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Lot 499
AN 18th CENTURY OAK CASED LONGCASE CLOCK, R. SHERRATT, TITLEY (C.1720-1730), the 12" brass dial with chapter ring and Roman numerals, with scroll cast brass spandrels and date aperture, the eight day movement striking on a bell in a later case circa 1780, the hood with a moulded cornice and Greek Key beading over a blind carved frieze above a glazed window flanked by tapering fluted columns with gilt brass Corinthian caps, the trunk with a shaped panel door flanked by fluted quarter columns with similar terminals raised on a moulded plinth base and bracket feet. 2.05m by 0.59m by 0.31m
Lot 500
AN 18th CENTURY OAK CASED LONG CASE CLOCK, the white enamel dial with Roman numerals, date aperture and subsidiary dial, floral painted spandrels and painted in the arch with a bird, sign Rider, Pool, (probably William Rider a.1798), with an eight day movement striking on a bell, the hood with a moulded broken swan neck pediment surmounted by three ball, spike and bird finials above blind carved fret work over an arched glazed door flanked by tapering fluted cylindrical columns with gilt metal caps, the trunk with a shaped moulded panel door flanked by fluted quarter columns raised on a moulded and panelled plinth base and bracket feet. 2.35m by 0.57m by 0.25m
Lot 261
**A COMPOSITE CAP-A-PIE FIELD ARMOUR IN THE 'GOTHIC' FASHION, GERMAN, ITALIAN AND FLEMISH, CIRCA 1450-1510 AND LATER comprising sallet with a broad rounded crown rising to slightly hollowed medial keel pierced at its apex with a circular hole for the attachment of a crest, fitted at its rear with a long pointed 'tail' of two lames (restored), and at its front with a pivoted demi-visor (also restored) cut at its upper edge with a broad shallow notch serving as the lower edge of its stepped vision-slit, and secured to the skull at the right by a spring-catch with push-button release (restored); bevor formed of a main plate shaped to the chin and throat, a chevron-shaped face-plate articulated to its upper edge and supported at the right by a spring-catch, and a single V-shaped gorget-plate articulated to its lower edge; lance-rest (restored) of sturdy one-piece construction pierced at its base with four rectangular slots to fit over the pierced staples of a breastplate; tassets (restored) each formed with a pronounced medial ridge, fitted at its upper end with a pair of suspension-buckles, descending at its lower end to an obtusely point edge and cut away slightly at its inner edge; backplate formed of a straight-topped main plate fitted laterally with smaller side-plates (the left associated and the right restored), and overlain at its lower end by a centrally-cusped plackart struck at its centre with the maker's mark GI beneath a cross, and flanged outwards at its lower edge to receive a culet of three medially-ridged lames, the lowest of which descends to an obtuse point and is fitted at each side-with a small tasset replicating in miniature the tassets proper; large asymmetrical pauldrons formed in each case of seven lames overlapping outwards from the third and largest of them (the lowest four of the left and all those of the right restored), the seventh fitted at its lower edge with a vambrace (restored) formed of an upper cannon open at the inside of the arm and articulated by means of internal leathers through a large shell-like couter, also open at its the rear and strongly shaped to the point of the elbow, to a mitten gauntlet formed of an elbow-length cuff with a separate hinged inner plate, five metacarpal-plates, a shaped knuckle-plate and four finger-plates with longitudinal V-shaped flutes separating the fingers; pendent besagues each of peripherally-scalloped circular form, decorated with flutes radiating from a pyramidal central boss; cuisses each formed of a long gutter-shaped main plate fitted at is upper edge with four extension-plates, at its lower edge with a winged poleyn of six lames, and at its outer edge with a hinged side-plate that is likewise fitted at its upper edge with four extension-plates matching those of the main plate, and at its lower edge with two more; a pair of ankle-length tubular greaves each cut with an arch over both the heel and foot; the main edges of the armour formed in part with either inward or outward turns, its subsidiary edges cusped at points, and the surfaces of the bevor, the pauldrons and the vambraces decorated with sprays or cascades of flutes in part emphasised by incised lines (extensively pitted and patinated with some rust-perforations, cracks and patching; the restorations in many cases using old metal) See note at front of catalogue for information concerning stands Provenance Dr Bashford Dean, Riverdale, New York, privately sold 1921 with different sallet Clarence H. Mackay, Harbor Hill, Long Island, New York, sold from his estate by Jaques Seligman & Co, New York, 9 November 1940 JWHA Inv. No. 2607 Exhibited 'Medieval and Renaissance Splendor', Ringling Museum, Sarasota, Florida, 9 February - 1 May 1984 The mark struck twice on the lower part of the backplate of the mid-15th century, has been identified as that of the Milanese armourer Giovanni da Garavalle, recorded 1438-74. It also occurs on the leghharness of the well-know 'Avant' armour from Schloss Churburg, now in the Glasgow Museum and Art Gallery, Acc. No. '39-65e (Lionello G. Boccia, Le Armature di S. Maria Delle Grazie di Curtatone di Mantova e l'Armarura Lombarde del '400, Busto Arsizio, 1982, p. 282, figs 46-7, 188a.). Except that it has a demi-visor rather than a full one, the fine sallet resembles one of about 1480-90 in the Royal Armouries Museum, Leeds, Inv. No. IV. 428, from the armoury of the Knights of St John at Rhodes (W. J. Karcheski Jr & T. Richardson, The Medieval Armour from Rhodes, Leeds & Worcester, MA, 2000, pp. 25-6). In its markedly bell-shaped form, it is reminiscent of works attributed to the celebrated Augsburg imperial armourer, Lorenz Helmschmied, recorded 1467-1515 (Arms and Armour Society, The Art of the Armourer, Victoria & Albert Museum, London, 1963, p. 16, nos 28-9; and B.Thomas & O. Gamber, Katalog der Leibrustkammer,I.Teil, Vienna, 1976, pp. 106-8,pls. 34-5 & 40). The pauldrons are strikingly similar in design to those of a partial armour formerly in the Imperial Armoury in Vienna and now in the Hungarian National Museum, Budapest (Claude Blair, 'The Emperor Maximillian's Gift of Armour to King Henry VIII', Archaeologia, Vol. XCIX,1965, p. 37,pl. XIVc,d), bearing the mark of the Flemish imperial armourer Guillem Margot, recorded 1505-20).
Lot 198
Cigarette Cards, Aviation, Wills's Aviation Black Back Vice Regal part set (70/75, missing no 4, 19, 47, 64 and 75, but including some duplicates) together with Green Back Vice Regal part set 41/75 (some duplication), one Havelock Black Back Card (no 53) and 23 cards from the Vice Regal 85 card Black Back set (gen gd) also included Ardath part set of Real Photographs of Modern Aircraft, 15 cards from LF36 (gd) including Junkers, Bell and Wibault etc (gen gd)
Lot 43
An Edwardian silver ink stand, Williams Ltd, Birmingham 1905, the stand of oval form with raised pieced rim and rope twist border, housing two blue glass inkwells with silver tops, all raised on four bracket feet, 17cm wide, together with a silver commemorative bell, Barker Brothers Ltd, Birmingham 1973, engraved 'To celebrate the wedding of Princess Anne and Mark Phillips 14-11-1973', 14.5cm high, total weighable silver 10oz (2)
Lot 2070
An early 19th century thirty hour oak longcase clock by 'Jno Bates, Cuckfield', with later ball and cresting above glazed dial within turned columns, the waisted trunk on bracket feet, eleven and a half inch painted dial supporting movement striking on a bell, 220cm high (1 weight and pendulum).
Lot 392
LATE NINETEENTH CENTURY LDFA (Liverpool District Football Association) RED VELVET CAPTAINS CAP, with gold bullion tassel, oval badge showing initials LDFA over Liver Bird and date 1890, interior with makers cloth label W.G. Bell Outfitter, 20 Argyle St, Glasgow and a MATCHING TEA PLAYERS CAP, the badge dated 1888-9 printed makers detail for W.G. Bell (2)
Lot 553
EARLY TWENTIETH CENTURY BRASS SCHOOL BELL OR TABLE BELL, of typical form, with turned hardwood handle, 9 1/2" (24cm) high, INTAGLIO BRASS SEAL, with turned hardwood handle, TWO OLD HARDWOOD AND BRASS SPIRIT LEVELS, pair of beechwood GLOVE STRETCHERS, and TWO WORLD WAR II SERVICE MEDALS, viz 1939/45 and Defence medals with RIBBONS, AWARD LIST AND POSTAL BOX (7)
Lot 1111
Lilliput Lane - Mrs Pinkerston's Post Office, Golden Days, With Thanks, Kendal Chocolate House, Mangerton Mill, friends Forever, The Old Windmill, Birthday Cottage, Dunster Yard Market, Little Summer House, Sand Castle, A Cove Of Witches, Millers Cottage, Look To The Stars, Ding Dong Bell, The Poppies (16)
Lot 1226
Potter (John), Archaeologia Graeca: Or, The Antiquities of Greece, S. and F. Sprint, at the Bell, & co., London 1706, second edition, 464pp + 420pp + index, illustrated throughout with various engravings demonstrative of ancient Greek life and society, period calf bindings tooled with floral motifs, the spines inscribed 1 and 2 in gilt, raised banding, 8vo
Lot 1425
Mid-19th century mantel clock with French eight day movement, silk suspension and outside count wheel striking on a bell, silvered dial with Roman numerals in a gilt metal mounted marble case surmounted with a model of a bronze saddled horse, the gilt metal mounts depicting a cornucopia of flowers and flanked by shells with foliate scroll borders, on scroll feet (key and pendulum present), 44cm overall height (Removed from Heath House, Little Braxted)
Lot 1426
19th century mantel clock with French eight day movement, silk suspension and outside count wheel striking on a bell signed 'Establissement De Paris Miroy Freres', white enamel dial with blue Roman numerals signed 'Miroy Fres Brévetés A. Paris' and gilt pierced hands in an ornate gilt metal case with trophies of gardening implements mounted on two marble panels and floral garland border surmounted by the model of a reclining female in a hammock under a palm tree (key and pendulum present), 40cm overall height (Removed from Heath House, Little Braxted)
Lot 1434
18th century longcase clock with eight day movement striking on a bell, brass break arch dial with brass chapter ring, subsidiary seconds and calendar dials and foliate engraved centre with scroll spandrels, signed in the arch - Jno Hardie, Morpeth, in an oak case with blind fret decoration and shaped door, hood with fluted columns and pierced swan-neck pediment and two brass urn finials (key, weights and pendulum present), 225cm overall height
Lot 1438
George III bracket clock with eight day twin fusee five pillar movement striking on a bell, with floral engraved back plate brass break arch dial with matted centre and face mask spandrels, false pendulum and calendar aperture, silvered chapter ring with Roman numerals signed - Christopher Goddard, London, break arch with subsidiary seconds dial and strike silent control, in a mahogany case with dome top, brass front door surround, glass side panels and top carrying handle, on bracket feet (door key, pendulum and winding key present), 39cm overall height CONDITION REPORT General overall condition is good. Movement is clean and appears to be in working order. However, there are several holes in the back plate and at top left corner there appears something has been removed, possibly a repeat wheel. Cock may also not be original. Dial is clean and in good condition. Case very good overall. Rear door has minor damage to top left corner and has been cut inside to accommodate pendulum bob
Lot 1440
Late 18th century longcase clock movement, striking on a bell with thirteen inch brass break arch dial with subsidiary second dial and signed - Baddely, Albrighton 1797, wide silvered chapter ring, classical pierced spandrels, break arch with silvered calendar dial (pendulum and weights present)
Lot 225
Fine early 19th century Liverpool Herculaneum lozenge-shape dessert dish with central polychrome painted heavily laden basket of flowers within intricate gilded bell flower border - pattern no. 899 to base, 29cm wide CONDITION REPORT Very good original condition. Minor gilding wear to tips of handles
Lot 226
Fine set of six early 19th century Liverpool Herculaneum dessert plates, each individually painted with laden baskets of flowers and floral displays within intricate gilded bell flower borders - unmarked but probably pattern no. 899, 21.5cm diameter CONDITION REPORT All in excellent unrestored condition
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