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Click here to subscribeA late 19th / early 20th century French white marble gilt metal mounted clock garniture, the clock with eight day movement striking on a single bell, the white enamel dial painted with floral festoons and arabic numerals, the case surmounted by two birds, height 32 cm, together with a pair of twin handled pedestal urns en-suite, and a pair of similar candlesticks, with pendulum and key, (5).
A late 19th century Continental gilt spelter cased mantel clock, the eight day movement striking on a single bell, the dial and case with black ground porcelain plaques painted with flowers, height 32 cm, together with another gilt spelter cased mantel clock, with wooden stand, both with pendulums, both with damages, (2).
A rare and unusual late 17th Century French Ebony and Brass inlaid Mantel Clock, Marguerite A, Paris, (Dictionnaire des Horlogers Francais Second Part by Tardi Page 433), the spreading baluster case with moulded overhanging cornice surmounted by a bell with acanthus leaf mount and flaming urn finial, over panelled and sectioned Brass inlaid side panels, to a plinth base and raised on four mercury gilt ball feet, to a single shaped and leaf decorated door with moulded convex glazed panel enclosing a signed 4 ¼" wide Brass dial, engraved with acanthus leaf and floral swag decoration within rope twist and oak leaf borders, to a applied Pewter chapter ring with outside minute track, and Roman numerals with star half-hour markers and inside quarters track, with polished centre, and foliate boss, with fleur de lys Steel hands, with waisted mid section and beaded tails, surmounted by a regulation ark, to a signed and waisted four pillar verge movement, with three spoke balance, with bridged frame secured with tulip head screws, over a back mounted count wheel with engraved Arabic numerals and Steel baluster indicator arm, and strike on a bell, height 11½"
An early 18th Century French patinated and gilt Bronze urn shaped Mantel Clock, unsigned, the waisted oval body surmounted by a finial over a laurel garland and flanked by bearded masks, with further inverted finial and raised on four hoof legs, to a platform base, centred with a serpent, and further raised on four bun feet, to minute track and pierced and stamped hands, with a circular Brass movement with silk suspension and back mounted count wheel, strike on a bell, height 15½"
A third quarter of the 19th Century French Skeleton Clock, for the Turkish Market, Thomas A Paris, the stepped circular platform base, surrounded by six posts linked by a double strand of chain, and enclosing four ribbed pillars and a central finial, to heavy pierced plates united by four ring turned baluster columns, to a further pierced circular dial with Turkish numerals and black painted hands, pediment with pagoda type roof and bell suspensions, with spherical finial within six further chained posts, to a mono-metallic platform escapement and twin spring driven movement with strike on a bell, the whole contained to an ebonised base beneath a glass dome, total height 17½"
An early 19th Century Mahogany Boxwood line inlaid and lacquered Brass Mantel Clock, signed Thoms Ernshaw of London, the balloon shaped case surmounted by a caddy top, with ball finial, over fish scale panels, with heavy cast carry handles to a waisted mid section and plinth base raised on four bracket feet, to a moulded Brass bezel with convex glass enclosing a signed Roman and Arabic enamel dial, with pierced blued steel Thwaites & Reed type hands, to a circular Brass twin fuse movement, with back plate signed and profusely engraved with floral foliate and urn decoration, and plates united by five knopped pillars with anchor escapement and strike on a bell, height 26"
A late 19th Century Spelter Gilt Figural Mantel Clock, the breakfront case surmounted by a pair of putto, holding an oval-framed mirror set with a pink porcelain plaque, depicting a cherub, over scrolling side mounts, to a shaped plinth base, and raised on bracket type feet, to a 3" porcelain dial, decorated in pale pink with gilt highlighted Roman lozenges and central floral decoration with gilt spade hands, to a circular brass movement with anchor escapement and strike on a bell, height 13 ½"
An early 20th Century, black and green variegated mable and gilt metal mounted Mantel Clock, the plinth shaped case surmounted by a twin-handled urn, over further side handles, and raised on a bevelled base with paw feet, to a 3 ½" Roman and Arabic enamel dial with blued steel fleur-de-lys hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 16 ½"
A late 19th Century Gilt and Silvered Spelter Figural Mantel Clock, the plinth-shaped case surmounted by a pair of cherubs and flanked by figural side mounts with foliate detail, and raised on bladed feet, to a 3" Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 13"
A late 19th Century Black Slate and Variegated Marble Mantel Clock, the plinth-shaped case with serpentine front, and silver presentation plaque dated March 1873, to a cast brass bezel with heavy bevelled glass, enclosing a 3 ½" Roman enamel chapter ring with sunk centre and visible brocot escapement, and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell (bell lacking), height 11"
A late 19th Century ebonised Mantel Clock, the overhanging cornice with arched pediment to a plain frieze over half columns, and raised on a plinth base to a 5½" painted Roman dial, with outside minute track and blued steel pierced hands, to a spring driven movement with anchor escapement, strike on a bell, height 23"
A second quarter of the 19th Century Oak cased 30-hour Long Case Clock, Manning of Steyning, the squared hood with overhanging cornice, over plain freestanding columns with Brass capitals, to a shaped ogee throat and long plain trunk door, with plinth base, to a 12" square third period painted dial, (refreshed), decorated to the spandrels with roses and gilt highlights, to a Roman chapter ring with outside minute track enclosing subsidiary seconds and blued steel pierced hands, to a movement with plates united by four knoped pillars, with anchor escapement, back mounted count wheel and strike on a bell, height 74½"
A second quarter of the 19th Century Mahogany cased Irish 8-day Long Case Clock, Chrisr Clarke of Dublin, the hood with broken pediment centred to a baluster Brass finial with Greek key borders over a blind fret panel, to freestanding reeded columns and ogee throat, to a long and shaped trunk door flanked by quarter columns and moulded surround to a panelled plinth base, to a signed 13½" engraved Brass dial, with rose and foliate spandrels, enclosing a Roman and Arabic dial, further to subsidiary seconds and ringed winding squares with scrolling garland and later pierced hands, to a movement with plates united by four knoped pillars and anchor escapement, strike on a bell, height 95"
A first quarter of the 19th Century Oak cased 30-hour Long Case Clock, ? of Uppingham, the hood with swan neck pediment, over freestanding columns to an ogee throat and long shaped trunk door, raised on plinth base, to a 12" square painted third period dial, with re-painted spandrels and Arabic numerals, to a pierced and stamped Brass hands and movement with plates united by four baluster pillars and anchor escapement, strike on a bell, height 82"
A late 18th Century Mahogany cased 8-day Long Case Clock, T O Springfield of Norwich, the hood with overhanging cornice surmounted by three lacquered Brass globe and spike finials, to freestanding columns and ogee throat to a long arched trunk door and raised on a plinth base, to a 12" arched first period painted dial, decorated with floral urn and wheat ears to the arch, over gilt highlighted rosette spandrels enclosing a chapter ring, subsidiary seconds and date sector with pierced steel hands, to an Osborne of Birmingham false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 87"
A late 18th Century Oak cased 30-hour Long Case Clock, Donisthorpe of Hinkley, the hood with overhanging cornice, to a plain frieze and freestanding columns, to an ogee throat and long shaped trunk door, to a plinth base, to an 11" square Brass dial, with mask and foliate applied spandrels enclosing a silvered Roman and Arabic chapter ring to a matted centre with applied nameplate and date sector with blued steel pierced hands, to a movement with plates united by four knopped pillars, with back mounted count wheel and anchor escapement, strike on a bell, height 86"
A Mahogany and Satinwood inlaid 8-day Long Case Clock, the arched hood with overhanging pediment to three -quarter columns and ogee throat with long shaped trunk door and raised on a panelled plinth base on bracket feet with inlaid floral and foliate symmetrical geometric design, to a 12" dial with added surround and arch, decorated with cast and applied figural spandrels, with Roman and Arabic chapter ring to a matted centre with name disc signed Wm Porthoufe of Penrith and further applied nameplate Thos & Sarah Weatherald, 1765 over a date sector with later pierced and stamped Brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85½"
A late 19th/early 20th Century Continental marble clock garniture, the central clock with turned urn finial and gilt metal mounts, the floral swag decorated dial with Arabic numerals and signed Barbier a Laon, the movement striking on a bell, the garniture completed with a pair of four branch candelabra en suite, the clock 19" high overall.
A 19thC North Country mahogany long case clock with swan neck, pillared hood, short trunk with shaped door, beaded and moulded base, the painted with birds and flowers to the arch, roses and urns to the spandrels, subsidiary seconds and date rings, eight hour movement striking a bell. NB. We have specific instructions to sell this lot WITHOUT RESERVE.
A George III oak and mahogany cross banded long case clock with swan neck reeded pillared hood, short shaped trunk door with cross banding and oval shell paterae inlay enclosed quarter inset columns on a raised panel base with shaped apron. The painted dial having moon roller to arch, figures to the spandrels, Roman hour numerals, subsidiary seconds ring and date crescent and marked Deacon, Barton (Leicestershire), with an eight- day movement striking a bell.
Late 17th early 18th century walnut and herringbone banded longcase clock by George Etherington, London, the brass arched dial with gilt spandrels and silvered chapter ring, subsidiary strike/silent dial, seconds dial and date aperture with twin train eight day repeating movement with rat and snail repeating mechanism, striking on a bell, h: 93 in.
Impressive late 19th century mahogany longcase clock with inset embossed brass panels, the case flanked by Corinthian column supports with a glazed door, the dial with subsidiary silent, strike dial , Whittington, Westminster dial and seconds dial, silvered pierced foliate spandrels, the three train eight day movement striking on the quarters on eight tubular bells and on the hour on one large tubular bell, dead beat escapement, jewelled pallets, with mercury pendulum. Sold with service receipt form the Horological Workshop, Guildford and instructions of assembly from Michael Baldwin antiques Bournemouth. h: 100 in.
JAPANESE 'ASTRO' ASTRONOMICAL TELESCOPE D=76.2, Bell and Howell Sportster IV TRIPLE LENS CINE CAMERA, PRAKTICA SUPER TL SLR ROLL FILM CAMERA with Pentacon 1.8/50 lens in case, VIVITAR 283 FLASH UNIT, KODAK EKTRA 22-EF CAMERA, VOIGHTLANDER VITORET 'D' 35mm CAMERA in case and a PAILLARD CINE PROJECTOR in case with accessories
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