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Lot 1

Cased Clarinet, the bell reads 'F. Buisson Sole Distributors Dallas London', the mouthpiece 'Console Selmer London Foreign'; along with a pair of binoculars, 'L. Petit Fabt. Paris', covered in brown leather, in brown leather case (two)

Lot 1

A George III wine glass, the waisted bell shaped bowl on single series air twist stem and conical foot with folded rim, 16.5cm h In fine condition

Lot 1

A George III wine glass, the elongated bell shaped bowl on a knopped single series air twist stem and conical foot, 16cm h In fine condition

Lot 1

Two George II wine glasses, the attenuated bell bowl on a solid stem and conical foot, 17.5cm h Both in fine condition

Lot 1

Two similar George II wine glasses, the bell shaped bowl on double series white opaque twist stem with upper and central knops and conical foot, 16 and 16.5cm h £ 100-150 Larger glass in fine condition, smaller glass with one chip to the rim and several nicks around the foot

Lot 1

A George III wine glass, the elongated bell shaped bowl on single series opaque twist stem and conical foot, 19cm h In fine condition

Lot 1

A George II wine glass, the attenuated bell shaped bowl with stepped basal knop on single series air twist stem with upper and central knops and conical foot, 16.5cm h In fine condition

Lot 1

An English majolica jardiniere, the bell shaped bowl moulded with medallions of putti framed by hops, glazed in bright colours on a blue ground and on three open strapwork feet, the interior pink beneath the ochre rim, 52cm h, 55cm diam, c1870 One section of the side broken and riveted with only minor loss. A few small chips and knocks around the feet but basically complete and without modern 'restoration'

Lot 1

An Austrian secessionist bowl by the Vereinigte Wiener und Gmundner Keramik, the design ascribed to Dagobert Peche, of cream glazed earthenware, the shallow reticulated bowl on a bell shaped foot, 24cm diam, impressed marks and C109, early 20th c Minor crack in one part of the pierced work. The glaze with typical light crazing where beginning to pool. No professional 'restoration'.

Lot 1

A Victorian salver, the field engraved with bell flowers and scrolling foliage within cast open-work border and beaded rim, on bun feet, 31.5cm diam, by Martin Hall & Co, Sheffield 1889, engraved for the retailer M Rhodes & Sons Ltd Bradford, 31ozs In fine condition, the marks also fine

Lot 1

A pair of Victorian gilt brass bell pulls, with turned ivory mounted handle, 16cm l; two others in inlaid mother o' pearl; a pair of Victorian gilt brass hinged curtain tie-backs, of rosette design; etc The lot in good condition

Lot 1

A novelty electro-plated hand bell cocktail shaker, with screw on handle, inscribed. 11in. (28cm.); and a Victorian electro-plated decanter stand, the pierced fret panel sides to a grapevine border, the turned wood base covered in baize underneath.(2).

Lot 1

A pair of 19th century torcheres, in painted cast iron, of Grecian design, the capitols with anthemions and bell flowers, fluted stems to laurel banded ogee stems with gadroon knops, leaf capped moulded cabriole legs interspersed with shell capped pierced anthemions, to paw feet (one incomplete). 5ft. 4in. (163cm.) & 5ft. 1in. (155cm.) Probably Coalbrookdale.

Lot 1

A French provincial pine longcase clock, the movement striking on a bell, the circular white enamel convex dial with stamped brass surround with an angel of plenty surmount, the waisted trunk with a glass pendulum aperture, the base on a plinth. 6ft. 9.5in. (81.5cm.)

Lot 1

A 19th century French Mantel clock, the eight day movement with an outside counter wheel, striking on a bell and inscribed Lay & Cherfils .. Passage Jouff, W., the spelter case with a figure of a gardener, white enamel dial (cracked), gilt rococo hard metal pierced front. 12.5in (32cm). The ebonised wooden stand with bun feet and a glass dome.

Lot 1

A 19th century French mantel clock, the eight day movement with an outside count wheel, striking on a bell, the white enamel dial decorated floral swags with pierced gilt hands, the pendulum with a gilt sunburst bob, the white marble drum case with gilt bronze mounts, a flaming urn surmount and finials on dentil ribbed square pillars, with beading to the breakfront plinth base on gilt chased bun feet. 20in. (51cm.)

Lot 1

Sykes, Lieut.-Col. P. M. A History of Persia. With Maps and Illustrations. 2 volumes, 1915. Original cloth bindings, slightly rubbed, inner hinges weak. Amory, Copley. Persian Days. 1928. Original cloth binding. Bell, Gertrude. Persian Pictures. 1928. Later full calf binding. (3).

Lot 1

A VICTORIAN SILVER ORNAMENTAL TAZZA, the circular tray with key-fret border raised on three scrolls cast with bell-flowers and terminating in volutes each surmounted by a gamebird displaying, on tri-partite base with cast leaf-scroll ornament, and moulded feet, Sheffield, 1873, James Dixon & Sons, 16.5cm, (6.1in) high

Lot 1

AN EDWARDIAN SILVER TAZZA OR FRUIT STAND in the late Renaissance style, the bowl-shaped dish on a balustroid stem with angel term arabesque ornaments on bell-form base, the bowl and foot having bead-on-reel borders, hallmarked London, 1906, Wakley and Wheeler, 20.5cm, (8in) high, 18ozs, (560g), sold with a Georgian cut glass dish (A.F.)

Lot 1

A LATE VICTORIAN/EDWARDIAN TABLE BELL in the form of a tortoise, (its tail operating the clockwork bell) the head, feet and tail of silver-plated brass with tortoiseshell carapace, 17cm, (6.75in) long

Lot 1

A SET OF THREE 18TH-CENTURY STYLE WINE GLASSES, the inverted bell-shaped bowls engraved with Jacobite symbols of roses and butterflies, on double series opaque twist stems, and plain circular feet, probably of Dutch manufacture, 16cm, (6.25in) high (3)

Lot 1

A DUTCH SODA METAL WINE GLASS, the inverted bell-shaped plain bowl on single knopped coloured twist (white and red) stem, on plain shallow conical foot, 16.8cm, (6.6in) high

Lot 1

A CRANBERRY GLASS BELL with clear clapper and waisted handle with stepped terminal, 30.5cm, (12in) high

Lot 1

A SODA-METAL "JACOBITE" NOSTALGIC WINE GLASS, the inverted bell-shaped bowl engraved with rosebuds, and having basal tear, the balustroid three-knopped stem also with tear drop, on conical folded foot, possibly Dutch, 14.7cm, (5.75in)

Lot 1

AN ENGLISH MID TO LATE 18TH-CENTURY WINE GLASS having an inverted bell-shaped bowl on double series latticino and spiral thread opaque twist stem and conical foot, 15.5cm, (6in) high

Lot 1

AN EARLY 20TH-CENTURY FRENCH BRASS CARRIAGE CLOCK, the timepiece movement with subsidiary alarm train, with bell, the platform with cylinder escapement, the enamelled cream dial having arabic hour numerals and subsidiary alarm dial, 18cm, (7.1in) high, complete with a later double-ended key

Lot 1

William Porthouse I, Penrith (1706-c.1790) A GEORGE II BRACKET OR MANTEL CLOCK the twin-fuseé movement of eight-day duration, with five high quality pillars striking on a single bell, (the escapement converted from verge to anchor), formerly having a pull repeat mechanism, (now lacking), the square dial with matted gilt centre having a trapezoidal silvered panel engraved Wm/Porthouse/PENRITH and vacant bob aperture, finely pierced hands, silvered chapter ring with Roman hours, numerals and Arabic minutes, the gilt spandrels of rococo C-scroll and floral design, the backplate plain the ebonised deal case with plain moulded "basket" top and brass carrying handle 47cm, (18.5in) high including handle, with winding and case keys

Lot 1

AN EDWARDIAN BEECH PLANT STAND having an octagonal inverted bell-form bowl with pierced sides on four slightly cabriole legs with bellflower decoration, linked by a pierced concave platform, 36.5cm diameter x 81cm high (14.2in x 32in)

Lot 1

'Una and Lion': a Minton parian figure group circa 1876, modelled by John Bell, as a female nude seated on a lion raised on a rectangular base, impressed MINTON, incised model number 184, moulded diamond registration mark and Felix Summerly and John Bell cartouche, 36.2cm., 14.25in. high

Lot 1

A FACON DE VENISE 'ICE-GLASS' DRINKING VESSEL POSSIBLY VENICE OR LOWLANDS, 16TH/17TH CENTURY, the wide bell bowl with lobes to the lower half, set on a collar above a wrythen ribbed multi-knopped stem and flared rib-moulded foot, 14.5cm., 5.325in. Applied paper label inscribed in ink '883'.

Lot 1

A FACON DE VENISE WINE GLASS POSSIBLY VENICE OR LOWLANDS, 17TH CENTURY, the bell-shaped bowl with broad everted rim, set on a merese above a slender tapering oviform stem and conical foot, 17.1cm., 6.75in.

Lot 1

A FACON DE VENISE WINE GLASS VENETIAN OR LOWLANDS, 16TH/17TH CENTURY, the slender bell-shaped bowl with everted rim, set on a merese above a slender oviform stem with basal collar and conical foot, 17.2cm., 6.75in.

Lot 1

A FACON DE VENISE WINE GLASS VENICE OR LOWLANDS, 16TH/17TH CENTURY, the lightly-ribbed bell-shaped bowl set on a merese above a hollow-knopped and inverted slender baluster stem and conical foot, 15.2cm., 6in.

Lot 1

An engraved Sunderland Bridge barrel-shaped mug dated 1818, inscribed in diamond-point a present from Mrs. Banks to Mrs Vint Jolle 1818, and another of similar form, inscribed JA flanked by barley and hops; and another similar, engraved with stylised foliage; and a bell-shaped mug, inscribed monogram WR, over a collar and circular foot, the first 13.2cm., 5.125in. (4)

Lot 1

A BALUSTER CORDIAL OR TOASTMASTER'S GLASS CIRCA 1730, the small waisted bell bowl above a collar over a tall stem with central swelling and tear extending into a basal knop with conical foot, 14.6cm., 5.75in.

Lot 1

A colour-twist wine glass circa 1770, the bell bowl set on a stem enclosing a central opaque-twist gauze within single translucent blue, green and red and opaque-white spiralling threads, conical foot, 15.7cm., 6.125in.

Lot 1

An engraved electioneering mixed-twist wine glass dated 1754, the waisted bell-shaped bowl inscribed below the rim Sr= I = Pole for ever, 1754, the stem with central airtwist gauze within a pair of opaque-white spiral threads, conical foot, 16.5cm., 6.5in.

Lot 1

A Swedish silver beaker Mikael Hammarberg,Harnosand,circa 1770, flared cylindrical, wrigglework scrolls and rocaille below the lip, 19cm, 7 1/2 in high; aesthetic movement mug, George Adams for Chawner & Co, London, 1889, engraved in Japanese taste with birds; another mug, Leslie Durbin, London, 1955, wheat sheaf handle; wager cup, model of a coach drawn coach and a bell in the form of a well dressed lady, all German, circa 1900; another bell, London, 1902, lady in armour form; three toddy ladles, two coin inset and one plain, London, 1793; two hoof end spoons, marks indistinct, probably Dutch, circa 1700 1915gr, 61oz 10dwt

Lot 1

A pair of George II silver half pint mugs Fuller White,London, 1753, baluster, helmet crest; pair of salts, Edward Wood, London, 1744, bulbous on three lion mask supports; and a two-handled cup, Gurney and Cooke, London, 1750, inverted bell form with ribbed girdle, 1320gr, 42oz 8dwt

Lot 1

An 18th Century wine glass with bell shaped bowl on double white airtwist double knopped stem and circular foot (foot damaged); and three others (damaged).

Lot 1

An 18th Century wine glass with bell shaped bowl on red and white airtwist knopped stem and circular foot (foot scratched); and three others (imperfect).

Lot 1

A set of three George III mahogany dining chairs, the serpentine cresting rails carved with bell flowers and honeysuckle motifs above the pierced vase-shaped splat backs, the serpentine seats raised on moulded chamfered square legs with understretchers, together with one other Hepplewhite style dining chair. (4)

Lot 1

An 18th Century circular wall clock with white enamel dial and roman numerals, inscribed 'Duterrau, Bond Street, London', fitted twin fusee movement, striking on a single bell, 17in. dia.

Lot 1

A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.

Lot 1

Edward Nevill (19th century school), 'Bell Tower', Bruges Watercolour heightened in white signed together with 3 others, one of Brussells 28.5 x 19.5cm. (4)

Lot 1

A black marble mantel clock, having 8-day bell strike movement.

Lot 1

A late 18th early 19th century pine cased cottage longcase clock, the square dial painted with Roman numerals, and floral spandrels with date aperture, the flat hood with pillars to side, the 30 hour movement with outside countwheel and bell strike movement, 180cm high.

Lot 1

A 19th century Scottish mahogany longcase clock, the pillared trunk and domed hood enclosing arched dial painted with a ploughing scene and the spandrelswith. farm cottages, the dial with Roman numerals and subsidiary seconds and date dials, the ring turned four-pillar movement with 8-day bell-strike, by J. Adam & Son., Lanark, 222cm high.

Lot 1

An early 19th century oak cased longcase clock, the arched dial with moon phase, silver chapter ring, subsidiary seconds dial and date aperture, the hoodflanked by columns having 8-day bell strike movement, 228cm high.

Lot 1

Rectangular rosewood mantel clock with French eight day movement, stamped Pons, striking on a single bell, 11'' high

Lot 1

James Bell Anderson: Portrait of a gentleman wearing a bow tie seated in an armchair, oil on canvas, signed and dated 1914, 41'' x 30''

Lot 1

Table lighter in the form of an orb with cross finial and with a band of stylised flower heads, London 1937; an ashtray in the form of a bell, with hinged top, Birmingham 1931. Orb 4'' high, ashtray 5'' high. 16oz

Lot 1

Juvenilia. The History of Genesis, Being an Account of the Holy Lives and Actions of the Patriarchs ... fitted for the Use of Schools and recommended to Teachers of Children, [by R.H.], 3rd ed., corrected, printed by J.D. for Andrew Bell, 1708, woodcut illusts. of biblical scenes, some soiling and a few minor tears, a few leaves clipped at top right corner, contemp. calf, worn, covers detached (lower cover missing), 8vo, together with The Surprising Adventures of the Renowned Baron Munchausen, abridged, Containing Singular Travels, Campaigns, Voyages and Adventures, also An Account of a Voyage into the Moon and Dog Star, pub. Cork, John Connor, c.1800, eng. port. frontis. (torn and chipped), some leaves frayed at corners, contemp. limp marbled card wrappers, worn, 8vo, plus a defective copy of the 4th ed. of 'Goody Two?Shoes' (J. Newbery, 1767) (3)

Lot 1

Limited Editions Club. For Whom the Bell Tolls, by Ernest Hemingway, with an Introduction by Sinclair Lewis, illustrated with Lithographs by Lynd Ward, pub. Princeton, 1942, b&w plts., orig. cloth?backed boards in pubs. slipcase, sl. faded at spine, lge. 8vo Limited edition no.60, signed by Lynd Ward. (1)

Lot 1

Woolf (Virginia). The Common Reader, 1st & 2nd series, Hogarth Press, 1925 & 1932, orig. linen?backed boards (with design by Vanessa Bell), soiled and a little worn/orig. green cloth gilt in torn and chipped d.j. (designed by Vanessa Bell), both 8vo Kirkpatrick A8 & A18. (2)

Lot 1

Woolf (Virginia). A Room of One's Own, 1st ed., Hogarth Press, 1929, orig. cinnamon cloth gilt, in chipped d.j., designed by Vanessa Bell, small 8vo Fitzpatrick A12b. 3040 copies printed. (1)

Lot 1

Woolf (Virginia). A Room of One's Own, 5th imp., Hogarth Press, 1930, orig. cinnamon cloth gilt, with frayed and chipped d.j., (see Fitzpatrick A12b: 2500 copies printed), together with Three Guineas, 1st ed., Hogarth Press, 1938, orig. lemon?yellow cloth gilt, with d.j. designed by Vanessa Bell, torn and split on the spine, 8vo, (Fitzpatrick A23: written as a sequel to A Room of One's Own), both 8vo (2)

Lot 1

Woolf (Virginia). Mr Bennett and Mrs Brown, 1st ed., Hogarth Press, 1924, 24pp., orig. printed wrappers with designs by Vanessa Bell, somewhat soiled, together with Walter Sickert, A Conversation, 1st ed., Hogarth Press, 1934, 28pp., orig. stiff wrappers with designs by Vanessa Bell, plus Reviewing, by Virginia Woolf, with a Note by Leonard Woolf, 1st ed., Hogarth Press, 1939, 32pp., orig. printed wrappers, sewn on spine as issued, and three other booklets, all slim 8vo (6)

Lot 1

Woolf (Virginia). Between the Acts, 1st ed., Hogarth Press, 1941, orig. blue cloth gilt, with slightly chipped d.j., designed by Vanessa Bell, together with The Death of the Moth and Other Essays, 2nd imp., Hogarth Press, 1942, orig. blue cloth gilt with torn d.j., designed by Vanessa Bell, (some loss to upper margin of d.j.), plus A Haunted House and Other Short Stories, 1st ed., Hogarth Press, 1943, orig. red cloth in slightly frayed d.j., with designs by Vanessa Bell, all 8vo (3)

Lot 1

Woolf (Virginia). The Moment and Other Essays, 1st ed., Hogarth Press, 1947, together with The Captain's Death Bed and Other Essays, 1st ed., Hogarth Press, 1950, and A Writer's Diary, being Extracts from the Diary of Virginia Woolf, edited by Leonard Woolf, 1st ed., Hogarth Press, 1953, and Granite and Rainbow, Essays by Virginia Woolf, 1st ed., Hogarth Press, 1958, all orig. cloth in d.j.s. with designs by Vanessa Bell (d.j.s. to first two titles slightly chipped), and three others, all 8vo (7)

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