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A 19th Century brown patinated and ormolu mantel clock with eight day movement striking on a bell, the circular dial with Roman numerals framing an embossed foliate centre, the backplate stamped `Delcamp A Paris`, the naturalistic case surmounted with a Middle Eastern warrior on horseback, the rectangular plinth with foliate band, height approx 44cm, together with a pendulum.
A George III and later mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring with Roman numerals framing a matt centre with subsidiary seconds, date aperture and applied plaque inscribed `Jams Hubert, London`, the later case with moulded pediment above turned columns and glazed door, the trunk with arched door above a panelled base and bracket feet, height approx 237cm, together with pendulum and two weights (faults).
A George III oak longcase clock with eight day movement striking on a bell, the brass dial with subsidiary seconds, date aperture and inscribed `Step Willmshurst, Odiham`, the oak case with moulded pediment, the trunk door with glazed lenticle on a plinth base, height approx 189cm, together with pendulum and two weights (reduced and faults).
ART REFERENCE. – Malcolm BELL. Sir Edward Burne-Jones, a Record and Review. London & New York: 1894. 4to (278 x 193mm.) Numerous photogravure plates, wood-engraved illustrations. (Plates reinforced with cloth, some spotting.) Contemporary green calf gilt, gilt turn-ins, g.e. (Somewhat rubbed and scuffed, head of spine worn). – And a quantity of others of art reference interest (a quantity).
A French gilt metal and a champlevé enamel mantel clock, canopied oblong case with an ornamental urn finial and cast ram`s masks, white enamelled dial, surrounded by ornamental scrolling foliage and torch motifs, plinth base with cast scrolled feet, French cylinder movement, striking on a bell, 67cms, (26½").
A French gilt metal and alabaster three-piece clock garniture, the clock with an urn finial, drum-shaped casing supporting by twin columns, white enamelled dial with painted festoons, eight-day cylinder movement, striking on a bell, 36cms, (14") and a pair of matching two-light candelabra, 20cms, (8").
A French gilt metal and alabaster mantel clock, signed B. Yian, Paris, circa 1900, designed with a classical maiden and cherub flanking the dial, surmounted by a wreath, flaming torch and other trophies, trailing flowers and foliage, breakfront plinth, white enamelled dial with Arabic numerals, cylinder movement striking on a bell, 42cms, on a wooden plinth.
A brass cased carriage clock, by Paul Garnier, Paris, with "one-piece" case, the front glass sliding upwards "watered-silk" engine turned silver dial, signed - P. Garnier, "Chaff-cutter" escapement, striking on a bell on the hour and half hour, the back plate engraved "PAUL GARNIER HER DU ROI, PARIS", 13cms, (5") with handle down, width 8.5cms, (3½").
A 2nd half of the 19th Century French Rosewood and Lacquered Brass Carriage Type Clock, Hy Marc A Paris, 18344, the replacement platform escapement to a lacquered brass movement with back mounted count wheel and strike on a bell, to a signed Roman enamel dial with outside minute track and blued steel trefoil hands within an engine-turned brass bezel, and set with bevelled glass panels, in a plinth-shaped case with lacquered brass carry handle and moulded plinth base, height 9 ¾” (SEE PHOTOGRAPH)
An early 20th Century Lacquered Brass and Variegated Marble Mounted Boudoir Timepiece, the drum-shaped case with purple enamel bezel, on foliate mounts and raised on black variegated marble plinth base, to a painted dial depicting a village clock tower with bell to the tower, and Roman chapter ring with blued steel hands, to a spring-driven movement, height 2 ½”
A late 19th Century French Lacquered Brass Carriage Alarm Clock, the silvered level platform escapement with blued steel hairspring and screws, and strike on a bell, to a Roman and Arabic enamel dial with outside minute track and blued steel spade hands with alarm subsidiary at 6, in a lacquered brass Obis case, height 5 ¾”, together with its original morocco covered outer travel case (SEE PHOTOGRAPH)
A mid-19th Century Rosewood and Mother-of-Pearl Inlaid Drop Dial Wall Clock, unsigned, the octagonal surround with floral inlaid panels over “C” scroll carved ears, and further inlays enclosing a sight glass to a rounded bottom and hinged door (door missing), to a twin fusee movement the shouldered plates united by knopped pillars, and with anchor escapement and strike on a bell, height 27 ½”
A mid-19th Century Mahogany Cased Drop Dial Wall Clock, the moulded surround to a spun brass bezel enclosing an 11 ½” repainted Roman dial with outside minute track and signed to the centre James Court, Southwold, with blued steel spade hands, over a glazed shaped panel, to a twin wire fusee movement with plates united by plain pillars and with anchor escapement, strike on a bell, height 19” (SEE PHOTOGRAPH)
A late 19th Century Walnut and crossbanded Drop Dial Wall Clock, the moulded surround with inlaid border and rosettes, to a two glazed panel and hinged trunk, to a spun brass bezel enclosing an 11” repainted Roman dial, with outside minute track and signed to the centre “R Miles, Stalham”, with blued steel pierced hands, to a twin spring-driven movement with anchor escapement and strike on a bell, height 29”
An early 20th Century Stained Beech Postman’s Alarm Clock, the sectioned and moulded surround to a reverse printed on glass Arabic dial with 24 hour increments, outside minute track, pierced steel hands with brass indicator arm, to a wooden movement with twin weights and strike on a bell, diameter 12”
A late 19th Century Black Slate Combination Calendar Clock, the black slate plinth-shaped case with serpentined front and set with a brass bezel with bevelled glass enclosing a 5 ¼” Roman chapter ring with outside minute track and visible Brocot escapement, with blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, over a further bezel also set with bevelled glass enclosing 5” enamel dial set with months to the outer rim and enclosing moon phases and subsidiaries for day and date, height 16 ¼” (SEE PHOTOGRAPH)
A late 19th Century French Lacquered Brass Four Glass Mantel Clock, Hry Marc – Paris, the lacquered brass case with bevelled cornice and plain top over rounded corner supports set with heavy bevelled clear glass panels to a plinth base, with brass bezel enclosing a 4 ½” Roman chapter ring with outside minute track and further enamelled centre with visible Brocot escapement with blued steel moon hands, to a circular brass movement with blued steel screws and numbered 4793, with anchor escapement and strike on a bell, and fitted with a twin mercury pot pendulum, height 15” (SEE PHOTOGRAPH)
A late 19th Century French Black Marble and Lacquered Brass Mounted Mantel Clock, the plinth-shaped case with moulded cornice and plain base on outside bracket feet, to a spun brass bezel with bevelled glass enclosing a 6” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, height 15 ¼”
A late 19th Century French Mantel Clock Movement, the Roman enamel chapter ring with outside minute track and Arabic quarters to an engine-turned centre with blued steel fleur-de-lys hands, and circular brass movement with anchor escapement and strike on a bell, mounted in a modern mahogany and lacquered brass mounted case with scrolling pediment and overhanging cornice with eight cylindrical columns and stepped plinth base on bracket feet, and centred with a cherub, height 19”
A late 19th Century Porcelain Mounted and Gold Painted Spelter Mantel Clock, the breakfront case surmounted by a head and shoulders bust of a young lady with ringlets and floral detail, to inset side panels with further floral and foliate detail and central rectangular panel decorated with cherubs, to a 3” porcelain circular dial with Roman numerals and further floral detail with blued steel spade hands to a circular brass movement with anchor escapement and strike on a bell, the whole raised on a gold painted and velvet-covered base, height 17”
A late 19th Century French Gilt Spelter and Porcelain Mounted Clock Garniture, the shaped case surmounted by a lidded urn with floral, foliate and ribbon detail and inset with further floral and mask panels to a beaded bezel enclosing a 3 ¼” Roman dial, with further floral detail (hands lacking), to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell; together with a pair of matching Candlesticks Side Pieces (3)
A mid-19th Century Ebonised French Mantel Clock, the plain black case with serpentined pediment and flared base with sliding and glazed front, to a Roman enamel dial (hairlines and repairs), signed Biron – Paris, to a circular brass movement with silk suspension, back mounted count wheel and anchor escapement, strike on a bell, height 9 ¼”
A late 19th Century Cast Brass Mantel Clock, the oval reeded case surmounted by a shallow urn with rams mask handles and detachable cover, the scrolling side pieces and breakfront base set with cartouche and raised on peg feet, to a cast brass bezel enclosing a 3 ¼” cast dial with applied Roman enamel lozenges (two missing), and fitted with blued steel trefoil hands, to a circular brass movement with anchor escapement and strike on a bell, height 13”
A late 19th Century Black Slate and Variegated Rouge Marble Mantel Clock, the plinth shaped case surmounted by a shallow urn with applied gilt metal rim and side handles to an overhanging cornice and freestanding reeded columns on a shaped plinth base and raised on paw feet, to a cast and beaded bezel with bevelled glass enclosing a 3 ¾” black Roman dial, with gilt fleur de lys hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 17 ½”
A late 19th Century Black and Rouge Marble Mounted Mantel Clock, the architectural case on plinth base, to a cast brass bezel with bevelled glass enclosing a 3 ¾” Roman enamel dial with outside minute track and blued steel spade hands, to a circular brass movement with back mounted count wheel, anchor escapement and strike on a bell, height 10”
A mid-19th Century Cast Iron Four Poster Turret Clock, G Wenham – Watton, Norfolk, 1856, the pierced plates united by four corner mounted pillars, to a signed and silvered Arabic minute hand set subsidiary below a further silvered hour set dial, with anchor escapement and twin weight-driven mechanism, together with its original pendulum and cast iron weights, bell and exterior 30” blue painted dial with gilt Roman numerals and spade hands, and fitted with a universal joint (width of plates 20”)
A mid-18th Century Oak Cased 8 Day Long Case Clock, Everard Dillington – Mkt Harborough, the case with moulded overhanging cornice to a plain frieze and arched door flanked by 3/3 columns, to a moulded throat and long and shaped trunk door to a plinth and bracket base, to a 12” arched brass dial with engraved wheatear border and signed silvered nameplate to the arch with mask and foliate spandrels enclosing a Roman and Arabic silvered chapter ring, with outside minute track, fleur-de-lys half-hour markers to a matted centre, with subsidiary seconds and date aperture with pierced steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell (associated), height 88” (SEE PHOTOGRAPH)
An 18th Century Oak Cased 30 Hour Long Case Clock, Thos Haden – Dudley, the case with overhanging cornice and shaped pediment with central finial over freestanding columns, to a moulded throat and long trunk door with inlaid detail on a plinth and bracket base, to a 12” square brass dial with applied mask and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track, to an engraved and matted centre, with recessed nameplate and date sector, with pierced steel hands, to a movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 84”
A mid-18th Century Oak and Inlaid 8 Day Long Case Clock, Robert Davy – Hoveton, the arched case with scrolling pediment over reeded freestanding columns, to a moulded throat and arched long trunk door, with inlaid detail and further plinth base with starburst design, to a 12” arched brass dial with silvered strike/silent subsidiary to the arch, and further applied foliate and “C” scroll cast spandrels enclosing a Roman and Arabic silvered chapter ring with outside minute track to a matted centre with recessed subsidiary seconds, nameplate and date aperture with black painted pierced steel hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 88” (SEE PHOTOGRAPH)
A 1st half of the 19th Century Mahogany and Boxwood Line Inlaid 8 Day Long Case Clock, Springall – Norwich, the arched hood with shaped pediment and overhanging cornice to reeded freestanding columns, to a moulded throat and long arched trunk door with canted corners to a plinth and bracket base, to a 12” arched 3rd period painted dial decorated with Jesus and Fishermen to the arch, over gilt floral spandrels enclosing a Roman chapter ring with outside minute track with subsidiary seconds and date sector, with blued steel and pierced hands, to an unsigned false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 82” (SEE PHOTOGRAPH)
A 2nd half of the 18th Century Oak Cased 8 Day Long Case Clock, F Gossling – Diss, the arched hood with overhanging cornice surmounted by a pierced pediment (some losses) with later urn-shaped finials, over freestanding columns to a moulded throat, and arched long trunk door on a reduced plinth and bracket base, to a 12” 2nd period painted and arched dial decorated with gilt highlighted roses and floral sprigs to the arch over grape and fruit spandrels, enclosing an Arabic chapter ring with further Arabic quarters and fleur-de-lys hour markers, with outside minute track enclosing subsidiary seconds and date sector with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 86” (SEE PHOTOGRAPH)
A 1st half of the 19th Century Scottish Mahogany Cased 8 Day Long Case Clock, Wm Young – Dundee, the arched case with swan-neck pediment over reeded freestanding columns, to a moulded throat and short shaped trunk door flanked by quarter reeded columns, to a boxwood line inlaid plinth base, to a 13” arched 3rd period painted dial decorated to the arch in gilt highlighted masonic symbols, including the All Seeing Eye, Sun and Moon, Set Square and Dividers, Plumb Bob, Trowel and Line, Ladder and Crossed Hammers, over gilt highlighted floral spandrels enclosing a Roman chapter ring with subsidiaries for seconds and date, and fitted with pierced and stamped brass hands, to a movement with shouldered plates united by four knopped pillars and with anchor escapement and strike on a bell, height 80”
A vintage bakelite telephone with bell on / bell off buttons, index drawer to base, the handset marked 164 48, base numbered 328L FHR-2 to/w a second bakelite telephone with index slide to base, handset 164 46/1, the base 332L PL47/2 (2) both tel. no. Western 2186 in original unrestored condition.
WW1/WW2 Trench Periscope camouflaged painted tubular shaft with top lens. Lower circular mount with angled lower lens and adjustable eye piece. Wooden base handle with swivel bracket. Optics misted. Together with a WW2 M70 telescope by Bell & Howell Co dated 1943. Green painted finish. Some wear. 2 items.
Highly decorated French marble & brass mantel clock by Julian Leroy of Auriol: ormolu case in the French Revivalist style circ mid to late 19thC. Spring driven eight-day movement with strike on a bell, adjustable bun feet, cherub design to pendulum bob & grape and vine design on case embellishments
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123509 item(s)/page