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Click here to subscribeA 19th Century stripped pine longcase clock by Charles Levy of Truro, the 12ins arched painted dial with subsidiary seconds dial and date aperture, the arch painted with river landscape, to the eight day two train movement striking on a bell, contained in case with scroll pediment, turned columns to hood, reeded corners to trunk and on plinth base, 80ins high
A 19th Century oak and mahogany banded longcase clock by Robert Summerhaye of Taunton, the 11ins square painted dial with Roman numerals and seconds aperture painted with a bird perched on a branch and with floral spandrels, to the thirty hour two train movement striking on a bell, contained in oak case inlaid with mahogany bandings, with moulded scroll pediment, turned and fluted columns to hood and on plinth base, 80ins high Note: Robert Summerhaye (died 1857) recorded working in Ilminster and Taunton
A late 18th/early 19th Century oak longcase clock by William Tailor of Dumfries, the 13ins arched painted dial with Arabic numerals and with subsidiary seconds dial and calendar dial, the arch painted with an oval vignette depicting a landscape and spandrels with roses, to the eight day two train movement striking on a bell, contained in oak case with moulded scroll pediment and turned and fluted pillars to hood, shaped trunk door flanked by fluted quarter columns, the base with raised astragal panel and on bracket feet, 90ins high (including later finial) Note: William Tailor recorded working Dumfries 1787-1823
A late 18th Century mahogany longcase clock by Chambley of W-Hampton, the 14ins arched painted dial with Arabic numerals and with subsidiary seconds and calendar dials, the arch showing phases of the moon, the spandrels decorated with young women representing the Four Seasons, to the eight day two train movement striking on a bell, contained in figured mahogany case, inlaid with stringings, the moulded scroll pediment with gilt brass circular paterae and slender turned and fluted pillars to hood, the Gothic pattern trunk door flanked by reeded columns and the base with canted corners, on bracket feet, 93ins high, (including later brass finial) Note: John Chambley recorded working in Wolverhampton 1780-1795
An early 19th Century oak longcase clock by Belloni of Shaftesbury, the 12ins arched painted dial with subsidiary seconds dial and date aperture and with Adam and Eve automaton to arch, to the eight day two train movement striking on a bell, contained in oak case with scroll moulded pediment and turned columns to hood, shaped trunk door, fluted quarter columns to sides and on plinth base, 84ins high Note: Frederick Belloni recorded working Shaftesbury 1830-1855
A walnut longcase clock containing late 17th/early 18th Century movement with 12ins square brass dial, wide silvered chapter ring with Roman and Arabic numerals, matted dial centre with narrow seconds ring and date aperture, to the eight day two train five pillar movement, hour striking on large bell and quarter striking on two smaller bells, the movement with heavy brass plates and turned and knopped pillars, contained in walnut case of late 17th/early 18th Century design, the rising hood with moulded cornice, above fretted frieze and with ebonised and spiral turned columns, figured veneered door with oval lenticle, crossbanded plinth base with ebonised bun feet 80ins high (movement old but with extensive re-building and with two side mouldings missing to replacement case)
A late 18th Century oak longcase clock by Nathaniel Cliff of Hull, the 12ins arched brass dial with brass chapter ring (formerly silvered) with Roman and Arabic numerals, matted dial centre with subsidiary seconds dial and date aperture and with strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in oak case banded in mahogany with shaped cresting, with three turned giltwood finials and with turned and fluted pillars to hood, shaped trunk door flanked by fluted canted corners, on plain plinth base, 93ins high (including finials) Note: Nathaniel Clift (also known as Cliff) recorded working in Hull 1784.
A good late 18th Century mahogany longcase clock by James Weston of Lewes, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals and inner calendar dial, the silvered dial centre engraved with leaf scroll ornament and with recessed subsidiary seconds dial and with strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in mahogany case with arched and moulded cornice above blind fret frieze and with turned, fluted and brass stopped columns to hood, figured trunk door with shaped and moulded top flanked by fluted brass stopped quarter columns, the base with raised astragal panel and on double plinth base, 93ins high (including later turned finials) Note: James Weston recorded working as a Clock and Watchmaker and also a Gunsmith in Lewes and died 1779
19th Century mahogany line inlaid longcase clock having painted arch top dial with Roman numerals, subsidiary seconds and date aperture, the two train movement striking on a bell, flanked by two reeded pilasters above a flush panelled door and conforming base with bracket feet, 83ins overall height, dial 17ins x 11.5ins
George III mahogany longcase clock, the arched hood above an arched panelled door and a rectangular plinth with bracket feet, the gilded and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar aperture with strike / silent dial, inscribed James Brogden of London with a two train movement striking on a bell
George III oak longcase clock, the broken arch hood with flanking pilasters above an arched panelled door and conforming plinth base, the silvered dial with Roman numerals, subsidiary seconds and date dials, signed Daniel Gibb of Rye, the two train movement with anchor escapement striking on a bell (some alterations)
Late George III mahogany longcase clock with a swan neck pediment and flanking pilasters with a square dial above a shaped panelled door, flanking quarter pilasters and conforming plinth, the brass dial with silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and sweep date hand, signed Barker of Wigan, the two train movement with anchor escapement striking on a bell
George III mahogany longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above a shaped panelled door with flanking quarter pilasters and a conforming plinth base with carved centre panel, the brass moon phase dial with a silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed Dodson Holbeck, the two train movement with anchor escapement striking on a bell
Macquoid, Percy "A History of English Furniture, the Age of Oak", Lawrence & Bullen 1904 and "The Age of Mahogany and Satinwood", Lawrence & Bullen 1906, colour frontis, various b/w photographic ills and colour pls with tissue guards, F, half leather, rather bumped and worn R W Symonds "English Furniture from Charles II to George II...", the Connoisseur Ltd 1929, colour front, various photographic ills and pls (3 vols) Long, Basil "British Miniaturists", London, Geoffrey Bles, 1929, plates at the back of the book, blue cloth, gilt titles, Folio and Williamson, George, C "Andrew and Nathaniel Plimer Miniature Painters, their lives and their works", George Bell & Sons 1903, plates throughout with tissue guards, blue cloth, gilt titles, very faded (5) Live Bidding: note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information
A FRENCH BRONZE AND RED MARBLE CLOCK GARNITURE, SAMUEL MARTI, SCULPTURE BY EMILE BRUCHON, 1900 BUYERS ARE ADVISED THAT A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASED the 9cm cream enamelled circular dial with Roman numerals within pierced acanthus leaf surround, the backplate inscribed 'Samuel Marti, Medaille d'Or, Paris, 1900', bell striking movement, the marble case adorned with gilt swags, surmounted by an angel holding a trumpet in one hand and a torch in the other, signed Bruchon, inscribed Renommée par Bruchon, on outswept pierced and scrolling acanthus leaf feet, a pair of conforming garnitures surmounted by a five-light candelabra supported by an urn, en suite the clock 82cm high (3)
A FRENCH ALABASTER AND GILT-METAL MANTEL CLOCK, 19TH CENTURY BUYERS ARE ADVISED THAT A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASED the 8cm dial within a gilt surround surmounted by an acanthus-leaf cresting, Roman hour numerals, surmounted by an urn adorned with scrolling foliate handles and surmounted by fleur-de-lys, the backplate stamped 'Japy Frères & Co. Med d'Or', bell striking movement, the sides of the shaped body applied with female masks and gilt metal looped strings, on a stepped plinth base centred by an acanthus leaf, on gilt-metal lion paw feet, on a loose shaped velvet upholstered stepped plinth base, on bun feet, distress the clock 40,5cm high
A Minton Parian figure, 'Comedy', late 19th century, modelled as a seated female figure with long hair in long tunic caught up at the waist and with open sandals in Classical style, holding a garland of roses and other flowers seated on a rock with a primula at its base, after John Bell (British, 1811-1895), bears signature 'John Bell January 1848', 24 by 17 by 35cm.
A set of six commemorative Scotch Bell whisky decanters, still full, commemorating the births of Prince William, Prince Harry, Princess Beatrice, Princess Eugenia, the wedding of Charles and Diana, and the 90th Birthday of the Queen Mother, most in original packaging, together with a pair of British Navy Pusser's Rum miniature stoneware decanters, 5cl each. (8)
CINEMA: Selection of vintage signed 8 x 10 photographs, and few smaller, by various actors and actresses, all images corresponding to unusual film scenes, including Ed Harris (in a scene from The Right Stuff, 1983), Ben Gazzara (in a scene from Anatomy of a Murder, 1959, alongside Lee Remick), Barbara Rush, Zsa Zsa Gabor, Meg Tilly (in a scene from Agnes of God, 1985, alongside Jane Fonda, Joan Leslie, Keith Michell, Perry King (in a scene from Mandingo, 1975), Peter Vaughan (in a scene from Straw Dogs, 1971), Tom Bell (in a scene from Ballad in Blue, 1964, Alongside Ray Charles), Charles Dance (in a scene from Good Morning Babylon, 1987), Beryl Reid, Joan Collins, Pamela Franklin (in a scene from The Lion,1962, alongside William Holden), Susan Hampshire, Nicola Pagett, David Essex, Eric sykes, Sarah Miles, Jenny Seagrove, Milo O´Shea, James Farentino, Marc Lawrence, Kathleen Quinlan, etc.. All are signed in bold inks to clear areas of the images, and many are inscribed to French collector Pierre Gouillard. VG, 40 £100-150
Attributed to Vanessa Bell (1879-1961) - 'Still Life'Depicting a basket of apples, grapes and pears, oil on canvas, signed lower left 'V Stephen', approx. 30x45cm, inset Victorian foliate moulded and swept gilt gesso frame. NB: Vanessa Bell was born Vanessa Stephen in London on 30th May 1879, daughter of literary critic Sir Lesley Stephen and the older sister of writer Virginia Woolf. Vanessa married the art critic Clive Bell, and the two formed the Bloomsbury Group.
A late 19th century oak cased mantel clock by Winterhalder & Hoffmeier, having a silvered dial with Roman numerals and subsidiary hour dial, the eight day movement striking on a bell, the brass lockplate stamped W&H SCH, bearing paper label for Camerer, Kuss & Co (hands off but present), h.21cm
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