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An English majolica jardiniere, the bell shaped bowl moulded with medallions of putti framed by hops, glazed in bright colours on a blue ground and on three open strapwork feet, the interior pink beneath the ochre rim, 52cm h, 55cm diam, c1870 One section of the side broken and riveted with only minor loss. A few small chips and knocks around the feet but basically complete and without modern 'restoration'
An Austrian secessionist bowl by the Vereinigte Wiener und Gmundner Keramik, the design ascribed to Dagobert Peche, of cream glazed earthenware, the shallow reticulated bowl on a bell shaped foot, 24cm diam, impressed marks and C109, early 20th c Minor crack in one part of the pierced work. The glaze with typical light crazing where beginning to pool. No professional 'restoration'.
A pair of 19th century torcheres, in painted cast iron, of Grecian design, the capitols with anthemions and bell flowers, fluted stems to laurel banded ogee stems with gadroon knops, leaf capped moulded cabriole legs interspersed with shell capped pierced anthemions, to paw feet (one incomplete). 5ft. 4in. (163cm.) & 5ft. 1in. (155cm.) Probably Coalbrookdale.
A 19th century French Mantel clock, the eight day movement with an outside counter wheel, striking on a bell and inscribed Lay & Cherfils .. Passage Jouff, W., the spelter case with a figure of a gardener, white enamel dial (cracked), gilt rococo hard metal pierced front. 12.5in (32cm). The ebonised wooden stand with bun feet and a glass dome.
A 19th century French mantel clock, the eight day movement with an outside count wheel, striking on a bell, the white enamel dial decorated floral swags with pierced gilt hands, the pendulum with a gilt sunburst bob, the white marble drum case with gilt bronze mounts, a flaming urn surmount and finials on dentil ribbed square pillars, with beading to the breakfront plinth base on gilt chased bun feet. 20in. (51cm.)
A VICTORIAN SILVER ORNAMENTAL TAZZA, the circular tray with key-fret border raised on three scrolls cast with bell-flowers and terminating in volutes each surmounted by a gamebird displaying, on tri-partite base with cast leaf-scroll ornament, and moulded feet, Sheffield, 1873, James Dixon & Sons, 16.5cm, (6.1in) high
AN EDWARDIAN SILVER TAZZA OR FRUIT STAND in the late Renaissance style, the bowl-shaped dish on a balustroid stem with angel term arabesque ornaments on bell-form base, the bowl and foot having bead-on-reel borders, hallmarked London, 1906, Wakley and Wheeler, 20.5cm, (8in) high, 18ozs, (560g), sold with a Georgian cut glass dish (A.F.)
William Porthouse I, Penrith (1706-c.1790) A GEORGE II BRACKET OR MANTEL CLOCK the twin-fuseé movement of eight-day duration, with five high quality pillars striking on a single bell, (the escapement converted from verge to anchor), formerly having a pull repeat mechanism, (now lacking), the square dial with matted gilt centre having a trapezoidal silvered panel engraved Wm/Porthouse/PENRITH and vacant bob aperture, finely pierced hands, silvered chapter ring with Roman hours, numerals and Arabic minutes, the gilt spandrels of rococo C-scroll and floral design, the backplate plain the ebonised deal case with plain moulded "basket" top and brass carrying handle 47cm, (18.5in) high including handle, with winding and case keys
An engraved Sunderland Bridge barrel-shaped mug dated 1818, inscribed in diamond-point a present from Mrs. Banks to Mrs Vint Jolle 1818, and another of similar form, inscribed JA flanked by barley and hops; and another similar, engraved with stylised foliage; and a bell-shaped mug, inscribed monogram WR, over a collar and circular foot, the first 13.2cm., 5.125in. (4)
A Swedish silver beaker Mikael Hammarberg,Harnosand,circa 1770, flared cylindrical, wrigglework scrolls and rocaille below the lip, 19cm, 7 1/2 in high; aesthetic movement mug, George Adams for Chawner & Co, London, 1889, engraved in Japanese taste with birds; another mug, Leslie Durbin, London, 1955, wheat sheaf handle; wager cup, model of a coach drawn coach and a bell in the form of a well dressed lady, all German, circa 1900; another bell, London, 1902, lady in armour form; three toddy ladles, two coin inset and one plain, London, 1793; two hoof end spoons, marks indistinct, probably Dutch, circa 1700 1915gr, 61oz 10dwt
A set of three George III mahogany dining chairs, the serpentine cresting rails carved with bell flowers and honeysuckle motifs above the pierced vase-shaped splat backs, the serpentine seats raised on moulded chamfered square legs with understretchers, together with one other Hepplewhite style dining chair. (4)
A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.
A 19th century Scottish mahogany longcase clock, the pillared trunk and domed hood enclosing arched dial painted with a ploughing scene and the spandrelswith. farm cottages, the dial with Roman numerals and subsidiary seconds and date dials, the ring turned four-pillar movement with 8-day bell-strike, by J. Adam & Son., Lanark, 222cm high.
Juvenilia. The History of Genesis, Being an Account of the Holy Lives and Actions of the Patriarchs ... fitted for the Use of Schools and recommended to Teachers of Children, [by R.H.], 3rd ed., corrected, printed by J.D. for Andrew Bell, 1708, woodcut illusts. of biblical scenes, some soiling and a few minor tears, a few leaves clipped at top right corner, contemp. calf, worn, covers detached (lower cover missing), 8vo, together with The Surprising Adventures of the Renowned Baron Munchausen, abridged, Containing Singular Travels, Campaigns, Voyages and Adventures, also An Account of a Voyage into the Moon and Dog Star, pub. Cork, John Connor, c.1800, eng. port. frontis. (torn and chipped), some leaves frayed at corners, contemp. limp marbled card wrappers, worn, 8vo, plus a defective copy of the 4th ed. of 'Goody Two?Shoes' (J. Newbery, 1767) (3)
Limited Editions Club. For Whom the Bell Tolls, by Ernest Hemingway, with an Introduction by Sinclair Lewis, illustrated with Lithographs by Lynd Ward, pub. Princeton, 1942, b&w plts., orig. cloth?backed boards in pubs. slipcase, sl. faded at spine, lge. 8vo Limited edition no.60, signed by Lynd Ward. (1)
Woolf (Virginia). A Room of One's Own, 5th imp., Hogarth Press, 1930, orig. cinnamon cloth gilt, with frayed and chipped d.j., (see Fitzpatrick A12b: 2500 copies printed), together with Three Guineas, 1st ed., Hogarth Press, 1938, orig. lemon?yellow cloth gilt, with d.j. designed by Vanessa Bell, torn and split on the spine, 8vo, (Fitzpatrick A23: written as a sequel to A Room of One's Own), both 8vo (2)
Woolf (Virginia). Mr Bennett and Mrs Brown, 1st ed., Hogarth Press, 1924, 24pp., orig. printed wrappers with designs by Vanessa Bell, somewhat soiled, together with Walter Sickert, A Conversation, 1st ed., Hogarth Press, 1934, 28pp., orig. stiff wrappers with designs by Vanessa Bell, plus Reviewing, by Virginia Woolf, with a Note by Leonard Woolf, 1st ed., Hogarth Press, 1939, 32pp., orig. printed wrappers, sewn on spine as issued, and three other booklets, all slim 8vo (6)
Woolf (Virginia). Between the Acts, 1st ed., Hogarth Press, 1941, orig. blue cloth gilt, with slightly chipped d.j., designed by Vanessa Bell, together with The Death of the Moth and Other Essays, 2nd imp., Hogarth Press, 1942, orig. blue cloth gilt with torn d.j., designed by Vanessa Bell, (some loss to upper margin of d.j.), plus A Haunted House and Other Short Stories, 1st ed., Hogarth Press, 1943, orig. red cloth in slightly frayed d.j., with designs by Vanessa Bell, all 8vo (3)
Woolf (Virginia). The Moment and Other Essays, 1st ed., Hogarth Press, 1947, together with The Captain's Death Bed and Other Essays, 1st ed., Hogarth Press, 1950, and A Writer's Diary, being Extracts from the Diary of Virginia Woolf, edited by Leonard Woolf, 1st ed., Hogarth Press, 1953, and Granite and Rainbow, Essays by Virginia Woolf, 1st ed., Hogarth Press, 1958, all orig. cloth in d.j.s. with designs by Vanessa Bell (d.j.s. to first two titles slightly chipped), and three others, all 8vo (7)
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123939 item(s)/page