear). full fl. cf. lacking some labels. 20 vols. spines split in 2 vols. 20
A 19thC French mantel clock, by Japy Freres, the drum shape movement striking on a bell, the white enamel dial with black Roman numerals and painted with floral swags, pierced gilt hands, crested by gilt metal harp, doves and foliage, on a white marble base mounted with a spelter figure of Cupid, on toupie feet, 30cm high.
A large Persian copper bowl, 19th century, central circular panel depicting mythical creature and script, border with bird figures and script, width 47 cm, a Persian tapper stick in bell shape, overall decorated with script, height 36 cm, an Islamic figural decorated bowl, width 26.5 cm, (3).
A 20th century mahogany and kingwood oval occasional table, the gilt brass gallery and parquetry top with bell flower mounts, on squared cabriole legs, 63 x 56 x 40 cm, together with a nest of two kingwood and marquetry tables, and a 20th century mahogany sofa table, on lyre end supports (one damaged), 74 x 88 x 51 cm, (4).
A Victorian Minton Parian figure of Miranda, from Shakespeare`s Tempest, after John Bell, shape 245, dated coded 1877, modelled as a scantily clad woman seated on rocks, a large sea shell amongst lapping waves at her feet, 39 cm, to/w a Parian figure of a boy with deerhound on an oval naturalistic base, 19 cm
A silver plated model presentation of a ships bell, being a momentoe of the casting of the silver bell for HMS Ark Royal from Gillett & Johnston, Croydon, 10th December 1943, presented to the Rt. Hon A B Alexander MP and Mrs Alexander, supported on an anodised metal frame. The bell 3.25"h, the bell mouth 4"diam.
A LATE 19TH CENTURY FRENCH ORMOLU AND ALABASTER GARNITURE, the central clock having urn pediment over a drum housing mounted on four pilasters with breakfront bead decorated plinth, 8-day Japy type mechanism with locking plate bell strike, faced by f loral Arabic dial and twin 5-light flank candelabra with pineapple finials and key
Warlock (Peter) [Alec Bell] David Devant a trompe`oeil oil painting depicting a collage of illustrations of him performing the facade of the Egyptian Hall and other related ephemera signed and dated 1986 framed 566mm. by 700mm. *** Included in the lot are several letters from Peter Warlock referring to his research for the painting and other related material.
Fry (Christopher) A Phoenix Too Frequent first illustrated edition presentation copy inscribed by the author to “Joan [White] with love from Phyl and Kit Christmas 1959” signed by Ronald Searle on title-page illustrations by Ronald Searle 1959; One Thing More presentation copy inscribed by the author to Joan White original wrappers 1992 § Fry (Phyllis) A Sprinkle of Nutmeg foreword by Christopher Fry first edition number 30 of 100 copies presentation copy inscribed by Christopher Fry “For dearest Doto: with our love from Kit October 11 1990 Wootton-by-Woodstock John Bell 1990 § Stanford (Derek) Christopher Fry Album first edition illustrations one leaf loose 1952 all but the second in original cloth the first and last worn; and 14 others from the library of Joan White 8vo *** Joan White played the part of Doto in the revival of A Phoenix Too Frequent in 1946. She is depicted in this role with Paul Scofield in two illustrations in the Christopher Fry Album. Included with the books are an autograph letter and an autograph card from Christopher Fry to Joan White another card to her daughter Susannah an autograph album with an inscribed photograph of Marcel Marceau and an album relating to Joan White`s 77th birthday containing photographs and letters from invitees including Wendy Toye Bernard Miles Paul Scofield Angus McBean and others.(a small quanity)
Japanese earthenware globular teapot , painted in enamel and gilt with a ground of stylised butterflies, diameter 9cm (spout glued); a bell shaped small vase painted with a continuous procession of figures, height 8cm (cover missing); pair of bottle vases painted with bijins and children, height 16cm.
A BRASS SHIP`S BELL FROM THE CLYDE `PUFFER` PIRATE (1884)of typical form, inscribed with black-filled lettering `Pirate 1884` to front — 11½in. (29cm.) highIllustration on page 45 Built by Scott Bowling and registered at 218 tons, Pirate was launched on 14 June 1884, was used for part of her career as a fish carrier, no break-up date is recorded.
A 19TH-CENTURY 6½IN. RADIUS VERNIER SEXTANT BY T.L. AINSLEY, SOUTH SHIELDSwith polished brass `bell` pattern frame signed on the arc Made For T.L. Ainsley, South Shields, silvered scale divided to 155º, adjustable telescope and horizon glass, secured in original brass-bound fitted box with press-button release and accessories, Kew test certificate with `0` error from 1904 and ivorine "Hezzanith" plate — 10¼in. (26cm.) diameter. T.L. Ainsley worked, or sold, from several locations between 1858-1886. This example appears to be of higher quality than later `bell` framed examples and is presumably one of the first of this well-known model to be retailed. Originally the frame would have been oxidised brass, the special mirror key ensured that this instrument`s errors could be maintained at `0`.
A mixed lot, comprising: silver items: a Victorian mug, by Thomas Bradbury and Sons, London 1878, tapering circular form, scroll handle, punch bead borders, engraved decoration, plus a two-handled trophy bowl, of circular form, a bell shaped inkwell, a square capstan inkwell, a bonbon dish, a small mug, plus an electroplated jug and mug, approx. weighable 34oz. (8)
A pair of Queen Anne silver mugs, by Robert Timbrell and Joseph Bell, London 1710, tapering circular form, scroll handles, prick dot initialled to handles, he front with an armorial within foliate mantling, on raised circular bases, height 10cm, approx. weight 15oz. (2) The arms are those of French / Hatfield / Plumstead / Illey impaling another.
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123939 item(s)/page